Huesario.

1.16 "The Blind Fortune Teller" (16 Febrero 8:00-9:00 PM ET/PT): LA VIDA EN GOTHAM SE CONVIERTE EN UN CIRCO DE TRES PISTAS - Gordon lleva a la Dra. Leslie Thompkins (la estrella invitada Morena Baccarin) al circo, pero el día gira rápidamente cuando el circo es atacado. Luego, Falcone enlista a Butch Gilzean para que ayude al Pingüino con el night club, mientras que Fish Mooney está ocupada en otra cosa. También, Bruce Wayne programa una cita con la Junta de Wayne Enterprises. Estrellas invitadas: Drew Powell como 'Butch Gilzean', Morena Baccarin como la 'Dra. Leslie Thompkins', Carol Kane como 'Gertrude Kapelput', Anthony Carrigan como 'Victor Zsasz', Dashiell Eaves como 'Kelly', James Monroe Inglehart como el 'director del circo', Robert Gorrie como 'John Grayson', Abbi Snee como 'Mary Lloyd', Cameron Monaghan como 'Jerome'.

http://www.comicbookmovie.com/fansites/ ... Co.twitter

Entrevista a Jada Pinkett Smith
Por Tiffany Vogt 02 Feb, 2015

Having seen how unlikely it is that any one from GOTHAM can stay away for very long, it seems rather certain that Fish Mooney (Jada Pinkett Smith) will soon be clawing her way back up to her perch a top the elite of the city of Gotham. Just how and whether Penguin (Robin Lord Taylor) will get his comeuppance as she does remains to be seen. But one thing is certain, she will be back.

In a recent press call, star Jada Pinkett Smith talked about her own fascination with the character of Fish Mooney and teased a bit about Fish’s final fate this season.

At the end of the recent episode, obviously, Fish appears to be leaving. Is there anything at all you can tease about either what’s coming or maybe when she’s coming back?
JADA: It’s not quite over yet, but we’ll see if Fish survives the season. It’s a little tense from here on out. That’s for sure. It’s a little rough on Fish from here on out.

What’s been your favorite scene so far to do?
JADA: I think one of my favorite scenes would have to be that Maroni scene when I go to Maroni and I hear that Penguin’s alive, but I have yet to see him and then he comes from the back, in the kitchen, and I see him for the first time. I think that’s probably one of my favorite scenes that I’ve done so far.

What was it like preparing for this role? There are so many actors that had some much reference material in terms of comic books or previous films for their characters. You character was created for this show. What was it like preparing for the role, not really having much to reference?
JADA: Yes, I think that was one of the reasons why the role was so interesting to me was because it was something that Bruno really wanted a partner in creating this Fish Mooney character, and I love female gangsters. I just love them. I think that they’re really interesting characters and interesting people, and there’s one, Griselda Blanco, who I had studied, and I also love the character from Sunset Boulevard. I did kind of a mish-mosh of those two because Bruno had some suggestions, and it’s coming together, and I was like wow, I would really love to do a mixture of these two women, because the one thing I love about the super villains, and Gotham, is that they’re always so colorful. I really wanted her to be grounded, but also have quite a flair.

Was there anything you added to Fish that maybe not have been originally scripted for you?
JADA: I would say, some of her “fishes,” kind of a lot of her mannerisms, and just some of those little added attitude phrases that Fish has. I would say that would be pretty much what I would add. Thank goodness I have a lot of room on set just because Bruno and the writers know that we’re still trying to find the voice of this character, so I have a lot of room to improv at times when it comes to Fish. That’s been fun as well. Just adding those little flavors that I think make Fish Mooney Fish.

What sort of acting challenges have you found sort of making a character in Fish that people love to hate, but at the same time, sort of root for her sometimes?
JADA: I think some of the challenges, and that’s a really good question because it’s, as I was saying before, I love how colorful Fish can be, but at the same time, you still want her to be relatable. You know what I mean? You still want people to be able to look at this woman and might not necessarily know her story, but be able to relate to her. I think that this world of GOTHAM sometimes in finding where you need to be emotionally, or how grounded you need to be in a scene or how far you can actually go with the color of the Fish Mooney sometimes tend to be a bit challenging. That’s always a see-saw. It’s always trying to find that balance. But, I would say that aspect is the most challenging of just keeping that flair, but at the same time, trying to keep her grounded and real. That can be really challenging.

