"Nuevo proyecto para la CW sobre 'THE FLASH'"

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- Entrevista con Candice Patton (dccomics):
Entrevista con Candice Patton
Por Tim Beedle 30/09/2014 - 10:00am


What’s it like sharing the screen with a super hero? Most of probably couldn’t answer that, but Candice Patton can. As Iris West on The Flash, the latest DC Comics action adventure to land on The CW, Candice is both a best friend and potential love interest for our hero. But don’t think for a moment she’s merely arm candy. Iris is intelligent, driven and curious, particularly about Central City’s new masked hero.

Candice recently spoke with us about her new role, offering her thoughts on love triangles, her favorite super hero [spoiler: it’s not the Flash] and what she would do if she were the one with super speed.

So did you ever think you’d be hanging out with a super hero for a living?

No, I never… I mean, I think if you’re an actor you dream of doing some kind of super hero movie or show. But you don’t think it could ever some true, so this is kind of crazy.

I had a dream last night for the first time about the Flash. So I’ve started dreaming about Flash, which is really kind of cool.

Were you Iris in the dream?

No, I wasn’t. I was Candice in the dream. I’m going to have to piece it together for myself. But this was the first time I realized, oh, I’m dreaming about the Flash. I’m bringing my work life into my dream life, and I’m not mad about that. It was actually really cool.

How would you describe the character of Iris West?

In our show, she’s Barry Allen’s childhood best friend and pseudo sister. Where the show picks up, she’s getting her degree and thinking about becoming a reporter. But instead she starts this blog because there’s this red streak that keeps showing up in town and saving people. For the first time, there’s something that’s capturing her attention. She’s really passionate about it—finding out who this red streak is and why he does what he does.

Barry is probably Iris’s best friend on the show. What would you do if you found out your best friend had super powers?

Oh, I would take advantage of that for sure. I’ve got a best friend that’s got super powers? Yeah, depending on what the super power is…

Actually, I don’t even think it matters what the super power is. I’m totally taking advantage of that.

You wouldn’t question it?

No, it’s like having a friend with a discount at your favorite store.

Iris is in something of a love triangle with Barry and Eddie. I know actors tend to draw from experience, so have you ever been in a love triangle?

No, I have not been in a love triangle. Thankfully. It’s very messy. Just playing it on TV, it’s very complicated, and I don’t know who has time for that, but Candice Patton does not. No, I like to keep it simple.

Do you think having super speed would help if you ever were?

Oh yeah, because you could literally be all over the place. You could go from one person—

This is terrible that I’m even thinking about this!

No, no, I’m totally pushing you in that direction.

[Laughs] I know! You’re a terrible person!

You mentioned earlier that your character eventually starts blogging about the events in Central City. If you had time for something like that, what would you blog about?

I’d probably blog about set life since that’s kind of what consumes me right now. Behind the scenes of what it’s like working on a TV show. [Ed. note: Candice wasn’t kidding! Look for her photo blog from the set of The Flash next week here on DCComics.com.]

So who’s your favorite DC super hero?

Batman for sure.

I noticed you tweeted about Gotham the other night.

Yeah, I don’t know if you watched it, but I was really, really pleased with Gotham. I was trying to get the pilot ahead of time, but we never made it happen. So I finally watched it during the premiere, and I was just kind of geeking out with everyone else.

It sounds like you’re at least a bit of a super hero fan, if not a comic book fan. Would you say that’s true?

Yeah, it’s very true. I have an older brother, and that’s my only sibling, so growing up if I wanted to play, I usually had to do the things he wanted to do. It was a lot of Ninja Turtles, Mortal Kombat, Batman… He was a huge Batman and Superman fan, so I was constantly watching the movies and cartoons with him. So I didn’t really grow up reading comic books, but I was very familiar in terms of Batman and Superman on screen.

So, Batman’s your favorite DC super hero. Who is your favorite real life super hero?

I think right now I’d have to say Hillary Clinton. You know how Emma Watson just gave that great speech about gender equality? I went back and watched a similar speech that Hillary Clinton gave in Beijing back in 1999. For a woman to be saying that in ’99 and we’re still kind of struggling with those issues. It really was profound to me how ahead of her time she is and what a strong, strong woman she is. So I think Hillary would probably be my super hero.

Okay, one last question. If you had Barry’s speed, what’s the first thing you would do with it?

I would probably run back to Texas. It’s hard because we’re shooting in Vancouver, so on the days that we do have off, I struggle with wanting to go back to LA to see my friends or back to Texas to see my family, but we’re working such long hours that it makes it hard. So if I had Barry’s super power, I would definitely go see friends and family.

But I don’t think I get frequent flyer miles with that.

You wouldn’t, but you also wouldn’t have to worry about checking luggage.

That is very true.


http://www.dccomics.com/blog/2014/09/30 ... 039s-speed

- Grant Gustin sobre "The Flash": "Lo que estamos haciendo no se ha hecho en los cómics" (comicbook):
Grant Gustin sobre "The Flash": "Lo que estamos haciendo no se ha hecho en los cómics"
Por Russ Burlingame 30/09/2014


It's just a week until the launch of The CW's The Flash, the hotly-anticipated superhero series from the producers of Arrow that has had some of the best pilot reviews of the new TV season.

The pilot has been screened at Comic Con International: San Diego, and also leaked online, to almost unanimous praise. Comic book writers like Mark Waid, who has a long involvement with The Flash, lavished it with praise and we at ComicBook.com called it the best comic book TV show pilot we've seen since The Walking Dead.

And a lot of that has to do with star Grant Gustin, who embodies the angst, enthusiasm and energy of Barry Allen perfectly and who manages to make the runtime of the show blow by (no pun intended). Introduced in an episode of Arrow, the Glee veteran counts himself lucky to have got the job -- it wasn't one he expected to get, necessarily -- but producers have said that they're just as lucky to have him.

In fact, executive producer Andrew Kreisberg has said to reporters that, had Gustin or somebody as good as him not come along, the pilot might not have taken shape at all and that the project could have gone nowhere.

Gustin joined ComicBook.com at a roundtable at Comic Con International: San Diego back in July, and shared some of his feelings with us about playing the iconic character, his place in the history of television and The Flash and more.

Are you comfortable in Barry's skin at this point?

I am, actually. It was a little daunting when I got the role. It was a little daunting when I got the audition actually. I was excited to have the opportunity and didn’t… I mean, some things you’re like, "I have a really good chance at this," and I didn’t necessarily think that about this role. But now that I have it I see why they wanted to go in this direction. It’s kind of a different take on The Flash and I’m definitely starting to feel like I’m in the skin and I’m having a lot of fun. The writing is like they’ve already written in my voice so it’s easy enough to just kind of do it. And it’s just the most fun I’ve ever had, so it’s great.

Glee was a groundbreaking show, and now The Flash is introducing a couple of gay characters. How do you feel being involved in a show that’s giving visibility to a group that’s underrepresented?

It’s great. This genre, like you said, it hasn’t really been done with this genre so it’s going to be a whole broader spectrum than Glee can bring in for fans. It’s great. I like being a part of it, so it’s fantastic.

How much research did you end up doing into the comics and the old series to get into the character?

I started at the beginning at first. I thought I’d go all the way back and then kind of read. Then I was like, "Wait a second, this is impossible. I can’t do all that."

So I read some of the old stuff but then once I worked my way toward the New 52 series, I’m pretty much just reading that now because it’s the closest to what we’re kind of doing. But at the same time, what we’re doing has not been done in the comics. It’s a very different Barry Allen. A lot of the characters are very different than they are in the comics, but they have the same heart.

I mean, I’ve done plenty of the research but Andrew Kreisberg, Geoff Johns and Greg Berlanti are my research. If I need information, I can just talk to them. I don’t have to try to flip through the comics that relates to the episode we’re doing. I just call and have a conversation with them about it.

What’s been the biggest challenge you've faced so far, transitioning into The Flash?

At first, I thought it was going to be the pressure I was going to get from the fans of being the right Flash. But they’ve been just really accepting, I think because of the team mostly. They earned their trust with Arrow and they trust that this is going to be good. But now I think it’s just, honestly, I’m trying to with the shooting schedule we have trying to maintain also being able to train and eat as much as I can. I’m a thin guy and just trying to maintain my body while doing the schedule.

http://comicbook.com/2014/09/30/grant-g ... -done-in-/


- Nuevas imágenes promocionales:

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- Nueva imagen bts del crossover con "Arrow! (30-09-14):

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(@coltonhaynes: Badly lit selfie at work today #Flash is on #Arrow turf now! Friggin love the Flash peeps!)


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- The Flash "The Future Begins" Extended Premiere Trailer:

https://www.youtube.com/watch?v=muu8Lsnhlt4


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

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- Stills del 1.02 "The Fastest Man Alive":

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- Descripción oficial del 1.03 "Things You Can´t Outrun":
1.03 "Things You Can´t Outrun" (21/10/14): THE FLASH LUCHA CONTRA THE MIST, CAITLIN LE CUENTA A BARRY SOBRE RONNIE — Mientras que Barry (Grant Gustin) y el equipo en S.T.A.R. Labs trabaja para capturar a Kyle Nimbus (la estrella invitada Anthony Carrigan), a.k.a. The Mist, un nuevo y peligroso meta-humano con poderes de gases tóxicos, revisitan la dolorosa noche en la que el acelerador de partículas explotó y mató al prometido de Caitlin (Danielle Panabaker), Ronnie (la estrella invitada Robbie Amell). Meanwhile, Joe (Jesse Martin) decides to finally visit Henry (John Wesley Shipp) in jail after all these years, but things take a dangerous turn when Kyle shows up looking to punish Joe for arresting him years ago. Mientras tanto, Iris (Candice Patton) y Eddie (Rick Cosnett) continúan ocultando su relación a Joe. Jesse Warn dirige el episodio escrito por Alison Schapker & Grainne Godfree (FlashTVNews #103).

http://flashtvnews.com/flash-episode-3- ... scription/


- Nueva imagen BTS de la S1 (02-10-14):

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(@candicekp: Behind the scenes chill. 5 days. #TheFlash)


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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

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- The Flash "City of Heroes" Clip 2:

http://www.ign.com/videos/2014/10/03/th ... metahumans
https://www.youtube.com/watch?v=U0sv4kjrveQ



- Nuevos banners Promocionales:

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- Nuevas imágenes BTS (03-10-14):

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(@grantgust: Good morning, world
@grantgust: Also, met this friend today. He was me 20 years ago)



- La actriz Candice Patton ¡en un Flash! (edgeonthenet):
La actriz Candice Patton ¡en un Flash!
Por JC Alvarez 04 Oct 2014


Lightning is about to strike! Candice Patton, the ingenue starlet and now leading lady of one of the Fall Season's most highly anticipated new primetime series has found herself at the center of a maelstrom starring in the CW's "The Flash."

"The Flash" is based on the popular long-running DC Comics series about a CSI investigator named Barry Allen (played by former "Glee" star Grant Gustin) who moves at superhuman speeds after being struck by lightning.

When EDGE caught up with the Patton, she was away from the Vancouver set that serves as the backdrop for Central City - the home of our hero. Patton was in Los Angeles, still enjoying her last bits of anonymity, at least while it lasts.

The whirlwind surrounding her casting in the action series, a proper spin-off of the widely popular Arrow, another DC Comics inspired hero, reached a fever pitch when Patton found herself facing a crowd of more than 120,000 super-fans at this year's San Diego Comic-Con. The show's pilot (premiering Tuesday, Oct. 7th on The CW) was pre-screened in the infamous Hall H. And just like that - in a flash - Candice Patton's world ignited! Cast opposite Gustin's "The Flash," she will be playing "Iris West" - his on-screen childhood best friend, and eventual sweetheart - at least that's what fans are hoping.

Think Lois Lane to Superman's Clark Kent. That's how much in love these characters are in comic books, and exactly why everyone has been carefully scrutinizing Patton's role as Iris. "No pressure," Candice joked, taking it all in stride. "It's great! It's been kind of crazy - but I'm handling it." Though Patton has guest appeared on several television shows and enjoyed a lengthy arc on the soap "The Young and the Restless," this is her first starring role in prime time. "Sometimes it's still hard for me to believe that I am on a show this big, and that I'm [the Flash's] leading lady."

Breaking the [Sound] Barrier!

Prior to signing up to the superhero show, Patton knew very little about the titular star except that he was fast and ran around in red tights. "Yeah...that's pretty much all I knew," she said. Her indoctrination into the DC Comics scarlet speedster came from her nephew. "He always had these action figures lying around the house, so I've seen the Flash." Admittedly Candice revealed she was always more a Batman fan, that is before learning about the fast-paced life the Flash leads.

"This business is so tough, and you work so hard for so long," she said. "You think things aren't going to work for you - and then one day you go in for "The Flash" and they say: Yes! We want you!." Though seriously, the stunning Patton needs only flash her smile, serve up her quick wit, and all hearts are a flutter. Her dedication to her craft as an actor has set her successfully on her path, and Patton sees herself a very character-driven performer. So who provided the template for her character on "The Flash"?

"I see Iris a lot like Beyoncé." Patton may be trivializing the comparisons between her character and the pop diva, but she admits seriously, "I love Iris. She continues to inspire me! She's a modern-day woman, who doesn't apologize for her intense curiosity." It's that curiosity that will set Patton's Iris West on a collision course to learn the true identity of the Flash. "Iris is constantly curious - it's that curiosity that drives her to challenge Barry."

Having to work very closely with Grant Gustin on "The Flash," it was very important that the actor cast as "Iris" have a genuine and believable chemistry. When Patton and Gustin were put together, there were immediate sparks between the two! "It was pretty evident from the start," Patton said. "We're both very light-hearted, fun-loving, happy- go-lucky people - and that instantly came through." It will go down as one of those Hollywood fables, that the minute the casting process was over, and Patton existed the room, Gustin turned to the casting crew and said: "That's Iris!" - which is pretty awesome!

In an inspired move on the part of show's producers, the part of Iris was won by an actress of minority background, making "The Flash" by far and large the most ethnically diverse cast on television - much more reflective of the television watchers who will be ferociously tuning in week after week. "There were a couple of people upset, with some of the show's casting choices - with me in particular," Candice revealed, "but this is a true representation of what our society looks like today, and there's often a lack of that on TV."

She added, "People want to see themselves on TV, especially comic book fans - they want to see their favorite characters well represented on TV and film." Patton is confident that the show with its diverse cast is part of that movement helping to move in the right direction, especially in the superhero genre.

Hottest Cast on TV!

The role of her father, Detective Joe West went to Broadway and television veteran Jesse L. Martin("Rent", "Law & Order"}. The two actors bonded immediately on set. "It was super easy," she said about getting to create that relationship. "We spend a lot of free time together - having dinners or going to the park. We're all we really have right now." The show shoots just to the north of us in Vancouver, what many have historically come to call "Hollywood North". "When you have such seasoned actors like Jesse and Tom Cavanagh on the show, it sets a tone. They've really taught us a lot about working together. That 'family element' is there - it's very real."

In order to keep in step with the aforementioned star of "Arrow "Stephen Amell's awesome abs, "The Flash" cast is loaded with delicious eye candy from its sleekly-styled lead Grant Gustin, to "pretty-boy" Rick Cosnett of "Vampire Diaries" fame. "Tell me about it," Candice proudly exclaims. "I get on set, and I'm like really! But it's the CW. We have a lot of good-looking people - the guys and the girls." It also hasn't gone unnoticed that to build the Flash's lethal adversaries a dashing assortment of some of Hollywood's handsomest has been assembled for the show's rogues gallery of villains.

"We've had such amazing actors come in as our guest stars, including Wentworth Miller." The openly gay actor is taking on the part of the hero's most popular villain "Captain Cold" and is being joined by his former "Prison Break" co-star Dominic Purcell who will also be turning up the temperature on set as "Heat Wave." "It's all really great eye-candy for sure," Patton insists, "but with the calibre of actors that we're bringing into the show, it speaks to how well we hope the show will do."

