Re: "LEGENDS OF TOMORROW" (SPINOFF DE "ARROW"/"FLASH")
Publicado: Jue Ene 28, 2016 2:41 am
- La Super Pareja de "Legends of Tomorrow" sobre las escenas de sexo, las discusiones y quién está mejor preparado (TVInsider):
- ¿Qué es lo que hace a 'Vandal Savage' un villano aterrador? (TVGuide):
- Legends of Tomorrow: Entrevista con Caity Lotz Interview (denofgeeks):
- Brandon Routh sobre las mejoradas habilidades de Atom (IGN):
- Drameh Explica como Firestorm de ''Legends of Tomorrow" honra la historia (CBR):
- Caity Lotz sobre el interpretar a una muy diferente Sara Lance (IGN):
- Falk Hentschel sobre la historia de Hawkman con Hawkgirl (Thewrap):
- Entrevista con Falk Hentschel de "Legends Of Tomorrow" (ksitetv):
- (Spoiler) & Phil Klemmer hablan sobre el impacto de esta noche de la serie (Ksitetv):
- El equipo de la serie hablan sobre la decisión tras esa impactante primera muerte (THR):
- Jefe de ‘Legends of Tomorrow’ explica ese giro descorazonador del episodio 2 (Variety):
- Legends of Tomorrow postmortem: lo que esa muerte significa (EW):
- Marc Guggenheim explica qué es lo siguiente en el despertar del trágico giro (TVLine):
- Matar a Vandal Savage es 'más difícil que en ‘Los inmortales’ (zap2it):
- Showrunner Phil Klemmer sobre el destino de Hawkman (collider):
- DIRECTOR de "Legends of tomorrow" promete 'empujar los límites" de la acción de superhéroes (CBR):
La Super Pareja de "Legends of Tomorrow" sobre las escenas de sexo, las discusiones y quién está mejor preparado
Por Damian Holbrook 27 enero, 2016
As the original angry birds on DC's Legends of Tomorrow, Ciara Renee and Falk Hentschel aren't just winging it. Their Carter Hall and Kendra Saunders—better known as oft-reincarnated soulmates Hawkman and Hawkgirl—are rooted in deep DC Comics lore, dating all the way back to their 1940 debut in Flash Comics #1. So how does the pair compare to the colorful, combative characters they play? We sat down with Renee and Hentschel for a little he said-she said session and it turns out, these birds of a feather really do work well together.
As actors, how different are you from one another?
Ciara Renee: As actors?
Falk Hentschel: Oh.
Renee: [Laughs] Oh! Actually, I think we're similar in a lot of ways.
Hentschel: Yeah, we...
Renee: We have actually been on a very similar wavelength from the beginning. It's just been great. But I think that it helps us be able to differ on screen. [Laughs]
Who's the more prepared one?
Hentschel: I would say she is.
Renee: No, I don't prepare anything. I'm just really good at learning lines.
Hentschel: We're the same! [Laughs]
So you're just good at memorizing on the spot?
Renee: Really quickly, yes. I learn it all in the makeup trailer the day of.
Hentschel: I just don't learn them. [Laughs]
Renee: I fill him in on his lines.
Hentschel: I want to stay fresh, you know? By the time you've rehearsed it for the fifth time [on set], I feel like you know the lines.
You guys have had some steamy love scenes. Who was the most uncomfortable one while filming them?
Hentschel: [Laughs] I would say you.
Renee: Why me?! I mean, yeah, I was. [Laughs] That's really true. But it was my first time ever doing that.
Hentschel: Her first love scene!
Renee: So it was like, "WOAH!" Pasties! [Laughs]
Hentschel: I was, too.
Renee: Yeah, but you were like, "Woah, pasties...urrgghh."
Do those scenes ever get comfortable?
Hentschel: No.
Renee: Noooo! [Laughs]
Hentschel: I feel like they're never sexy.
Renee: I don't know how you can get into it.
Hentschel: I've done a couple. The last one I did in a movie, the director kept calling out, "All right and now be sexy, okay? Smoldering!" And like, while we're doing it, you know?
Renee: Like, don't talk to me while we're nude! Don't do that! [Laughs]
So what were your first impressions of each other?
Renee: The first time that we actually had a full discussion was via WhatsApp, like we were just talking to each other. And we started fighting about everything!
Hentschel: We WERE Carter and Kendra! We disagreed...I started some conversation and she disagreed.
Renee: We were talking about feminism...
On your first conversation?!
Renee: Yes! [Laughs]
Hentschel: We went deep. And I sort of was like, "Oh, this is going to be easy. This is cast perfectly!" And just to be fair, like, we didn't "fight" in the sense of the not liking each other.
Renee: No, no, no.
Hentschel: It was bickering.
Renee: Yeah!
Hentschel: And I think we're pretty good with accepting the other for their opinion...and having an opinion on it. [Laughs]
http://www.tvinsider.com/article/69075/ ... -prepared/
Por Damian Holbrook 27 enero, 2016
As the original angry birds on DC's Legends of Tomorrow, Ciara Renee and Falk Hentschel aren't just winging it. Their Carter Hall and Kendra Saunders—better known as oft-reincarnated soulmates Hawkman and Hawkgirl—are rooted in deep DC Comics lore, dating all the way back to their 1940 debut in Flash Comics #1. So how does the pair compare to the colorful, combative characters they play? We sat down with Renee and Hentschel for a little he said-she said session and it turns out, these birds of a feather really do work well together.
As actors, how different are you from one another?
Ciara Renee: As actors?
Falk Hentschel: Oh.
Renee: [Laughs] Oh! Actually, I think we're similar in a lot of ways.
Hentschel: Yeah, we...
Renee: We have actually been on a very similar wavelength from the beginning. It's just been great. But I think that it helps us be able to differ on screen. [Laughs]
Who's the more prepared one?
Hentschel: I would say she is.
Renee: No, I don't prepare anything. I'm just really good at learning lines.
Hentschel: We're the same! [Laughs]
So you're just good at memorizing on the spot?
Renee: Really quickly, yes. I learn it all in the makeup trailer the day of.
Hentschel: I just don't learn them. [Laughs]
Renee: I fill him in on his lines.
Hentschel: I want to stay fresh, you know? By the time you've rehearsed it for the fifth time [on set], I feel like you know the lines.
You guys have had some steamy love scenes. Who was the most uncomfortable one while filming them?
Hentschel: [Laughs] I would say you.
Renee: Why me?! I mean, yeah, I was. [Laughs] That's really true. But it was my first time ever doing that.
Hentschel: Her first love scene!
Renee: So it was like, "WOAH!" Pasties! [Laughs]
Hentschel: I was, too.
Renee: Yeah, but you were like, "Woah, pasties...urrgghh."
Do those scenes ever get comfortable?
Hentschel: No.
Renee: Noooo! [Laughs]
Hentschel: I feel like they're never sexy.
Renee: I don't know how you can get into it.
Hentschel: I've done a couple. The last one I did in a movie, the director kept calling out, "All right and now be sexy, okay? Smoldering!" And like, while we're doing it, you know?
Renee: Like, don't talk to me while we're nude! Don't do that! [Laughs]
So what were your first impressions of each other?
Renee: The first time that we actually had a full discussion was via WhatsApp, like we were just talking to each other. And we started fighting about everything!
Hentschel: We WERE Carter and Kendra! We disagreed...I started some conversation and she disagreed.
Renee: We were talking about feminism...
On your first conversation?!
Renee: Yes! [Laughs]
Hentschel: We went deep. And I sort of was like, "Oh, this is going to be easy. This is cast perfectly!" And just to be fair, like, we didn't "fight" in the sense of the not liking each other.
Renee: No, no, no.
Hentschel: It was bickering.
Renee: Yeah!
Hentschel: And I think we're pretty good with accepting the other for their opinion...and having an opinion on it. [Laughs]
http://www.tvinsider.com/article/69075/ ... -prepared/
¿Qué es lo que hace a 'Vandal Savage' un villano aterrador?
Por Megan Vick | 27 enero, 2016 7:59 PM EST
Why does it take 8 heroes (or at least 8 people attempting to be heroes) to take down Vandal Savage (Casper Crump)? That's a question that still hasn't been fully answered in DC's Legends of Tomorrow. Savage was initially introduced in the massive The Flash/Arrow crossover in November, but the full extent of his powers and the motives behind his villainy are being explored in the time-jumping context of Legends.
"The Vandal character didn't have much of a story [in the crossovers]. He was just being introduced as a knife-throwing villain," Crump explains to TVGuide.com. "I always tried to take responsibility for [my] character, to make him three dimensional instead of being bad or evil. He has a sensitive side. He has a human side to him as well. Hopefully, as Legends develops we can get more into that."
Part of that complexity will come from Savage's connection to Hawkgirl (Ciara Renee) and Hawkman (Falk Hentschel). He's been hunting them for 4,000 years and only lost one of their over 200 battles. As long as one shred of the immortal exists he can be resurrected to go after his Egyptian foes over and over. However, as Legends progresses more of Savage's history with the Egyptian couple, specifically with the Priestess, will show a softer side.
"It is complex being in love with someone that you can't get and your life depends on killing her. That's one of Vandal's soft spots that I am trying to develop more," Crump says. "I'm trying to transform that weakness onto different [relationships] that he has with different characters."
Those characters happen to be a team of ambitious people eager to make their mark on history. While they are still trying to gel as a family, they all agree that Savage is someone that has to be taken down. The immortal super villain is more excited than worried by the challenge though.
"These guys make his life difficult. He sees it as a challenge and he likes a good challenge. That's what he does. That's what his motivation is -- a good challenge," Crump says. However, there is one legend that raises his blood pressure more than the others. "Rip Hunter [Arthur Darvill], of course. They have a thing because Vandal killed his family and now he's coming back to take revenge."
A team of people coming after you with powers that include fire blasts, super strength and freeze guns could intimidate anyone, but Crump sees it as a compliment to how powerful Savage has become.
"They are really trying hard [to bring me down]," he says. "Maybe they'll succeed, but we don't know yet."
http://www.tvguide.com/news/dcs-legends ... interview/
Por Megan Vick | 27 enero, 2016 7:59 PM EST
Why does it take 8 heroes (or at least 8 people attempting to be heroes) to take down Vandal Savage (Casper Crump)? That's a question that still hasn't been fully answered in DC's Legends of Tomorrow. Savage was initially introduced in the massive The Flash/Arrow crossover in November, but the full extent of his powers and the motives behind his villainy are being explored in the time-jumping context of Legends.
"The Vandal character didn't have much of a story [in the crossovers]. He was just being introduced as a knife-throwing villain," Crump explains to TVGuide.com. "I always tried to take responsibility for [my] character, to make him three dimensional instead of being bad or evil. He has a sensitive side. He has a human side to him as well. Hopefully, as Legends develops we can get more into that."
Part of that complexity will come from Savage's connection to Hawkgirl (Ciara Renee) and Hawkman (Falk Hentschel). He's been hunting them for 4,000 years and only lost one of their over 200 battles. As long as one shred of the immortal exists he can be resurrected to go after his Egyptian foes over and over. However, as Legends progresses more of Savage's history with the Egyptian couple, specifically with the Priestess, will show a softer side.
"It is complex being in love with someone that you can't get and your life depends on killing her. That's one of Vandal's soft spots that I am trying to develop more," Crump says. "I'm trying to transform that weakness onto different [relationships] that he has with different characters."
Those characters happen to be a team of ambitious people eager to make their mark on history. While they are still trying to gel as a family, they all agree that Savage is someone that has to be taken down. The immortal super villain is more excited than worried by the challenge though.
"These guys make his life difficult. He sees it as a challenge and he likes a good challenge. That's what he does. That's what his motivation is -- a good challenge," Crump says. However, there is one legend that raises his blood pressure more than the others. "Rip Hunter [Arthur Darvill], of course. They have a thing because Vandal killed his family and now he's coming back to take revenge."
A team of people coming after you with powers that include fire blasts, super strength and freeze guns could intimidate anyone, but Crump sees it as a compliment to how powerful Savage has become.
"They are really trying hard [to bring me down]," he says. "Maybe they'll succeed, but we don't know yet."
http://www.tvguide.com/news/dcs-legends ... interview/
- Legends of Tomorrow: Entrevista con Caity Lotz Interview (denofgeeks):
Legends of Tomorrow: Entrevista con Caity Lotz Interview
Por Fred Topel 28/01/16
We talk to Caity Lotz about her breakout on the Arrow spin-off, Legends of Tomorrow, White Canary, and her favorite time period.
This article contains a mild spoiler for Legends of Tomorrow episode 2.
Arrow season 4 spent a good deal of time resurrecting Sara Lance (Caity Lotz), just in time to have her join the cast of Legends of Tomorrow. She doesn't stick around Star City for too long, though. Within the first few minutes of Legends of Tomorrow, Rip Hunter (Arthur Darvill) recruits her to join a team of time traveling superheroes.
We had some time to ask Ms. Lotz about the newest CW superhero show, and what's next for Sara Lance...even when it's in the past.
Is Sara still dealing with her bloodlust throughout Legends of Tomorrow?
Caity Lotz: Yes. It’s something they carry on and deal with and I think we eventually will address and hopefully cure.
Were you hoping for more of that on Arrow? Are you excited to delve further into it?
On Arrow it was hard because they were like, “We’re going to chain you in this basement and you’re like a feral animal and then you’re going to run around killing people.” It was nice to be able to speak again and not just be a crazy killer.
Who does Sara get into it with the most on the ship?
Rip. They fight a lot. [Those scenes] are just dynamic and we get to bounce it off of each other. It’s fun.
Did you feel that chemistry right away?
I think Rip Hunter is a very frantic person like this and Sara challenges him. So when he comes back at her flailing about, she doesn’t back down. So they do, they go at it.
How did you like the ‘70s go go boots?
You know, it’s funny. I feel like I was so into the ‘70s kind of thing that I couldn’t even hide it. You’d look at me like, “All right, Sara. You kinda like the ‘70s.” And I think she did.
At that point too, she wasn’t taking things too seriously. In the ‘70s, this was fun and like, “Oh, hey, young Stein, like he’s kinda cute” and knew that it would bother Victor [Garber]. She’s just having fun. I think the go go boots were fun. It was like Halloween, dress up for her. She’s not so into heels and dresses and stuff like that.
What have been your favorite time periods to visit?
I really like the ‘70s. That was pretty cool. Sara hates the ‘50s. The ‘50s is, like, not the biz, but it was kinda cool seeing all the cars and stuff like that.
We saw a still of a very high kick. How hard is that for you to kick your leg up that high?
Really easy.
How long do you hold that position for a photo?
That’s a live action photo. You don’t hold it.
How did you feel the first time you tried the new costume and saw yourself in the mirror?
I liked it. I liked it a lot. It’s very similar to the other one, just different color and different cuts. They used a little bit thinner material so it was easier to move in. No wig, no mask was really nice because that’s just itchy and annoying. I mean, it looks cool but it’s nice to not wear a wig and mask.
What’s one thing from the comic books that you hope you get to do as Sara in Legends?
White Canary is a very lesser known villain in the comics, so there’s not that much about her. If I ever did a mask, I wouldn’t mind how the White Canary has a face mask like that [over her nose and mouth].”
Was there one thing you discovered in the comic books that really helped you with Sara?
No. There was no Sara Lance in the comics. I read Black Canary comics and stuff but Sara really has her own backstory and where she came from.
Is there a formula to the fights where there are points you have to turn it over to an acrobatic stunt double?
No. I usually do all my own fights. On Arrow I used a double for motorcycle riding, jumping off backs of cars or having a bunch of stuff fall on top of you, jumping through glass.
Things that are really dangerous, they won’t even let me do even if I wanted to. But the fighting stuff I like to do.
On Arrow, when we saw your shriveled corpse, was that based on a cast they took of you?
That actually is a body double, a very, very, very skinny woman and they superimposed my face.
When you emerge from the pit, was that a challenging scene to do?
It was fine. I was soaking wet in this Lazarus Pit hot tub. The water was warm so it wasn’t too bad, but then you’re dripping wet in your leather super suit having to go crazy. It was fun.
http://www.denofgeek.us/tv/caity-lotz/2 ... -interview
Por Fred Topel 28/01/16
We talk to Caity Lotz about her breakout on the Arrow spin-off, Legends of Tomorrow, White Canary, and her favorite time period.