How would you perhaps describe Fish’s relationship with Penguin and what maybe have you enjoyed most seeing that relationship develop?
JADA: I would say that I think she saw Penguin as one of her adopted orphans. Somebody that she kind of took off the street and helped them become something. So, I think that she felt deeply betrayed by Penguin. It will be interesting to see where their relationship goes from here. Right now, they’re not getting along too well. They’re pretty upset with him. But, it will be interesting to see where it goes from here with the two of them.

Early people were noticing a change in your accent. A change in delivery style. A lot of times, people were saying that you sounded like Eartha Kitt in some scenes and others where the accent was dropped. Is this a conscious decision for you to be playing Fish Mooney the thug pretending to be Fish Mooney the sophisticated gangster, or is that something you discussed with Bruno and the production team? How did that come about?
JADA: Yes. You know the thing about Fish Mooney, is that you will see, especially in the upcoming shows, you will see the many faces of Fish Mooney. I think Fish Mooney, this is a woman who, because of her background and because of who she really is, really has taken it upon herself to do a lot of cover-up. So, I think she has all of these different kinds of personalities that she picks and chooses to use during certain times. You have this kind of sophisticated Fish of what she considers to be sophisticated. What a sophisticated woman sounds like. What a sophisticated woman looks like. But then, there are times when she loses her cool and you kind of see her original essence. Which can get a little gutter. Then sometimes, when she has to be influential with men you’ll see her put on her little sexy kitten voice, which is coming up. This is a woman who has created all of these different masks to fit different times, just depending on what she’s trying to do at that particular point in time. It’s interesting, because when you watch people in real life, you’ll see that happen often. She just does it in a more extreme way.

I have read that when you decided to audition for Fish Mooney that you came in with a man on a leash and liar across his forehead. What gave you the instinct to show the people that’s what Fish Mooney embodied?
JADA: Well, I know that’s a better story, but it wasn’t for an audition. We were actually doing a work session about Fish Mooney and trying to find the character, and that was one of the reasons why I decided to do something as extreme as that because I felt like instead of talking about it, just show it. I just felt like, from the psychology that I had put together in regard to who I thought Fish was, that’s something better to show than to explain verbally. That was one of the reasons why I decided to, for that particular creative session that I’d had with Bruno and Danny at the time, which it had already been decided that I would play Fish. I decided to come in with the guy on the leash to just go this is who this woman is. This is what I see and they like, “Okay, got it.” It was a very short session to say the least. They’re like, “Okay, she was in a gown, and I was done up, and I had this guy on the leash with no shirt on, with liar written across his forehead in red lipstick, and they were like, “We are clear” and I was like, “Cool.” Bruno, a nice foundation to work from for sure.

You are known for playing strong characters, which one would you say is your most favorite to play and is there a character that you would love to play in the future?
JADA: I would say, I love playing Fish Mooney. I think you’re going to see a lot more color from Fish in the next episodes to come. I think you’re going to see a lot more vulnerability. I think you’re going to see a lot more of a human side of Fish Mooney. I see Fish Mooney as kind of an extreme version of a woman. A woman who wears many faces. A woman who is strong, but yet afraid. I would say that the Fish Mooney character has, especially in these coming episodes, has been really fun and I love how smart and perceptive that she is. She just decided to use her skills – you know, she’s a criminal. She decided to be a criminal instead of a doctor. But, I really love her and I love what’s she becoming too. I think in the next few episodes, and definitely towards the end, you’re going to see a whole different Fish, and a woman that definitely has some heart. You’ve seen the ruthless, now you’re going to see some heart.

Can you talk more about the sexuality of your character and what’s that been like?
JADA: It’s been great. I think the Fish Mooney character anything pretty much goes as far as she’s concerned by any means necessary. It’s kind of her motto, but I definitely think that Fish doesn’t discriminate when it comes to her sexuality.

You said when you first got cast, you really found the world of GOTHAM to be really interesting. What did you find so fascinating about it?
JADA: Well, because GOTHAM is so mysterious. There’s this kind of undertone to GOTHAM, the idea that this city itself is kind of this underbelly and it’s just like, what is going in these alleys? What’s going on in these so called high rises? What is happening? Why is it that this place has some of the most incredible villains and then you have one of the most beloved super heroes, which is Batman and comes from this kind of dark, gritty atmosphere? I’ve just felt that GOTHAM, itself, has been such a mystery, and I’ve always been drawn to it. Like, what is GOTHAM? What is the city about? Who’s there? Why is it this place? What is it about this place? So, that has always fascinated me about the Batman story. It’s just his backdrop, which has been GOTHAM.