For Patton, the fact that the show bolsters such a fine ensemble is what is making this experience such a joy for her. "It makes the job easier," she said enthusiastically, "it certainly makes for great play in front of the camera. I genuinely get inspired by seeing my cast mates at work - it's going to show up in the work that we do." Similar to her "The Flash" costar John Wesley Shipp (and not a coincidence that the hunky Shipp was the original television "Flash" from the 1990's short-lived CBS series) Patton cut her teeth as an actor in day-time television on the long-running soap "The Young and the Restless."

"Daytime is where I got my start." She was discovered in Dallas, Texas. "Soap operas are more willing to think outside the box when it comes to casting their actors. I will always be grateful to the soap opera world, for taking me in when it was harder to get work in other genres." Not that it will be a problem anymore for Patton as her star begins to skyrocket in primetime. Her ferocious discipline comes from the unyielding support she received from both her parents. "My parents are so great! For them to watch me go into this crazy career - they've always believed an actor is what I'm supposed to be."

Fan Expectations!

Patton found their support instrumental in her belief in herself to follow her dream. "I've always had this passion [to be an actor] from an early age. I knew fairly early on it was what I wanted to do." Even after all the months already on the set, she was still reeling from the overwhelming fanaticism she experienced at Comic-Con; Patton was touched by the affection showered upon her and the rest of the cast. "I understand what it's like to be a fan," she said, identifying with the "glorious geeks" that make up her new fan base. "I was always a loner, reading plays in my car alone during lunch break. I connect with people who have their own thing that they love!"

If the reception the cast got at San Diego's Comic-Con is any indication -Candice Patton has moved into the fast lane. "It was overwhelming! It wasn't until we got to Comic-Con that it hit me!" She and the rest of her cast mates were joined the respective cast of their sister show "Arrow", and the two other DC Entertainment series "Gotham"and "Constantine." All are based on widely popular DC Comics properties, genre shows that are dominating the upcoming Fall TV season With such high expectations set on "The Flash," inevitably one has to wonder if she's as excited as we are for that "first kiss" between Barry and Iris.

Candice laughed coyly and admitted, "I haven't thought about it." She prefers instead to stay in the moment, enjoying each new script to every week's episode and seeing what sort of peril she'll find herself in. "I don't think [my action] will ever be as intense as what Grant is doing," she remarked, "but I'm all about it. I have my sites set on kicking some ass!" Candice Patton is no damsel in distress, and her Iris West will be ready to keep up with whatever "The Flash" is preparing to throw at her. "You want to put me in latex - great!" But even until she's fitted for her own speed suit, Candice Patton is turning heads already!



http://www.edgeonthenet.com/News//16670 ... in_a_flash!


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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

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- The Flash - New "Destiny" Trailer:

https://www.youtube.com/watch?v=BhVO651V5t4




- Nuevas imágenes BTS (06-07 Oct 2014):

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(@FLASHtvwriters: Now we know where #CaptainCold hangs out #TheFlash #onemoreday
@candicecap: Trailer neighbor @RickCosnett and I hanging out while we wait. #TheFlash tomorrow 8/7c on @CW_network!
@SarahSoWitty: Team FLASH! Everyone excited for tomorrow
@amellywood: Guess what premieres tomorrow?
@RickCosnett: The Flash cake. Birthday 0 tomorrow! Here we go.... Tuesday 8 7c cwtheflash @grantgust candicekp
@FLASHtvwriters: @dpanabaker @EmilyBett (not sleepy at all) on the crossover #flarrow @ARROWwriters
@candicecap: Here we are as emoticons
@AJKreisberg: 8pm tonight on @TheCWnetwork The Flash begins! #TheFlash #Arrow
@dpanabaker: Crossover in the foundry! #arrow #theflash)


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- ¿Cuánto tiempo pasará antes de que veamos a Firestorm en The Flash? (Ksitetv):
¿Cuánto tiempo pasará antes de que veamos a Firestorm en The Flash?
Por Craig Byrne in Interviews, 06 Octubre 2014


The character of Ronnie Raymond, better known to comic book fans as one half of Firestorm, is name-dropped as early as the second episode of The Flash, and we get to see Ronnie in flashback in Episode 3 where he’s played by Robbie Amell (cousin of Stephen, star of The Tomorrow People).

But how long will it be before we see the Firestorm of it all?

We asked the producers and a few actors from The Flash that very question at a Q&A held this morning at DC Comics’ Burbank offices.

So how long will it be?

“Not long,” Geoff Johns promised.

“Sooner than I thought, that’s for sure,” Grant Gustin added.

“Again, another character I think we’re all big fans of. It organically kind of grew out of the story,” Geoff Johns told us.

“It wasn’t the grand plan at the beginning,” Andrew Kreisberg revealed. “There was a time when Catilin’s fiancee was not Ronnie. It was just one of those serendipitious things where it all came together. That was what was funny about it – we didn’t even sit down and say ‘oh, we should have the comic book villains planning to get married.’ It just sort of worked out that way. Another happy surprise. But we’re so thrilled. Robbie [Amell] is amazing, and has been so much fun to work with on this. He’s so excited about it. He’s jumping up and down. Every once in a while, he’ll just be like ‘but the suit won’t be, like, that yellow, right?’ Maybe!”

Greg Berlanti added that the roll-out of characters like Ronnie is by design and is very much part of what makes The Flash the kind of show that it will be. “Every show’s different, and this one – one way it’s different from Arrow, for sure, is that there’s an element about the show that I think we’ve discovered in the first half of the year, is that [it's] a little bit of an anthology show, introducing these characters who have been affected by the collider, and then having their own kind of life, and things we’re going to dramatize and bring to the show, that, for me, is reminiscent of things like X-Files in that way, or Twilight Zone in that way, in terms of there being a percentage of the show that’s like that. His is a great character like that, and there are other characters along that way that I think will be fun for the audience. Those things play out over multiple episodes so they’re not so case-of-the-week,” he said.

http://flashtvnews.com/how-long-before- ... lash/16492

- La CW hace un flashback para encontrar su familia de 'Flash' (USAToday):
La CW hace un flashback para encontrar su familia de 'Flash'
Por Bill Keveney, 06 Oct 2014 5:45 p.m. EDT


Think of Grant Gustin and John Wesley Shipp as fast friends.

On CW's The Flash (Tuesday, 8 p.m. ET/PT), Gustin portrays the scarlet-suited speedster and Shipp plays his imprisoned father, but the bond goes deeper: Shipp played the DC Comics superhero in a 1990-91 Flash series on CBS.

As the two road burners sit still for an interview, Gustin revels in the exclusivity of their fleet-footed club. "It's pretty much just us, as far as (TV) live action. It's pretty cool."

In the new Flash, Gustin's Barry Allen, a conscientious crime-scene investigator for the Central City police, receives the gift of super-speed after being hit by lightning caused by a particle-accelerator explosion. The new superhero must develop his skills to protect Central City from an assortment of villains, including others altered by the monumental storm.

The Flash will feature appearances by DC characters including Captain Cold (Wentworth Miller), Heat Wave (Dominic Purcell), Firestorm (Robbie Amell), Clock King, Blackout and Girder, executive producer Andrew Kreisberg says.

Besides protecting his city, Barry is committed to freeing his imprisoned father, Henry, who was wrongly convicted of killing Barry's mother more than a decade earlier. Barry, who talks to his father in an emotional scene in Tuesday's premiere, remembers an otherworldly power source as the culprit.

"I think one of the biggest arcs is trying to get (Henry) out and also dealing with the fact (that) now I could break him out and the moral dilemma of knowing I shouldn't," says Gustin, whose Barry will work with a surrogate father, detective Joe West (Jesse L. Martin), to free Henry. "It's going to be the journey of figuring out how we can prove his innocence and how these powers can help."

Yet Henry doesn't want his son to waste his life in a futile pursuit, Shipp says. "I think I'm letting him go. He's moving closer. So, the dynamic of how we work that out is going to be interesting."

Gustin's Flash, younger and more innocent than Shipp's version of the character, will have another role model: Harrison Wells (Tom Cavanagh), the now-disgraced genius behind the S.T.A.R. Labs accelerator.

"He has three mentor figures: his actual father, Joe West and Harrison Wells," Cavanagh says. They "have a deep influence on him, (but) Joe and Harrison could pull him in different ways."

Kreisberg, fellow executive producer Greg Berlanti and DC Comics creative chief Geoff Johns are fans of the CBS series and were eager to cast Shipp and Amanda Pays, who returns as Tina McGee.

"It means everything to us," Kreisberg says. "One of the first things we said was, 'We have to have John Wesley Shipp on the show.' Greg had worked with him ... on Dawson's Creek. It's not a little nod to the past. John is playing an integral part."

Gustin and Shipp feel a bond beyond the shared role. "We're both from Norfolk, Virginia," Shipp says. "He was born the year I was doing The Flash and our birthdays are four days apart in January."

"I was embracing that when I was auditioning," Gustin says.

Kinship aside, which Flash wins a race?

"His," Shipp says. "Have you seen the suit? I'm musclebound."

The lean Gustin sees the logic. "I'm a little more aerodynamic, I guess."

Shipp then plays the trump card. "I'm not going to bet against my son winning a race."



Podéis encontrar el video de la entrevista:

http://www.usatoday.com/story/life/tv/2 ... /16775569/


- Cosnett de "The Flash" es un perfecto policía - que puede estar enfrentándose a un giro (CBR):
Cosnett de "The Flash" es un perfecto policía - que puede estar enfrentándose a un giro
Por Scott Huver, Contributing Writer 06 Oct 2014


The good-looking, charismatic and exceedingly likable young police detective who's partnered with Barry Allen's foster father, and gotten even closer to Iris Allen, may by an irritation to the emerging young hero, but the actor who plays Eddie Thawne believes he may likely turn into an even more formidable enemy,

Rick Cosnett, previously best known for his stint as Dr. Wes Maxfield on The CW's "The Vampire Diaries," moves to Central City to play Thawne, professional partner of Det. Joe West and boyfriend of Joe's daughter Iris. In a one-on-one chat with Comic Book Resources, the CW veteran revealed that the similarity of his character's name to that of DC Comics' Eobard Thawne, a.k.a. The Reverse Flash, is, of course, no coincidence. And while he stopped short of promising that he'll be donning a yellow-hued outfit, Cosnett seemed pretty certain that the series' costume-clad contingent would be growing early on in its run.

CBR News: Tell me, how does your character fit into the ensemble of "The Flash."

Rick Cosnett: I play Det. Eddie Thawne, so I'm part of the Central City Police Department, and Jesse L. Martin is my partner. I may or may not strike up a love interest with one of the characters on the show, which proves to be very interesting because there's a love triangle happening, and Eddie kind of comes in and saves the day, much to Barry's dismay, all the time. [Laughs] Because he's someone who you just can't help but like, it makes it even more irritating. He's really golden, in every sense of the word. Eddie's really someone who I've always wanted to be! [Laughs] He's a good sport, he's able, he's intelligent, but most of all, he doesn't really have issues with anyone, which I think makes it even worse for poor Barry.

It sounds, based on his last name, as if he may be the white sheep of a very dark family tree.

Yes, I think that's going to be the intriguing thing to see, whether he's the white or the black sheep of this family of Thawnes. I think the producers are up to do a lot of twists and to really shock the fans, especially in terms of the first season. The intriguing thing is, "Who are these people, really?" We're trying to show the humanity of them, in social situations and in the present day, I think. It's also quite funny, which I think is going to be surprising to people. It has little gags and everything. It's epic, but it's also human and funny.

To cover all possible bases, have you done all your Reverse-Flash research, digging into the comics to get a sense of that history?

Yes, I've done a lot of research. There's so much mythology around it, you don't really know which one's written where and by whom. But yeah, I've definitely done a lot of research on the Thawnes, and there's a lot of directions that [the show] could go -- especially because Geoff Johns, who's the CCO of DC [Entertainment], is one of the [series'] creators and writers. He just wrote one of the last episodes we shot. It's going to be sick to see, because they have full reign.

What intrigued you about the long Allen/Thawne family feud as you did your research?

It was fascinating to me, and I think the family lineage -- they're quite wealthy and they're from this old money world of deep, deep dark secrets. It's also fascinating with the whole Barry's twin [storyline], and who that is and who it's going to become. You also not only have the Reverse-Flash, you also have the Wally [West] kid, and we've had Wentworth Miller on the show and all sorts of amazing guest stars like Robbie Amell already. Things are turning over quite quickly, and I think you're going to see some people in other suits pretty soon.

http://www.comicbookresources.com/?page ... e&id=56034

- El Gurú Superhéroe de la TV que hay detrás de ‘The Flash’ (thedailybeast):
El Gurú Superhéroe de la TV que hay detrás de ‘The Flash’
Por Jason Lynch 06 Oct 2014


Greg Berlanti must have superpowers. That’s the only explanation for his ability to juggle an insane number of projects, including television’s best broadcast pilot.

Marvel might be kicking DC’s ass in the big-screen clash of the comics titans, but over in television, it’s stuck playing Clark Kent to DC’s Superman. While the mega-hyped Marvel’s Agents of S.H.I.E.L.D. stumbled out of the gate last fall, DC’s scrappy, thrilling Arrow—based on Green Arrow, the vigilante that billionaire playboy Oliver Queen (Stephen Amell) becomes after being discovered on a remote island five years after he was presumed dead—has had confident command of its world since premiering in 2012. That’s in large part due to the brilliance of Greg Berlanti, who runs Arrow alongside Marc Guggenheim and Andrew Kreisberg.

And now, DC’s go-to television guru is at it again, with The Flash, broadcast’s best pilot this fall. (It premieres Tuesday on The CW at 8 p.m. ET/PT; Arrow kicks off Season 3 one night later, also on The CW). It’s the story of Barry Allen (Grant Gustin), a CSI investigator whose mother died under mysterious circumstances when he was 11. Barry is struck by lightning during a freak storm and, after nine months in a coma, wakes up to discover he has become the fastest man alive. While almost all new shows take much of the first season to find their way, Flash arrives impressively fully-formed and self-assured. And, oh yeah, it’s a helluva lot of fun.

The Flash is the latest addictive series from Berlanti, who serves as showrunner with Kreisberg. One of TV’s most prolific writer-producers (Dawson’s Creek, Everwood, Brothers & Sisters, Jack & Bobby, Eli Stone, and Political Animals, among many others), he’s also dabbled in film (he wrote Green Lantern—yes, we’ll get to that below—and directed the Katherine Heigl rom-com Life as We Know It).

His two superhero series are just the tip of the iceberg for Berlanti, who is also executive producing The Mysteries of Laura, NBC’s critically reviled but surprisingly popular new Debra Messing drama, and producing Pan, next summer’s big-screen reimagining of the Peter Pan story, starring Hugh Jackman as Blackbeard. And since our interview this summer, he’s nearly doubled his workload, striking deals for three new series in development for next season: Blindspot, an FBI thriller for NBC; the supernatural procedural The Things They Left Behind, based on a Stephen King short story, for CBS; and most exciting of all, a third DC superhero show, Supergirl, which CBS has already given a series commitment to (and which he teases below).

Berlanti sat down to talk about how comics changed his life, how he pulled off Arrow and Flash, and his own superhuman abilities to juggle an insane amount of TV and movie projects.

How did your obsession with comics begin?

I grew up in New York and there was a Caldor that had a Sunday flea market. They had a comic book section, and I would bring all the change I collected from the week and dump it on the comic book stand. That was 11 or 12, through 15. And it happened right at that renaissance that was Secret Wars and Crisis on Infinite Earths—all this stuff was happening in comic books that was really cool and easy to obsess about.

And then you discovered The Flash at 13.

He was the first character that made me cry. He died in the Crisis on Infinite Earths. Barry was really like the first fanboy in a lot of ways. Amongst all these DC guys, he was always like, ‘Wow, there’s Superman!’ ‘Oh, that’s really cool what Batman can do!’ He was saying the things and feeling the things that you were feeling while you were reading the comic book. And there was the notion that, okay, I’m not from another planet like Superman, but I could get struck by lightning. That could happen to me! Then, when he sacrificed himself for all of them, it was like, wow, potentially the least powerful or least iconic of this group had died for the safety of the whole universe. That was a really pronounced thing. I remember thinking, “I didn’t think that comic books could make me feel this deeply.” So that was how I latched on.