This article contains a mild spoiler for Legends of Tomorrow episode 2.
Arrow season 4 spent a good deal of time resurrecting Sara Lance (Caity Lotz), just in time to have her join the cast of Legends of Tomorrow. She doesn't stick around Star City for too long, though. Within the first few minutes of Legends of Tomorrow, Rip Hunter (Arthur Darvill) recruits her to join a team of time traveling superheroes.
We had some time to ask Ms. Lotz about the newest CW superhero show, and what's next for Sara Lance...even when it's in the past.
Is Sara still dealing with her bloodlust throughout Legends of Tomorrow?
Caity Lotz: Yes. It’s something they carry on and deal with and I think we eventually will address and hopefully cure.
Were you hoping for more of that on Arrow? Are you excited to delve further into it?
On Arrow it was hard because they were like, “We’re going to chain you in this basement and you’re like a feral animal and then you’re going to run around killing people.” It was nice to be able to speak again and not just be a crazy killer.
Who does Sara get into it with the most on the ship?
Rip. They fight a lot. [Those scenes] are just dynamic and we get to bounce it off of each other. It’s fun.
Did you feel that chemistry right away?
I think Rip Hunter is a very frantic person like this and Sara challenges him. So when he comes back at her flailing about, she doesn’t back down. So they do, they go at it.
How did you like the ‘70s go go boots?
You know, it’s funny. I feel like I was so into the ‘70s kind of thing that I couldn’t even hide it. You’d look at me like, “All right, Sara. You kinda like the ‘70s.” And I think she did.
At that point too, she wasn’t taking things too seriously. In the ‘70s, this was fun and like, “Oh, hey, young Stein, like he’s kinda cute” and knew that it would bother Victor [Garber]. She’s just having fun. I think the go go boots were fun. It was like Halloween, dress up for her. She’s not so into heels and dresses and stuff like that.
What have been your favorite time periods to visit?
I really like the ‘70s. That was pretty cool. Sara hates the ‘50s. The ‘50s is, like, not the biz, but it was kinda cool seeing all the cars and stuff like that.
We saw a still of a very high kick. How hard is that for you to kick your leg up that high?
Really easy.
How long do you hold that position for a photo?
That’s a live action photo. You don’t hold it.
How did you feel the first time you tried the new costume and saw yourself in the mirror?
I liked it. I liked it a lot. It’s very similar to the other one, just different color and different cuts. They used a little bit thinner material so it was easier to move in. No wig, no mask was really nice because that’s just itchy and annoying. I mean, it looks cool but it’s nice to not wear a wig and mask.
What’s one thing from the comic books that you hope you get to do as Sara in Legends?
White Canary is a very lesser known villain in the comics, so there’s not that much about her. If I ever did a mask, I wouldn’t mind how the White Canary has a face mask like that [over her nose and mouth].”
Was there one thing you discovered in the comic books that really helped you with Sara?
No. There was no Sara Lance in the comics. I read Black Canary comics and stuff but Sara really has her own backstory and where she came from.
Is there a formula to the fights where there are points you have to turn it over to an acrobatic stunt double?
No. I usually do all my own fights. On Arrow I used a double for motorcycle riding, jumping off backs of cars or having a bunch of stuff fall on top of you, jumping through glass.
Things that are really dangerous, they won’t even let me do even if I wanted to. But the fighting stuff I like to do.
On Arrow, when we saw your shriveled corpse, was that based on a cast they took of you?
That actually is a body double, a very, very, very skinny woman and they superimposed my face.
When you emerge from the pit, was that a challenging scene to do?
It was fine. I was soaking wet in this Lazarus Pit hot tub. The water was warm so it wasn’t too bad, but then you’re dripping wet in your leather super suit having to go crazy. It was fun.
http://www.denofgeek.us/tv/caity-lotz/2 ... -interview
Brandon Routh sobre las mejoradas habilidades de Atom
Por Eric Goldman 28 enero, 2016
DC’s Legends of Tomorrow continues tonight with the second hour of its two-part premiere, as we see more of the first adventures involving the eclectic, time-traveling superhero team.
On a visit to the set of the show, I spoke to Brandon Routh about how Ray Palmer/The Atom is fitting in on the team, Ray’s growing skills in combat, the threat of Vandal Savage, the potential for crossovers with The Flash and Arrow and more.
I should note this interview was done before the show debuted, and Routh was protecting a bit of information about Ray and Martin Stein (Victor Garber) having actually known each other previously.
IGN: What does Ray make of his teammates?
Brandon Routh: I think Ray is certainly wary of Rory and Snart to begin with.
IGN: Understandably.
Routh: Understandably! He kind of knows Sara but not really and everybody else is new to him. He’s heard of Professor Stein and what not. But he’s eager, so he kind of just rolls with it, I think is just his mindset with the whole thing.
IGN: Let me address the facial situation. [Editor's Note: Routh had come from set with makeup on giving Ray some notable wounds] Suffice to say there’s a fair amount of action on this show and Ray maybe didn’t come out so great from one encounter?
Routh: Yeah, you know, against all odds. He’s still alive, thankfully! But we definitely have a lot of fighting, a lot of explosions. You get roughed up every once in awhile.
IGN: How is Ray doing as far as his skill set? When he was introduced on Arrow he had the suit but it was mostly a flying suit and strength. You just introduced the whole shape- changing concept. He invented this stuff but is there still a learning curve as far as what he’s able to do with his abilities?
Routh: I think we’re ramping up the learning process that kind of happened from the transition from Arrow to here. I’m sure there will be things done down the road. We haven’t run into any issues so far, with storyline with that. His fighting ability has definitely been increased from all his activity, learning and working with Green Arrow. Physical combat, hand to hand combat, he’s leveled up, although instances like [these wounds] can happen. There’s definitely been a lot of fun, miniaturization stuff done so far. But there’s not… You will see, when everybody gets to see the show, that it paces so quickly that a lot of things happen because they have to happen and questions are asked later and explanations are made later.
IGN: Can you talk about the threat of Vandal Savage? The team is brought together because of this guy, so it seems safe to assume he’s a pretty heavy hitter. Are they quickly learning just how much of a threat he poses?
Routh: Definitely. He’s very wily and very strategic. He’s thought his plan out generations and generations ahead, as he’s time travelling. So we’re really playing catch up a lot of the time. When we’re not messing up and having to fix our mistakes, we’re having to play catch up even further with him. And sometimes we’re causing big mistakes that he can capitalize on because he’s adapting to what’s happening in the moment better than we are sometimes. His villainous ways are finely crafted over thousands of years of effort so he’s definitely a big time opponent for us and is a challenge.
IGN: This is a very ambitious thing going on here as far as this is the third show in this shared universe. There’s already been crossovers. A lot of the team members are being introduced out of this big crossover between the other shows. Moving forward, are you having fun with just how big of a reach you have and the fact that you can maybe pluck some characters here and there and touch upon what’s been established in Flash and Arrow?
Routh: Yeah, the whole thing is very exciting, creating the world and now seeing Earth 2 on Flash and everything that’s bringing into their storyline. I’m sure that’ll have impact on us as we are travelling the timeline and they are crossing worlds. It’s all going to interplay. I’m sure they have big plans to come. We haven’t had as much of that thus far, because we had the Flash/Arrow crossovers, but we’ve been mostly keeping to our show, so far. But I think it’s all really building and building toward those big events…. Well, even bigger events, I would guess. I look forward to it because I’ve been on both shows and I love working with all those actors so I look forward to having them be aboard our project as well more.
IGN: You have long work days and there’s a technical side to everything but are there moments that you’re all there costumed up that you look around and go “This is all pretty cool, huh?”
Routh: Definitely. And I do my best to have those moments more often than not. You do get kind of in your head about just getting the work done, but It’s a pretty amazing, unique experience, this life. And having played two super heroes and getting suited up into robotic armor, there are very, very few people that have had that experience and none the experience I’ve had. One of the ways that is brought home and really kind of settles in is when you meet fans at conventions or other events where people might be around. You’re not just in this dark studio putting stuff on camera but it really affects people and it’s doing something. It’s a very cool form of entertainment.
http://www.ign.com/articles/2016/01/28/ ... sed-skills
Por Eric Goldman 28 enero, 2016
DC’s Legends of Tomorrow continues tonight with the second hour of its two-part premiere, as we see more of the first adventures involving the eclectic, time-traveling superhero team.
On a visit to the set of the show, I spoke to Brandon Routh about how Ray Palmer/The Atom is fitting in on the team, Ray’s growing skills in combat, the threat of Vandal Savage, the potential for crossovers with The Flash and Arrow and more.
I should note this interview was done before the show debuted, and Routh was protecting a bit of information about Ray and Martin Stein (Victor Garber) having actually known each other previously.
IGN: What does Ray make of his teammates?
Brandon Routh: I think Ray is certainly wary of Rory and Snart to begin with.
IGN: Understandably.
Routh: Understandably! He kind of knows Sara but not really and everybody else is new to him. He’s heard of Professor Stein and what not. But he’s eager, so he kind of just rolls with it, I think is just his mindset with the whole thing.
IGN: Let me address the facial situation. [Editor's Note: Routh had come from set with makeup on giving Ray some notable wounds] Suffice to say there’s a fair amount of action on this show and Ray maybe didn’t come out so great from one encounter?
Routh: Yeah, you know, against all odds. He’s still alive, thankfully! But we definitely have a lot of fighting, a lot of explosions. You get roughed up every once in awhile.
IGN: How is Ray doing as far as his skill set? When he was introduced on Arrow he had the suit but it was mostly a flying suit and strength. You just introduced the whole shape- changing concept. He invented this stuff but is there still a learning curve as far as what he’s able to do with his abilities?
Routh: I think we’re ramping up the learning process that kind of happened from the transition from Arrow to here. I’m sure there will be things done down the road. We haven’t run into any issues so far, with storyline with that. His fighting ability has definitely been increased from all his activity, learning and working with Green Arrow. Physical combat, hand to hand combat, he’s leveled up, although instances like [these wounds] can happen. There’s definitely been a lot of fun, miniaturization stuff done so far. But there’s not… You will see, when everybody gets to see the show, that it paces so quickly that a lot of things happen because they have to happen and questions are asked later and explanations are made later.
IGN: Can you talk about the threat of Vandal Savage? The team is brought together because of this guy, so it seems safe to assume he’s a pretty heavy hitter. Are they quickly learning just how much of a threat he poses?
Routh: Definitely. He’s very wily and very strategic. He’s thought his plan out generations and generations ahead, as he’s time travelling. So we’re really playing catch up a lot of the time. When we’re not messing up and having to fix our mistakes, we’re having to play catch up even further with him. And sometimes we’re causing big mistakes that he can capitalize on because he’s adapting to what’s happening in the moment better than we are sometimes. His villainous ways are finely crafted over thousands of years of effort so he’s definitely a big time opponent for us and is a challenge.
IGN: This is a very ambitious thing going on here as far as this is the third show in this shared universe. There’s already been crossovers. A lot of the team members are being introduced out of this big crossover between the other shows. Moving forward, are you having fun with just how big of a reach you have and the fact that you can maybe pluck some characters here and there and touch upon what’s been established in Flash and Arrow?
Routh: Yeah, the whole thing is very exciting, creating the world and now seeing Earth 2 on Flash and everything that’s bringing into their storyline. I’m sure that’ll have impact on us as we are travelling the timeline and they are crossing worlds. It’s all going to interplay. I’m sure they have big plans to come. We haven’t had as much of that thus far, because we had the Flash/Arrow crossovers, but we’ve been mostly keeping to our show, so far. But I think it’s all really building and building toward those big events…. Well, even bigger events, I would guess. I look forward to it because I’ve been on both shows and I love working with all those actors so I look forward to having them be aboard our project as well more.
IGN: You have long work days and there’s a technical side to everything but are there moments that you’re all there costumed up that you look around and go “This is all pretty cool, huh?”
Routh: Definitely. And I do my best to have those moments more often than not. You do get kind of in your head about just getting the work done, but It’s a pretty amazing, unique experience, this life. And having played two super heroes and getting suited up into robotic armor, there are very, very few people that have had that experience and none the experience I’ve had. One of the ways that is brought home and really kind of settles in is when you meet fans at conventions or other events where people might be around. You’re not just in this dark studio putting stuff on camera but it really affects people and it’s doing something. It’s a very cool form of entertainment.
http://www.ign.com/articles/2016/01/28/ ... sed-skills
Drameh Explica como Firestorm de ''Legends of Tomorrow" honra la historia
Por Scott Huver 28 enero 2016
There's a new Firestorm on the block, played by British actor Franz Drameh. But don't expect to hear the "Attack the Block" alum's London accent when he takes flight as Firestorm. Just like his comic book counterpart, this superhero is all-American.
In "Legends of Tomorrow," the 23-year-old actor plays Jefferson "Jax" Jackson, the new half of Firestorm's two-person dual identity. The Nuclear Man previously made his live-action TV debut on "The Flash" as a composite of the scientist Martin Stein (Victor Garber) and S.T.A.R. Labs engineer Ronnie Raymond (Robbie Amell). After Ronnie's death, former high school football standout Jefferson "Jax" Jackson (Drameh) was merged into the Firestorm matrix, joining with Stein.
A longtime comics, Drameh told CBR News that he actually saw through the secrecy during his blind audition and guessed the identity of the hero. Now Drameh, along with co-Firestorm actor Garber, are part of the ragtag "Legends" lineup of time-traveling heroes and villains recruited to avert an approaching apocalypse. In this interview with CBR News, Drameh reveals how thrilled he was to bring part of Firestorm's persona back to its roots.
CBR News: What got you excited about playing this new version of the character?
Franz Drameh: I've been a comic book fan my whole life, so when I was auditioning, the character breakdown they gave me was "Mystery Hero Michael." So I was like, okay. So I had a bit of a read of it, and I was like: "Stein -- this is Firestorm! But there's already a Firestorm! How is this going to work?" So I kind knew early on that's who I was playing. I was just so excited. I was like, "Are they going to do this? Is he going to have transmutation powers? Are we going to see Fury?" I was like -- I was so excited, and so, so happy to be a part of the whole DC Universe.
Central to your job is working out your relationship with Victor Garber's Martin Stein. What was it like finding that dynamic and making it work on screen with him?
I think me and Victor, we got on so well. Like, we have great banter together. He's always taking the Mick out of my accent, and I'm always teasing him about things and trying to get him to play silly games, which he hates. So I thought that kind of shows through from camera to on screen. It's just fun. He's just fun to work with. I mean, he's a great actor and we just have fun bouncing off of each other and just feeding off each other's energy. It's just great.
Franz Drameh: I've been a comic book fan my whole life, so when I was auditioning, the character breakdown they gave me was "Mystery Hero Michael." So I was like, okay. So I had a bit of a read of it, and I was like: "Stein -- this is Firestorm! But there's already a Firestorm! How is this going to work?" So I kind knew early on that's who I was playing. I was just so excited. I was like, "Are they going to do this? Is he going to have transmutation powers? Are we going to see Fury?" I was like -- I was so excited, and so, so happy to be a part of the whole DC Universe.
With such a large cast, it's apparent that the showrunners are going to mix and match the characters as the show progresses. Who have you had a spark with among the other cast members or the other characters?
I feel like Jax and Kendra [Saunders, Hawkgirl] have a natural affinity towards each other, as they're both the youngest members of the team and both kind of thrown in the deep end into something they weren't expecting or wanting necessarily. Kendra was a barista, just kind of living her day-to-day life, and Jax was just a mechanic doing the same. So they've been thrown into this crazy world. So I feel like they understand each other.
Tell me where you see him fitting in with the group dynamic. Do you have a notion of what he brings to the team?
With Jax, I feel like he's almost kind of the voice of the audience at times. Like when the craziness is happening, he's the one to be like, "This is insane. Let's not do that." And he's also kind of a little bit of the heart as well. He kind of -- he's really about more team, like team aspects, once he kind of really gets into it and kind of matures, because he grows a lot during the show. He starts as this kid who doesn't want his powers, who doesn't want to be on this mission to save the world, [and goes] to kind of realizing his part in the grand scheme of things and where he fits into the team, and really embracing his role as Firestorm.
How this Firestorm is different from the previous Firestorm we've seen?