Was there a particular scene or episode where you felt like you really clicked with Fish and just like became her, or did you already kind of have her down before you stepped onto the scene?
JADA: I think, funny enough, it really felt like as soon as I put on that wig, Fish is there. Because I put on that wig and her gear, because it’s so specifically her. It is an immediate transformation. The first day, as soon as I put on that wig and that dress, I just felt like, “Oh, there she is,” and every time I do it she just arrives. It’s a really beautiful thing to have as an actress. Yes, you just don’t have to work hard for it and that I’m grateful for. That wig, and those heels, and the nails really conjure her.

Fish Mooney has an awesome wardrobe. Do you have any input on that creative process at all?
JADA: I actually do. Our fantastic costume designer usually just comes to me and says, “What do you think about these fabrics? What do you think about this idea?” So, that’s pretty much it. I pretty much told Lisa to just do whatever, whatever she feels because she’s such a fantastic artist, and so we usually just talk about shape and color.

What’s your favorite outfit been so far this season?
JADA: What has my favorite outfit been? I think it would probably have to be the one that I wore when I went to see Maroni about returning Penguin to me. And it’s the first time I realized that Penguin was alive, and the first time I see him after seeing him in Maroni’s restaurant, and think it was like teal. It was this beautiful kind of antique fabric, but yet it had this kind of punk rock edge to it with the trim that she used, which was this kind of spiked teal leather and I just thought it was just a beautiful mixture of the old and the new and even with the shape of it, it was high waisted, but yet it had this kind of like warrior-esque, but quite feminine top that went to it. It was pretty cool. It was really quite beautiful. Not that comfortable to wear, but beautiful.

Is there a character that you would like to play that in the future?
JADA: There’s a character coming up in “Magic Mike” that I’m really happy about, that is totally different from anything that I’ve done thus far. Once again, this woman is strong in a much different way also, and I think that from the response that we’ve been getting in regards to the character that I play in “Magic Mike,” I’m really happy in how that turned out and she’ll probably end up being one of my favorites as well.

Are you enjoying being a part of a comic book universe?
JADA: Oh yes. I am, I am enjoying it. I love comic books and so it’s been a real pleasure to be able to participate in this way for sure.

Your family members are actually fans. What do they tell you about Fish Mooney? Do they give you notes about whether she’s a good villain as she is, or if she needs to be more devious or brutal?
JADA: No notes. That’s the wonderful thing. No notes. You just go good job, that’s it. We stay away from notes.

You’re a new addition to Twitter, are you enjoying the instant fan feedback you receive during the episodes?
JADA: Oh, I have so much fun. Yes, I have a lot of fun. It’s like, because this is such an enthusiastic genre, the fans that participate in this particular genre, is just so much fun. Yes, I have a good time when I’m on Twitter talking about the show. I have a blast.


http://www.seat42f.com/gotham-jada-pink ... rview.html

Julian Sands sobre Smallville, Arachnophobia y en convertirse en el Fearsome Dr. Crane
Por Russ Burlingame 02/02/2015

With titles like The Killing Fields and Room With a View on his resume, Julian Sands is arguably one of the most recognizable guest stars to pop up yet on FOX's freshman hit Gotham.

The DC Comics adaptation is moving full bore into the origin stories of Batman's rogues, and Sands is a big part of that, playing Dr. Gerald Crane -- father to Jonathan Crane, better known as The Scarecrow.

Sands joined us to talk about his role, and his long history in Hollywood.

So, you're one of only a few people who have been part of both the Batman and Superman universes with your Smallville and Gotham appearances. The first thing I thought when you were cast was, "Oh, he's good." The second was, "Hey, wasn't he Superman's dad?"

Jor-El, yes. I was Jor-El. As an actor, you take each role as it comes, as you find it, and decide if it's something that interests you and if you want to get involved.

Now, in the case of Smallville and playing Jor-El, I was familiar with Smallville and the world it presented. I was familiar with Jor-El as a character from the comic books and from Marlon Brando's presentations and it was a very pure and worthwhile experience for me in the couple of episodes where Jor-El was present, embodied physically, as opposed to just the voiceovers which Terence Stamp did. I felt very completed as an actor.