When you created No Ordinary Family, you basically made the mother a female Flash.

Yeah, she’s a speedster.

So by that point, you’re thinking it might actually be possible to do The Flash someday?

Yeah. While I was working on Green Lantern, I met [DC Comics Chief Creative] Geoff Johns. When I came back to Warners in TV, everybody at DC and at Warners television said, “Which character would you like to do as a TV series?” And Arrow was the one that I said, “I could see how that’s something we could do on TV that you couldn’t do anywhere else.” Knowing that his origin story was his time on the island, the fun part about it to me was okay, let’s tell a five, six year story about how he becomes [Arrow]—how in a film, that would be the first 20 minutes of the film. But on the show you could actually tell it narratively over a long period of time.

You could also point to Lost as a show that proves you can do…

Flashbacks and flash-forwards, that helps for sure. But there were questions and doubts at the outset. Everybody said, “Well, how is this going to be different?” I said, “We’re shooting in Vancouver and they shot in Hawaii. It will not look like Lost. It will look colder!”

How did you crack the code for making these superhero characters and shows work so well on TV? Marvel struggled with that early on with Agents of S.H.I.E.L.D. But with Arrow and now Flash, it was apparent from the outset that you knew how to make them thrive specifically in a TV environment.

It’s so hard to speak to anybody else’s shows because I’ve certainly had a lot of shows where things haven’t worked, as much as I’ve had shows where things have worked. You don’t always know. Sometimes that magical thing happens, of the perfect casting, tone, style, time slot, network support, a great audience on the network. And we were really blessed with Arrow. All of those things worked. The network has been heavily genre, so we had an audience that had that appetite. They were supportive creatively for us doing something unique. I really wanted to make sure we didn’t screw it up and so we were ready to put our foot down about a lot of things that we felt like we needed to watch.

Like what?

In the second act of that, 15-20 minutes in, we watch him kill a guy, and that hadn’t really happened in DC in that way. But we knew that he needed to feel like he lived in a real world, and this was a guy who had lost his humanity on this island. And the story of the show more than anything was, can he get his humanity back? When we were working and developing that, we talked about Homeland a lot. Here was this guy who comes back and everybody saw him as a hero, but obviously there was a lot of deeper things going on.

And the same is true for Flash: what is this show, that has nothing to do with superpowers? What’s special about it? Why do we want to tell the story now? What’s interesting to us about these characters and these worlds? That’s where most of our time is spent.

You introduced a pre-Flash Barry Allen during an Arrow two-parter last season. With both Arrow and Flash, if audiences don’t respond to and connect with the hero, you’re screwed.

It’s true. And up until we literally all decided it was Grant [for the Arrow episodes], I was willing to make it just a guy who didn’t get struck by a bolt at the end and just made him a CSI from another city. Because I felt like the person had to personify and embody the character or else it wasn’t worth it to blow it. So that was the hope, and then it really worked. We found him and we got really lucky. And it all came together.

Stephen [Amell] was more representative of those DC god-like things, and Barry was one of us. And even though Stephen plays very dark and brooding, I always feel like underneath in Oliver is this optimist who’s just trying to regain his humanity that he lost. And Barry, I always mention a great line from Friends when they said with Chandler, “I wouldn’t want to be there when the laughter stops.” Barry’s very effervescent and bubbly on top. But underneath that, he’s a kid who lost his mom in a tragic way and his father went to prison for it. So there’s a darkness there that we tap into too.

In the Flash pilot, there’s the lingering question of who really killed Barry’s mom. Will that be a series-long storyline like the Arrow flashbacks?

That’s only a season-long mystery.

What about Tom Cavanagh’s character, Harrison Wells, whom we learn something intriguing about at the end of the first episode?

It’s probably only best that I say there’s a lot of mystery about his character and he’s got his own secret agenda, which we will deal with this year. But there is also his role in terms of being one of Barry’s mentors and one of the group at S.T.A.R. Labs. And it’s a vital, vital role to what makes the show special and unique.

Arrow has been embraced by fans and audiences in a way that the Green Lantern movie certainly never was. What did you learn from that experience?

To be more in charge. [Laughs] We wrote a script; it got rewritten. Obviously I enjoyed working with DC because I stayed close with them. But at the end of the day, on TV, as the showrunner, you get to have creative control, for better or worse. Whether the episodes suck or the episodes are great, I stand by them. And in film, a person who’s the writer on the project who gets significantly rewritten…it made me a little bit more of a control freak than before. And that was one of my hesitancies coming to do a DC property.

Because you’d been burned before.

Yeah. I didn’t want to mess it up. You certainly don’t want to mess it up if it’s characters you love and care about. And I feel that same burden every day. But I just am more in charge of the final product that the audience sees.

What’s your involvement on Mysteries of Laura?

It’s not that I’m hands-off, but it was a format that came in that [Laura showrunner] Jeff Rake had a real clear take on. I’ve had that experience on TV before with things, like Golden Boy with Nick Wootton and to a certain extent with Craig Wright in Dirty Sexy Money, where from the outside I play kind of a different role. I get to use more of my producing abilities in helping cast it and helping manage it. The writers are on our same floor and the post[-production] office where we do editorial is on the same floor. It’s great to show up and to play a different role.

Pan sounds incredibly exciting, and quite a different world for you. How did you get involved with that?

About a year ago, Warner Brothers called me up and said, “There’s a young man named Jason Fuchs who has a take on Pan. Would you develop it with him?” It’s an origin story for the Peter Pan mythology. Structurally, I was able to use a lot of what I learned on these shows, in terms of how do we give something the same DNA but still do our own take on it? And, I’m a huge Harry Potter nut. We’re on the stages where Harry Potter is in Leavesden [, England] and we have some of the same crew. It’s also another young protagonist!

I rewatched Disney’s Peter Pan with my kids, and a lot of it is really cringeworthy and uncomfortable to watch now, particularly its depiction of the Indians.

I know! I’m very proud that ours doesn’t—it’s very colorblind. And [director] Joe Wright, without giving anything away, has an incredibly imaginative and genius take on the people who are from the island. I would cringe the same way you would if I felt [the depiction was problematic]. And hopefully it’s reflected in the shows that we do that I don’t have a high tolerance for things that put that kind of message out there to the universe.

With so much on your plate, what’s an average day like? How do you get everything done?

The essential element to me is working with people I trust and knowing that when I leave whatever room I can’t be in, that they’re gonna carry the ball whatever the distance is. Daily— and whether it was one show or three shows, it’s almost always broken down the same way—I do my creative writing stuff in the morning, around 5:30 to 10, before the phones start ringing. Then I go in and I do producorial [work]: rewriting, notes, editing, casting, post-production. And I stay as late as I have to. I’m better about building in time and a life for myself now, and letting certain things go, where before, maybe I didn’t hire around me as well. Now there are all sorts of teams around me.

The only slight disadvantage to doing more and more things is you really have to be where the problems are. So you don’t get to be as much where things are going well. And so, if there’s two things that I’m working on that are going well, I’m not in that story room or on that set. I’m wherever we’re having some challenges. Then, by the time we take care of those, I go back to the other ones. So the disadvantage of having multiple things is on a day where everything is going badly on all things. You want to shoot yourself! The advantage is that’s usually not the case. Usually one or two things are going all right, and it buoys your spirits a little bit.

When you were working on Dawson’s Creek, did you love the show as much as its fans did, or did you think of it more of just a first TV job?

I fell in love with the show while I was working on it. When I first started, I took it because I had sold a movie with Kevin [Williamson] and he said, “Come work on the show with me!” And I was not gonna say no to anything he asked. It was sort of like an arranged marriage that you fall in love with. But by the end, I cared about those characters as deeply as any of the characters I’ve ever written for. And I grew up with the other actors in the show at the time too. We were all kids, really. It was the first show I ran. I was making mistakes left and right! So I have my fondness and fond memories of that time.

Looking ahead, you’re now known as DC’s go-to guy on TV. What do you want to do next from that Universe?

I’ve done a lot of dudes. It would be nice to participate in some females in the Universe!

And you want to continue to do both TV and movies?

Absolutely. I think it’s really nice to be able to bring people from different worlds to each. They’re completely different art forms. I compare it sometimes, not that I’m good at either of these things, to a golf swing and a baseball swing. They’re both swings, but they use completely different muscles. And I think if you stay too long just doing one thing in life, it’s really easy to atrophy.

Finally, I have to ask about Political Animals, which I still miss. That show aired two years ago, just ahead of the whole “limited series” trend that’s so popular now.

Yes, I think that’s part of it. USA has said to me so many times since, "We wish we’d kept it." Truthfully, we were doing the same numbers as a lot of those political-natured shows that are still around. And our lead-in was reruns of SVU! That cast was so incredible, and we had a really great storyline that we could have only done on our show that was gonna drive part of the second year. You just never know with TV. Things come and go, unfortunately.

http://www.thedailybeast.com/articles/2 ... flash.html


- Los productores de THE FLASH no se 'quedarán esperando' sobre las ideas de la historia (newsarama):
Los productores de THE FLASH no se 'quedarán esperando' sobre las ideas de la historia
Por Jim McLauchlin 06 Octubre 2014 06:30 PM ET


The Flash, based on DC’s well-known speedster hero, spins off from CW veteran Arrow on Oct. 7, one day ahead of the season debut of Arrow season 3. Barry Allen, the Flash’s alter ego, was seen briefly in last year’s Arrow season 2. Now, he’ll get adventures all his own, plus return visits from Arrow.

In this TV iteration, Barry Allen is a crime scene investigator in the Central City Police Department, much like his current comic book occupation. His choice of career is fueled by a terrible incident from his past — he saw his mother murdered, and his father falsely accused and convicted of the crime. Wally was raised by Central City cop Joe West, and has learned his trade to help catch bad guys by day, and find his mother’s real murderer and clear his father’s name by night.

That all changes when Barry is struck by lightning as a particle accelerator at high-tech think tank S.T.A.R. Labs simultaneously explodes. A “dark matter wave” gives Barry his speed powers, and also seems to result in a number of other metahumans suddenly popping up.

The show is planned very much as a ground-level experience where the viewer rides along with the hero.

“When you start Arrow, Oliver was every bit as much the Green Arrow as he ever was going to be, skill-wise,” said Andrew Kreisberg, one of the series’ developers and executive producers. “But for the Flash, it’s day one of being a hero. And you experience the show through Barry, and you learn and experience becoming the hero just as he does.”

Kreisberg and DC Comics Chief Creative Office Geoff Johns co-wrote the first two episodes of The Flash. Johns spent years writing the Flash comic as well, and the show is well-steeped in its comic books roots and traditions.

“This show, more than any show out there, ever, embraces the superhero lore,” Johns said. “There’s no reluctance on anyone’s part. We’re all-in on it. This is the most comic book show ever.”

Certainly lots of nods to the comics will be seen: There’s a “Hex’s Gun Shop” in the second episode, and DC villain Simon Stagg pops up as well; that’s after the Weather Wizard shows up in the pilot and a certain beastly villain gets teased. Importantly, a two-part Arrow crossover, with one episode happening in the timelines of each show, is planned eight weeks down the line. But the motion of the show is the most important factor.

“I think when you do episodes that have — and I don’t mean this pejoratively — a ‘gimmick,’ the best thing you can do is make sure it’s not just a gimmick,” Kreisberg said regarding the crossover episodes. “This advances the storylines that we’ve been telling. The characters really grow. When you look at both these episodes, it isn’t just about the crossover of the casts. They’re important episodes. One of the biggest surprises of all time on Arrow will happen on a Flash episode. And both episodes are really important for Barry’s growth.”

Johns promises that things that look like Easter eggs will have impact. “One of the great things about working with [fellow executive producer] Greg Berlanti is he’s never one to say, ‘Let’s just throw something out there, and we’ll get to it eventually.’ There’s always a plan and a payoff waiting at the end. Greg is great about making sure that everything that’s set up is paid off. There’s references to [Gorilla] Grodd, and that’s not just a reference. There’s plans for all sorts of crazy stuff.”

Most of the crazy stuff starts with S.T.A.R. Labs trying to locate and track other metahumans who may have been created by the dark matter wave. Some of them, as you might imagine, become parts of the Flash’s rogues gallery.

“For the first half of the year, it is a little bit of an anthology show in that there are characters who are affected by the collider who get dramatized and brought in,” Berlanti said.

Kreisberg added that, “What they [S.T.A.R. Labs] are going to end up doing with metahumans becomes a very big part of episode 3, and how they move forward becomes one of the biggest elements of the show.”

The plans are big, and Kreisberg feels the crew’s time is now. TV ratings are, of course, vagaries. Best to get everything in Flash-style — fast. That plays well into what many of these same people have been doing on Arrow, with major changes to characters, deaths, and a “why wait?” attitude to events.

“We don’t wait around,” he said. “Between me, Geoff, and Greg, we feel like this is our chance. You never know, so this might be the only season we get to make, the only 13 episodes we get to make. So everything we want to do, we’re throwing in there.”


http://www.newsarama.com/22321-the-flas ... ideas.html

- Cómo The Flash hace a los Superhéroes divertidos de nuevo (TVGuide):
Cómo The Flash hace a los Superhéroes divertidos de nuevo
Por Sadie Gennis Oct 6, 2014 03:43 PM ET


It's fantastic that comic books and superheroes are finally being recognized as cool, but do they all have to be "edgy" to be accepted? Not if The Flash has anything to say about it.

Despite being a spin-off of Arrow, The Flash feels much closer to Smallville in tone — and that's a good thing! The world doesn't need another dark drama about a man struggling to balance justice and morality. We still have Arrow for that (And Gotham. And Constantine.) Instead, The Flash goes in the complete opposite direction, reminding us how much fun being a superhero can be. But are Arrow fans ready to embrace the light?

TVGuide.com spoke to executive producer Andrew Kreisberg about the spin-off's radical change of tone, Barry's complicated love life and — for those who already know how the pilot ends — a tease of Harrison Wells' true motivations.

See why The Flash is a heroic change of pace

Why did you decide to make The Flash so much more lighthearted than Arrow?
Kreisberg: Barry Allen (Grant Gustin) was an ordinary guy to whom something happened. And you can see yourself in him and part of becoming a superhero is the fun of it. So that was one thing. And then the other was we were very conscious of not wanting to do two of the same show. With Arrow we've got a very dark, brooding, Shakespearean, epic saga playing out and we wanted to do something more blue sky and more fun. There's a lot of morose superheroes out there and The Flash isn't one of them.

Were there any other concerns about the spin-off being so tonally different?
Kreisberg: No. Ironically, I think Arrow got a little funnier this year adding Brandon Routh, who plays Ray Palmer, who's utterly hilarious. There's a lot of fun to be had. And there's still the mystery of what happened to Barry's mother and his father's incarcerated and it's certainly not a sitcom. I think the most fun comes when we do the crossover episodes where we get to see some hilarious stuff with the Arrow cast on The Flash episode. And conversely, The Flash cast gets a little bit of a serious wake-up call when they go to Starling City and see what kind of lives their friends are actually living, what a big contrast it is to the world that they come from.

How quickly will we find out what happened to Barry's mother?
Kreisberg: The mystery of what happened to Barry's mother and everything that happened that night will be answered over the course of the first season. We don't believe in stringing people along for too much. There's a very clear mystery and a very clear plot and a very clear Big Bad who will emerge and we have all that worked out. At the end of this year, you will feel like you got the satisfactory answers to your long mystery and launch new mysteries.

How do the citizens of Central City react to The Flash?
Kreisberg: In the beginning, he's more of a rumor. It's really Iris' (Candice Patton) story. Iris is the one who first really believes in this mysterious streak, this blur. He doesn't even get called The Flash until a little deeper into the season. But it's fun. It's fun and it's different. And we try to treat it as it would happen in the real world, where if somebody tells you about this mysterious red blur that pulled somebody out of a building, you would have skepticism and trepidation. There are a lot of people who are afraid of him at first too. But pretty soon, in the early part of next year, The Flash is going to make a big public appearance and Central City will be on its way to celebrating The Flash rather than fearing him.