So this version of Firestorm is more like comic book Ronnie Raymond. He's a jock, basically. He doesn't come from a scientific background, which is another one of the reasons why him and Stein are kind of at loggerheads a lot of the time. Where Stein wants to take this smarter option and Jax is more like rough and ready and like, let's just go all out and do it. So yeah, this version is very different from Robbie Amell's portrayal of Ronnie. He's a mechanic. He's a jock. He doesn't come from any form of scientific background whereas Ronnie did.
Did you get to dig into old Firestorm comics for research?
Yeah, just a little bit. I kind of focused on some stuff in The New 52.
When did your personal love of comics start? What did you get most passionate about at its peak?
My dad was a massive comic book fan, so growing up all us boys watching the animated things, "Batman: The Animated Series." Amazing, with Mark Hamill voicing The Joker! Which, when I think of The Joker, that's the voice that I think. As soon as that Joker -- when I'm reading "Batman" comics, that's the voice that I'm picturing. That really got me into "Batman," and then I started reading all the comics: "The Killing Joke," which is one of my favorites. "The Court of Owls," I like that. "Hush." Batman's my favorite superhero, in a nutshell. I like how messed up he is. I feel like sometimes we forget, Batman, he's not well. He went through this crazy trauma, and he never got over it and has just gone off the deep end.
Which is why I feel like The Joker is such a perfect villain for him because, in essence, this one psychopath against another, because Batman is crazy. He's this…he's a man. He's just a man who was trained to the point of perfection and it's almost like Bruce Wayne is gone. He's left Bruce Wayne. He is always Batman. Bruce Wayne is now just his cover. That's what I love about Batman.
Por Scott Huver 28 enero 2016
There's a new Firestorm on the block, played by British actor Franz Drameh. But don't expect to hear the "Attack the Block" alum's London accent when he takes flight as Firestorm. Just like his comic book counterpart, this superhero is all-American.
In "Legends of Tomorrow," the 23-year-old actor plays Jefferson "Jax" Jackson, the new half of Firestorm's two-person dual identity. The Nuclear Man previously made his live-action TV debut on "The Flash" as a composite of the scientist Martin Stein (Victor Garber) and S.T.A.R. Labs engineer Ronnie Raymond (Robbie Amell). After Ronnie's death, former high school football standout Jefferson "Jax" Jackson (Drameh) was merged into the Firestorm matrix, joining with Stein.
A longtime comics, Drameh told CBR News that he actually saw through the secrecy during his blind audition and guessed the identity of the hero. Now Drameh, along with co-Firestorm actor Garber, are part of the ragtag "Legends" lineup of time-traveling heroes and villains recruited to avert an approaching apocalypse. In this interview with CBR News, Drameh reveals how thrilled he was to bring part of Firestorm's persona back to its roots.
CBR News: What got you excited about playing this new version of the character?
Franz Drameh: I've been a comic book fan my whole life, so when I was auditioning, the character breakdown they gave me was "Mystery Hero Michael." So I was like, okay. So I had a bit of a read of it, and I was like: "Stein -- this is Firestorm! But there's already a Firestorm! How is this going to work?" So I kind knew early on that's who I was playing. I was just so excited. I was like, "Are they going to do this? Is he going to have transmutation powers? Are we going to see Fury?" I was like -- I was so excited, and so, so happy to be a part of the whole DC Universe.
Central to your job is working out your relationship with Victor Garber's Martin Stein. What was it like finding that dynamic and making it work on screen with him?
I think me and Victor, we got on so well. Like, we have great banter together. He's always taking the Mick out of my accent, and I'm always teasing him about things and trying to get him to play silly games, which he hates. So I thought that kind of shows through from camera to on screen. It's just fun. He's just fun to work with. I mean, he's a great actor and we just have fun bouncing off of each other and just feeding off each other's energy. It's just great.
Franz Drameh: I've been a comic book fan my whole life, so when I was auditioning, the character breakdown they gave me was "Mystery Hero Michael." So I was like, okay. So I had a bit of a read of it, and I was like: "Stein -- this is Firestorm! But there's already a Firestorm! How is this going to work?" So I kind knew early on that's who I was playing. I was just so excited. I was like, "Are they going to do this? Is he going to have transmutation powers? Are we going to see Fury?" I was like -- I was so excited, and so, so happy to be a part of the whole DC Universe.
With such a large cast, it's apparent that the showrunners are going to mix and match the characters as the show progresses. Who have you had a spark with among the other cast members or the other characters?
I feel like Jax and Kendra [Saunders, Hawkgirl] have a natural affinity towards each other, as they're both the youngest members of the team and both kind of thrown in the deep end into something they weren't expecting or wanting necessarily. Kendra was a barista, just kind of living her day-to-day life, and Jax was just a mechanic doing the same. So they've been thrown into this crazy world. So I feel like they understand each other.
Tell me where you see him fitting in with the group dynamic. Do you have a notion of what he brings to the team?
With Jax, I feel like he's almost kind of the voice of the audience at times. Like when the craziness is happening, he's the one to be like, "This is insane. Let's not do that." And he's also kind of a little bit of the heart as well. He kind of -- he's really about more team, like team aspects, once he kind of really gets into it and kind of matures, because he grows a lot during the show. He starts as this kid who doesn't want his powers, who doesn't want to be on this mission to save the world, [and goes] to kind of realizing his part in the grand scheme of things and where he fits into the team, and really embracing his role as Firestorm.
How this Firestorm is different from the previous Firestorm we've seen?
So this version of Firestorm is more like comic book Ronnie Raymond. He's a jock, basically. He doesn't come from a scientific background, which is another one of the reasons why him and Stein are kind of at loggerheads a lot of the time. Where Stein wants to take this smarter option and Jax is more like rough and ready and like, let's just go all out and do it. So yeah, this version is very different from Robbie Amell's portrayal of Ronnie. He's a mechanic. He's a jock. He doesn't come from any form of scientific background whereas Ronnie did.
Did you get to dig into old Firestorm comics for research?
Yeah, just a little bit. I kind of focused on some stuff in The New 52.
When did your personal love of comics start? What did you get most passionate about at its peak?
My dad was a massive comic book fan, so growing up all us boys watching the animated things, "Batman: The Animated Series." Amazing, with Mark Hamill voicing The Joker! Which, when I think of The Joker, that's the voice that I think. As soon as that Joker -- when I'm reading "Batman" comics, that's the voice that I'm picturing. That really got me into "Batman," and then I started reading all the comics: "The Killing Joke," which is one of my favorites. "The Court of Owls," I like that. "Hush." Batman's my favorite superhero, in a nutshell. I like how messed up he is. I feel like sometimes we forget, Batman, he's not well. He went through this crazy trauma, and he never got over it and has just gone off the deep end.
Which is why I feel like The Joker is such a perfect villain for him because, in essence, this one psychopath against another, because Batman is crazy. He's this…he's a man. He's just a man who was trained to the point of perfection and it's almost like Bruce Wayne is gone. He's left Bruce Wayne. He is always Batman. Bruce Wayne is now just his cover. That's what I love about Batman.
Caity Lotz sobre el interpretar a una muy diferente Sara Lance
Por Terri Schwartz 28 enero 2016
The Sara Lance who Caity Lotz is playing on DC's Legends of Tomorrow already feels like a step away from the character who she portrayed on The CW's Arrow.
Ever since she was introduced as a full-fledged character in Season 2 of Arrow, Sara has gone through the storytelling gamut. She even died in Season 3 of the series before being brought back to life via the Lazarus Pit earlier in Season 4.
The pilot for Legends of Tomorrow shows Sara ready to strike out on her own journey, and already she's shown a lighter, more carefree side of herself than viewers saw on Arrow. With Sara playing a more central role on this new The CW spinoff of Arrow and The Flash, audiences can expect to get to know a whole new side of Lotz's character.
In a recent interview, Lotz opened up about getting to play this different side of White Canary, how we haven't seen the last of Sara's Lazarus Pit-induced bloodlust and which Arrow character she'd most like Sara to cross paths with after Legends concludes Season 1.
IGN: When you were initially pitched on Legends of Tomorrow, what was the draw for you? Obviously Sara's been through the gamut throughout the years. What was the appeal about getting a show that was more focused on her?
Caity Lotz: Well, I've always love the character. She's a cool chick, and I like the idea of the show having a bit more levity, a little bit more fun, lighthearted, and it being an ensemble cast -- and also that it wasn't going to be 22 episodes, which was also very appealing. And I loved working with our producers and stuff, and they've just turned out great show after great show. So yeah, to be able to work with them again and bring a character back that I loved and the fans have loved so much was cool.
IGN: When they did kill you off on Arrow, did they do it with saying, "Hey, we have a plan to bring you back"?
Lotz: No. And I asked the producers, "Hey, did you know that you were going to have this spinoff when you killed me?" They were like, "Yeah." I was like, "What!? What the f**k? Why didn't you guys tell me?" And then they were like, "Because it wasn't for sure. It wasn't greenlit. We couldn't be like, 'Hey, we may bring you back.'" So yeah, no, I didn't know.
IGN: Coming back -- because you've lived with her for so long -- you have this opportunity for more levity. Was there anything you talked to the producers about, like, "I want to explore the more flirtatious side of her," or bring any other lighter elements in to get to know her?
Lotz: It was really interesting, because the first two episodes are very different for Sara, her voice, and then it went back to Sara. At first I thought, when I read it, I was like, "Whoa, this is a whole new Sara," because all the dialogue was very lighthearted, "let's party." So I was like, "Wait, is this a whole new person now? What's happened?" They were like, "No, no, no. We still want Sara to be Sara. It's the same Sara."
I think it's the same, it just like, whereas before I didn't allow Sara to have any joy, because she wouldn't allow herself to stop feeling guilty or bad about anything. Whereas now I think she's just like, "F--k it. I've been dead, been this, seen it all. Go with it a little more," and allow her to -- if she wants to have fun, have a little fun.
IGN: I feel like some of the bonus of having an ensemble this big is you can shine the light on different characters at different times throughout the season. We've dealt some with Sara coming back from the Lazarus Pit and what that did to her, but will we get to delve into that more later in the season and how that has changed her?
Lotz: Yeah, the bloodlust thing will definitely be something she deals with for quite a bit of this season. My favorite part is seeing the different dynamics. When Snart and Ray go off together, because that's a weird combo. Each character has such a different chemistry. When Sara is with Snart, what happens with that, and what happens with Sara and Rip, it's really interesting to explore those.
IGN: Sara and Snart are characters that people have loved so much separately, it's fun to see them come together and for him to have an obvious crush on her. It allows those two characters to show a little bit of a different side than what we've seen before. How did you two play with that, and what can you about where that goes?
Lotz: You know, I don't think the producers were really pushing for that at all. But there's an episode where we have some really sweet stuff together, and it's nice. But I also think Sara doesn't really like this Snart character, you know what I mean? She's also not trying to -- she's not looking for a relationship or anything like that. So it's interesting. They're interested, but I don't know if that'll ever be anything.
IGN: What do you think is Sara's goal or purpose in joining this team? What does she hope to get out of this experience?
Lotz: I think it's to find a purpose. I think she's wandering, never having felt like she belonged, never knowing what she's supposed to be doing with her life, never felt like everything she's gone through meant something, has brought something good. She hasn't been able to achieve the alchemy of taking something that was terrible and turning it into something good. It's always just haunted her. I think with this she's hoping to maybe finally take all the terrible things that have happened to her in her life and make it mean something and be, "That happened for a reason."
I think that's a big thing for her, is that she looks back at what she went through, and she doesn't go, "Well, maybe it's the person I've become" and "I wouldn't be the same person without it." She doesn't feel like that at all, and that's a hard thing to live with. I think that's why that's such a darkness. So I think the hope is to find a purpose and that maybe one day she can look back and be like, "OK, I'm glad that that happened to me, because it made me who I am."
IGN: I'm sure that is jarring for her when there's that reveal they aren't actually Legends, but instead a bunch of nobodies. She's the first one who's like, "Well, let's change our destiny. Let's go back and do something." How much is that a thrust for her going forward, with the goal to become a person who people remember as a positive thing?
Lotz: I don't think Sara gives a f**k about being a Legend. She's a prideful person, but she doesn't want it to be about her and for people to know who she is. That's not her at all. When she finds out that they're not Legends, it's not like, "Oh my God, what? I'm not famous?" It's the fact that they've been lied to. I think that's a hard thing, being lied to. But for her, I think it's all just about making her s---ty life have a purpose, so that she can look back on it and be proud of something and accept who she is and what's happened to her. It's not about becoming a Legend or the world remembering her.
IGN: If Sara was to go back to Arrow, is there one character who you would most like to see her interact with after she's gone through the experience of this season?
Lotz: So many. I would like Nyssa. I think there's something there that needs some kind of closure, something. So Nyssa, and I always thought her and Felicity were funny together. That would be cute to explore again.
IGN: I would love to see Felicity on your show. Could you imagine her reaction to the science of time travel and all of that?
Lotz: Yes, definitely. But they need her on Arrow. I feel like they need that levity, for sure. IGN Logo
http://www.ign.com/articles/2016/01/27/ ... sara-lance
Por Terri Schwartz 28 enero 2016
The Sara Lance who Caity Lotz is playing on DC's Legends of Tomorrow already feels like a step away from the character who she portrayed on The CW's Arrow.
Ever since she was introduced as a full-fledged character in Season 2 of Arrow, Sara has gone through the storytelling gamut. She even died in Season 3 of the series before being brought back to life via the Lazarus Pit earlier in Season 4.
The pilot for Legends of Tomorrow shows Sara ready to strike out on her own journey, and already she's shown a lighter, more carefree side of herself than viewers saw on Arrow. With Sara playing a more central role on this new The CW spinoff of Arrow and The Flash, audiences can expect to get to know a whole new side of Lotz's character.
In a recent interview, Lotz opened up about getting to play this different side of White Canary, how we haven't seen the last of Sara's Lazarus Pit-induced bloodlust and which Arrow character she'd most like Sara to cross paths with after Legends concludes Season 1.
IGN: When you were initially pitched on Legends of Tomorrow, what was the draw for you? Obviously Sara's been through the gamut throughout the years. What was the appeal about getting a show that was more focused on her?
Caity Lotz: Well, I've always love the character. She's a cool chick, and I like the idea of the show having a bit more levity, a little bit more fun, lighthearted, and it being an ensemble cast -- and also that it wasn't going to be 22 episodes, which was also very appealing. And I loved working with our producers and stuff, and they've just turned out great show after great show. So yeah, to be able to work with them again and bring a character back that I loved and the fans have loved so much was cool.
IGN: When they did kill you off on Arrow, did they do it with saying, "Hey, we have a plan to bring you back"?
Lotz: No. And I asked the producers, "Hey, did you know that you were going to have this spinoff when you killed me?" They were like, "Yeah." I was like, "What!? What the f**k? Why didn't you guys tell me?" And then they were like, "Because it wasn't for sure. It wasn't greenlit. We couldn't be like, 'Hey, we may bring you back.'" So yeah, no, I didn't know.
IGN: Coming back -- because you've lived with her for so long -- you have this opportunity for more levity. Was there anything you talked to the producers about, like, "I want to explore the more flirtatious side of her," or bring any other lighter elements in to get to know her?
Lotz: It was really interesting, because the first two episodes are very different for Sara, her voice, and then it went back to Sara. At first I thought, when I read it, I was like, "Whoa, this is a whole new Sara," because all the dialogue was very lighthearted, "let's party." So I was like, "Wait, is this a whole new person now? What's happened?" They were like, "No, no, no. We still want Sara to be Sara. It's the same Sara."
I think it's the same, it just like, whereas before I didn't allow Sara to have any joy, because she wouldn't allow herself to stop feeling guilty or bad about anything. Whereas now I think she's just like, "F--k it. I've been dead, been this, seen it all. Go with it a little more," and allow her to -- if she wants to have fun, have a little fun.
IGN: I feel like some of the bonus of having an ensemble this big is you can shine the light on different characters at different times throughout the season. We've dealt some with Sara coming back from the Lazarus Pit and what that did to her, but will we get to delve into that more later in the season and how that has changed her?
Lotz: Yeah, the bloodlust thing will definitely be something she deals with for quite a bit of this season. My favorite part is seeing the different dynamics. When Snart and Ray go off together, because that's a weird combo. Each character has such a different chemistry. When Sara is with Snart, what happens with that, and what happens with Sara and Rip, it's really interesting to explore those.