So I didn't see any conflict whatsoever when I was approached about entering into the world of Gotham. On the contrary, it was an intuitive decision on my part. I had a conversation with Bruno Heller but I wasn't allowed to read the scripts; I had to sort of get involved, commit, before. Knowing the conversation I had with him and his reputation for integrity, I knew that his material wouldn't be simply TV cartoon fodder, that it would be elevated.

I wasn't familiar with Gotham; I think at the time I was approached they'd only aired about four episodes, which I watched very quickly. It was evident that the production values and that the originality of his pursuit of these iconic characters, but as real people, was quite clear. The father of Jonathan Crane had never been considered before, and this was an opportunity to present someone as authentically and credibly as I could. What he'd written was fully three-dimensional, and with an interior life for me to embellish. So it was a completely different experience being involved with Batman as opposed to Superman; they weren't mutually exclusive. On the contrary, I kind of like the complementary aspect of it.

In other words, I thought it was a pretty cool gig and I was happy to do it.

When you're stepping into Dr. Crane and a version of the Scarecrow, you have this general concept but since it's really a new character, you get to put your own stamp on it. I can't even remember if he was ever in the comics. Is that kind of the best of both worlds?

I don't think he's in the comics. I think he's a creation of Bruno's team and therefore, the model I used -- you know, it's the anniversary of the Auschwitz release and there's been a certain amount in the press over the last month about Dr. Mengele. He strikes me as someone who was compellingly evil, utterly evil -- But I wonder if he believed he was simply a humanitarian, pursuing a pure path for the betterment of mankind through science. I don't know; he may have done.

For me, the Dr. Crane I present is a person who quite genuinely believes that the lot of mankind can be improved if only I'm allowed to do my work. Yes, it may mean one or two people have to be sacrificed. Yes, there is a body count, but I am doing my work for the good of mankind. And when my son Jonathan is observing some of my work and I see him look tentative and unsure, I say, "Jonathan, we've talked about this. What I'm doing is for the good of mankind. It will make things better for everyone."

Well, of course, not everyone because the person who is the subject of my experimentation is very quickly no longer with us, but I don't see it that way. I mean, maybe I see it that way once it's too late to reconsider. And I bring my son into my experimentation because I've run out of victims and I still haven't found the elixir I'm looking for.

Crane is motivated by this desire to overcome fear. He believes fear is an evolutionary throwback to primordial times. He thinks it belongs with the three-celled slugs in the Andalusian oceans. He thinks that if mankind can conquer fear, then everybody will have a better life. What it really is, what he's really trying to work out, is that he experienced personal trauma himself because he was afraid. That's something, I think, that he never forgave himself for but was motivated to keep pursuing a cure.

Whereas I'm a mountain climber when I'm not acting and let me tell you: fear keeps you safe in life. Fear is a very good thing; it gets your antennae alert.

You touched on something really interesting: that these things are born from personal trauma. You can see that throughout Gotham. Do you think that's an intentional thing that they're doing by design?

Well, I think it's an intentional component. I think these people in Gotham are all working through the difficulties of their lives. Trauma, certainly in the case of the major characters. But doesn't Gotham hold up a mirror to kind of what life is? Life is about reconciling your journey to the conditions and compromises and the suffering that one has to endure simply to get through week by week, no? I think that's why it's so fascinating, the Gotham template. Psychological profiles in Gotham. Because they're all flawed people trying to express themselves through some type of self-help therapy, it seems to me.

You'll know better than I when these characters were first depicted, but the fact that there's still such a -- not just a cult following but a broad, mainstream enthusiasm -- for these characters and the stories they tell, is because they connect with us all. I'm not a particular comic book enthusiast, I've enjoyed them in my life but I'm not a current reader. But when I was approached about Gotham, I got excited. Without knowing anything about the project, I just thought, "Ooh, wow. That's interesting." The reason for that I think is that it touches on the common understanding that life is not easy and life can be dark and aggressive and traumatic. It's how we respond to these challenges that makes us who we are, allows us to endure, allows us to have an interesting life. That's why I think people are so excited about this new television show, you know?

Is there anybody in the cast that you hope to be able to play off of, either now or in the future?