Is it not a little weird that Barry's in love with his adopted sister, Iris?
Kreisberg: Hopefully not! Part of the thing is they've got so much chemistry. They're unbelievably cute together. I hope people won't see it as something icky, but sort of this almost fairy tale-like thing. That he's in love with her all of his life. And that warm special feeling about it rather than the bad version of it. If everybody can get over Luke kissing Leia, then we'll be fine, right?

Will we see the love square with Oliver and Felicity play out across both shows?
Kreisberg: Yeah. Barry Allen made such a big impression on Arrow last season. They were two of our best episodes. They were certainly two of our highest-rated episodes. And even after Barry left, he felt like a presence and certainly he had a big impact on Felicity. So it felt wrong not to come back to that story. And there's going to be a lot of "-icity's" this season. I think when you see Episode 4, the crossover, and you see the work that Grant and Emily do, I think as many people are going to be rooting for Barry and Felicity as Oliver and Felicity.

Will the show continue to have a case-of-the-week with Barry going up against different meta-humans?
Kreisberg: The destruction of the S.T.A.R. Labs and the creation of the meta-humans is the great engine for the series, but we have Captain Cold coming up and we have Heatwave and we have the Pied Piper, who are all human villains with superior technology. It's not going to be monster-of-the-week. Sometimes it's villains who have technology. We already have some villains who are going to be recurring throughout the course of the season and I think, like Arrow, there's always the case-of-the-week to drive it, but there's the ongoing mysteries and relationships. And the mysteries that come up in subsequent episodes, that haven't even been alluded to in the pilot, that we will pick up. Certainly we have the mystery of Firestorm, Robbie Amell's character, and what happened to him the night the accelerator exploded.

Is there anything you can say about Harrison Wells' (Tom Cavanaugh) motivations?
Kreisberg: I think that his motivations are actually very pure. He wants The Flash to be kept safe and how that plays out over the course of the season is part of the ongoing mystery. But he's fervently on The Flash's side.

http://www.tvguide.com/News/Flash-Andre ... 87856.aspx

- The Flash Trae Viajes en el Tiempo, Súper Villanos y un Gran Crossover con Arrow (TVLine):
The Flash Trae Viajes en el Tiempo, Súper Villanos y un Gran Crossover con Arrow
Por Vlada Gelman / 07 Octubre 2014, 5:30 AM PDT


With time travel, “meta humans” and knowing nods galore, The CW’s Arrow spin-off The Flash “is the most comic book show, I think, that’s ever been made,” DC Comics’ Chief Creative Officer Geoff Johns declares.

The new CW drama (premiering Tuesday at 8/7c) “embraces the superhero lore just fully on,” Johns continues. “There are references to Grodd, and that’s not just a reference. There’s plans for all sorts of crazy stuff.”

Even though The Flash stands proud of its rich source material, Barry Allen’s boyish exuberance welcomes all, and the show is designed to be accessible to non-Arrow viewers and non-comic book aficionados.

Read on as stars Grant Gustin and Tom Cavanagh and executive producers Andrew Kreisberg and Greg Berlanti reveal six more things to know about TV’s latest superhero.

BARRY ALLEN HAS THREE FATHERS | After his biological father (played by the original Flash, John Wesley Shipp) was arrested for the murder of his mother, Barry was raised by Detective Joe West (Law & Order‘s Jesse L. Martin). And now, another man, Dr. Harrison Wells, is mentoring Barry as he adjusts to the superpowered life. “One of the touchstones that we always talk about is Searching for Bobby Fischer, which is a movie we all love,” Kreisberg shares. “One father represents the heart, one represents the mind and one represents the soul. A lot of the early episodes and even the some of the ones we’re working on now are about Barry being faced with these choices [among his fathers] and having to help his fathers deal with each other.”

TIME TRAVEL WILL PLAY A ROLE | “It’s an important part of Flash mythology, so it has to be in there somewhere,” Johns reveals. Adds Berlanti: “It’s an active part of the first few episodes.”

NOT ALL META HUMANS ARE BAD | Just as the particle accelerator explosion transformed Barry into a hero, it will do the same with some of the others – AKA the meta humans – who were changed. “We’re really cognizant about not having too many people affected by the particle accelerator just being villains,” Berlanti says. “Sometimes, it’s that. Sometimes, it’s someone who’s good. In the case of [Captain] Cold [played by Prison Break's Wentworth Miller], it’s a someone who’s not affected at all.”

BARRY DOES NOT HAVE KILLER INSTINCTS | Taking a page from Arrow, who made a point not to take lives last season, “it’s important to Barry” to do the same when fighting baddie meta humans, Gustin says. “He doesn’t want to hurt anybody.” In dealing with that struggle, “what they’re going to end up doing with the meta humans becomes a very big part of Episode 3 and how they’re going to move forward. That becomes one of the biggest elements of the show,” Kreisberg previews, while star Tom Cavanagh describes the plot as “an incredible part of the show, a tremendous storyline and very cool-looking, too.”

GUSTIN IS TURNING INTO BARRY ALLEN | “I feel like every day, it’s hard to tell a difference between me and Barry, because I’m Barry more often now than I’m Grant,” the actor says, earning a playful “Thank God!” from his co-star Cavanagh. “And I carry him with me a lot when I leave. I think about it all the time. I really do. I’m just thinking about the script and the character all the time now… I was talking to Andrew about it recently when he was in town, and just how I’m bummed out sometimes that it feels like everything feels heavy and [Barry's] weighed down right now. I’m feeling that way now!”

IT’S FRIENDLY TO NEWBIES | “Although it is a spin-off, you don’t need to have watched a minute of Arrow to enjoy The Flash pilot,” Kreisberg promises. But if you do watch both CW series, you’re in for a treat when the two shows cross over later this season. “It’s not just the gimmick. It’s also advancing the storylines that we’ve been telling and [seeing] your characters really grow,” Kreisberg previews. “When you look at both of these crossovers, these aren’t just about the crossovers of the cast. They really are very important episodes for what Barry’s going through, for what Oliver’s growing through.”

http://tvline.com/2014/10/07/the-flash- ... ta-humans/

- Canada AM: Grant Gustin on being 'The Flash' (CTV):

http://canadaam.ctvnews.ca/video?clipId ... nPageNum=1


- Entrevista con Rick Cosnett (dccomics):
Entrevista con Rick Cosnett
Por Tim Beedle 06/10/2014 - 10:00am


They refer to him as “Detective Pretty Boy” in the pilot episode, but Flash fans may know him by another name: Thawne. If you plan on watching The CW’s The Flash when it debuts tomorrow night, Detective Eddie Thawne is the character you’re going to love to hate. Or possibly hate to love. Yes, the man standing between Barry Allen and Iris West is a lot more likeable than you might expect, in good part due to Rick Cosnett, the talented actor who inhabits the role.

We recently spoke with Rick about what it’s like to be the man in the middle, whether he’ll be giving Barry Allen any speeding tickets and exactly what we should make of that last name.

How would you describe the character of Eddie Thawne?

I really feel like he’s irritatingly awesome. He’s one of those guys where you hate him, but you can’t help falling in love with him at the same time. He’s just so flawless. He’s good at everything, he always gets what he wants, everything he touches turns to gold, he always sweeps in and saves the day… Everything just seems to end up turning out for Eddie, much to poor Barry’s dismay.

I’ve known people like that in life. Eddie’s just so positive and so full of life and energy, and sometimes you just want to kill those people, but you can’t help but like him…so far.

Your character has a very interesting last name. How much did you know about that when you auditioned?

To be honest, when I first auditioned it was pretty secret. We had no script or really anything. They just kept saying to be nice. I think I have a tendency to go creepy or be sort of an a-hole with characters because I think it’s really fun. But it’s kind of genius the way they helped me create Eddie because it just works so well that he’s so golden. He doesn’t have a bad bone in his body.

Of course, I started realizing, “Oh, Eobard Thawne… Eddie Thawne…” It doesn’t take too much to put those two together. That last name’s obviously synonymous with a lot of darkness. A lot of bad. I think that’s going to be the intrigue of the whole thing. To see where these characters go. To see what weird tricks they have coming up. It’s genius, it really is. It’s definitely going to keep people on the edge of their seats.

Were you a comic book fan prior to joining the Flash cast?

I was obsessed with this thing called Thundersub, which no one knows. It was this epic anime where one of the characters was named Rick and so I told all of my friends that it was me. That I acted in it. And they believed me!

I was also quite obsessed with He-Man. The whole idea of discovering your powers and becoming who you truly are… I love that stuff. That’s one of the many reasons why I think The Flash is so fantastic. He was this underdog who is discovering how powerful he really is, and I think we can all relate to that. I think it’s a fantastic message.

So if you could have any super power, what do you think it would be?

I would probably be healing people. I’d love to have the power to change people into what they were always destined to become. So many people throughout their lives, I think, search for that. Either it’s a coming together of their body, mind and soul, or it’s some sort of achieving of all their dreams. What you’re really destined to do. A lot of people don’t get there. I think that would be amazing if magically you’re suddenly everything you always wanted to be and were meant to be.

That’s a pretty different answer. Most people say flight or super strength, but you’re getting all philosophical with it.

I’m getting deep today!

Okay, I have a few more questions but these ones are pretty dumb. I don’t think you’re going to be able to get too philosophical about these next ones.

Try me!

Okay, you’re playing a cop on a show about the World’s Fastest Man. Do you think it’s possible for someone to get a speeding ticket for running too fast?

That would definitely be something that the Central City Police Department would have a lot of meetings about. I think it might be an awesome point of debate and confusion in the precinct. There is a lot going on in that police department right now! I don’t even know when I sleep with the crime rate in Central City escalating so fast. But I would say yes. I would instigate it.

I’m not saying I’m jealous of Barry at all!

You’ve shared the screen with vampires and now super heroes. Which would you say is more uncomfortable to have to act in… fangs or spandex?

Well, luckily for me I’ve avoided fangs and spandex so far.

Okay, last question. You’re kind of the guy standing in between Barry and Iris on the show. Who should you be more scared of? Barry and his super powers… or the hundreds of fans that will want to see those two together?

The fans. If I know anything, it’s going to be the fans. You know what? I’m all about hate mail. It means I’m doing my job properly.

[pauses]

But at the same time, hopefully they can find a place in their heart for Eddie. I feel like it might be a little bit of an Eddie vs. Barry situation.

There might be some people cheering for Eddie and Iris to end up together.

[Laughs] That was very condescending!

I didn’t mean it to be!

“There might be, like, one or two…”

We’ll have to see how it shakes out!


http://www.dccomics.com/blog/2014/10/06 ... ck-cosnett

- Las estrellas y Showrunners de ‘The Flash’ hablan sobre los orígenesm villanos y el gran crossover con ‘Arrow’ (thewrap):
Las estrellas y Showrunners de ‘The Flash’ hablan sobre los orígenesm villanos y el gran crossover con ‘Arrow’
Por Linda Ge 06 Octubre, 2014 @ 2:43 pm


“We have one of the biggest surprises for ‘Arrow’ of all time,” EP Andrew Kreisberg teases of the shows’ next crossover

Barry Allen has come a long, long way from the eager awkward assistant forensics investigator who first appeared on “Arrow” last season.

Now he's got his own show, with his own city to save and his own mysterious past to solve. Becoming the DC superhero known as The Flash, aka the fastest man on earth, following an explosion of a particle accelerator at S.T.A.R. Labs, is just the beginning of the journey for Barry Allen (Grant Gustin).

On the eve of the premiere of “The Flash,” stars Gustin and Tom Cavanaugh, along with showrunners Greg Berlanti and Andrew Kreisberg and DC Chief Creative Officer Geoff Johns, talked to reporters about what to expect in the show's first season.

“Even though it's a spinoff, you don't need to have watched a minute of ‘Arrow’ to enjoy the ‘Flash’ pilot,” said Johns.

“Or to have watched any superhero show, period,” added Kreisberg.

On the docket: How the show will stay true to some elements of its DC comic book roots, while deviating from it in other ways, more teases about the various comic book villains headed for the show, and that big “Arrow”-”Flash” crossover that will bring the heroes of Starling City and Central City together.

Below are five revelations we learned from the stars and showrunners of “The Flash.”

1. Some characters will stay true to their origins, and others will deviate from the comic books
“The Flash” is a real origin story and will tell of not only how Barry Allen becomes The Flash but also the beginnings of other characters, some of whom will stay true to their comic book counterparts, some not so closely.

“We always talk about the show as ‘Flash Begins,'” said Kreisberg. “Iris [West] in the comic books is an award-winning journalist. So [on the show] we're seeing her from the ground up. She's starting as a blogger, and as the season progresses, we're going to see her really take journalism to heart. It's really going to be her beginning. The particle accelerator explosion really changed the course of her life too, and sets her on the path to becoming her ultimate comic book character.”

But others won't stick so closely to their comic book origins. “There are so many characters that are from the lore, obviously like Caitlin Snow in the comics becomes Killer Frost, and Cisco, who becomes Vibe,” said Johns, referencing the characters played by Danielle Panabaker and Carlos Valdes, respectively, on the show. “I wouldn't necessarily count on that same track happening.”

2. Barry's not the only hero in Central City
While most of the people who were inflicted with superpowers by the S.T.A.R. Labs explosion will have villainous intentions towards the city and its people, at least one other person other than Barry will emerge as a potential hero.

“We will [meet another do-gooder with powers] within the first five episodes,” Berlanti teased. “We were very cognizant of having too many people affected by the particle accelerator just being villains. We like to change it up, so sometimes it's that, sometimes it's someone who's good, sometimes it's someone like Cold and Wentworth [Miller] who's not affected at all.”

And speaking of that…

3. The “Prison Break” reunion was Wentworth Miller‘s idea
Miller had been cast to play DC villain Captain Cold in July, and was instrumental in getting his “Prison Break” on-screen brother Dominic Purcell on board for the role of Heat Wave, a member of Cold's gang of villains.

“I was on set talking to him and I asked, ‘Hey, if we were going to have you team up with somebody, is there someone you want to work with?'” said Johns. “We talked about the character a bit and he said, Dominic, without missing a beat.”

4. The villain Firestorm will appear sooner than expected
Robbie Amell, cousin of “Arrow” star Stephen Amell and star of last season's “The Tomorrow People” on The CW, will play a character named Ronnie Raymond, who comic book fans immediately recognized as DC villain Firestorm. So how long will it be before Raymond reveals his fiery alter ego?

“Not long,” Johns promised.

“Sooner than I thought, that's for sure,” added Gustin.

And Raymond will have a bit of a different backstory from his comic book origins. For one thing, on the show, he's the presumed to be dead fiancee of Panabaker's Caitlin Snow.

“It wasn't the grand plan at the beginning,” Kreisberg said. “There was a time when Catilin's fiancee was not Ronnie. It was just one of those serendipitious things where it all came together. That was what was funny about it, we didn't even sit down and say, ‘Oh, we should have the comic book villains planning to get married.’ It just sort of worked out that way.”

5. The “Arrow”-”Flash” crossover is called “Flash vs. Arrow”
“You put the winner first!” Kreisberg joked.

In all seriousness, Kreisberg added, the crossover episodes won't be so much about the gimmick but the characters.

“They really are very important episodes for what Barry's going through, for what Oliver's going through,” he promised. “We have one of the biggest surprises for ‘Arrow’ of all time on the ‘Flash’ episode.”

“It was kind of funny having the dynamic back of when I was on ‘Arrow’ a year ago now,” Gustin reminisced. “That was when I met Barry, and he was so fun and awkward and the dynamic between him and Oliver was so fun, and we got to recreate that. But it's evolved and it's really very different from anything else on the show.”

On mixing the two show's very different tones into a cohesive one, the gang also found plenty of levity.

“David Ramsey [who plays Diggle on 'Arrow] on our show is funnier than he's ever been,” said Gustin. “It's because what he's seeing is blowing his mind, so it's cool to see those two worlds meet like that.”

“The best part of the ‘Flash’ episode was the almost meta commentary about how serious everyone was on ‘Arrow,'” added Kreisberg. “There's a lot of jokes at Oliver's expense on the ‘Flash’ side of it. But what was fun was when we went to go do the ‘Arrow’ side of it, it became the reverse. Barry, Caitlin and Cisco all really like each other and they're having a lot of fun, but suddenly they're thrust into a very dark, twisted episode of ‘Arrow,’ and they're realizing, oh, you guys really are dealing with a lot of serious stuff and you're playing on a different level.”