IGN: Sara and Snart are characters that people have loved so much separately, it's fun to see them come together and for him to have an obvious crush on her. It allows those two characters to show a little bit of a different side than what we've seen before. How did you two play with that, and what can you about where that goes?
Lotz: You know, I don't think the producers were really pushing for that at all. But there's an episode where we have some really sweet stuff together, and it's nice. But I also think Sara doesn't really like this Snart character, you know what I mean? She's also not trying to -- she's not looking for a relationship or anything like that. So it's interesting. They're interested, but I don't know if that'll ever be anything.
IGN: What do you think is Sara's goal or purpose in joining this team? What does she hope to get out of this experience?
Lotz: I think it's to find a purpose. I think she's wandering, never having felt like she belonged, never knowing what she's supposed to be doing with her life, never felt like everything she's gone through meant something, has brought something good. She hasn't been able to achieve the alchemy of taking something that was terrible and turning it into something good. It's always just haunted her. I think with this she's hoping to maybe finally take all the terrible things that have happened to her in her life and make it mean something and be, "That happened for a reason."
I think that's a big thing for her, is that she looks back at what she went through, and she doesn't go, "Well, maybe it's the person I've become" and "I wouldn't be the same person without it." She doesn't feel like that at all, and that's a hard thing to live with. I think that's why that's such a darkness. So I think the hope is to find a purpose and that maybe one day she can look back and be like, "OK, I'm glad that that happened to me, because it made me who I am."
IGN: I'm sure that is jarring for her when there's that reveal they aren't actually Legends, but instead a bunch of nobodies. She's the first one who's like, "Well, let's change our destiny. Let's go back and do something." How much is that a thrust for her going forward, with the goal to become a person who people remember as a positive thing?
Lotz: I don't think Sara gives a f**k about being a Legend. She's a prideful person, but she doesn't want it to be about her and for people to know who she is. That's not her at all. When she finds out that they're not Legends, it's not like, "Oh my God, what? I'm not famous?" It's the fact that they've been lied to. I think that's a hard thing, being lied to. But for her, I think it's all just about making her s---ty life have a purpose, so that she can look back on it and be proud of something and accept who she is and what's happened to her. It's not about becoming a Legend or the world remembering her.
IGN: If Sara was to go back to Arrow, is there one character who you would most like to see her interact with after she's gone through the experience of this season?
Lotz: So many. I would like Nyssa. I think there's something there that needs some kind of closure, something. So Nyssa, and I always thought her and Felicity were funny together. That would be cute to explore again.
IGN: I would love to see Felicity on your show. Could you imagine her reaction to the science of time travel and all of that?
Lotz: Yes, definitely. But they need her on Arrow. I feel like they need that levity, for sure. IGN Logo
http://www.ign.com/articles/2016/01/27/ ... sara-lance
Falk Hentschel sobre la historia de Hawkman con Hawkgirl
Por Linda Ge 28 enero 2016
“Legends of Tomorrow” brings together a disparate group of heroes and villains to form a reluctant team, but two members already have some complicated history between them.
Carter Hall (Falk Hentschel) and Kendra Saunders (Ciara Renee) are destined to be together – and destined to die at the hands of their greatest foe, Vandal Savage (Casper Crump).
As first introduced in the “Arrow”-“The Flash” crossovers, Carter and Kendra have had plenty of practice at dying and being reincarnated, but it’s going to take more than a few episodes to dig deep into their hundreds of years of history.
Luckily, “Legends” is all about time travel.
“Obviously, there’s time travel, there’s reincarnation, there’s flashbacks that Kendra is having,” Hentschel told TheWrap. “So I think there’s a lot of opportunity to get to know our past selves and all kinds of stuff.”
Below, Hentschel discusses how he and his co-star found the right chemistry for the complicated couple, where they go from here and the difference between filming “Legends” and the crossovers.
TheWrap: We got to know Carter and Kendra first in the “Arrow”-“Flash” crossovers, but where are they now?
Hentschel: They’re in the “training phase,” I would call it. They’re trying to help people, they’re being superheroes, but Kendra just hasn’t had her awakening yet. He’s sort of schooling her, in his way.
Will we learn more about their very long history together?
Obviously, there’s time travel, there’s reincarnation, there’s flashbacks that Kendra is having. So I think there’s a lot of opportunity to get to know our past selves, and all kinds of stuff.
Did you feel there was a marked difference in filming the crossovers to now filming the show itself?
Yes, because the crossovers were crazy. They were absolutely nuts, in the sense of the workload. We got whisked from the “Legends of Tomorrow” set to “Arrow” then to “Flash” and back. At some point, for me at least, you just go, “Just tell me where to stand and what to say and let me just focus on that scene,” because I just came from “Legends” and had to go back to “Legends” afterwards. It was just a whirlwind. I was amazed at how they pulled it off. There were so many of us, and Kendra and Carter were being used so much, so it was just an acting marathon.
So even though this show is crazy in and of itself with the time travel and all, it’s a more smooth process.
Yeah. Every show finds its groove, I would say. The first season is the season to figure out the dynamics, the workflow.
Carter and Kendra are such a unit. How did you and Ciara approach playing these characters and how did you find that chemistry between them?
It just came naturally. We started talking, at first via text or Twitter or something like that, and that’s when we discovered we already had a natural banter. That bickering you see on screen, we have that but in a positive way. We’re not scared to just be blunt with one another. We have a lot of fun working on these scenes together. We’re really aware of the fact that they’re – I think – the first-ever superhero couple, this dynamic duo, they’re a unit. So we really wanted to make sure we didn’t come from my own ego, but sort of bring it together and do what’s right, not only for the show, but this team.
http://www.thewrap.com/legends-of-tomor ... -hawkgirl/
Por Linda Ge 28 enero 2016
“Legends of Tomorrow” brings together a disparate group of heroes and villains to form a reluctant team, but two members already have some complicated history between them.
Carter Hall (Falk Hentschel) and Kendra Saunders (Ciara Renee) are destined to be together – and destined to die at the hands of their greatest foe, Vandal Savage (Casper Crump).
As first introduced in the “Arrow”-“The Flash” crossovers, Carter and Kendra have had plenty of practice at dying and being reincarnated, but it’s going to take more than a few episodes to dig deep into their hundreds of years of history.
Luckily, “Legends” is all about time travel.
“Obviously, there’s time travel, there’s reincarnation, there’s flashbacks that Kendra is having,” Hentschel told TheWrap. “So I think there’s a lot of opportunity to get to know our past selves and all kinds of stuff.”
Below, Hentschel discusses how he and his co-star found the right chemistry for the complicated couple, where they go from here and the difference between filming “Legends” and the crossovers.
TheWrap: We got to know Carter and Kendra first in the “Arrow”-“Flash” crossovers, but where are they now?
Hentschel: They’re in the “training phase,” I would call it. They’re trying to help people, they’re being superheroes, but Kendra just hasn’t had her awakening yet. He’s sort of schooling her, in his way.
Will we learn more about their very long history together?
Obviously, there’s time travel, there’s reincarnation, there’s flashbacks that Kendra is having. So I think there’s a lot of opportunity to get to know our past selves, and all kinds of stuff.
Did you feel there was a marked difference in filming the crossovers to now filming the show itself?
Yes, because the crossovers were crazy. They were absolutely nuts, in the sense of the workload. We got whisked from the “Legends of Tomorrow” set to “Arrow” then to “Flash” and back. At some point, for me at least, you just go, “Just tell me where to stand and what to say and let me just focus on that scene,” because I just came from “Legends” and had to go back to “Legends” afterwards. It was just a whirlwind. I was amazed at how they pulled it off. There were so many of us, and Kendra and Carter were being used so much, so it was just an acting marathon.
So even though this show is crazy in and of itself with the time travel and all, it’s a more smooth process.
Yeah. Every show finds its groove, I would say. The first season is the season to figure out the dynamics, the workflow.
Carter and Kendra are such a unit. How did you and Ciara approach playing these characters and how did you find that chemistry between them?
It just came naturally. We started talking, at first via text or Twitter or something like that, and that’s when we discovered we already had a natural banter. That bickering you see on screen, we have that but in a positive way. We’re not scared to just be blunt with one another. We have a lot of fun working on these scenes together. We’re really aware of the fact that they’re – I think – the first-ever superhero couple, this dynamic duo, they’re a unit. So we really wanted to make sure we didn’t come from my own ego, but sort of bring it together and do what’s right, not only for the show, but this team.
http://www.thewrap.com/legends-of-tomor ... -hawkgirl/
Entrevista con Falk Hentschel de "Legends Of Tomorrow"
Por Craig Byrne 28 enero 2016
Falk Hentschel plays one of the two winged warriors on DC’s Legends of Tomorrow, playing Carter Hall a.k.a. Hawkman, one of the most famous characters from the DC Comics universe.
We recently spoke with the actor about the role and what we can look forward to from Carter Hall in the future. Don’t miss a new episode of DC’s Legends of Tomorrow tonight (January 28) at 8PM ET/PT on The CW!
What was your reaction when you put on the costume for the first time?
That was amazing. I loved it. I was like — that part of you as a kid that makes you want to be an actor, that just wants to play and pretend and run around in costumes… I was just jumping for joy. I stood in front of the mirror, and then I put the helmet on, and it fit perfectly!
That’s the other thing: I put it on, and there wasn’t too much to be done other than slight alterations. Where other cast members had difficulty, it was just perfect.
At any point did you pretend you were Wolverine?
[Laughs] I’ve read that it’s like I’m the version of Wolverine. No, I didn’t connect to that until later on.
Were you grateful that your costume wasn’t shirtless?
That’s a great question. Yes, because that famous cross that he wears and nothing else…! I was like “Okay. So that cross is only held by somebody like The Rock. But no, I was very happy about that.
Before you started filming the role, were you given any backstory of what Carter was doing before he met Kendra?
To be honest with you, no. I asked, obviously. Let’s put it this way: I was filled in when I needed a backstory, but when there isn’t given one because we don’t have time or there was no opportunity to talk to somebody, I just made it up. That’s the wonderful thing about imagination; you fill it with life.
Can you talk about how Carter is so much more into the reincarnation thing than Kendra is at this point?
Since Carter remembers more, I keep calling him “the uncle of humanity” because he’s sort of been there all along. Not all along, but for 4000 years, he’s had the chance to see the evolution of society: good and bad. So, I think he’s just naturally been formed by that, being able to remember, always, whereas for Kendra it’s been a new discovery every time. Memories come back, but who knows how long they made it before Vandal Savage came around.
In a selfish way, that’s what I gravitated towards, because that’s a fascinating part about him, because what is that like to be around for that long that you can face all of your demons? Just on a personal level… we all have these issues that we deal with throughout our whole life, whether it’s our parents, or relationships… we have our demons. Now that he’s been able to do that 206 times, what is that like? Has he dealt with them? He’s really getting to know humanity. On the other hand, he’s super lonely, because nothing lasts but Kendra, which is why he’s mad about her, more than just being in love. I think she’s a life line for him.
Do you think Carter is aware that Kendra knows or remembers more than she’s letting on?
I think he has a hint. I think in the crossover episodes, you’ve seen it. Otherwise, why do you say these things? He’s pretty aware of it.
Do you think Carter has any past lovers that were not incarnations of Chay-Ara?
Personally speaking, I would hope so. I’ve always had this idea in the character prep…. I wanted him to be open-minded. I wanted it so that he flies in and at some point finds her and she has a family. She has kids. A man. And he leaves her be. I’m assuming the same for him, as well. And then, I think he’s like “all right. I’m going to enjoy my life as much as I can.” And I think that’s what I’m really drawn to. These two have a chance to really look at all these values and rules of society because they can’t apply to them. I’m just having a blast thinking about what he’s gone through.
How does it feel to be one of those few actors to appear in both DC and Marvel productions? (Falk Hentschel did an episode of Marvel’s Agents of S.H.I.E.L.D..)
It’s really cool. To be honest with you, both of them came at a surprise. Agents of S.H.I.E.L.D. obviously was a shorter run… [but] it was open ended; I was told that they don’t know if he comes back or not. This one, obviously, was so much more immersive. And then being a villain, and then being a superhero… that was really cool to be able to flip flop from that. I was like “yeah! I get to be a good guy for once!”
Can you talk about some of the actors you get to work with on Legends?
The entire cast is lovely. Not just as actors, but also as people. It’s rare that you just naturally gel with everybody. Obviously, some more, some less. Casper [Crump] and I… he’s become a really close bud. Our roots lie in Europe, so we connected over that, and Franz [Drameh], as well, is a really cool guy. Wentworth… you know, honestly, it’s so hard to pick any one [out]. All I can say is that it is nice to have chemistry on screen and off screen, and just have an easy ride.
Is it hard when you’re such good friends with someone who is trying to kill you on screen?
What I think it does, it creates a comfort and a willingness to play, because you feel safe to be silly, which is what acting is, making a fool out of yourself in front of everybody, and hope it goes well. I can’t wait for more scenes with Casper.
http://www.ksitetv.com/interviews-2/leg ... hel/94893/
Por Craig Byrne 28 enero 2016
Falk Hentschel plays one of the two winged warriors on DC’s Legends of Tomorrow, playing Carter Hall a.k.a. Hawkman, one of the most famous characters from the DC Comics universe.
We recently spoke with the actor about the role and what we can look forward to from Carter Hall in the future. Don’t miss a new episode of DC’s Legends of Tomorrow tonight (January 28) at 8PM ET/PT on The CW!
What was your reaction when you put on the costume for the first time?
That was amazing. I loved it. I was like — that part of you as a kid that makes you want to be an actor, that just wants to play and pretend and run around in costumes… I was just jumping for joy. I stood in front of the mirror, and then I put the helmet on, and it fit perfectly!
That’s the other thing: I put it on, and there wasn’t too much to be done other than slight alterations. Where other cast members had difficulty, it was just perfect.
At any point did you pretend you were Wolverine?
[Laughs] I’ve read that it’s like I’m the version of Wolverine. No, I didn’t connect to that until later on.
Were you grateful that your costume wasn’t shirtless?
That’s a great question. Yes, because that famous cross that he wears and nothing else…! I was like “Okay. So that cross is only held by somebody like The Rock. But no, I was very happy about that.
Before you started filming the role, were you given any backstory of what Carter was doing before he met Kendra?
To be honest with you, no. I asked, obviously. Let’s put it this way: I was filled in when I needed a backstory, but when there isn’t given one because we don’t have time or there was no opportunity to talk to somebody, I just made it up. That’s the wonderful thing about imagination; you fill it with life.
Can you talk about how Carter is so much more into the reincarnation thing than Kendra is at this point?
Since Carter remembers more, I keep calling him “the uncle of humanity” because he’s sort of been there all along. Not all along, but for 4000 years, he’s had the chance to see the evolution of society: good and bad. So, I think he’s just naturally been formed by that, being able to remember, always, whereas for Kendra it’s been a new discovery every time. Memories come back, but who knows how long they made it before Vandal Savage came around.
In a selfish way, that’s what I gravitated towards, because that’s a fascinating part about him, because what is that like to be around for that long that you can face all of your demons? Just on a personal level… we all have these issues that we deal with throughout our whole life, whether it’s our parents, or relationships… we have our demons. Now that he’s been able to do that 206 times, what is that like? Has he dealt with them? He’s really getting to know humanity. On the other hand, he’s super lonely, because nothing lasts but Kendra, which is why he’s mad about her, more than just being in love. I think she’s a life line for him.
Do you think Carter is aware that Kendra knows or remembers more than she’s letting on?
I think he has a hint. I think in the crossover episodes, you’ve seen it. Otherwise, why do you say these things? He’s pretty aware of it.
Do you think Carter has any past lovers that were not incarnations of Chay-Ara?
Personally speaking, I would hope so. I’ve always had this idea in the character prep…. I wanted him to be open-minded. I wanted it so that he flies in and at some point finds her and she has a family. She has kids. A man. And he leaves her be. I’m assuming the same for him, as well. And then, I think he’s like “all right. I’m going to enjoy my life as much as I can.” And I think that’s what I’m really drawn to. These two have a chance to really look at all these values and rules of society because they can’t apply to them. I’m just having a blast thinking about what he’s gone through.