Yes. I mean, I think Dr. Crane and the Penguin are a very natural pairing. But in truth, I think both the characters are so well-written and drawn and the actors inhabit them so interestingly. So rebooted -- all the actors approach the characters with real ownership and that gives them an emotional authenticity which is very compelling to me but I think the real incentive for me to come back would be the writing. How Heller and his team create the stories. I think that's what -- because in lesser hands this wouldn't have been a show I would have been excited to participate in. I can't give enough credit to the production values, the production concepts, the production consideration that the creative team have brought to the concept.

One last question: in your experiments with fear, does Dr. Crane experiment at all with...Arachnophobia?

[Laughs] Uh...no! I've played a couple of doctors in my time and of course you're referring to Dr. Atherton. The thing about Arachnophobia -- and bless Frank Marhall and Spielberg -- is they touched on something that twenty-five years after the film was made or something, people still come up to me to tell me about their arachnophobia. It really touched a nerve, that film. I always love it when people tell me they wish I hadn't succumbed in the bar, but that was a good experience.

The thing about one's life as an actor is -- I'm in England now. I've just arrived from Istanbul, where I've been filming with my old pal John Malkovich, whom I first worked with thirty-one years ago on The Killing Fields. For us both, it was sort of extraordinary that here we were, still in the saddle, doing stuff which we found really fascinating and in a location and with people which enhanced our lives and made it interesting.

Therefore, the line from Arachnophobia and playing Dr. Atherton to Gotham and playing Dr. Crane is direct and pure. I hope I follow it and we're talking about something else down the road -- but that's the mystery. I don't know what that thing will be

http://comicbook.com/2015/02/02/gothams ... coming-th/

Pinkett Smith Dice que "Gotham" pronto revelará el lado humano de 'Fish Mooney
Por Scott Huver, 02 Febrero 2015

As one of "Gotham's" wholly original characters, one with no links whatsoever to the legacy of Batman, seductive and deadly mob boss Fish Mooney was introduced as an unwritten book, and Jada Pinkett Smith has relished filling in her blank pages.

Now, as Fish faces a harsh exile from Gotham City after her failed gangland coup, Smith promises that rather than having come to an end, her character's story grows even more intriguing in the episodes to come -- including an unexpected glimpse at her softer side. In a recent conference call, Pinkett Smith offered a teasing glimpse at what the future holds for Fish, including the question of whether she'll survive for the series' second season. She also delved into the relationship between Fish and the up and coming Penguin, and shared details on her behind-the-scenes role in defining the character.

On how much more there is to Fish's story, as she appears to be on her way out of Gotham City:

Jada Pinkett Smith: Well, it's not quite over yet, but we'll see if Fish survives the season. It's a little tense from here on out. That's for sure. It's a little rough on Fish from here on out.

I think you're going to see a lot more color from Fish in the next episodes to come. I think you're going to see a lot more vulnerability. I think you're going to see a lot more of a human side of Fish Mooney.

I see Fish Mooney as kind of an extreme version of a woman. A woman who wears many faces. A woman who is strong, but yet afraid. I would say that the Fish Mooney character has, especially in these coming episodes, been really fun and I love how smart and perceptive that she is. She just decided to use her skills -- you know, she's a criminal. She decided to be a criminal instead of a doctor. But I really love her, and I love what's she becoming too. I think in the next few episodes, and definitely towards the end, you're going to see a whole different Fish, and a woman that definitely has some heart. You've seen the ruthless, now you're going to see some heart.

On preparing for a wholly original role in a well-established comic book universe:

I think one of the reasons why the role was so interesting to me was because it was something that Bruno [Heller] really wanted a partner in, creating this Fish Mooney character, and I love female gangsters. I just love them. I think that they're really interesting characters and interesting people. There's one, Griselda Blanco, who I had studied, and I also love the character from "Sunset Boulevard."

I did kind of a mish-mosh of those two, because Bruno had some suggestions, and it's coming together, and I was like "Wow, I would really love to do a mixture of these two women, because the one thing I love about the super villains and Gotham [City], is that they're always so colorful." I really wanted her to be grounded, but also have quite a flair.

I love comic books, so it's been a real pleasure to be able to participate in this way, for sure.

On some of her key contributions in creating the character:

A lot of her mannerisms, and just some of those little added attitude phrases that Fish has. I would say that would be pretty much what I would add. Thank goodness I have a lot of room on set, just because Bruno and the writers know that we're still trying to find the voice of this character, so I have a lot of room to improv at times when it comes to Fish. That's been fun as well. Just adding those little flavors that I think make Fish Mooney Fish.