Kreisberg also couldn't help himself from spoiling one funny line which Barry will say to Oliver during the crossover: “When I fight you, it is literally like you're standing still.”


http://www.thewrap.com/cw-the-flash-sta ... crossover/


- Productores Ejecutivvos Hablan sobre el Crear un Héroe y el Crossover con ‘Arrow’ (variety):
Productores Ejecutivvos Hablan sobre el Crear un Héroe y el Crossover con ‘Arrow’
Por Laura Prudom 07 Octubre, 2014 | 09:08AM PT


The CW is feeling the need for speed this fall, and “The Flash” aims to deliver on Tuesday night, introducing a new generation of fans to one of DC Comics’ most enduring superheroes in a premiere that “bursts out of the starting gate” according to Variety‘s Brian Lowry.

The ambitious “Arrow” spinoff sees Grant Gustin donning the Scarlet Speedster’s red and gold ensemble after a freak accident imbues him (and a number of other unwitting bystanders) with superhuman abilities in the fleet-footed pilot. While Gustin’s Barry Allen was introduced in “Arrow” last season, the show’s producers — including “Arrow” EPs Greg Berlanti and Andrew Kreisberg, and DC’s Chief Creative Officer Geoff Johns — promise that viewers who aren’t familiar with the source material will still find plenty to enjoy: “Even though it is a spinoff, you don’t need to have watched a minute of ‘Arrow’ to enjoy ‘The Flash,'” Kreisberg insisted during a press roundtable on Monday morning. “Or to have ever watched a superhero show, period,” Johns agreed. “It really gets you in through the characters… it’s a character drama that happens to be a superhero show.”

Although “Arrow” and “Flash” sprang from the same creative well, the two shows are vastly different in tone — and not just because “The Flash” will utilize superpowers while “Arrow” remains more grounded. “When Arrow started, Oliver was as much Green Arrow as he was ever going to be, skill-wise, and that show is really an exploration of somebody getting back their humanity,” Kreisberg explained. “But for Flash, it’s day one of being a hero. We experience the show through Grant and through Barry. Who people are and what they seem, we’re learning that just as he’s learning that, and that’s his evolution as a hero.”

Berlanti agreed, comparing “The Flash” to anthology series such as “X-Files” and “The Twilight Zone” in the way the writers will introduce and explore other characters through the lens of Barry’s journey. “Every show’s different, and one way ['Flash'] is different from ‘Arrow’ is that there’s an element that we’ve discovered in the first half of the year that’s a little bit of an anthology show; introducing these characters that have been affected by the collider and them having their own [lives] and things that we’re getting to dramatize and bring to the show… Those things play out over multiple episodes, so they’re not so case of the week-y.”

Still, while the producers acknowledge that the two series need to stand alone, there are already a number of crossovers planned; episode eight of both shows will feature a major tie-in with multiple characters crossing over to their sibling series. “When you do episodes — and I don’t say this pejoratively — with a gimmick like that, the best thing you can do is [make sure] that it’s not just the gimmick, it’s also advancing the storylines that we’ve been telling and [ensuring] that your characters really grow,” Kreisberg said. “When you look at this episode, both of these crossovers, these aren’t just about the crossovers of the cast, they’re very important episodes for what Barry’s going through, for what Oliver’s going through. We have one of the biggest surprises on ‘Arrow’ of all time on the ‘Flash’ episode, and both episodes are really important for Barry’s growth.”

While the crossover will feature plenty of plot development, the writers have also left room for a little humor, according to Gustin: “David Ramsey (John Diggle) in our ‘Flash’ episode is funnier than he’s ever been, which is really funny, because what he’s seeing is blowing his mind. It’s cool to see those two worlds meet like that.” Gustin also enjoyed revisiting Barry’s relationship with Stephen Amell’s Oliver Queen, recalling their first introduction on “Arrow” a year ago. “It was so fun and awkward, and we got to recreate that. But it’s evolved, it’s really different than anything else on the show.”

“The best version of the ‘Flash’ part of the episode was almost this meta commentary on how serious everyone is in ‘Arrow,’ and so there’s a lot of jokes at Oliver’s expense on the ‘Flash’ side of it,” Kreisberg admitted of the crossover. “But when we went to do the ‘Arrow’ side of it, it became the reverse, where Barry and Caitlin (Danielle Panabaker) and Cisco (Carlos Valdes), for all the Sturm und Drang they’re going through, they really like each other and they’re having a lot of fun, and then suddenly they’re thrust into a very dark, twisted episode of ‘Arrow’ where they have to face ‘oh, what you guys do really is serious and you guys are playing at a different level than we are.'”

Unlike offshoots of ’70s shows — where Kreisberg joked that the star from the original series would appear in a spinoff pilot and then never be mentioned again — fans can rest assured that the two series will firmly inhabit the same universe. “There’s moments in episodes where they’re referencing what’s going on in the other city, just like the comics. It served us really well in season two of ‘Arrow’ where literally every episode had a mention of the particle accelerator being built or the protests or even mentioning Harrison Wells’ (Tom Cavanagh) name early on — there’s little moments like that in ‘Flash,'” Kreisberg said. “These people are all friends and all helping each other grow, and to deny that connection would be a disservice to the audience.”

“Arrow” has already delivered some memorable casting coups in its first two seasons, utilizing cult stars from shows like “Spartacus” and “Doctor Who” to fill out its roster of supporting characters, and “Flash” looks set to continue that trend, reuniting “Prison Break” stars Wentworth Miller and Dominic Purcell as villains Captain Cold and Heat Wave in episode ten, as well as bringing over fellow “Prison Break” alum Robert Knepper to reprise his “Arrow” role as The Clock King in episode seven.

Fans can thank Miller for the unexpected reunion, Johns revealed: “That was actually from Wentworth, we were talking to him about [casting]. I said, ‘hey, if we were going to bring you back and have you team up with somebody, is there someone you’d like to work with?’ and we talked about the character and he said ‘Dominic’ without missing a beat. And he said, ‘I think he’d do it, we’d have fun.’ He was really excited about getting to work with him again.”

Captain Cold is one of The Flash’s most iconic villains, and Johns compared the character to Robert De Niro in “Heat.” “He’s just this guy who pulls jobs very carefully and suddenly there’s something else in the city and he has to change his game up; he has to figure out how to deal with this new threat in Central City to his way of life. So it’s all about him evolving and surviving in this new world order, and guns aren’t gonna do it, so he’s got to have something a little stronger.”

Despite the show’s ambitious rogues’ gallery and impressive effects, “Flash” ultimately hinges on the relationships between the characters, according to Berlanti: “The most affecting part of the show is just two, three people on the screen, having a great scene together — as long as the show succeeds and keeps succeeding, I think it’s fun to offset that with the other stuff. We do try and up our game and push everybody to the limits … we’re trying really hard to maintain that level of everything, emotion and heart and spectacle.”

And Gustin’s performance is the cornerstone of that strategy. The actor admitted that “it’s hard to tell the difference between me and Barry as we go, because I’m Barry more often now than I’m Grant. I carry him with me a lot when I leave, I think about him all the time.” While being number one on the call sheet is a tremendous responsibility, Kreisberg is certain that Gustin is up to the task. “Barry, at heart, is a happy person and does things with a smile and is the positivity in all these people’s lives on the show as a character, and I think Grant is that for the cast,” the producer noted. “He does work harder than anybody, and being inside that red suit is not always comfortable, and whenever I’m there he always has a smile on his face and is ready to go and do another take and he’s always giving it 100 percent. That is where the [two] are very closely aligned.”

“And that’s despite Barry having such tragedy in his past,” Johns observed. “One of the inspiring things about Flash is that… like Batman chose to be Batman, Barry Allen chose to try and help people and solve crimes and do what he could, and he does it with a smile. I think that’s incredibly inspiring.”


http://variety.com/2014/tv/news/the-fla ... 201322754/

- Productores de The Flash prometen giros inesperados y sorprendentes apariciones sorpresas de 'Arrow' (THR):
Productores de The Flash prometen giros inesperados y sorprendentes apariciones sorpresas de 'Arrow'
Por Philiana Ng 7:00 AM PDT 24/07/2014


The CW's The Flash, a spinoff of the darker and broodier Arrow, takes a lighter spin with Barry Allen, the awkward Central City Police Department forensics expert so enthralled with the Arrow that he'd proclaim himself a fanboy. The change in tone was inevitable. As Arrow viewers glimpsed last fall during the two-hour Barry Allen arc, the man who would don the red suit had a more lively approach to life.

"When we were doing Arrow, we talked about Christopher Nolan’s Batman trilogy. When we were talking about The Flash, we talked a lot about Dick Donner's Superman films — its heart and humor and scope and Americana," executive producer Greg Berlanti tells The Hollywood Reporter.

While Arrow lends itself to being a "grandiose, sweeping Shakespearean epic," as executive producer Andrew Kreisberg describes to THR, The Flash simply isn't — and that's not a bad thing. Producers went out of their way to differentiate each show from the other, even though characters live within the same universe. (Two members of S.T.A.R. Labs crossed over to Arrow late last season.)

"Arrow takes place specifically at night and this is day, where in The Flash pilot, the action starts and ends in the daytime," explains Kreisberg, who calls the titular character "a daytime hero." Adds Berlanti, "Arrow is a crime world and The Flash is a sci-fi world."

They would know. Arrow excludes nonhuman supernatural abilities, while The Flash teeters toward the sci-fi and fantastical. Case in point: The latter's pilot, which screened Wednesday during Comic-Con preview night, highlights a villain whose ability to control the weather was manifested post particle-accelerator explosion in Central City.

The Flash, like its mothership, is an origin story. Geoff Johns, an executive producer on The Flash and DC Comics' chief creative officer, told reporters July 18 that The Flash "is probably the most faithful DC adaptation ever." Producers emphasize that Barry Allen's story will have unexpected detours along the way.

"Viewers will be surprised by what we choose to do," Berlanti assures, referencing last year's big bad on Arrow as a prime lesson. "Slade Wilson was a great example in the first two years of Arrow. Deathstroke was somebody people knew about, but we did our own version of it and were able to twist and turn some of those elements."

One of those turns will be an Arrow drop-by in Flash's episode four, which brings Felicity over to Central City. It'll be the first time Oliver Queen's right-hand woman will make an appearance on the new series, and Kreisberg promises Felicity will have the same wry humor on The Flash that she does on Arrow. Notes Berlanti, "Even Arrow seems a little bit more hopeful and optimistic when he's in The Flash pilot."

A two-hour "crossover event" will also take shape during the shows' respective eighth episodes. "There will be a villain in each one that will be more evocative of that show, so that will help separate them out. But there'll be an overarching story to the two episodes," Berlanti says. "It’s a first for us. I just know that it’s something, as a fan, I would want desperately."

Ahead of its Oct. 7 debut, The Flash has already booked notable names in key DC roles like Robbie Amell, who starred in Berlanti's short-lived sci-fi drama The Tomorrow People. ("It wouldn't be a superhero show without an Amell," Kreisberg jokes.) Amell appears in The Flash for at least three episodes in the first 13 as one-half of Firestorm, Ronnie Raymond and Caitlin Snow's presumed-dead fiance. But, there is a chance he'll be sticking around. "I don't want to give too much away with how we're handling [his story], but yes, there's a possibility for more," teases Berlanti.

Introducing Ronnie into The Flash universe early on was in the cards while the pilot was being formulated. "Having Ronnie be Caitlin's fiance brings up great story lines for Caitlin and great stories for Barry," Kreisberg says. "Barry is someone who’s learning to love and enjoy his powers, and when we meet Ronnie, you're going to see somebody who's a lot more damaged by the experience. As always, any of these external characters are there to mirror what's going on with our core characters."

The same goes for Prison Break alum Wentworth Miller, who guest stars in the fourth episode as Leonard Snart/Captain Cold, whom Berlanti hopes will return past the one-episode commitment.

With an abundance of DC adaptations on the small screen (Gotham on Fox, Arrow and The Flash on The CW and Constantine on NBC), worrying over the influx is valid. "We always feel like a rising tide lifts all boats, in that the more that there are out there that are good is great for all of us, and that's good for us," Berlanti says.

At the end of the day, the first season of The Flash is the making of another superhero. "It's Barry Allen coming to terms both physically and emotionally with what’s happened to him," Kreisberg says. "He's not really The Flash yet because he's still in the early days. By the end of the year, he will come to resemble The Flash that we know from the comic books. That's really the arc for the first year."

http://www.hollywoodreporter.com/live-f ... ted-720853?

- Por qué el actor Tom Cavanagh está feliz por no interpretar a Flash en The Flash (blastr):
Por qué el actor Tom Cavanagh está feliz por no interpretar a Flash en The Flash
Por Kathie Huddleston 07 Octubre, 2014 - 12:15pm


Canadian actor Tom Cavanagh is glad he's not playing Barry Allen, aka the Flash, in his new series, The Flash, which premieres tonight on the CW. Instead he's taking on a mysterious, brilliant Steve Jobs-type character, which is unlike anything he's played before, said Cavanagh in exclusive interview with Blastr.

“Grant [Gustin] has broad shoulders and he's going to be spectacular, in my opinion, as Barry Allen. But it's not easy,” said Cavanagh. “That's simply how it is when you're the Flash in The Flash. Grant is humble and eager and talented, and that's a pretty darn good combination. [But] I don't envy Grant's position, to be honest with you, because a lot of people want to see a certain thing. They've grown up with it and they have certain expectations.

“There's not the same expectations for me, which is really kind of fun for the character I get to play. There's a mystery surrounding him...and I think that's a wonderful thing, especially for the arena which I'm pretty much a neophyte in,” he said. That area involves material based on comic books.

'The smartest guy in the room.'

Cavanagh is playing visionary physicist Harrison Wells, the man who, along with his S.T.A.R. Labs team, create a particle accelerator that explodes and causes a freak storm and the lightning, which strikes C.S.I. Investigator Barry Allen and puts him into a coma for nine months. When Barry wakes up, let's just say he's a changed, and very fast, man.

As far as Cavanagh's character goes, “I see him as the smartest guy in the room. I know that's obnoxious, but I'm not talking about Tom Cavanagh. I'm talking about Harrison Wells. If you notice, he's dressed in black. That was a direct ripoff or homage to Steve Jobs. Not the mock turtleneck, but the idea that, look, here's a guy who has a vision. Now, Apple is what Apple is because there's a guy that had an idea to make it simple, clean, and stream that to the public. To know what they would find desirable,” said Cavanagh.

“The cleanliness of it and the streamlined Apple product we equate to, in a strange way, what I am doing at S.T.A.R. Labs as Harrison Wells, as the smartest person in the world. If you can do what he did and cause an entire implosion of a city, you've got some tools at your disposal, right? Harrison doesn't do things by accident. He's thought things through and his cerebral powers are worthy.”

Barry Allen (Gustin) was introduced on the CW's Arrow last season, and he helped save the Arrow's life and provided the nifty new mask he sported last season. The Flash, which is based on the comic book character, follows Barry and his origin story in becoming the Flash. Eventually, Barry discovers he's not the only “meta human” around, and some of them are not using their powers for good. With the help of Harrison and the S.T.A.R. Labs team, Barry decides to put on a mask and use his ability as the fastest man alive to help those in need...and to try and find out who killed his mother when he was a child. The Flash comes from Arrow's team of Greg Berlanti, Andrew Kreisberg, and David Nutter. The series also stars Jesse L. Martin, Candice Patton, Rick Cosnett, and Danielle Panabaker.

Man of a thousand pilots

“I've done like a thousand pilots, and I feel like sometimes, you're trying to establish a world, so you have to answer a lot of things. The Flash is no different. You want to set up a lot of stuff for the series to come, but the series doesn't come if you don't dedicate your pilot to a good story as well. That's what Nutter has going for him. He never, ever, ever, even with all the bells and whistles of a superhero pilot, he never, ever, ever loses track of the fact that it's an intimate and personal story. He's always, always focused on that. I think that is one of the reasons he is as successful as he is,” he said.