How does it feel to be one of those few actors to appear in both DC and Marvel productions? (Falk Hentschel did an episode of Marvel’s Agents of S.H.I.E.L.D..)
It’s really cool. To be honest with you, both of them came at a surprise. Agents of S.H.I.E.L.D. obviously was a shorter run… [but] it was open ended; I was told that they don’t know if he comes back or not. This one, obviously, was so much more immersive. And then being a villain, and then being a superhero… that was really cool to be able to flip flop from that. I was like “yeah! I get to be a good guy for once!”
Can you talk about some of the actors you get to work with on Legends?
The entire cast is lovely. Not just as actors, but also as people. It’s rare that you just naturally gel with everybody. Obviously, some more, some less. Casper [Crump] and I… he’s become a really close bud. Our roots lie in Europe, so we connected over that, and Franz [Drameh], as well, is a really cool guy. Wentworth… you know, honestly, it’s so hard to pick any one [out]. All I can say is that it is nice to have chemistry on screen and off screen, and just have an easy ride.
Is it hard when you’re such good friends with someone who is trying to kill you on screen?
What I think it does, it creates a comfort and a willingness to play, because you feel safe to be silly, which is what acting is, making a fool out of yourself in front of everybody, and hope it goes well. I can’t wait for more scenes with Casper.
http://www.ksitetv.com/interviews-2/leg ... hel/94893/
(Spoiler) & Phil Klemmer hablan sobre el impacto de esta noche de la serie
Por Craig Byrne 28 enero 2016
The Legends of Tomorrow lost a member tonight — not a hoax, not an imaginary story… and on this show, it seems as though death sticks. Though how much will it stick in a show with reincarnation?
In any event — SPOILER WARNING if you haven’t seen Legends of Tomorrow Episode 2 yet, you might want to just stop here — we saw that in episode 2, Hawkman was taken down by Vandal Savage, and as a result, the team is now down to one Hawk.
We spoke with Falk Hentschel (Carter Hall) about what happened in tonight’s show, and additionally, EP Phil Klemmer gave us some insights as to what this all means.
DCLEGENDSTV’s CRAIG BYRNE: When you booked the role, did you know your character was getting killed in Episode 2?
FALK HENTSCHEL: Yes, I did. I was aware of that. I knew that there was a death in Episode 2, and I was told “but there’s all these ways of continuing to play with the character.” And I thought it was lovely. I think I was like “oh, that’s cool!” I think it’s cool because we’re so used to a character like Hawkman being safe — “oh, nothing’s gonna happen to him, he’s Hawkman” — but I think that was kind of cool, and I’m interested to see what the fans will say. Will they scream for more? We’ll see.
With reincarnation being a major part of Carter’s life, could we be seeing you beyond Episode 2?
Yes! I think there’s all kinds of opportunity. I think there’s reincarnation; there’s time travel. At the least, there are the flashbacks. I think we’ve established Kendra getting her memories back. So, I think there’s a lot of opportunity. Obviously, I can’t say yes or no. I have to say, I really like that about this, too. When I heard that I was going to die on the second one, I was like “that’s great.” Because I think we’re so used to have our regulars or people that we know being safe, that I was like “Oh. Okay, you’re Game of Thrones-ing that, a little bit.” I think it’s exciting.
Could it be possible for Kendra to meet a past incarnation of Carter, where she’s the one who remembers and he doesn’t?
Maybe, yeah. The producers know more about that than I do. I just know that there is plenty of opportunity for that.
If the producers were to call you up and say “would you like to appear next week,” would you be game for it?
Yeah! Here’s the thing: I had a blast. I want to go back and see my friends. It’s always a question of schedule… so many things go into making a show or a film. In the end, you never know if it works out. But as you can tell, I really enjoy everybody.
You can read more about Falk Hentschel’s Legends experience at KSiteTV. And now, the spotlight turns to Executive Producer Phil Klemmer, who makes it sound as though we’ll be seeing Hawkman again at some point, in some way:
How dead is Hawkman?
That Hawkman is absolutely 100% dead.
Considering he died in 1975, does he reincarnate in 1975 also?
No. He does not reincarnate until she dies as well. We had to come up with a conceit so they could roughly be the same age, and their fates are intertwined. So we have this sort of bittersweet notion that Kendra will never have the chance to love her immortal beloved until she dies. She has to fail at taking down Savage in order to meet Carter. She can have memories of Carter, which we’ll explore their past lives together in flashback stories, and we still like the idea of her encountering a Hawkman from a previous life.
So it could go the other way around, where she’s trying to convince him of who he is?
Yes. Absolutely. And then… you know, there is the idea that she could finally, for the first time in 4000 years, choose whom she wants to love, as opposed to having this curse determine it for her. So, there is a big wrestling match between free will and romantic destiny for her.
Intriguing, eh?
http://dclegendstv.com/2016/01/28/spoil ... w-shocker/
Por Craig Byrne 28 enero 2016
The Legends of Tomorrow lost a member tonight — not a hoax, not an imaginary story… and on this show, it seems as though death sticks. Though how much will it stick in a show with reincarnation?
In any event — SPOILER WARNING if you haven’t seen Legends of Tomorrow Episode 2 yet, you might want to just stop here — we saw that in episode 2, Hawkman was taken down by Vandal Savage, and as a result, the team is now down to one Hawk.
We spoke with Falk Hentschel (Carter Hall) about what happened in tonight’s show, and additionally, EP Phil Klemmer gave us some insights as to what this all means.
DCLEGENDSTV’s CRAIG BYRNE: When you booked the role, did you know your character was getting killed in Episode 2?
FALK HENTSCHEL: Yes, I did. I was aware of that. I knew that there was a death in Episode 2, and I was told “but there’s all these ways of continuing to play with the character.” And I thought it was lovely. I think I was like “oh, that’s cool!” I think it’s cool because we’re so used to a character like Hawkman being safe — “oh, nothing’s gonna happen to him, he’s Hawkman” — but I think that was kind of cool, and I’m interested to see what the fans will say. Will they scream for more? We’ll see.
With reincarnation being a major part of Carter’s life, could we be seeing you beyond Episode 2?
Yes! I think there’s all kinds of opportunity. I think there’s reincarnation; there’s time travel. At the least, there are the flashbacks. I think we’ve established Kendra getting her memories back. So, I think there’s a lot of opportunity. Obviously, I can’t say yes or no. I have to say, I really like that about this, too. When I heard that I was going to die on the second one, I was like “that’s great.” Because I think we’re so used to have our regulars or people that we know being safe, that I was like “Oh. Okay, you’re Game of Thrones-ing that, a little bit.” I think it’s exciting.
Could it be possible for Kendra to meet a past incarnation of Carter, where she’s the one who remembers and he doesn’t?
Maybe, yeah. The producers know more about that than I do. I just know that there is plenty of opportunity for that.
If the producers were to call you up and say “would you like to appear next week,” would you be game for it?
Yeah! Here’s the thing: I had a blast. I want to go back and see my friends. It’s always a question of schedule… so many things go into making a show or a film. In the end, you never know if it works out. But as you can tell, I really enjoy everybody.
You can read more about Falk Hentschel’s Legends experience at KSiteTV. And now, the spotlight turns to Executive Producer Phil Klemmer, who makes it sound as though we’ll be seeing Hawkman again at some point, in some way:
How dead is Hawkman?
That Hawkman is absolutely 100% dead.
Considering he died in 1975, does he reincarnate in 1975 also?
No. He does not reincarnate until she dies as well. We had to come up with a conceit so they could roughly be the same age, and their fates are intertwined. So we have this sort of bittersweet notion that Kendra will never have the chance to love her immortal beloved until she dies. She has to fail at taking down Savage in order to meet Carter. She can have memories of Carter, which we’ll explore their past lives together in flashback stories, and we still like the idea of her encountering a Hawkman from a previous life.
So it could go the other way around, where she’s trying to convince him of who he is?
Yes. Absolutely. And then… you know, there is the idea that she could finally, for the first time in 4000 years, choose whom she wants to love, as opposed to having this curse determine it for her. So, there is a big wrestling match between free will and romantic destiny for her.
Intriguing, eh?
http://dclegendstv.com/2016/01/28/spoil ... w-shocker/
El equipo de la serie hablan sobre la decisión tras esa impactante primera muerte
Por Sydney Bucksbaum 28 enero 2016
It didn't take long for the Legends of Tomorrow superhero team to suffer their first casualty. In their second face-off with immortal villain Vandal Savage (Casper Crump), Hawkman/Carter Hall (Falk Hentschel) stabbed Vandal with the only weapon that can kill him... only to realize that Hawkgirl/Kendra Saunders (Ciara Renee) had to be the one to wield the dagger for it to work. Vandal pulled the ineffective dagger out of his body and then used it to kill Carter and wound Kendra before escaping.
Because Legends of Tomorrow is a time-traveling show, and Hawkman has been constantly reincarnating over thousands of years, this won't be the last viewers see of Carter on the DC Comics series.
"Before it's all over, we'd like to have Carter Hall back on the show even though he's dead in this current lifetime," executive producer Phil Klemmer tells The Hollywood Reporter.
"The show takes place all across time, so the possibility of meeting up with a previous incarnation of Carter in an earlier time [is] totally on the table," executive producer Marc Guggenheim adds. "Similarly, he reincarnates forward, so meeting up with a future incarnation is also on the table. The fun thing about combining time travel with reincarnating characters is the fact that you can really expect the unexpected."
The producers chose to kill off Carter in the second episode to prove that no one is safe.
"Very early on, we were talking about how do you establish the stakes particularly when you have time travel in the mix?," Guggenheim says. "There's always the possibility of the audience disengaging because with time travel, they can just go back in time and undo this or change that. We felt it important to really establish the stakes early on to submit exactly what it was our characters were facing. As with most ideas we come up with, killing off Hawkman began with a pitch that started off with, 'Well, this is probably too crazy, but… ' When we start off with that, we usually end up doing exactly that. Especially with this show, even more than Flash, even more than Arrow, crazy is a big part of the show's appeal."
Of course, that doesn't make the decision to kill Hawkman any easier on the showrunners.
"We love Falk but sometimes, letting your audience know that you mean business, you have to do horrible things," Klemmer says. "You sometimes have to cut off your nose to spite your face. I can't believe we actually followed through on it. But this is the kind of story audiences expect these days."
"It's pretty cold, isn't it?" Hentschel says with a laugh. "I knew Carter's fate when I signed on [to the show]. I had to do a pretty cryptic job with it. I was excited about it because it's not something the network does very often, killing a main character off. That's something generally reserved for cable, like Game of Thrones."
Hentschel promises there are no hard feelings about being the show's first casualty, since his character's death has such a major impact on the rest of the series moving forward.
"It's kind of fun, you know what I mean?" Hentschel says. "He's the catalyst for this show to kick into gear. It's not just about revenge, but it is a big motivator for everybody. Plus, I'm really used to dying onscreen and this was one of the cooler deaths I've gotten to do."
If Hawkman is brought back onto the show, either as a past or future incarnation, Hentschel has a request for the writers. "Whatever I do come back as, I hope the writers will put more of a lens on the humanity of all his reincarnations," the actor says. "He's been around for so long, what has that done to him as a person? "
The Legends team learned that Kendra has to be the one to wield the dagger to kill Vandal Savage only after Carter's failed attempt to kill him. It made his death more heartbreaking and feel almost wasteful.
"The first thing I thought was, 'If I'm going to die, can't we have a bigger fight?'" Hentschel says with a laugh. "But now that I've seen the episode, I kind of like how quick and out of nowhere it came. It was very beautiful. It was the strongest move for this character. Anything else would have felt wrong. It's going to motivate Kendra to avenge me."
The fact that Kendra has to be the one to kill Vandal will be both "a blessing and a curse" for her, according to the showrunners.
"She hardly got to know him," Klemmer says of Carter. "She lost him just when she was coming around to believing in the inevitability of their love for one another. But the progressive, 'I am woman, hear me roar' version of her is unlike every other lifetime she's lived where she too had died and they were reborn together all over again. What makes this version of Kendra different is she has the other Legends. She can be a hero without him, and she has to stand up to Savage alone and vanquish him by herself."
Having survived Vandal's attack (albeit majorly injured), this will also open up another part of Kendra's life now that Carter is no longer by her side.
"In 4,000 years, she hasn't gotten to choose for herself who to love," Klemmer says. "Over the course of the season, we'll play with the idea that Kendra essentially is a widow, so is she doomed to live out the rest of this lifetime alone? If she kills Savage, does that mean her eternal life ends or will Carter still be reborn? Or can she, for the first time in her long life, choose who to love? You can't be on a spaceship with eight other people facing life and death situations without the possibility of romance. Numerous characters will face that over the course of the season."
Both Klemmer and Guggenheim reveal they're not shying away from romance between different members of the Legends team despite various "complications," as Klemmer calls them, including Stein's (Victor Garber) marriage and Mick Rory's (Dominic Purcell) inability to love.
"The Waverider is like Big Brother, where these people are living together in this close proximity with the intensity of life and death stakes and it's a very natural thing for there to be romance, or at least lust in the trenches. 'F--k it, we could be gone tomorrow, let's take a roll in the hay,'" Klemmer says. "There will be romance aboard the Waverider and romantic interludes throughout the ages with civilians they encounter along the way."
http://www.hollywoodreporter.com/live-f ... ce=twitter
Por Sydney Bucksbaum 28 enero 2016
It didn't take long for the Legends of Tomorrow superhero team to suffer their first casualty. In their second face-off with immortal villain Vandal Savage (Casper Crump), Hawkman/Carter Hall (Falk Hentschel) stabbed Vandal with the only weapon that can kill him... only to realize that Hawkgirl/Kendra Saunders (Ciara Renee) had to be the one to wield the dagger for it to work. Vandal pulled the ineffective dagger out of his body and then used it to kill Carter and wound Kendra before escaping.
Because Legends of Tomorrow is a time-traveling show, and Hawkman has been constantly reincarnating over thousands of years, this won't be the last viewers see of Carter on the DC Comics series.
"Before it's all over, we'd like to have Carter Hall back on the show even though he's dead in this current lifetime," executive producer Phil Klemmer tells The Hollywood Reporter.
"The show takes place all across time, so the possibility of meeting up with a previous incarnation of Carter in an earlier time [is] totally on the table," executive producer Marc Guggenheim adds. "Similarly, he reincarnates forward, so meeting up with a future incarnation is also on the table. The fun thing about combining time travel with reincarnating characters is the fact that you can really expect the unexpected."
The producers chose to kill off Carter in the second episode to prove that no one is safe.
"Very early on, we were talking about how do you establish the stakes particularly when you have time travel in the mix?," Guggenheim says. "There's always the possibility of the audience disengaging because with time travel, they can just go back in time and undo this or change that. We felt it important to really establish the stakes early on to submit exactly what it was our characters were facing. As with most ideas we come up with, killing off Hawkman began with a pitch that started off with, 'Well, this is probably too crazy, but… ' When we start off with that, we usually end up doing exactly that. Especially with this show, even more than Flash, even more than Arrow, crazy is a big part of the show's appeal."
Of course, that doesn't make the decision to kill Hawkman any easier on the showrunners.
"We love Falk but sometimes, letting your audience know that you mean business, you have to do horrible things," Klemmer says. "You sometimes have to cut off your nose to spite your face. I can't believe we actually followed through on it. But this is the kind of story audiences expect these days."
"It's pretty cold, isn't it?" Hentschel says with a laugh. "I knew Carter's fate when I signed on [to the show]. I had to do a pretty cryptic job with it. I was excited about it because it's not something the network does very often, killing a main character off. That's something generally reserved for cable, like Game of Thrones."
Hentschel promises there are no hard feelings about being the show's first casualty, since his character's death has such a major impact on the rest of the series moving forward.
"It's kind of fun, you know what I mean?" Hentschel says. "He's the catalyst for this show to kick into gear. It's not just about revenge, but it is a big motivator for everybody. Plus, I'm really used to dying onscreen and this was one of the cooler deaths I've gotten to do."
If Hawkman is brought back onto the show, either as a past or future incarnation, Hentschel has a request for the writers. "Whatever I do come back as, I hope the writers will put more of a lens on the humanity of all his reincarnations," the actor says. "He's been around for so long, what has that done to him as a person? "
The Legends team learned that Kendra has to be the one to wield the dagger to kill Vandal Savage only after Carter's failed attempt to kill him. It made his death more heartbreaking and feel almost wasteful.