On her notorious preparation for the role, in which she brought in a man on a leash:

We were actually doing a work session about Fish Mooney and trying to find the character, and that was one of the reasons why I decided to do something as extreme as that because I felt like instead of talking about it, just show it.

I just felt like, from the psychology that I had put together in regard to who I thought Fish was, that's something better to show than to explain verbally. That was one of the reasons why, for that particular creative session that I'd had with Bruno and Danny at the time, in which it had already been decided that I would play Fish, I decided to come in with the guy on the leash to just go, this is who this woman is. This is what I see, and they were like, "Okay -- got it."

It was a very short session, to say the least. They're like, "Okay, done." She was in a gown, and I was done up, and I had this guy on the leash with no shirt on, with "Liar" written across his forehead in red lipstick, and they were like, "We are clear," and I was like, "Cool."

On the moment she realized that she had "found" Fish:

Funny enough, it really felt like as soon as I put on that wig, Fish is there. I put on that wig and her gear, because it's so specifically her, it is an immediate transformation. The first day, as soon as I put on that wig and that dress, I just felt like, "Oh, there she is," and every time I do it she just arrives. It's a really beautiful thing to have as an actress. Yes, you just don't have to work hard for it, and that, I'm grateful for. That wig and those heels and the nails really conjure her.

On her input into Fish's distinctive wardrobe:

Our fantastic costume designer usually just comes to me and says, "What do you think about these fabrics? What do you think about this idea?" So that's pretty much it: I pretty much told Lisa [Padavoni] to just do whatever she feels, because she's such a fantastic artist. We usually just talk about shape and color.

My favorite outfit would probably have to be the one that I wore when I went to see Maroni about returning Penguin to me. It's the first time I realized that Penguin was alive, and the first time I see him after seeing him in Maroni's restaurant, and think it was teal. It was this beautiful kind of antique fabric, but yet it had this kind of punk rock edge to it with the trim that she used, which was this kind of spiked teal leather. I just thought it was just a beautiful mixture of the old and the new, even with the shape of it -- it was high-waisted, but yet it had this kind of like warrior-esque but quite feminine top that went to it.

It was pretty cool. It was really quite beautiful. Not that comfortable to wear, but beautiful.

On finding avenues to make Fish a character audiences love to hate:

I love how colorful Fish can be, but at the same time, you still want her to be relatable. You know what I mean? You still want people to be able to look at this woman, and [you] might not necessarily know her story, but be able to relate to her.

I think that this world of "Gotham," sometimes in finding where you need to be emotionally or how grounded you need to be in a scene or how far you can actually go with the color of the Fish Mooney, that sometimes tends to be a bit challenging. That's always a see-saw. It's always trying to find that balance. But, I would say that aspect is the most challenging, of just keeping that flair, but at the same time, trying to keep her grounded and real. That can be really challenging.

On the volatile Fish/Penguin dynamic:

I think she saw Penguin as one of her adopted orphans, somebody that she kind of took off the street and helped them become something. I think that she felt deeply betrayed by Penguin. It will be interesting to see where their relationship goes from here. Right now, they're not getting along too well. They're pretty upset with him. But it will be interesting to see where it goes from here, with the two of them.

On playing Fish the thug vs. Fish the sophisticate:

You know, the thing about Fish Mooney is that you will see, especially in the upcoming shows, the many faces of Fish Mooney. I think Fish Mooney is a woman who, because of her background and because of who she really is, really has taken it upon herself to do a lot of cover-up. So I think she has all of these different kinds of personalities that she picks and chooses to use during certain times.

You have this kind of sophisticated Fish -- or what she considers to be sophisticated. What a sophisticated woman sounds like. What a sophisticated woman looks like. But then there are times when she loses her cool, and you kind of see her original essence, which can get a little gutter. Then, sometimes, when she has to be influential with me,n you'll see her put on her little sexy kitten voice, which is coming up.

This is a woman who has created all of these different masks to fit different times, just depending on what she's trying to do at that particular point in time. It's interesting, because when you watch people in real life, you'll see that happen often. She just does it in a more extreme way.

On playing Fish's apparently omnivorous sexuality:

Anything pretty much goes as far as she's concerned, by any means necessary. It's kind of her motto, but I definitely think that Fish doesn't discriminate when it comes to her sexuality.