Cavanagh wanted to take on the new role because he worked with co-creators Berlanti and Kreisberg before on Jack & Bobby and Eli Stone. “Both times I'd signed on, they had written really good characters. Both times, they asked me to do it with the promise...because, in television, the part's never really written beyond the first or second episode that you can see. You never get a chance to look at your six or seven episode arc or your season arc. It doesn't happen. You have to trust that people are going to deliver. What's funny about those guys is both times...they exceeded the promise of what the character would be,” said Cavanagh.

The character of Harrison Wells has ended up being very different from the other roles he's played, including his award-winning turn as Ed Stevens in Ed.

“I'm eager to go into an arena where I'm not experienced. I have friends who have been in the comic world, and it's an entirely different experience. The thing that I'm hoping for, and I think it can succeed in the way Arrow does...I hope it can succeed. There's a crossover level where this is not just for fans of the genre if it's a story really well told,” said Cavanagh.

'The viewers are going to have to decide for themselves that we're worthy.'

“Like Arrow, given the fact that it's the tale of an ordinary man doing extraordinary things, and being relatable because of that, has every chance to have a lot of people tune in. Or, maybe next time we talk, it got canceled after three episodes, and I'm like, well, I guess I was wrong,” he said.

“Once you've had both success and failure with a launch of a new TV show, it really does keep you humble. The viewers are going to have to decide for themselves that we're worthy. We are aided clearly in a massive way by the fact that they've done such a good job on Arrow. So, I believe, personally, that that alone – the fact that we are extracting some stuff from the back, some currency from the Arrow back, which you almost don't ever want to do, but we're grateful to be allowed to do that – I think that is going to translate to some viewership. After that, I hope that they watch the pilot and go, these guys are worthy on their own. That allows them to tell their neighbor and their neighbor their neighbor and so on. I'm hopeful that that is how the viewership for The Flash gets spread. I also am fully aware that none of that is promised to us,” he said.

Whether or not The Flash survives, Cavanagh promises that they aren't playing it safe.

“I did this show this year called The Following, the Kevin Bacon show. What I liked about that show is these guys had success in year one and in year two, when I joined, they were doing the opposite of sitting on their laurels, you know? I thought, that's great. That's what you hope for for a show, that it doesn't say, 'Ah, we have a formula, this formula works, we're just going to grudgingly stick to it day by day.' Especially in this world, in the world of The Flash, we're already out there. We're already in Central City. We've already got a guy who can do this. Let's not wear kid gloves. Let's swing for the fences,” said Cavanagh.

The Flash airs on Tuesdays at 8 p.m. on the CW.


http://www.blastr.com/2014-10-7/exclusi ... lash-flash

- Grant Gustin habla sobre el ser Barry Allen y su increíble traje de superhéroe (accesshollywood):
Grant Gustin habla sobre el ser Barry Allen y su increíble traje de superhéroe
Por Jolie Lash 07 Octubre, 2014 01:28 PM EDT


"The Flash" might just become your favorite new show.

The thrilling new series, from executive producers Greg Berlanti, Andrew Kreisberg and Geoff Johns, premieres Tuesday night on The CW, and it is one of fall's best new dramas.

"Glee" alum Grant Gustin stars as Barry Allen, a young CSI assistant in Central City, who ends up with super speed after he is hit by a mysterious bolt of lightning, stemming from an explosion at science research facility S.T.A.R. Labs.

It's an uplifting story of an underdog whose inclination in extraordinary circumstances is to do good and help others, as he battles those who are using their own new abilities for their less-than-honorable purposes. Fresh, funny and fit for the family, "The Flash" is one show to tune in for, and Grant told Access Hollywood he can't wait for television audiences to finally see it, when it premieres on Tuesday at 8/7c on The CW.

On Monday, Grant spoke with Access Hollywood's Anthony Ramos about embarking on this journey as the lovable and inspiring Barry, how he prepared for the role, and how long it really takes to get into his superhero suit.

Access Hollywood: How excited are you just in general for people to finally see?
Grant Gustin: Very excited. I was cast as Barry on 'Arrow' over a year ago now, so this has been a real slow build for me and we filmed the pilot last March, so we've just been waiting and waiting for people to see it.

Access: It's like giving birth! It's finally arrived.
Grant: Seriously. Barry was in a coma for nine months, so it really is like having a baby and we really are – [we] can't wait to hear the response now.

Access: Overall, what is it like for you to be a part of something that is so beloved? Obviously DC Comics in general, people are fanatical about it. What has that been like for you?
Grant: It's fun 'cause, I mean, my first taste of this -- of the TV world, with social media and how everything is today -- was 'Glee,' and they're really passionate fans and there was kind of like [a] mostly negative response at first to my character [on 'Glee'] just 'cause of the nature of the character [Editor's note: Grant played Sebastian Smythe, who pursued the attached Blaine] so I knew what the intensity level was gonna be, 'cause I knew it would probably even surpass the 'Glee' fandom because this is – I mean, comic book fandom is much broader.

Access: It's serious.
Grant: Yeah, kids all the way to grown people, retired people, old people, I mean… everyone is comic book fans. So, at first I felt that pressure of really wanting to get it right, really wondering why I even was the guy that got to play this role and then I just kind of put all that away and decided the only way I was going to do a good job was if I had as much fun as possible, brought as many human qualities as possible to Barry and just kind of did my thing.


Access: What was your preparation like? Were you familiar with the story? Did you have to do a crash course? How did that go?
Grant: During the audition process is when I started reading comics and I started at the beginning, and I was going to read as much as I could and realized that wasn't going to be easy or probably not even possible, so I stuck to the new 52 series, which is kind of the series that I think is the closest depiction to what our show is gonna look and feel like, but at the same time, what we're doing… it's not a Barry or a Flash that's existed in the comics before. It's definitely our own take. But, yeah, early on was when I did most of my comic book research and now I'm just kind of -- the scripts are the research.

Access: One of the best things about being a superhero is the costume… What was it like seeing your red suit for the first time?
Grant: The first time I really saw what it was going to be like was a rendering, and it's pretty close to what it looks like, but it evolved and evolved already, and the first time I had it on me, it was slowly pieced together over the course of like six fittings in LA before we went to Canada and it never looked like the finished suit on me even a little bit. It wasn't until we were in Canada -- we were in prep for the pilot, and we were doing camera tests for the suit and then, after the camera tests, we did my first photo shoot in the suit and then that was really the day I saw the suit finished on me the first time.

Access: What is it made out of?
Grant: It is leather, but then there are also like stretchy materials on the inside of the leg and in places that you need to have give.

Access: So when you show up to work and you and you have to get into it, how long is the process? Is it like, quick, you can just master it?
Grant: It's not insane… it feels insane 'cause it's harder than just putting clothes on. It started at like 40 minutes 'cause the first cowl -- the mask that I had, it's technically a prosthetic. It goes on, they zip it up and they glue it to my face, and I wore that in the pilot and all the way through the episode we just finished filming – Episode 8. And now I have a brand new one that we don't need to glue to me. It looks just the same, but it just has like these pieces that lock [onto] my face, so it's just slides right on. And now, getting into the suit takes me 10, 15 minutes top.

Access: You're a pro now! Did you have any say in the design…
Grant: I'm really easy going and they tried to give me say at times, but I kind of just let them do their thing.

Access: You have to be happy that you're not wearing that first red [spandex] running suit that we see you in [in the show's premiere episode], even though you looked great.
Grant: Oh my God that! Yeah, oh my gosh! I was mortified, but at the same time, I knew that it was right for [the character]. … It was funny and it was Barry. It was endearing that he just didn't care. He was like, 'All right, well I guess I'm in this. It is what it is.'



http://www.accesshollywood.com/the-flas ... icle_99383




- Entrevista Exclusiva con Chad Rook sobre The Flash (wegotthiscovered):

Entrevista Exclusiva con Chad Rook sobre The Flash
Por James Garcia 06 Octubre, 2014


They say that a hero is only as good as his villain, and this year on The Flash, Barry Allen will truly be put to the test when he faces off with several members of his diverse rogues gallery. Many of the Rogues have already been announced to appear on the show, from Captain Cold to Heat Wave, as well as Captain Boomerang, Girder, the Pied Piper and even Gorilla Grodd.

First out the gate, however, is Mark Mardon, the supervillain known as Weather Wizard. As his name would suggest, Weather Wizard can control the weather and gave the Flash quite the challenge in the series opener. A formidable opponent and a fun foe to watch on screen, Weather Wizard was the first one to show Barry Allen that he wasn’t the only one given powerful abilities after the S.T.A.R. Labs particle accelerator explosion.

Chad Rook, who’s appeared on such TV series as Alcatraz, Supernatural, Sanctuary, Cult, and Bates Motel, and even dabbles in writing and directing, plays Mardon on The Flash. Or, more accurately, he plays Clyde Mardon, the brother of the comic book version of Weather Wizard.

With Weather Wizard’s name on the list of Rogues slated to raise hell in Central City this season, many fans have been wondering about how the character fits into the proceedings, especially after the events of the pilot episode. Luckily, I was given the chance to speak with Rook and asked him not only that very question, but about the process he went through to land on the highly-anticipated series, his history with comics, his influences, and, of course, whether or not we’d see him suit up as the true Weather Wizard at some point.

Check out the exclusive interview below, and enjoy!

WGTC: First off, let me just say that I absolutely loved the Flash pilot. The energy, the cast, and the execution were just electric and spot on. What do you think of the series, and what was it like being in the pilot episode? I’m sure it must have been quite the experience being on the set of a DC property, especially one as popular and beloved as the Flash.

Chad Rook: The experience was beyond that of any other set. I’ve been blessed with the opportunity of playing a lot of villains in various TV shows. Playing a super villain, when I myself am a huge comic book fan, is the absolute best role I could ever ask for. To have the ability to control the weather, as my character does in “The Flash,” is literally me getting to live out a childhood dream, and have superpowers. What else could I possibly ask for in a role? One of the main reasons I started acting was so that I could be creative and use my imagination while doing some amazing things with amazing people. Doing this kind of role takes those reasons to its limits and beyond.

Being the first villain in this series really allows me to set the bar and not have to live up to any expectations. Having a blank slate and setting the bar for other actors is not only a challenge, but a challenge that I openly accept, and you bet your ass I plan on setting the bar VERY high.

WGTC: What was the audition process like for the show?

Chad Rook: It was a very taxing and long audition process. I actually had seven auditions for the role. Two of which were actually for Barry Allen and Eddie Thawne. But when I got the audition to play Clyde Mardon (a.k.a. the Weather Wizard), I really stepped out of the box and tried to create something very unique. Thank God that David Nutter and Andrew Kreisberg understood what I was doing with the character, and they gave me a shot. The result is what I believe fans really want to see and deserve… a kick ass, unique villain that will for sure raise some hell in Central City.

WGTC: Are you a comic book fan, and a fan of the Flash? How did you feel when you heard you landed the role of Weather Wizard?

Chad Rook: I am a huge comic book fan, however, I never really followed the Flash comics as a kid. I was always a Batman guy. So when I got the role of the Weather Wizard I immediately started looking in to the storylines, the origins, and with every book I read, my excitement grew as I very soon realized how big the Flash actually was. I was blown away (no pun intended).

WGTC: We know that the Rogues will be a prominent focus of the first season, and that your character will be a part of that. At the end of the pilot, your character gets shot, but your fate was left open-ended. Did you know that going in, or was the Rogue announcement news to you as well?

Chad Rook: I definitely knew what was coming in the pilot, however, when they announced that the Weather Wizard would be returning and that the Rogues would be a huge part of the Flash series (which it should be), I was very excited. After all, you can’t really have the Rogues with only a portion of the Rogues. Now whether or not we see the same version or not… well… you’ll have to keep watching.

WGTC: Do you think your character will show up in costume at some point?

Chad Rook: I think when you have people like Geoff Johns and Andrew Kreisberg involved in the creative process, it’s only a matter of time before fans get the characters they know and love. And that includes the look. I don’t have all the answers, but I would assume it’s only a matter of time.

WGTC: What were some of your inspirations and influences for a role like this? Villains can be a bit tricky, especially when they have super powers and even more so when those powers have to be conveyed on a television budget. Have you ever played someone like this before?

Chad Rook: Like I said, I’ve been blessed with many villain roles, but my inspiration for this particular character was actually from a professional wrestler by the name of Bray Wyatt. If you watch footage of Bray online, you will see subtle hints and mannerisms that I picked up on and used within the character of Clyde Mardon. It was a very unique character and I used it as a starting point for the character. The twitching and odd body movements stemmed from me acting as if the “weather” was constantly moving throughout my body. The two aspects joined together nicely and helped me create what I feel is a pretty badass villain.

WGTC: I also see that you’ve been appearing at several conventions and have been keeping extremely busy promoting the show over the last few months. What was that experience like? Just judging by your Tweets it’s clear to see that you really connect with fans and are having a legitimately good time. Did you ever think your part in the pilot would turn out this way?

Chad Rook: To be honest, I’m just going with whatever comes my way and enjoying every second of it. This industry is full of ups and downs and I’ve learned to take the downs with a grain of salt and really enjoy the ups when they come. Right now with The Flash and all the excitement and hype from the fans surrounding the show, I’m enjoying EVERY aspect that comes my way and what better way to do that than be in person with the fans?

WGTC: Okay, one more question. We know that Arrow and The Flash will have some crossover episodes this season, and the fun thing about having the shows connected is that characters can move freely back and forth as needed. Have there been any discussions or conversations about you someday appearing on Arrow? If that were an option for you, would you like to show up in Starling City and give Green Arrow a run for his money?

Chad Rook: Absolutely! There hasn’t been any talk or conversations as of yet, but with the recent news and media it seems as though they’re already converging the two shows and the villains in each. I would love to show the Arrow that there’s only enough room on this planet for ONE Green DC Badass… and that’s me.


http://wegotthiscovered.com/tv/exclusiv ... ook-flash/



- Grant Gustin entrenó para hacer las carreras de este superhéroe 'más eficientes' (zap2it):

Grant Gustin entrenó para hacer las carreras de este superhéroe 'más eficientes'
Por Jacqueline Cutler 07 Oct, 2014


Barry Allen was always heroic but it took a freak accident to turn him into a superhero in The CW's "The Flash" premiering Tuesday, Oct. 7.

Barry (Grant Gustin, "Glee") is an unlikely superhero: sweet, skinny and scientific. His altruism was evident even as a child when he stood up to bullies taunting others. When Barry was 11, a freak electric storm exploded in his living room, and killed his mom. His dad was convicted of her murder, but Barry always maintained his father's innocence.

The father of Barry's best friend, Detective Joe West (Jesse L. Martin, "Law & Order"), took in the orphan, and remains his surrogate father. As an adult, Barry works for Central City Police Department in forensics. He continues to be a sweet guy, who loves science.

Struck by lightning during a cataclysmic storm, he's left comatose. When he comes to he's delighted to discover he has six-pack abs. Later, he realizes the incredible speed.

He is The Flash.

The pilot devotes fun scenes to Barry discovering his speed. He crashes until he learns to harness his special power.

Gustin had not read the comics growing up, though he's since learned much about this world. He sees Barry as a very full character, who is "optimistic and full of hope," Gustin says. "Barry has a dark past."

Barry grew up respecting Joe, and harboring a crush on his best friend, Joe's daughter, Iris (Candice Patton). They continue to have a loving friendship.

Tom Cavanagh ("Ed") plays scientific genius Harrison Wells who has a particle accelerator and likely designs on world domination. For now, at least, he appears to be helping The Flash realize his powers.

Being the fastest man alive takes some work. As a lifelong dancer, Gustin was in shape, but needed to train for the role.

"I worked with a track and field trainer," Gustin tells Zap2it. "He showed me how to be more efficient."

The Flash, he says, "is less equipped than most superheroes and less reluctant to become a hero. He's always been invisible to people, even at work. All he wants to do is help people. He's a police scientist in CSI and he will continue to be."

Central City needs all the help they can get. The Flash is not the only meta-human, as these genetically altered folks are known. A bank robber in the pilot causes cyclones, showcasing terrific special effects.