"The first thing I thought was, 'If I'm going to die, can't we have a bigger fight?'" Hentschel says with a laugh. "But now that I've seen the episode, I kind of like how quick and out of nowhere it came. It was very beautiful. It was the strongest move for this character. Anything else would have felt wrong. It's going to motivate Kendra to avenge me."
The fact that Kendra has to be the one to kill Vandal will be both "a blessing and a curse" for her, according to the showrunners.
"She hardly got to know him," Klemmer says of Carter. "She lost him just when she was coming around to believing in the inevitability of their love for one another. But the progressive, 'I am woman, hear me roar' version of her is unlike every other lifetime she's lived where she too had died and they were reborn together all over again. What makes this version of Kendra different is she has the other Legends. She can be a hero without him, and she has to stand up to Savage alone and vanquish him by herself."
Having survived Vandal's attack (albeit majorly injured), this will also open up another part of Kendra's life now that Carter is no longer by her side.
"In 4,000 years, she hasn't gotten to choose for herself who to love," Klemmer says. "Over the course of the season, we'll play with the idea that Kendra essentially is a widow, so is she doomed to live out the rest of this lifetime alone? If she kills Savage, does that mean her eternal life ends or will Carter still be reborn? Or can she, for the first time in her long life, choose who to love? You can't be on a spaceship with eight other people facing life and death situations without the possibility of romance. Numerous characters will face that over the course of the season."
Both Klemmer and Guggenheim reveal they're not shying away from romance between different members of the Legends team despite various "complications," as Klemmer calls them, including Stein's (Victor Garber) marriage and Mick Rory's (Dominic Purcell) inability to love.
"The Waverider is like Big Brother, where these people are living together in this close proximity with the intensity of life and death stakes and it's a very natural thing for there to be romance, or at least lust in the trenches. 'F--k it, we could be gone tomorrow, let's take a roll in the hay,'" Klemmer says. "There will be romance aboard the Waverider and romantic interludes throughout the ages with civilians they encounter along the way."
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Jefe de ‘Legends of Tomorrow’ explica ese giro descorazonador del episodio 2
Por Laura Prudom 28 enero 2016
Spoiler warning: Do not read on unless you’ve seen the second episode of The CW’s “DC’s Legends of Tomorrow.”
When you’re tasked with changing the future, the stakes couldn’t be higher, a lesson that the “Legends of Tomorrow” team learned the hard way in episode 2, when Vandal Savage (Casper Crump) succeeded in killing Carter Hall (Falk Hentschel), just as his reincarnated soulmate Kendra Saunders (Ciara Renee) was finally starting to come to terms with her feelings for him.
Why Carter? According to “Legends” executive producer Marc Guggenheim, the painful choice also seemed to make the most sense, from a storytelling standpoint.
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With 3 films at Sundance, Natasha Lyonne goes beyond "Orange is the New Black"
Find out how she has made a career of playing complex, odd-ball characters.
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“The first thing we were searching for was, how do we establish very quickly the stakes of the show, particularly when you have all these people who are so powerful? The idea of losing one of their own spoke to us very strongly,” he told Variety. “It’s always a decision based on what’s gonna give us the most story, and the idea of Kendra losing the person who is helping guide her through this brand new experience of being a reincarnated hawk demigoddess, taking that support system away from her so that A: she’d have to deal with it and B: she’d have to lean on the other members of our team… that really spoke to us. We realized, as with all things, an idea comes up and if we start going ‘oh, then this can happen, and this can happen, and this…’ that’s when we know it’s the right idea.”
Hawkman may be dead, but this is a time-travel show, so Guggenheim was willing to concede, “You haven’t seen the last of Falk Hentschel — I will say that in episode 3 we very clearly state that we can’t go back and just save Carter’s life. Because that would be way too convenient and also, quite frankly, completely vitiate the point of killing off a character in the first place. So we’re very clear about the rules.”
Renee admitted that losing Carter just when they were starting to grow closer is a devastating blow for Kendra, but since they’ll be traveling to other time periods, she’s aware of the possibility that she might run into another version of her reincarnated lover. “It’s absolutely something she’s hoping for, but the thing is, if she finds a past Carter, would he have already found [that time period’s version of] her?” Renee pointed out. “It’s not as if the romantic part of it can be realized for her. She understands that that part, for this incarnation, is done, and that’s really, really hard. But it’s also like, ‘if we kill Savage, does Carter ever get to come back, or is that it?’ We don’t know.”
Past or future versions of Hawkman might be a possibility, but Guggenheim confirmed that, at least in Kendra’s current life, Carter is gone. “The thing about Carter is, he doesn’t resurrect, he reincarnates, and when you reincarnate, you come back as a baby. You haven’t seen the last of Falk, but at the same time, we’re not doing Hawkbaby on the show,” he promised with a laugh.
Kendra and Carter already met — and lost — a son from one of their previous lives, after he was killed in last week’s pilot, and Renee noted that while loss is undeniably an ongoing part of Kendra’s journey towards becoming Hawkgirl, it also helps to narrow her focus towards defeating Savage.
“Losing all this, and meeting [her son] in the first place, it allows her to really understand the gravity of the situation, that it does affect other people,” Renee told Variety. “There’s a big part of her that wants to protect, even if it’s not necessarily a revenge thing; she wants to protect and she’s seeing that the only way that that can really be accomplished is to destroy Savage, because he’s constantly been recklessly destroying other people. I think that sparks something in her where she’s like ‘alright, I’m in this. I have to do this, because there are people out there who are counting on us doing this.’”
Carter’s death also serves as the catalyst that brings the team closer together, now that the realities of their mission have hit home, and Renee previewed that Kendra “gets surprised by a lot of people, because she is a bit of an outlier and we have villains in this, so I think she’s wary of a lot of people, but then gets surprised that she’s bonding with a lot of people. She bonds with Sara (Caity Lotz), she bonds with Firestorm (Victor Garber and Franz Drameh), she bonds with Ray (Brandon Routh), they’re all being thrown together in different ways.”
http://variety.com/2016/tv/news/legends ... 201691481/
Por Laura Prudom 28 enero 2016
Spoiler warning: Do not read on unless you’ve seen the second episode of The CW’s “DC’s Legends of Tomorrow.”
When you’re tasked with changing the future, the stakes couldn’t be higher, a lesson that the “Legends of Tomorrow” team learned the hard way in episode 2, when Vandal Savage (Casper Crump) succeeded in killing Carter Hall (Falk Hentschel), just as his reincarnated soulmate Kendra Saunders (Ciara Renee) was finally starting to come to terms with her feelings for him.
Why Carter? According to “Legends” executive producer Marc Guggenheim, the painful choice also seemed to make the most sense, from a storytelling standpoint.
SPONSORED
With 3 films at Sundance, Natasha Lyonne goes beyond "Orange is the New Black"
Find out how she has made a career of playing complex, odd-ball characters.
Sponsored by Autograph Collection Hotels
“The first thing we were searching for was, how do we establish very quickly the stakes of the show, particularly when you have all these people who are so powerful? The idea of losing one of their own spoke to us very strongly,” he told Variety. “It’s always a decision based on what’s gonna give us the most story, and the idea of Kendra losing the person who is helping guide her through this brand new experience of being a reincarnated hawk demigoddess, taking that support system away from her so that A: she’d have to deal with it and B: she’d have to lean on the other members of our team… that really spoke to us. We realized, as with all things, an idea comes up and if we start going ‘oh, then this can happen, and this can happen, and this…’ that’s when we know it’s the right idea.”
Hawkman may be dead, but this is a time-travel show, so Guggenheim was willing to concede, “You haven’t seen the last of Falk Hentschel — I will say that in episode 3 we very clearly state that we can’t go back and just save Carter’s life. Because that would be way too convenient and also, quite frankly, completely vitiate the point of killing off a character in the first place. So we’re very clear about the rules.”
Renee admitted that losing Carter just when they were starting to grow closer is a devastating blow for Kendra, but since they’ll be traveling to other time periods, she’s aware of the possibility that she might run into another version of her reincarnated lover. “It’s absolutely something she’s hoping for, but the thing is, if she finds a past Carter, would he have already found [that time period’s version of] her?” Renee pointed out. “It’s not as if the romantic part of it can be realized for her. She understands that that part, for this incarnation, is done, and that’s really, really hard. But it’s also like, ‘if we kill Savage, does Carter ever get to come back, or is that it?’ We don’t know.”
Past or future versions of Hawkman might be a possibility, but Guggenheim confirmed that, at least in Kendra’s current life, Carter is gone. “The thing about Carter is, he doesn’t resurrect, he reincarnates, and when you reincarnate, you come back as a baby. You haven’t seen the last of Falk, but at the same time, we’re not doing Hawkbaby on the show,” he promised with a laugh.
Kendra and Carter already met — and lost — a son from one of their previous lives, after he was killed in last week’s pilot, and Renee noted that while loss is undeniably an ongoing part of Kendra’s journey towards becoming Hawkgirl, it also helps to narrow her focus towards defeating Savage.
“Losing all this, and meeting [her son] in the first place, it allows her to really understand the gravity of the situation, that it does affect other people,” Renee told Variety. “There’s a big part of her that wants to protect, even if it’s not necessarily a revenge thing; she wants to protect and she’s seeing that the only way that that can really be accomplished is to destroy Savage, because he’s constantly been recklessly destroying other people. I think that sparks something in her where she’s like ‘alright, I’m in this. I have to do this, because there are people out there who are counting on us doing this.’”
Carter’s death also serves as the catalyst that brings the team closer together, now that the realities of their mission have hit home, and Renee previewed that Kendra “gets surprised by a lot of people, because she is a bit of an outlier and we have villains in this, so I think she’s wary of a lot of people, but then gets surprised that she’s bonding with a lot of people. She bonds with Sara (Caity Lotz), she bonds with Firestorm (Victor Garber and Franz Drameh), she bonds with Ray (Brandon Routh), they’re all being thrown together in different ways.”
http://variety.com/2016/tv/news/legends ... 201691481/
Legends of Tomorrow postmortem: lo que esa muerte significa
Por NATALIE ABRAMS 28 enero 2016
Well, that didn’t take long.
During the second part of DC’s Legends of Tomorrow two-part premiere, Hawkman (Falk Hentschel) and Hawkgirl (Ciara Renée) went on the offensive to take down Vandal Savage (Casper Crump). Unfortunately, history repeated itself and Vandal — doing what he’s done more than 200 times before — killed Hawkman.
Carter Hall’s brutal death is meant to send a very clear message to Legends viewers: No one is safe. But that also means it’s possible we’ll see a whole new set of Legends should the show find legs. “We were talking about how do we establish stakes right from the jump?” executive producer Marc Guggenheim tells EW. “Normally on the shows, when we’ve killed off a character, it’s at the end of the season. We really wanted to show the audience that anything goes and no one was indispensable.”
“As we talked about it, the idea of having Hawkman die gave us a lot of story — that’s always the reason we do anything, not just for the shock value,” Guggenheim continues. “We’ve got the character of Kendra, who basically was drawn into this world very inexperienced with it, not a lot of recall with her past lives, not really any experience of being a superhero. Her one compass or one mentor was Carter. The idea of taking that support system away from her right from the very beginning, we saw a lot of story potential in that.”
Though Renée says it’s a traumatic experience for Kendra, the timing might be fortuitous. “Maybe it was almost better that she lost him early, because they didn’t really get to that point of quite falling in love,” she says. “They were getting there, but she wasn’t completely head over heels before she lost him.” Still, Carter’s death allows Kendra to find herself without her 4,000-year-old soulmate by her side. “Can I become my own human being on my own?” Renée says. “Or am I always destined to be the other half of someone and never complete?”
Either way, Carter’s death gives Kendra incentive to end the vicious cycle with Vandal, who must kill the Hawks in every lifetime to absorb their power. “She has this strong distaste for Vandal, but there’s almost a sympathy, even still with everything,” Renée says. “We’re all in this cycle together. We know it’s his fault, but it’s tragic. I don’t know that she becomes bloodlusty or anything like that. It’s hard for her at first; she gets a little nuts with all the emotions and how to deal with them. As much as she wants to end this cycle, and she knows that she has to kill Vandal, I don’t know that she is allowing herself to give over completely to the idea of revenge.”
http://www.ew.com/article/2016/01/28/le ... kman-death
Por NATALIE ABRAMS 28 enero 2016
Well, that didn’t take long.
During the second part of DC’s Legends of Tomorrow two-part premiere, Hawkman (Falk Hentschel) and Hawkgirl (Ciara Renée) went on the offensive to take down Vandal Savage (Casper Crump). Unfortunately, history repeated itself and Vandal — doing what he’s done more than 200 times before — killed Hawkman.
Carter Hall’s brutal death is meant to send a very clear message to Legends viewers: No one is safe. But that also means it’s possible we’ll see a whole new set of Legends should the show find legs. “We were talking about how do we establish stakes right from the jump?” executive producer Marc Guggenheim tells EW. “Normally on the shows, when we’ve killed off a character, it’s at the end of the season. We really wanted to show the audience that anything goes and no one was indispensable.”
“As we talked about it, the idea of having Hawkman die gave us a lot of story — that’s always the reason we do anything, not just for the shock value,” Guggenheim continues. “We’ve got the character of Kendra, who basically was drawn into this world very inexperienced with it, not a lot of recall with her past lives, not really any experience of being a superhero. Her one compass or one mentor was Carter. The idea of taking that support system away from her right from the very beginning, we saw a lot of story potential in that.”
Though Renée says it’s a traumatic experience for Kendra, the timing might be fortuitous. “Maybe it was almost better that she lost him early, because they didn’t really get to that point of quite falling in love,” she says. “They were getting there, but she wasn’t completely head over heels before she lost him.” Still, Carter’s death allows Kendra to find herself without her 4,000-year-old soulmate by her side. “Can I become my own human being on my own?” Renée says. “Or am I always destined to be the other half of someone and never complete?”
Either way, Carter’s death gives Kendra incentive to end the vicious cycle with Vandal, who must kill the Hawks in every lifetime to absorb their power. “She has this strong distaste for Vandal, but there’s almost a sympathy, even still with everything,” Renée says. “We’re all in this cycle together. We know it’s his fault, but it’s tragic. I don’t know that she becomes bloodlusty or anything like that. It’s hard for her at first; she gets a little nuts with all the emotions and how to deal with them. As much as she wants to end this cycle, and she knows that she has to kill Vandal, I don’t know that she is allowing herself to give over completely to the idea of revenge.”
http://www.ew.com/article/2016/01/28/le ... kman-death
- Marc Guggenheim explica qué es lo siguiente en el despertar del trágico giro (TVLine):
Marc Guggenheim explica qué es lo siguiente en el despertar del trágico giro
Por Matt Webb Mitovich / 28 enero 2016
There would appear to be a vacant seat aboard the Waverider.
This week on The CW’s Legends of Tomorrow, Rip Hunter’s team tracked Vandal Savage to an illegal arms sale, where during the ensuing, guns-a-blazing skirmish part of Ray Palmer’s Atom suit snapped off and got left behind. In Savage’s hands and if reverse-engineered, the tech is projected to fast-track the immortal’s fire-and-brimstone conquering of Earth for the year 2016 — 150 years sooner than feared!
As part of the team sought out a sensor (in the possession of professor Stein’s 1975 self) to track the missing tech, Ray and Snart set out to steal the ancient dagger that is capable of ending Savage’s long, long, lonnnng life. And though their thievery gets interrupted by the Big Bad himself, Hawkman aka Carter Hall ne Prince Khufu (played by Falk Hentschel) gets his hands on the artifact and plunges it into his arch enemy’s chest…
…only to see it have no effect.
Instead, a laughing Savage pulls the blade right out, unscathed, and then drives it into Hawkman, fatally. (As the hirsute menace explains, only Hawkgirl/Kendra/ Chay-Ara is able to use the dagger to truly and forever kill Savage.)
Since Hawkman is fated to be reincarnated, does that mean that the next baby born in 1975 will be his latest self? Putting him at about 40 years old when Kendra et al return to 2016? Not quite.
“It gets a little complicated because he died ‘out of time’ essentially. He didn’t die in 2016” but during a time trip, Legends executive producer Marc Guggenheim explains. “But the way that the reincarnation works is once they both die” — the latest incarnations of Khufu and Chay-Ara — “that’s when the clock gets reset for them, and that’s when two babies are born.”