On what fascinates her about the bigger world of "Gotham":

"Gotham" is so mysterious. There's this kind of undertone to "Gotham," the idea that this city itself is kind of this underbelly, and it's just like, what is going in these alleys? What's going on in these so called high rises? What is happening? Why is it that this place has some of the most incredible villains, and then you have one of the most beloved super heroes, which is Batman, and comes from this kind of dark, gritty atmosphere?

I've just felt that Gotham, itself, has been such a mystery, and I've always been drawn to it. Like, what is Gotham? What is the city about? Who's there? Why is it this place? What is it about this place?


http://www.comicbookresources.com/?page ... e&id=58964

1.17 "Red Hood" (23 Febrero 8:00-9:00 PM ET/PT): GORDON Y BULLOCK DESCUBREN A LA THE RED HOOD GANG - Tras varios robos de bancos, Gordon y Bullock investigan a la Red Hood gang. Selina Kyle continúa haciendo vínculos con Barbara, y Fish Mooney intenta reclamar su posición en el inframundo. Estrellas invitadas: Drew Powell como 'Butch Gilzean', Clare Foley como 'Ivy Pepper'; Sharon Washington como 'Molly Mathis'; David O’Hara como 'Reggie'; Jonny Coyne como 'Destro'; Jenna Gavigan como 'La Secretaria del Manager'; Takeo Lee Wong como 'Chaing'; Jeffrey Combs como 'Manager de Officina'.

http://www.comicbookmovie.com/fansites/ ... O4.twitter

La galería de futuros supervillanos de "Gotham" no descenderá durante los últimos episodios de la S1 de la serie. Además de los villanos que ya han sido confirmados para los restantes capítulos, Bruno Heller ha apuntado a que también tendremos el primer vistazo a la historia del enemigo más famoso de 'Batman', 'The Joher' antes de que termine la temporada:

“Hemos dicho que váis a tener que esperar un poco más para eso, pero esto es América — nadie quiere esperar. [Risas] Así es que, rascaremos un poco la superficie de esa hitsoria, sí. Pero tan sólo la rascaremos — un pequeño golpecito a la puerta [antes de que la primera temporada haya acabado].”


Por supuesto, hay ciertamente espacio como para que Heller y su equipo de escritores incorporen la historia de Joker de forma orgánica, aunque tampoco hay necesidad de apresurar la historia, ya que el personaje servirá sin duda a un propósito mayor dentro de la mitología de la serie. Mientras tanto, hay otros importantes temas de la serie que en los que aún se necesita trabajar mucho, tales como la complicada vida persona de Gordon (Ben McKenzie), el viaje del joven Bruce Wayne (David Mazouz) hacia convertirse en Batman, seguir explorando el desarrollo de otros villanos como 'El Pingüino' o 'el Enigma'...

En otras palabras, “rascar la superficie” de la historia de Joker sería todo lo que "Gotham" necesita por el momento antes de que concluya la temporada.

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El actor de "Heroes" Milo Ventimiglia se ha unido al drama de la FOX "Gotham" para un gran arco recurrente.

Milo aparecerá por primera vez en el episodio 1.19, interpretando al guapo, rico y seductor 'Jason Lennon, aka the Ogre', un asesino en serie que ha estado cazando a las jóvenes de Gotham desde hace casi una década, atrayéndolas a su web y confrontándolas con una serie de “tests” para buscar su pareja perfecta. Cuando las mujeres fallan en estar al nivel de su estándar imposible, Lennon se deshace de ellas rápida y brutalmente.

Sus obsesiones, combinadas con la determinación del Detective Jim Gordon (Ben McKensie) de abatirlo, mandan a ambos Gordon y Lennon — y a aquellos que los rodean — a una ruta hacia la tragedia.


Su personaje será un personaje original que no está relacionado con 'the Ogre' de los cómics de DC quien también es un villano, un hombre genéticamente aumentado con la fuerza de un simio.

Hay quienes ya se han atrevido a aventurar que es posible que su personaje acabe convirtiéndose en el futuro Joker tras sus desgraciadas aventuras como 'the Ogre', rumores que se han visto avivados por la confirmación por parte de Bruno Heller de que veremos el principio del origen del personaje antes de que acabe la temporada.


http://deadline.com/2015/02/milo-ventim ... 201366256/?