Based on the DC comics, the pilot cleverly lays out alliances and gives viewers, even those who can't cite the character's history, a solid understanding of this world.

"If you don't know the mythology, that's OK," Gustin says, "because we are starting from the story telling from the very beginning."


http://www.zap2it.com/blogs/the_flashs_ ... cw-2014-10



- The Flash: My Trip Inside the S.T.A.R. Labs Van (comicbook):

http://comicbook.com/2014/10/07/the-fla ... -labs-van/



- ¡Oh, sí, le llamanThe Flash! Una Entrevista con Grant Gustin (DCComics):

¡Oh, sí, le llamanThe Flash! Una Entrevista con Grant Gustin
Por Paul Malmont 07/10/14


Talk about catching lightning in a bottle--literally! Grant Gustin is about to take on the role of a lifetime starring as Barry Allen aka The Flash on The CW's new Tuesday night show. He's carrying the weight of playing one of DC's most legendary superheroes with charm and grace.

Recently Grant was given a break from the grueling production schedule and came through the DC offices. We were lucky enough to have a few minutes to talk to him about working with some TV veterans, anchoring a hot new TV show, and how he's holding up.



Are you exhausted?

I am. But I’m exhausted all the time so I’m kind of used to it. And I feel normal now. Kind of.

How’s it going up there in Vancouver?

Really well. We’re already on episode 9. We already shot the big crossover episodes. That was a big hump to get over. And now we’re over it for the most part. So soon we’ll be on to the second half of the season, hopefully.

How’s it feel holding down the show? You’re the star. You’re The Flash.

Yeah. It’s crazy. I don’t think that part has really – I don’t think that’s ever going to set in, actually. Because, I am The Flash—whatever. Number 1 on the call sheet, it’s really cool. It’s really exciting. But everyone’s pulling their weight. Everyone’s doing their work. And everyone… when I’m shooting scenes, we’re all equally involved. It’s a big team effort. Right now, what’s nice about it is, it’s me, but if you don’t know me as an actor, you don’t see that and recognize me necessarily which his kind of cool. I mean, it’s The Flash and I’m the face of the show, but The Flash is really the face of the show. So I don’t really feel that pressure, “like it’s my show, I better do it right.” We’re all working on it. We’re all having a good time. We’re all excited about it.

Now Tom (Harrison Wells) Cavanaugh, who you work with, was in a similar situation. Early in his career, the star of his own show, Ed. Does he have any advice for you?

Yeah. We’ve talked a lot. His experience is going to be a lot different than my experience with this, though. I also got to talk to John Wesley Shipp about his experience [on the 1990 version of The Flash]. And we had Wentworth Miller who had his own show. I’ve got to talk to a lot of people who’ve given me really good advice. Mostly practical advice, like get your sleep and know when to say no to things that interfere with work and put the work first and stuff that I kind of naturally want to do anyway.

Still talking about the veterans. You and Jesse Martin have stage backgrounds. He was in Rent. You guys ever jam on showtunes?

Yeah. We talk about stuff like that all the time. It just naturally comes up. Theater people! People don’t know tap and they want to learn from me and Jesse. So it’s fun. Everyone just really enjoys each other.

Let’s talk about Masks for a second. One of the things I thought was really impressive about the show is that when you put on the mask you become a different character.

Yes!

You look different!

I feel a lot different. I don’t know. I didn’t really expect Barry and Flash to be so different. Like I really get caught up in the moment when I’m in the suit and I think Barry would and does, too! Barry gets really caught up in the moment of being the Flash and saving the day. It’s something that he’s really never gotten to do before and right now he’s having a lot of joy in being able to help people, protect people; and be this person that he never thought he would get to be so I think that’s part of it.

It’s ever-growing though. I mean, every episode they’re morphing together more and more. Flash is becoming a little more human and Barry is becoming a little more stronger by the day. I don’t know if they’re ever going to meet somewhere in the middle, but they are slowly meshing into one.

Obviously there are a lot of special effects, but there’s no doubt you’re putting in a lot of physical effort on this show. You do a lot of running. You’ve got to do a lot of athletic stuff. You were probably in good shape before, but are you in better shape now? Are you training? How do you train to be The Flash?

Oof! I did a lot of training before I went to Vancouver to do the pilot. I trained for 3 or 4 months. I’ve always been really thin and I wanted to put on at least a little weight. And I did put on some weight before I shot the pilot. And I knew it would be hard for me to maintain too much weight with my body type on this film schedule. So I kind of plateaued at a certain point on purpose because I work 12 hours a day on average and I knew on top of that I wouldn’t be able to get in the type of workout I’d need to maintain that size. So I run a lot. I do a lot of pull ups and pushups while I’m at work. I run a lot for the job. I’m on a treadmill in front of a green-screen—harnessed. And it’s 10 to 14 hour days for me every single day. I haven’t had a camera day off yet. So that schedule keeps you in shape, too.

Do you track your calorie count on this?

No, thankfully I don’t have to do that. Even with what Stephen Amell does, what he has to put himself through, I just don’t have to do that. Because they want me lean for this version of the Flash. I’m going to be lean. It makes sense.

With @grantgust, you seem to have a great handle on social media.

I was on social media long before this. Way before. And I’ve always enjoyed it. At times now because of this and because of Glee and the spotlight and whatever it scares me at times and I think I’m going to get off of it. But then always at the end of the day I’m going to do Twitter the way I want to do Twitter. I’m not going to let anybody bully me out of Twitter or try to make me do Twitter the way I don’t want to do it. I had it before any of this. It’s my Twitter. I enjoy it. I like being able to reach out to fans that want to hear from me. I’m not going to let anyone ruin Twitter for me. I enjoy it.

So what are we going to look forward to this season? What’s your arc?

Well, the big arc is Barry is trying to prove his father’s innocence and get him out of prison and catch who really killed his mom. That’s his main goal—that’s the main arc of the season. But also we’re developing our cast of regulars. ‘Cause in the pilot it’s a lot of Barry and gave kind of a bland shape to some of the characters. So we’re going places right out of the gate and developing everyone that’s on the show. And we’re getting new bad guys pretty much, I think, every episode so far—all 9 episodes there’s a new villain from the rogues’ gallery. And they’re giving them origin stories that have never existed or they’re kind of brand new ideas that are creating a pretty close depiction of this rogues that have been in the comics.

You mentioned John Wesley Shipp. Also played The Flash. You guys ever compare notes?

Yeah! John did this character, this show, at a much harder time, I think. I think my suit’s uncomfortable? His suit was uncomfortable. He used to have to take off his gloves and pour out the sweat, and it would pour out in buckets. I mean, he couldn’t sit. They talked about doing this for me but eventually softened the leather and made it a two piece. It was a 1 piece when I did the pilot. But they broke it down and made the suit a lot better. When he was in it, they had to get a board for him so that he could lean against it—like what they would do in old time movies—because he couldn’t sit in his suit.

And ComicCon back then, he was telling us that his panel was like 45 minutes long. 40 people were there. He went downstairs and signed some autographs. And it was over. That’s not what our ComicCon was. So our experiences are just going to be really, really different.


http://www.dccomics.com/blog/2014/10/07 ... ant-gustin




- El equipo de "The Flash" promete "La serie más de cómics que jamás se haya hecho" (CBR):

El equipo de "The Flash" promete "La serie más de cómics que jamás se haya hecho"
Por Albert Ching 07/10/14


The messaging behind The CW's "The Flash" series, debuting at 8 tonight, has been clear -- that it's a brighter, more optimistic show than networkmate "Arrow," which it spun off of, and embraces superhero tropes more wholeheartedly than most TV and movie adaptations. DC Entertainment chief creative officer Geoff Johns raised the stakes even higher during a press event on Monday at the company's Burbank headquarters featuring himself, executive producers Greg Berlanti and Andrew Kreisberg plus stars Grant Gustin (The Flash/Barry Allen) and Tom Cavanagh (S.T.A.R. Labs creator Harrison Wells).

"This show, more than any other show I think out there, ever, embraces the superhero lore fully on," Johns told reporters. "There is no reluctance on anyone's part. We're all in on this. This is the most comic book show that's ever been made."

While that may be welcome news to existing comic book fans, it could run the risk of reading as slightly off-putting to more mainstream audiences -- but the folks behind the show are confident that those viewers will find "The Flash" a welcoming place on Tuesday nights.

"Even though it is a spinoff, you don't need to have watched a minute of 'Arrow' to enjoy 'The Flash' pilot, and to enjoy that world," Kreisberg, also an executive producer on "Arrow," said.

"Or have ever watched a superhero show, period," Johns added. "It really gets you in through the characters. It is a character drama that happens to be a superhero show. The best superhero stories are ones that are metaphors for other emotional journeys; they put this glitz and glamour on top of it to make it fun."

"For me, I think the most satisfying thing about it -- and there are lots of satisfying things about it -- is that it makes you feel the way that we used to feel when read the comic books when we were kids," Berlanti -- himself also an "Arrow" EP and developing a "Supergirl" series at CBS -- said. "I think there are tons of comic book shows on TV now, we're fortunate enough to make another one of those, but they don't all have that exact emotion."

In "The Flash," the explosion of the S.T.A.R. Labs particle accelerator -- as depicted last season on "Arrow" in the episodes that introduced Gustin as Barry Allen -- not only gave The Flash his super-speed, but also sparked a new wave of superpowered metahumans throughout Central City. In the show's pilot, it's responsible for the climate-controlling powers of the show's take on perennial Flash Rogue the Weather Wizard (played by Chad Rook), and Berlanti said in the first five episodes of the show, viewers will also see heroic characters birthed from the incident.

"We're really cognizant of not having too many people affected by the particle accelerator just being villains," Berlanti said. "Sometimes it's that, sometimes it's someone who's good, sometimes there's a villain who -- in the case of Cold -- is someone who's not affected at all. I just wouldn't want anybody watching the same show every week."

Speaking of Captain Cold, "Prison Break" alum Wentworth Miller has been cast as the freeze-gun wielding Leonard Snart, one of the most prominent members of The Flash's rogues gallery -- and a personal favorite of Johns, who wrote the character extensively during his time on "The Flash" comic book series.

"We look at DeNiro in 'Heat' a lot," Johns said. "He's this guy who pulls jobs very carefully, and suddenly there's something else in the city, and he has to change his game up. He has to figure out how to deal with this new threat in Central City. It's all about him evolving and surviving in the new world order. Guns aren't going to do it, so he's got to have something a little stronger."

Another comic book character known to soon be seen on "The Flash" is Ronnie Raymond -- played by Robbie Amell, the cousin of "Arrow" star Stephen Amell. In the comics, Ronnie Raymond is one-half of Firestorm, and Johns said it won't be long until he'll be seen in that persona. But not every character's destiny may match their in-print history.

"There are so many characters that are from the lore -- obviously Caitlin Snow [played on 'The Flash' by Danielle Panabaker] in the comics becomes Killer Frost, and Cisco [played on 'The Flash' by Carlos Valdes] becomes Vibe -- but I wouldn't necessarily count on that same track happening," Johns said.

Also a possibility of showing up on "The Flash" at some point? Booster Gold, now that the Kriesberg and Berlanti-developed Syfy series starring the time-traveling fan-favorite is no longer in development.

"Booster Gold's a very beloved character," Johns said. "I would say the chances are probably pretty good."

While introducing familiar comic book characters -- Berlanti said "The Flash" is also almost something of an "anthology" show, given the ability to introduced superpowered heroes and villains -- and embracing that sensibility is a big part of the show, the producers also emphasize the human element of the series. Kriesberg compared Barry's relationship to his three father figures -- current superhero mentor Wells; Det. Joe West (Jesse L. Martin), who raised him; and his imprisoned birth father Henry Allen (John Wesley Shipp, the Flash of the 1990 CBS series) -- to, of all things, 1993 drama "Searching for Bobby Fischer."

"We like to take it in steps," Berlanti said. "Without a doubt, the most affecting part of the show is two, three people on the screen having a great scene together. As long as we keep succeeding at that, I think it's fun to offset it with the other stuff. We do try and up our game, and we try and push everybody to the limit, because we know how important it is that people watching the show don't say, 'They blew all their money and time and energy on the pilot.' We are working really hard to maintain that level of everything -- emotion, heart and spectacle.

"We don't wait around," Kreisberg said. "We always feel like this is our chance, and this might be the only season we get to make, and these might be the only 13 episodes we get to make. Everything we want to do, we're throwing in there."

One of the things they're definitely not waiting around for is a full-fledged crossover with "Arrow," which is scheduled to take place during the eighth episodes of both shows this season. "The Flash" episode is titled "The Flash vs. Arrow," certainly suggesting conflict; while the "Arrow" installment is dubbed "The Brave and the Bold," a name used by DC Comics over the decades for superhero team-ups.

"I think when you do episodes -- and I don't say this pejoratively -- that have a gimmick like that, the best thing you can do is that it's not just the gimmick," Kreisberg said. "It's also advancing the storylines that we've been telling, and that your characters really grow. These aren't just about the crossovers of the cast. They really are very important episodes for what Barry's going through, what Oliver's going through -- we have one of the biggest surprises on 'Arrow' of all time in 'The Flash' episode."

It's a chance to advance the storylines, but as Gustin points out, also an opportunity to have fun with the characters interacting in their shared but very different worlds.

"David Ramsey [who plays Diggle on 'Arrow'], in our 'Flash' episode, is funnier than he's ever been, because what he's seeing is blowing his mind," Gustin said.

"When we were working on the script, we sort of realized that the best version of 'The Flash' part of the episode was almost this meta-commentary on how serious everyone is on 'Arrow.' There's a lot of jokes at Oliver's expense on The Flash side of it," Kreisberg said. "When we went to go do the 'Arrow' side of it, it became the reverse" -- where Barry, Caitlin and Cisco are thrust into a "very dark, twisted episode" of "Arrow."

"It's the same show," he continued. "'The Flash' episode feels like an episode of 'Flash,' and the 'Arrow' episode feels like an episode of 'Arrow,' even though you've got characters from both crossing over."

Gustin is clearly at the center of "The Flash," and much like Barry Allen is stepping into a brand new identity in his life in the opening episodes of the series, this is the actor's first starring role in an acting career that's included short-term recurring stints on "90210" and "Glee."

"I feel like every day, it's harder to tell a difference between me and Barry as we go, because I'm Barry more often now than I'm Grant," Gustin said. "And I think I carry him with me a lot when I leave. I'm just thinking about the script and the character all the time. He's so bubbly and positive and everything -- it's hard to remain that way with everything that's changing in his life right now."


http://www.comicbookresources.com/?page ... e&id=56087



- Cómo el creador Andrew Kreisberg diferenció inteligentemente a The Flash de Arrow- ‘Barry no es el más adulto’ (ssninsider):

Cómo el creador Andrew Kreisberg diferenció inteligentemente a The Flash de Arrow- ‘Barry no es el más adulto’
Por Danielle Turchiano 07 Oct 2014


Andrew Kreisberg didn’t know he was about to start a television revolution when he co-created Arrow for the CW. But the world he built embraced both the hardcore fans who knew and loved the source material, as well as those just looking for strong, dynamic storytelling. He proved that comic book stories were not just niche ones, and the success of Arrow (whose debut pulled in more viewers than the CW had seen in three years) certainly made it easier for DC Comics to adapt other series, like Constantine, iZombie, and Arrow spin-off The Flash, which Kreisberg is at the helm of, too. SSN sat down with Kreisberg at the 2014 Summer TCAs to talk about how he’ll juggle his shows and keep their stories unique, despite one being born from the other.

SSN: It seems to be the year of the comic book series on television. What will set The Flash apart?
Andrew Kreisberg: What I’m most excited about with The Flash is getting to show [him] in action. The technology has gotten to the point where you can really do the show. Even the original show in the ‘90s—part of the reason it ended was financial; they just couldn’t keep it up every week. Hopefully, that same fate won’t befall us. But we felt like we found a great place creatively for Arrow and that world, and like it was time to introduce this grander DC mythos.