Again (and again), Guggenheim notes that the specific circumstances of Hawkman’s latest death are “complicated.” So perhaps viewers won’t have to wait for Hawkgirl to also die — and then wait out/time-jump ahead 20 to 30 years — to see him again?
“It’s totally possible,” the EP allows.
http://tvline.com/2016/01/28/legends-of ... kman-dies/
Por Matt Webb Mitovich / 28 enero 2016
There would appear to be a vacant seat aboard the Waverider.
This week on The CW’s Legends of Tomorrow, Rip Hunter’s team tracked Vandal Savage to an illegal arms sale, where during the ensuing, guns-a-blazing skirmish part of Ray Palmer’s Atom suit snapped off and got left behind. In Savage’s hands and if reverse-engineered, the tech is projected to fast-track the immortal’s fire-and-brimstone conquering of Earth for the year 2016 — 150 years sooner than feared!
As part of the team sought out a sensor (in the possession of professor Stein’s 1975 self) to track the missing tech, Ray and Snart set out to steal the ancient dagger that is capable of ending Savage’s long, long, lonnnng life. And though their thievery gets interrupted by the Big Bad himself, Hawkman aka Carter Hall ne Prince Khufu (played by Falk Hentschel) gets his hands on the artifact and plunges it into his arch enemy’s chest…
…only to see it have no effect.
Instead, a laughing Savage pulls the blade right out, unscathed, and then drives it into Hawkman, fatally. (As the hirsute menace explains, only Hawkgirl/Kendra/ Chay-Ara is able to use the dagger to truly and forever kill Savage.)
Since Hawkman is fated to be reincarnated, does that mean that the next baby born in 1975 will be his latest self? Putting him at about 40 years old when Kendra et al return to 2016? Not quite.
“It gets a little complicated because he died ‘out of time’ essentially. He didn’t die in 2016” but during a time trip, Legends executive producer Marc Guggenheim explains. “But the way that the reincarnation works is once they both die” — the latest incarnations of Khufu and Chay-Ara — “that’s when the clock gets reset for them, and that’s when two babies are born.”
Again (and again), Guggenheim notes that the specific circumstances of Hawkman’s latest death are “complicated.” So perhaps viewers won’t have to wait for Hawkgirl to also die — and then wait out/time-jump ahead 20 to 30 years — to see him again?
“It’s totally possible,” the EP allows.
http://tvline.com/2016/01/28/legends-of ... kman-dies/
Matar a Vandal Savage es 'más difícil que en ‘Los inmortales’
Por GEORGE DICKIE 28 enero 2016
It’s 2166 and immortal evil madman Vandal Savage is about to achieve his goal of the total annihilation of humanity. It’s up to time traveling rogue Rip Hunter to make sure that doesn’t happen.
In “DC’s Legends of Tomorrow,” airing Thursdays on The CW, Time Master Hunter (Arthur Darville, “Doctor Who”) travels 150 years into the past to assemble a carefully selected team of rogues and heroes to stop the threat. They are: billionaire scientist Ray Palmer (Brandon Routh, “Superman Returns”) — aka the Atom — whose exo-suit can shrink him to miniscule size; trained assassin Sara Lance (Caity Lotz, “Mad Men”), otherwise known as the White Canary; Professor Martin Stein (Victor Garber, “Alias”) and Jefferson “Jax” Jackson (Franz Drameh, “Edge of Tomorrow”), who together form the meta-human Firestorm; Leonard Snart and Mick Rory (played by former “Prison Break” co-stars Wentworth Miller and Dominic Purcell), known as Captain Cold and Heat Wave; and Kendra Saunders (Ciara Renée, “The Flash”) and Carter Hall (newcomer Falk Hentschel) — aka Hawkgirl and Hawkman — many-times-reincarnated souls who can fly — and who have the critical advantage of having a spiritual connection to Savage (Danish actor Casper Crumb).
Together, the “Legends” travel back and forth through time to stop Savage’s plans from being set into motion and to ultimately save the world. And ideally, that means killing Savage but since he’s immortal that’s a tall order.
“There’s a certain set of circumstances that have to be put in play in order for him to actually die … so he’s immortal with an asterisk,” explains Routh to Zap2it with a laugh. “But it’s harder than like ‘Highlander,’ where if you cut off his head he’s gone or something like that. And because he’s several thousand years old … he is incredibly intelligent and great at strategy and close to getting to all the powerful people in the world and trying to destroy the world or have all the power in the world, he amasses armies and despots at his command.
“Basically, because he’s been around so long he knows all the tricks of the trade of humanity, so he’s very wily,” he continues. “And he can also kind of sense the one or two people who can actually kill him because in the lore of the comics they’re all connected and he can sense that they’re around, so it’s hard to sneak up on him as well.”
Routh, who has experience playing superheroes through his 2006 turn as the Man of Steel and Clark Kent in “Superman Returns,” borrowed a little from that character to create Roy Palmer/The Atom.
“I think every superhero has a little bit of Superman in them, they just deny it a little bit,” Routh says. “For instance for Ray, Ray is not clumsy but he is very energetic and very excited and very passionate about what he does, so he comes off a little goofy because of his pure passion about his technology and about creating a suit and just even saving people, I would say. And that’s what makes him create the Atom suit, is to help people and to protect them the way he couldn’t protect important people in his life in the past. I mean, he makes a choice to do that.”
http://zap2it.com/2016/01/legends-of-to ... ighlander/
Por GEORGE DICKIE 28 enero 2016
It’s 2166 and immortal evil madman Vandal Savage is about to achieve his goal of the total annihilation of humanity. It’s up to time traveling rogue Rip Hunter to make sure that doesn’t happen.
In “DC’s Legends of Tomorrow,” airing Thursdays on The CW, Time Master Hunter (Arthur Darville, “Doctor Who”) travels 150 years into the past to assemble a carefully selected team of rogues and heroes to stop the threat. They are: billionaire scientist Ray Palmer (Brandon Routh, “Superman Returns”) — aka the Atom — whose exo-suit can shrink him to miniscule size; trained assassin Sara Lance (Caity Lotz, “Mad Men”), otherwise known as the White Canary; Professor Martin Stein (Victor Garber, “Alias”) and Jefferson “Jax” Jackson (Franz Drameh, “Edge of Tomorrow”), who together form the meta-human Firestorm; Leonard Snart and Mick Rory (played by former “Prison Break” co-stars Wentworth Miller and Dominic Purcell), known as Captain Cold and Heat Wave; and Kendra Saunders (Ciara Renée, “The Flash”) and Carter Hall (newcomer Falk Hentschel) — aka Hawkgirl and Hawkman — many-times-reincarnated souls who can fly — and who have the critical advantage of having a spiritual connection to Savage (Danish actor Casper Crumb).
Together, the “Legends” travel back and forth through time to stop Savage’s plans from being set into motion and to ultimately save the world. And ideally, that means killing Savage but since he’s immortal that’s a tall order.
“There’s a certain set of circumstances that have to be put in play in order for him to actually die … so he’s immortal with an asterisk,” explains Routh to Zap2it with a laugh. “But it’s harder than like ‘Highlander,’ where if you cut off his head he’s gone or something like that. And because he’s several thousand years old … he is incredibly intelligent and great at strategy and close to getting to all the powerful people in the world and trying to destroy the world or have all the power in the world, he amasses armies and despots at his command.
“Basically, because he’s been around so long he knows all the tricks of the trade of humanity, so he’s very wily,” he continues. “And he can also kind of sense the one or two people who can actually kill him because in the lore of the comics they’re all connected and he can sense that they’re around, so it’s hard to sneak up on him as well.”
Routh, who has experience playing superheroes through his 2006 turn as the Man of Steel and Clark Kent in “Superman Returns,” borrowed a little from that character to create Roy Palmer/The Atom.
“I think every superhero has a little bit of Superman in them, they just deny it a little bit,” Routh says. “For instance for Ray, Ray is not clumsy but he is very energetic and very excited and very passionate about what he does, so he comes off a little goofy because of his pure passion about his technology and about creating a suit and just even saving people, I would say. And that’s what makes him create the Atom suit, is to help people and to protect them the way he couldn’t protect important people in his life in the past. I mean, he makes a choice to do that.”
http://zap2it.com/2016/01/legends-of-to ... ighlander/
Showrunner Phil Klemmer sobre el destino de Hawkman
Por CHRISTINA RADISH 28 enero, 2016
Only two hours into the new CW series Legends of Tomorrow and this rag-tag team is already questioning what they’re doing together. Whether it’s going up against Vandal Savage (Casper Crump), dealing with younger versions of themselves, or learning to work together, this group led by Time Master Rip Hunter (Arthur Darvill) will clearly be tested, every step of the way.
While at the TCA Press Tour, showrunner Phil Klemmer spoke to Collider for this exclusive interview about that shocking loss, how these characters will evolve, unexpected dynamics, whether we might see new additions to this team, and what it’s like to tell a story about characters who don’t naturally take to being the hero. Be aware that there are some major spoilers discussed.
Collider: What’s it like to go from The Tomorrow People, which was a show about people who wanted to be heroes, to Legends of Tomorrow, which is a show about people who very begrudgingly want to be heroes?
PHIL KLEMMER: I can’t believe I was able to make a show about genetics. The Tomorrow People was a show about evolution. It was about young people coming of age and feeling like their own species, which was a very youth-oriented theme. I’m only two years older, but with Legends, time travel lends itself to looking into your past and future, which is very much a middle-aged, mid-life crisis. I have no idea if that has something to do with turning 40. To me, the idea of looking back on your past and wondering what you would have done differently, and what your future looks like, is much more the headspace I’m at right now.
I like Legends because we have some really, really fucked up characters. Stephen in The Tomorrow People was dealing with mental illness, shrinks and pills in the pilot, but quickly you realized that there was a reason for all of his psychological trauma. For Mick Rory and Leonard Snart, their scars go really deep. They are literally victims of child abuse and horrible loss. Their path towards heroism or even goodness, and not being a total wretch of a human being, is a much more difficult one. That’s such a great challenge, as a writer.
How are you going to save Mick Rory, an arsonist who burned his family in their house, and make him somebody who breaks your heart? To me, that’s really super exciting. It’s a long, slow road, and that’s what you can do on TV. We have actors, like Dominic Purcell, who play the knucklehead, but then you realize that they have these hidden depths and that there’s a total justification for their villainy that comes from a place of being hurt and trying not to be hurt again. I just love that.
You’re taking characters who were secondary characters on other shows and making them lead characters on this show. What can you say about what we’ll learn about them, that we haven’t previously been aware of before?
KLEMMER: The people who were villains on The Flash and Arrow, there was never time to get into their psycho-pathology. I think you will be surprised by that. Following her resurrection on Arrow, Caity Lotz’s character Sarah Lance has come back not feeling like herself and feeling like she’s lost that human part of herself. In the pilot, she was half-way around the world in Tibet, either trying to find herself or hide from herself. Rip has picked people not because they’re destined to be legends, but because they’re the obscuros who have no affect on the future. The idea that he’s found them at these spiritual crossroads, where the challenge is to give their life meaning, some people embrace that. The fun is just taking the insane optimists and breaking them down and pushing them to that point of disbelieving, as it is taking a nihilist and pushing them towards the point of believing in this team and their purpose. The people who come in high, like Ray Palmer, are going down, and the people who come in totally nihilistic, like Leonard Snart, are growing.
Will we see Hawkman again? And now that Hawkman is gone, will we discover who Hawkgirl is without him?
KLEMMER: I’m not positive, and I’m not just talking my way out of this. I know we would like to see flashbacks of their former lives together. In Episode 4, you’ll see how he was a mentor to her. He literally took her under his wing. The idea of her being the world’s youngest widow, even though she’s been widowed for the 208th time, and being stripped of a man you were destined to love but hadn’t actually come around to loving, for Kendra, it really is about free will. This curse with Vandal Savage has bound her and Carter in this cycle of love and death and rebirth. Their powers are entangled with Savage. So, what I’m interested about is, does killing savage mean the end of their immortality and rebirth? Does it mean that they’re free to love another? We are doing a show in the 21st century, so she should have an issue with the idea of a guy saying, “You’re destined to only love me.”
I do want to see her struggle with that, and she will have romantic options on the show. It’s interesting to wonder, “Am I just killing time until Carter is reborn again?” The truth is that Carter will only be reborn when she dies. She’s in this horrible predicament where she’s like, “Do I only get to love again, if Vandal kills me?” I would also like to find another version of Hawkman out there. Once our Kendra has found love within Legends, I would like her to be confronted with another Carter from a previous life, just to test the theory, does free will trump destiny? I’m not going to give away who her love interest is, but for that guy, it’s a super interesting story of knowing that you love this woman and knowing that she loves you back, but realizing that there might be a limit to that love. So, what will it mean when she meets Carter all over again? What does it mean, if Kendra says her heart belongs to you, but then the rubber meets the road and you have a 4,000-year-old romantic rival, right there? That’s a good love triangle.
Will who makes up this team be a bit fluid? Will we see different people help them out?
KLEMMER: We don’t have any new permanent members of the team yet. We will travel into the future, and Star City and Central City offer future versions of Arrow and The Flash, so we will be able to deputize those people to become ad hoc members of our team. But as far as permanent members of the team, all of our villains and allies are auditioning for Season 2 roles. In Episode 4, we have a character, Valentina Vostok, who’s played by Stephanie Corneliussen, who plays the icy Swedish Machiavellian wife to the computer business guy on Mr. Robot. She plays a Soviet scientist femme fatale. When we have villains who pop like that, it’s hard not to imagine how we could bring her back. When somebody pops on the show, that’s the challenge for us as writers. Who knows how many people the Wave Rider sleeps, but there’s always room. There are so many permutations. We wrote scenes in Episode 10 where we were like, “These three people haven’t had a storyline together yet, but here they are.” It’s amazing because this show never gets stale to write, and hopefully, it won’t get stale to watch.
Will this team surprise themselves at how much they might actually like and/or respect each other?
KLEMMER: For people like Mick and Leonard, they’ve only had one other person in their life. They’re kind of like an old, married couple. Even though Snart hates Ray, you can tell there’s a begrudging respect and a recognition that they’re not that different. Episode 3 focuses on those two. We break stories by going, “Who are the least likely people you could ever imagine breathing the same air?” That’s an interesting scene. And there’s definitely romance, or at least bromance, in the trenches.
http://collider.com/legends-of-tomorrow ... interview/?
Por CHRISTINA RADISH 28 enero, 2016
Only two hours into the new CW series Legends of Tomorrow and this rag-tag team is already questioning what they’re doing together. Whether it’s going up against Vandal Savage (Casper Crump), dealing with younger versions of themselves, or learning to work together, this group led by Time Master Rip Hunter (Arthur Darvill) will clearly be tested, every step of the way.
While at the TCA Press Tour, showrunner Phil Klemmer spoke to Collider for this exclusive interview about that shocking loss, how these characters will evolve, unexpected dynamics, whether we might see new additions to this team, and what it’s like to tell a story about characters who don’t naturally take to being the hero. Be aware that there are some major spoilers discussed.
Collider: What’s it like to go from The Tomorrow People, which was a show about people who wanted to be heroes, to Legends of Tomorrow, which is a show about people who very begrudgingly want to be heroes?
PHIL KLEMMER: I can’t believe I was able to make a show about genetics. The Tomorrow People was a show about evolution. It was about young people coming of age and feeling like their own species, which was a very youth-oriented theme. I’m only two years older, but with Legends, time travel lends itself to looking into your past and future, which is very much a middle-aged, mid-life crisis. I have no idea if that has something to do with turning 40. To me, the idea of looking back on your past and wondering what you would have done differently, and what your future looks like, is much more the headspace I’m at right now.
I like Legends because we have some really, really fucked up characters. Stephen in The Tomorrow People was dealing with mental illness, shrinks and pills in the pilot, but quickly you realized that there was a reason for all of his psychological trauma. For Mick Rory and Leonard Snart, their scars go really deep. They are literally victims of child abuse and horrible loss. Their path towards heroism or even goodness, and not being a total wretch of a human being, is a much more difficult one. That’s such a great challenge, as a writer.
How are you going to save Mick Rory, an arsonist who burned his family in their house, and make him somebody who breaks your heart? To me, that’s really super exciting. It’s a long, slow road, and that’s what you can do on TV. We have actors, like Dominic Purcell, who play the knucklehead, but then you realize that they have these hidden depths and that there’s a total justification for their villainy that comes from a place of being hurt and trying not to be hurt again. I just love that.
You’re taking characters who were secondary characters on other shows and making them lead characters on this show. What can you say about what we’ll learn about them, that we haven’t previously been aware of before?
KLEMMER: The people who were villains on The Flash and Arrow, there was never time to get into their psycho-pathology. I think you will be surprised by that. Following her resurrection on Arrow, Caity Lotz’s character Sarah Lance has come back not feeling like herself and feeling like she’s lost that human part of herself. In the pilot, she was half-way around the world in Tibet, either trying to find herself or hide from herself. Rip has picked people not because they’re destined to be legends, but because they’re the obscuros who have no affect on the future. The idea that he’s found them at these spiritual crossroads, where the challenge is to give their life meaning, some people embrace that. The fun is just taking the insane optimists and breaking them down and pushing them to that point of disbelieving, as it is taking a nihilist and pushing them towards the point of believing in this team and their purpose. The people who come in high, like Ray Palmer, are going down, and the people who come in totally nihilistic, like Leonard Snart, are growing.
Will we see Hawkman again? And now that Hawkman is gone, will we discover who Hawkgirl is without him?
KLEMMER: I’m not positive, and I’m not just talking my way out of this. I know we would like to see flashbacks of their former lives together. In Episode 4, you’ll see how he was a mentor to her. He literally took her under his wing. The idea of her being the world’s youngest widow, even though she’s been widowed for the 208th time, and being stripped of a man you were destined to love but hadn’t actually come around to loving, for Kendra, it really is about free will. This curse with Vandal Savage has bound her and Carter in this cycle of love and death and rebirth. Their powers are entangled with Savage. So, what I’m interested about is, does killing savage mean the end of their immortality and rebirth? Does it mean that they’re free to love another? We are doing a show in the 21st century, so she should have an issue with the idea of a guy saying, “You’re destined to only love me.”
I do want to see her struggle with that, and she will have romantic options on the show. It’s interesting to wonder, “Am I just killing time until Carter is reborn again?” The truth is that Carter will only be reborn when she dies. She’s in this horrible predicament where she’s like, “Do I only get to love again, if Vandal kills me?” I would also like to find another version of Hawkman out there. Once our Kendra has found love within Legends, I would like her to be confronted with another Carter from a previous life, just to test the theory, does free will trump destiny? I’m not going to give away who her love interest is, but for that guy, it’s a super interesting story of knowing that you love this woman and knowing that she loves you back, but realizing that there might be a limit to that love. So, what will it mean when she meets Carter all over again? What does it mean, if Kendra says her heart belongs to you, but then the rubber meets the road and you have a 4,000-year-old romantic rival, right there? That’s a good love triangle.
Will who makes up this team be a bit fluid? Will we see different people help them out?
KLEMMER: We don’t have any new permanent members of the team yet. We will travel into the future, and Star City and Central City offer future versions of Arrow and The Flash, so we will be able to deputize those people to become ad hoc members of our team. But as far as permanent members of the team, all of our villains and allies are auditioning for Season 2 roles. In Episode 4, we have a character, Valentina Vostok, who’s played by Stephanie Corneliussen, who plays the icy Swedish Machiavellian wife to the computer business guy on Mr. Robot. She plays a Soviet scientist femme fatale. When we have villains who pop like that, it’s hard not to imagine how we could bring her back. When somebody pops on the show, that’s the challenge for us as writers. Who knows how many people the Wave Rider sleeps, but there’s always room. There are so many permutations. We wrote scenes in Episode 10 where we were like, “These three people haven’t had a storyline together yet, but here they are.” It’s amazing because this show never gets stale to write, and hopefully, it won’t get stale to watch.
Will this team surprise themselves at how much they might actually like and/or respect each other?
KLEMMER: For people like Mick and Leonard, they’ve only had one other person in their life. They’re kind of like an old, married couple. Even though Snart hates Ray, you can tell there’s a begrudging respect and a recognition that they’re not that different. Episode 3 focuses on those two. We break stories by going, “Who are the least likely people you could ever imagine breathing the same air?” That’s an interesting scene. And there’s definitely romance, or at least bromance, in the trenches.
http://collider.com/legends-of-tomorrow ... interview/?
DIRECTOR de "Legends of tomorrow" promete 'empujar los límites" de la acción de superhéroes
Por Bryan Cairns, 28 enero 2016
It's a mathematical fact: eight heroes are better than one. In the first two chapters of The CW's latest series, "DC's Legends of Tomorrow," time traveler Rip Hunter gathered a crew of misfits -- Atom, Firestorm, White Canary, Hawkgirl, Carter Hall, Captain Cold and Heat Wave -- to take down Vandal Savage, once and for all. Together, they traveled back to the past in Hunter's ship (christened Waverider) in order to change history. However, this isn't a well-oiled team, and there's a very real possibility that their best efforts may ultimately do more harm than good.
Director Glen Winter has become the go-to-guy for television superhero fare, having helmed numerous episodes of "Arrow" and "The Flash," as well as the "Supergirl" pilot. In a discussion with CBR News about tackling his most ambitious project to date, Winter opened up about the challenge and reward in finding the "Legends of Tomorrow" characters' voices while still delivering plenty of action.
CBR News: Most of these "legends" have already been established in "Arrow" and "Flash." Did that mean the characters didn't need much fine tuning?
Glen Winter: There were some places to fine tune. In the glimpses that we saw of Snart and Rory in previous episodes, we really didn't get a lot of backstory as far as the complexity of their characters and their emotional core. There was discussion about how to bring more out of them. That's going to play more over the course of the season than in the pilot, per se.
To answer your question, yes, it certainly helps that people weren't trying to find the tone of their characters. There was a shorthand that was brought to it.
Stephen Amell has stated that you push the limits in your fight sequences. How did you approach the action for this series?
In "Legends," we had a couple of complicated action sequences that we didn't have a lot of time to do. This is a part of the process that I actually really enjoy. You seemingly have something that is unshootable in the time and money, where you have to go, "Okay, how do we make this shootable and still make it dynamic?" I just break it down into variable chunks. I want to put the audience in the middle of the action. I try to think of a way to shoot each action beat within the scene so it's not necessarily always the same. I'll shoot one piece off a crane. I'll do one piece hand-to-hand. I'll do one piece off a camera car. I just see the movie in my head.
We had two days to shoot the arms auction sequence, plus all the exposition. A lot of it comes down to the finances. I could only afford to have a crane for one of the days, so I had to shoot every shot with the crane first. You have to know what shots you want to do. "From 10:00 to 11:00, we're going to shoot off this crane." You get rid of all the crane shots, which means you are shooting out of order.
For that scene, I really wanted the people to feel like they were in the middle of the action. I wanted it to feel visceral, but I also wanted it to have a flowing, video quality. The slow motion is something we don't get to do a lot of on "Arrow." That is a different tone, so I felt we could play with speed ramping and slow motion.
Was there one sequence which stood out for you?
The piece I'm most proud of is when Atom goes crazy on the place. He flies out of Stein's pocket. They write, "Atom basically comes in and shoots up the place." I'm like, "Oh, my God. How am I going to do that? What is that? What does that even look like?" I decided I didn't want to do it in a bunch of cuts. I wanted it to feel like one flowing, big piece. I shot it on the camera car. I shot it on high-res at 6k. We did it in one take. What you see there was literally shot in real time, in one take. They weaved it in and out in post. All those stunts, all those wire gags with stuntmen flying, they all were done in one queue as the camera zipped through the whole length of the warehouse, which was probably 150 feet. I like to try and push the boundaries of what we can achieve.
How did directing the "Supergirl" pilot and the "Arrow/Flash" crossover prepare you for "Legends of Tomorrow?"
Working on shows of this scope and size, one after the other, you just always think, "Wow. Nothing could be bigger than this episode." Then, there's another episode that's even bigger. I've been in this world a couple of years, and every episode gets bigger and bigger. You just realize anything is possible. I'll preface this by saying Episode 4 of "Arrow" last year, which was the Captain Cold one, and then going into the crossover -- those were the hardest two episodes I've ever done in my life. Even on its hardest days, the "Supergirl" pilot wasn't as hard as those days. So coming onto the "Legends" pilot, I just felt I was as prepared as I could ever be.
When you read the script, and it's so over the top and so action-packed, you just go, "Okay, we can do this." It's very easy to get overwhelmed, but all you do is break it down into all its components. You attack it as you would anything else. It's, "Right foot, left foot. How are we going to do it?" You hope there will be a new facet for every experience. The new facet for "Legends" was that there's no #1 [actor] on the call sheet. There are seven or eight leads. For me, that was the intimidating part. I wasn't as worried about the action and tone as I was with wrangling all these personalities and finding out how they all work together. Or, how to shoot a scene with eight people in the Waverider, day after day.
The other part of it that made it feel a bit different was, we sort of did two episodes in one. Originally, there was talk about airing that thing as a two-hour pilot. Sadly, it won't be, but we shot it like it was. That allowed us to cross board it and make it was more convenient schedule-wise than it normally would be. The schedule was one of the most logical, well laid-out schedules I've had on any show as far as efficiency was concerned, because we were able to shoot two episodes together, at the same time.
Did stretching the pilot into two episodes allow you to prep and pace yourself better?
On "Supergirl," we had a month to prep a 20-day shoot, and the same thing on this one. The only difference is, more of this was going to end up on the screen because we were shooting 20 days for a two-hour show. It did help us find a tone for the story a little bit more. The reality was, because we didn't shoot it in order, it's not like everyone learned from the first episode and could apply it to the second episode. There wasn't a lot of perspective or lessons that were applied to the second half, because it didn't matter.
It looked like a good chunk of these episodes were filmed on location instead of a soundstage.
As is typical with any pilot, most of the time you are going to shoot more on location. Because you don't necessarily know if you are going to have a show that's been picked up, they don't want to invest a lot of money in the infrastructure, so you end up shooting more on location. The only set that was built was the Waverider.
That being said, because we knew there was a pickup for the show, it wasn't a conventional pilot. All the resources of construction went into the Waverider. That's continuing into the series. I don't think they tend to build much. I think they tend to adapt locations because there's so much time travel and so many eras to create.
http://www.comicbookresources.com/artic ... ero-action
Por Bryan Cairns, 28 enero 2016
It's a mathematical fact: eight heroes are better than one. In the first two chapters of The CW's latest series, "DC's Legends of Tomorrow," time traveler Rip Hunter gathered a crew of misfits -- Atom, Firestorm, White Canary, Hawkgirl, Carter Hall, Captain Cold and Heat Wave -- to take down Vandal Savage, once and for all. Together, they traveled back to the past in Hunter's ship (christened Waverider) in order to change history. However, this isn't a well-oiled team, and there's a very real possibility that their best efforts may ultimately do more harm than good.
Director Glen Winter has become the go-to-guy for television superhero fare, having helmed numerous episodes of "Arrow" and "The Flash," as well as the "Supergirl" pilot. In a discussion with CBR News about tackling his most ambitious project to date, Winter opened up about the challenge and reward in finding the "Legends of Tomorrow" characters' voices while still delivering plenty of action.
CBR News: Most of these "legends" have already been established in "Arrow" and "Flash." Did that mean the characters didn't need much fine tuning?
Glen Winter: There were some places to fine tune. In the glimpses that we saw of Snart and Rory in previous episodes, we really didn't get a lot of backstory as far as the complexity of their characters and their emotional core. There was discussion about how to bring more out of them. That's going to play more over the course of the season than in the pilot, per se.
To answer your question, yes, it certainly helps that people weren't trying to find the tone of their characters. There was a shorthand that was brought to it.
Stephen Amell has stated that you push the limits in your fight sequences. How did you approach the action for this series?
In "Legends," we had a couple of complicated action sequences that we didn't have a lot of time to do. This is a part of the process that I actually really enjoy. You seemingly have something that is unshootable in the time and money, where you have to go, "Okay, how do we make this shootable and still make it dynamic?" I just break it down into variable chunks. I want to put the audience in the middle of the action. I try to think of a way to shoot each action beat within the scene so it's not necessarily always the same. I'll shoot one piece off a crane. I'll do one piece hand-to-hand. I'll do one piece off a camera car. I just see the movie in my head.
We had two days to shoot the arms auction sequence, plus all the exposition. A lot of it comes down to the finances. I could only afford to have a crane for one of the days, so I had to shoot every shot with the crane first. You have to know what shots you want to do. "From 10:00 to 11:00, we're going to shoot off this crane." You get rid of all the crane shots, which means you are shooting out of order.
For that scene, I really wanted the people to feel like they were in the middle of the action. I wanted it to feel visceral, but I also wanted it to have a flowing, video quality. The slow motion is something we don't get to do a lot of on "Arrow." That is a different tone, so I felt we could play with speed ramping and slow motion.
Was there one sequence which stood out for you?
The piece I'm most proud of is when Atom goes crazy on the place. He flies out of Stein's pocket. They write, "Atom basically comes in and shoots up the place." I'm like, "Oh, my God. How am I going to do that? What is that? What does that even look like?" I decided I didn't want to do it in a bunch of cuts. I wanted it to feel like one flowing, big piece. I shot it on the camera car. I shot it on high-res at 6k. We did it in one take. What you see there was literally shot in real time, in one take. They weaved it in and out in post. All those stunts, all those wire gags with stuntmen flying, they all were done in one queue as the camera zipped through the whole length of the warehouse, which was probably 150 feet. I like to try and push the boundaries of what we can achieve.
How did directing the "Supergirl" pilot and the "Arrow/Flash" crossover prepare you for "Legends of Tomorrow?"
Working on shows of this scope and size, one after the other, you just always think, "Wow. Nothing could be bigger than this episode." Then, there's another episode that's even bigger. I've been in this world a couple of years, and every episode gets bigger and bigger. You just realize anything is possible. I'll preface this by saying Episode 4 of "Arrow" last year, which was the Captain Cold one, and then going into the crossover -- those were the hardest two episodes I've ever done in my life. Even on its hardest days, the "Supergirl" pilot wasn't as hard as those days. So coming onto the "Legends" pilot, I just felt I was as prepared as I could ever be.
When you read the script, and it's so over the top and so action-packed, you just go, "Okay, we can do this." It's very easy to get overwhelmed, but all you do is break it down into all its components. You attack it as you would anything else. It's, "Right foot, left foot. How are we going to do it?" You hope there will be a new facet for every experience. The new facet for "Legends" was that there's no #1 [actor] on the call sheet. There are seven or eight leads. For me, that was the intimidating part. I wasn't as worried about the action and tone as I was with wrangling all these personalities and finding out how they all work together. Or, how to shoot a scene with eight people in the Waverider, day after day.
The other part of it that made it feel a bit different was, we sort of did two episodes in one. Originally, there was talk about airing that thing as a two-hour pilot. Sadly, it won't be, but we shot it like it was. That allowed us to cross board it and make it was more convenient schedule-wise than it normally would be. The schedule was one of the most logical, well laid-out schedules I've had on any show as far as efficiency was concerned, because we were able to shoot two episodes together, at the same time.
Did stretching the pilot into two episodes allow you to prep and pace yourself better?
On "Supergirl," we had a month to prep a 20-day shoot, and the same thing on this one. The only difference is, more of this was going to end up on the screen because we were shooting 20 days for a two-hour show. It did help us find a tone for the story a little bit more. The reality was, because we didn't shoot it in order, it's not like everyone learned from the first episode and could apply it to the second episode. There wasn't a lot of perspective or lessons that were applied to the second half, because it didn't matter.
It looked like a good chunk of these episodes were filmed on location instead of a soundstage.
As is typical with any pilot, most of the time you are going to shoot more on location. Because you don't necessarily know if you are going to have a show that's been picked up, they don't want to invest a lot of money in the infrastructure, so you end up shooting more on location. The only set that was built was the Waverider.
That being said, because we knew there was a pickup for the show, it wasn't a conventional pilot. All the resources of construction went into the Waverider. That's continuing into the series. I don't think they tend to build much. I think they tend to adapt locations because there's so much time travel and so many eras to create.
http://www.comicbookresources.com/artic ... ero-action