SSN: And of course, you’re not having Barry keep his secret from everyone.
Kreisberg: We try not to repeat ourselves! Whenever somebody found out that Oliver was the Arrow, everything instantly became more interesting. I think we waited a little too long with some people finding out. To me, Lois Lane saying, “Clark, you just missed Superman. He was right here. Where were you?” is the least interesting aspect of it. That became a trope on the old Superman show and the movies; it was one of the smartest decisions they made in Man of Steel that she knew from the start. For us, we didn’t want to waste a lot of time with what can be an old school thing; we wanted Barry to have support.

It’s much more interesting that he has this amazing ability and yet he’s not the most adult person in the world. With Oliver, wherever he goes he’s the leader of the team, where for Barry, in some ways, he’s this kid with an amazing gift. One of our touchstones was The Right Stuff. But that book and movie [were] not just about the test pilots, but about the scientists and all the people working with them. In a way, Barry is a grand experiment, so to have more people know his secret, we are able to explore that aspect of it.

SSN: Speaking of support, in the pilot Barry goes to Oliver for some advice, and though you are planning some crossovers between the two shows, you can’t do that in every episode.
Kreisberg: Barry has three fathers—Joe, his foster father; his real father, Henry; and Wells, who is this man he’s always emulated. Cisco and Caitlin provide their own support. You know, Wentworth Miller is playing Captain Cold in episode four, and he will, ironically, provide a measure of growth, [too]. I know we booked Robbie [Amell as Firestorm] for three episodes. There are other characters coming in, not necessarily to train him.

That’s why we wanted Barry Allen to be someone like Grant—someone younger, a bit more naïve and a bit more cute. When Oliver wades into battle, you’re more afraid for who he is up against. With Barry, even though Barry has these super powers, you should always be afraid that he’s going to come up short. [The Flash] is Barry’s journey to being a superhero. So, every episode for him is about learning something new. Oliver is a fully formed adult. In fact, Oliver’s problem is that he needs to unlearn things—all the terrible things that happened to him in those five years. But for Barry it is about learning and becoming.

SSN: The end of the pilot episode leaves us with a very ominous look at the future. Just how long will you wait to play that out?
Kreisberg: There’s going to be a lot of those twisty tags in the show. It’s very much of the comic book genre, and it feels like it fits in well. All I can say is that we have a very specific plan, and there is nothing in that final scene that has not been thought through. If you watch Arrow, you see we’re pretty big fans of accelerated storytelling, and you know there is always more to tell. We have a very clear path for season one, and that last scene plays very much into it.

SSN: Although Arrow and The Flash share a network and therefore are not in competition with each other for ratings, they are in competition with each other for your time. So how are you balancing working on both?
Kreisberg: We’ve been doing Arrow for two years, and that’s two years of the production staff learning how to make this show. It’s also two years with the writing staff, and everybody over there has really stepped up. Whereas, I did a lot more literal writing on Arrow last year and the day-to-day decisions about costumes and visual effects and props and whatnot, I’ve been ceding a lot of that to other people [now]. What I’ve been mainly focused with on Arrow is helping to break stories and working to make sure episodes are in the right shape emotionally and structurally. More of the sort of nitty-gritty time, I’ve been devoting to Flash.

http://www.ssninsider.com/how-creator-a ... ost-adult/



- The Flash: Historias, estrellas invitadas & Más Adelantos (ksitetv):

The Flash: Historias, estrellas invitadas & Más Adelantos
Por Craig Byrne, 07 Octubre 2014


Yesterday, a Q&A was hosted at the offices of DC Comics to promote the premiere of The Flash this evening (October 7) at 8PM on The CW.

In attendance were DC Chief Creative Officer Geoff Johns, Flash Executive Producers Greg Berlanti and Andrew Kreisberg, and actors Grant Gustin and Tom Cavanagh. Unless you're sick of reading about The Flash already, here are some things that were discussed:

On the show's quick pace with storylines: "One of the many, many great things about working with Greg Berlanti is [that] he is never one to say 'let's slow it down. Let's just throw something out there and we'll get to it eventually.' There's always a plan, and a payoff waiting in the wings, and Greg's so great about making sure that all of the things that are set up in Episode 1 are paid off in this season," Geoff Johns says.

"I would say, for me, so many times we break it and talk about it like it's a character drama, in part because of the actors that we have, and so, we're like 'here, guys. We want to see scenes between Flash and Wells. We want to see scenes between Joe and Wells.' And so, we give them storylines. They all have storylines, and hopefully in some fun ways, they twist back, and they inform whatever the character's larger agenda might be, but on the surface, they're hopefully really enjoyable too, in terms of [who] they really are. I don't think anybody's witnessed [Barry] tell a lie yet. I think he's been very truthful about a lot of things, and so that'll be intriguing to watch how that plays out," Greg Berlanti says.

"It's extremely fun to play, I will say that," Tom Cavanagh adds. "The way that this has been crafted; it's really enjoyable. We have a lot of fun doing it."

What would make The Flash a success? "Obviously we hope that the numbers are there, because we want the show to go for a long, long time, but I think if people fall in love with the characters, that's the biggest win of all," Geoff Johns says.

The level of actors cast for The Flash have inspired some big-name castings. Wentworth Miller will be playing Captain Cold in the show's fourth episode; Dominic Purcell, who played his brother on Prison Break, will be appearing as Heat Wave later. "That was actually from Wentworth, too. I was on the set talking to him, and I said 'Hey. If we were going to bring you back, and have you team up with somebody, is there someone you'd like to work with?' We talked about the character, and he said 'Dominic' without missing a beat," Geoff Johns recalls. "And he said, 'I think he'd do it. We'd have fun.' So it came from him."

The luck with casting is also bringing in original Flash actor Amanda Pays, who starred in the series with John Wesley Shipp, who is also in the new show. "We just shot with Amanda Pays the other day, which was amazingly awesome, to watch those dailies and see everybody acting together," Andrew Kreisberg says. "There's all sorts amazing DC people, from other DC properties that we're able to bring on. Again, I don't know what casting gods we sacrificed a goat to, but to get people like Wentworth and Dominic… we have Clancy Brown playing General Eiling. I mean, these casts are just amazing week in and week out."

If you watched The Flash illegally this summer, you're on notice. "If you saw the pilot illegally, you have to still watch it [Tuesday] night, or we will all hunt you down! We know who you are. It is different. There's three extra minutes! That's what we like to say," Greg Berlanti says.

You don't need to have seen Arrow to "get" The Flash. "Even though it is a spin-off, you don't need to have watched a minute of Arrow, I think, to enjoy The Flash pilot and enjoy that world," Kreisberg promises.

The Flash embraces its comic book inspiration. "I think the most satisfying thing about it is that it makes you feel that way that we used to feel when we read the comic books when we were kids," Greg Berlanti promises. "I think there's tons of comic book shows on TV now. We're fortunate enough to make another one of those. But they don't all have that exact emotion. Really, you're watching him run, and you stop thinking about 'how did they do that?' You just see those sequences come in. It's imbued with the kind of feeling that the original source material really was trying to do."

"This show embraces the superhero lore fully on," Johns promises. "There is no reluctance on anyone's part. We're all in on this. This is the most comic book show, I think, that's ever been made."


http://www.ksitetv.com/interviews-2/the ... ewed/42157



- Estrellas y productores ejecutivos de The Flash rompen el silencio sobre el momento final de la premiere (THR):

Estrellas y productores ejecutivos de The Flash rompen el silencio sobre el momento final de la premiere
Por Philiana Ng 6:03 PM PDT 07/10/2014


What is going on with Dr. Harrison Wells?

The CW's Arrow spinoff The Flash introduced a new mystery in the closing moments of Tuesday's series premiere, when the brains behind STAR Labs' particle accelerator — seen confined to a wheelchair following the explosion that created The Flash — was revealed to be hiding several big secrets. One, Harrison Wells could walk. And two, he was studying the front page of The Central City Citizen dated 10 years in the future (April 25, 2024) with the ominous headline, "Flash Missing: Vanishes in Crisis." (The others, for the record, were "Wayne Tech/Queen Inc. Merger Complete" and "Red Skies Vanish.")

"That's the reason to do it," Tom Cavanagh tells THR of the mystery surrounding his character. Even The Flash himself, Grant Gustin, had questions of Harrison Wells' place in the overarching story, offering assurances that answers will be given in time. Episode three, "Fastest Man Alive," will be heavily focused on Harrison Wells. "We will slowly find out more and more about Harrison Wells and what the hell is going on there," says Gustin. "The coolest about that moment [in the premiere], to me, is they're setting up the fact that the Flashpoint story line [from the comics] could potentially happen — that Speed Force could be an aspect and time travel is potentially a part of the show." Time travel will have a heavy presence in the first few episodes. Says DC Comics chief creative officer and executive producer Geoff Johns, "It's an important part of Flash mythology so it has to be in there somewhere."

While Barry Allen, Iris West and other Flash characters have DC counterparts, Harrison Wells does not. "Harrison Wells is a new character that was created, the name obviously is brand new. I don't think we can say anything else about it," says Johns. Adds executive producer Andrew Kreisberg: "There's obviously more than meets the eye when you see Harrison Wells. ... His motivations are a big mystery and tracking that through has been a very interesting ride with Mr. Cavanagh." Next week's episode includes a showdown that sheds more light on how far he goes to continue that agenda. "I think it bodes well for the viewers if there's characters you can't talk about," Cavanagh chimes in. "We've got secrets to unveil."

Cavanagh, who has appeared in two of The Flash executive producer Greg Berlanti's past projects (Jack & Bobby, Eli Stone), says Harrison is one of many characters on the show who aren't so easily definable. "In a strange way, even though he is an ordinary person who suddenly develops extraordinary powers, Barry Allen is the easiest character in this show to define. That's a crazy thing to say given how rich that character is and given how many decades of mythology are behind him," he explains. "Yet the rest of us are operating on a whole bunch of other levels that are maybe not so clearly defined. You have that license in a comic-book arena, and as somebody who hasn't done that, it's been fun to play."

Berlanti notes that Harrison's mentor-mentee relationship to Barry is equally as significant, and informs what the STAR Labs scientist hopes to accomplish. "Regardless of what [Harrison's] secret motivations may be, the most enjoyable aspects is Wells on the surface, in terms of his relationship with Barry, which is one of the primary relationships on the show," he says. "Hopefully, in some fun ways they'll twist back and they'll inform whatever the character's larger agenda might be. But on the surface, they're hopefully enjoyable too. I don't think anybody has witnessed [Harrison] tell a lie yet. I think he's been truthful about a lot of things. That'll be intriguing to see how that plays out."

When Cavanagh first met Berlanti and Kreisberg to discuss the role, they "outlayed" the first nine episodes of their plan. "Are we at all worried about story because we're getting so much out and so much crazy, great stuff? We're not saving any of that?" he recalls asking them at the closed-door meeting. "Greg Berlanti said, '[There's] always more story.' " And more will be unraveled.

"When I did the pilot I was hoping that it wasn't just going to be a glimpse, a flavor, a suggestion," Cavanagh says of Harrison's motives. "Thankfully, they're shining a spotlight on it. The next time we talk, you'll be like, 'Oh!' "


http://www.hollywoodreporter.com/live-f ... eps-738650?




- Grant Gustin On The Pressure Of Taking On 'The Flash' (Access Hollywood):

http://bcove.me/d5dvo4vz


- Grant Gustin & Tom Cavanagh Answer Fans' Facebook Questions (ExtraTV):

https://www.facebook.com/video.php?v=10152500818734755
Fotos: http://www.justjaredjr.com/2014/10/07/g ... ing-extra/


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

donovan320
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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

Mensaje por donovan320 »

Ostrasssss..empieza mañana. Por Dios..como me mole tiro con Arrow...Flash y Gootham. .ración de superheroes.


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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

Mensaje por Shelby »

Aunque te faltan Constantine, S.H.I.E.L.D, Agent Carter, Izombie y Daredevil... XD


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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

Mensaje por Shelby »

- The Flash "City of Heroes" Clip 3:

https://www.youtube.com/watch?v=lNfm-dzbN9g


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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

Mensaje por Shelby »

- Primeras imágenes oficiales de Wentworth Miller como el "Captain Cold" (1.04):

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(thanks to @geoffjohns)


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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

Mensaje por Shelby »

- The Flash "Heroic" Trailer (CW):

https://www.youtube.com/watch?v=i0irfjqJghc



- The Flash 1.02 "Fastest Man Alive" Trailer (CW):

https://www.youtube.com/watch?v=noksLSDhakU




Añadidos los enlaces y rátings del 1.01 "City of Heroes". Podéis encontrarlos AQUÍ


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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

Mensaje por Shelby »

- Spoilers sobre el 'Capitain Cold' en "The Flash" (tvline):
¿Alguna información nueva sobre el papel del Captain Cold (Wentworth Miller) en The Flash, más allá de su primer episodio que se emote el 28 de Octubre? —Andy B
Ausiello: El jefe de DC Comics Geoff Johns le dice a los productores “que vean mucho 'Heat' a lot, con [Robert] De Niro” como inspiración para el villano de Miller. “Él es el chico que saca los trabajos muy cuidadosamente y, de pronto, [The Flash aparece] y tiene que cambiar su juego,” explica Johns. “Tiene que ver cómo lidiar con esta nueva amenza en Central City como su forma de vida. Va todo sobre cómo él evoluciona y sobrevive en este nuevo orden del mundo. Las pistolas no van a hacerlo, así es que tiene que tener algo un poquito más fuerte.” Añade el productor ejecutivo Andrew Kreisberg: “Él no es el villano que vemos en los cómics aún. Pero vamos a llegar ahí.”

http://tvline.com/2014/10/07/the-flash- ... -season-1/


- Nueva imagen BTS del crossover con "Arrow" (08-10-14):

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(@FLASHtvwriters The question is not who would win in a fight but who couls they defeat together)


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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

Mensaje por Shelby »

- Primer vistazo al traje de Reverse-Flash/Prof. Zoom en el Set (08-10-14):

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"The Flash" estaba filmando una escena de lucha en el set con dos especialistas vestidos como Flash y 'Reverse Flash'/'Professor Zoom.' Como podéis ver, su traje es casi idéntico al de Barry, pero de color distinto. Viene del siglo 25 y usa su excepcional velocidad para viajar en el tiempo. Ya tuvimos un vistazo del personaje en la premiere cuando vimos un borrón amarillo durante el asesinato de la muerte de la madre de Barry.

http://grantgustinnews.com/post/9955287 ... ene-on-the


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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

Mensaje por Shelby »

- "The Flash" se hace con Victor Garber como el 'Dr. Martin Stein', la otra mitad de 'Firestorm':
victor-garber-the-flash-featured.jpg
La serie de la CW “The Flash” ha contradao al actor Victor Garber como el personaje de DC Cómics 'Dr. Martin Stein', que además será recurrente según ha anunciado la CW hoy.

Como los fans de DC sabréis, Stein es la otra mitad de 'Firestorm' y el personaje es deccrito en la serie como "un brillante pero arrogante físico nuclear que ha sacrificado todo, incluyendo su matrimonio, por su trabajo en la transmutación. Después de que descubre que el acelerador de partículas se fusionó con el joven y más impulsivo Ronnie Raymond (Robbie Amell), corre para encontrar la manera de separar a los dos antes de que sea demasiado tarde".

Básicamente, Amell será la parte física de 'Firestorm', mientras que Garber será el subsconsciente y muy frecuentemente voz de la razón en la cabeza del mismo. Garber aparecerá por primera vez en el episodio 1.12.

El actor es el último es unirse a la lista de los notables recientes anuncios de cástings, entre los que están Wentworth Miller y Dominic Purcell como los villanos 'Captain Cold' y 'Heat Wave', respectivamente.

Un favorito de la televisión de género por su trabajo en "Alias", hemos podido ver a Garber en "Web Therapy" de Showtime y "Power" de Starz y más recientemente como invitado en “Sleepy Hollow,” “Louie” y “The Good Wife.” También ha aparecido en películas tales como "Milk", "The First Wives Club", "Legally Blonde" y "Titanic".


http://variety.com/2014/tv/news/flash-c ... 201325709/


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Re: "Nuevo proyecto para la CW sobre 'THE FLASH'"

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- "The Flash", Grant Gustin & Tom Cavanagh on "DC All Access":

https://www.youtube.com/watch?v=FWD4-Fis6eE


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