"ARROW" Nueva serie de la CW para TV basada en Green Arrow

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- Primer vistazo de Brandon Routh con el traje de 'Atom':
La CW ha publicado hoy la primera imagen del traje de Atom que llevará Ray Palmer (Brandon Routh) en el episodio 3.15 de "Arrow" titulado "Nanda Parbat", que se emitirá el 25 de Febrero:
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Tras esto, Grant Gustin ha posteado una imagen BTS del traje de Atom y The Flash juntos, ya que, como recordaréis, ahora mismo están en pleno rodaje del episodio 3.18 en el que Ray Palmer y Felicity visitarán Starling City:
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(@grantgust: This is today. But you’ll have to wait a while… #TheFlash #Atom)



¿Qué os parece? ¿Os gusta el look del traje?


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- Arrow 3.12 "Uprising" Producer´s Preview:

https://www.youtube.com/watch?v=9-eBcKtX4YU


- Arrow 3.12 "Uprising" Clip #2:

http://www.zap2it.com/videos/zap2it-fir ... ath-346519


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- Stills del 3.13 "Canaries":

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- Descripción oficial del 3.15 “Nanda Parbat”:
3.15 “Nanda Parbat” (25/02/15): MERLYN ES CAPTURADO POR RA’S AL GHUL; REVELADO EL TRAJE DE ATOM — Malcolm (John Barrowman) es capturado por Ra’s al Ghul (la estrella invitada Matt Nable) y llevado a Nanda Parbat. Por su amor a Thea (Willa Holland), Oliver (Stephen Amell) considera salvar a Merlyn. Ray (Brandon Routh) está obsesionado por terminar su traje de Atom para poder salvar la ciudad pero Felicity (Emily Bett Rickards) teme que esté llevando el mismo camino que Oliver (Stephen Amell) e intenta sacarlo del laboratorio. Gregory Smith dirige el episodio con historia de Wendy Mericle & Ben Sokolowski y guión de Erik Olesen & Ben Sokolowski.

http://www.greenarrowtv.com/arrow-offic ... rbat/21687



- Q&A en Facebook con Stephen y Robbie Amell:

https://www.facebook.com/robbie.amell/p ... 6084647817



Añadidos los rátings del 3.12 "Uprising". Podéis encontrarlos AQUÍ.


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- Primera imagen del 'Suicide Squad' de "Arrow" junto a 'Cupido' (04-02-15):

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(@davidpaulramsey: Coming #tfx)




- Imágenes BTS del 3.14 "The Return":

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http://canadagraphs.weebly.com/arrow-bl ... in-donnell


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- Stephen Amell Q&A at "Dallas Comic Con" (February 7, 2015):

https://www.youtube.com/watch?v=MomnwA96XhQ

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(@david_ramsey: Taking care of Texas.. @dallascomiccon @fanfest Maybe we do need Merlyn....)


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- Jefe de "Arrow" sobre Oliver vs. La neuva dinámica del equipo, el estatus de Felicity, 'Una Carta de Amor' a los Fans y un giro que cambia el juego (TVLine):
Jefe de "Arrow" sobre Oliver vs. La neuva dinámica del equipo, el estatus de Felicity, 'Una Carta de Amor' a los Fans y un giro que cambia el juego
Por Matt Webb Mitovich / 9 Febrero 2015, 2:28 PM PST


Oliver Queen has returned to a new Team Arrow.

Having being “dead” for a month, Oliver resurfaced to help knock down Danny “Brick” Brickwell and save the Glades. Afterward, he found a moment to survey the new landscape (Laurel has gone full Canary!) and then he clashed with his No. 1 gal Felicity, who declared that she doesn’t want to be loved by a man who would ally with the likes of Malcolm Merlyn.

With Season 3 of the CW hit continuing this Wednesday at 8/7c, TVLine invited showrunner Marc Guggenheim to tease the assorted changes — and at least one huge twist — ahead.

TVLINE | I feel like we’re entering the “third act” of the season, following Sara’s murder and that investigation, and then Oliver “dying” at Ra’s al Ghul’s hand, to protect Thea.
The season is more demarcated in fourths, as opposed to the traditional three-act structure. Certainly Episodes 10, 11 and 12 were their own”mini-act,” with Team Arrow moving on in the wake of Oliver’s apparent death. Episode 13 kicks off the next piece of our story, and things get a really crazy from here on out. Episodes 13, 14 and 15 are probably the next “book” or movement in the story, 15 ends with a game-changing twist, and from 16 to 23 it’s just one crazy run up to the finish line. [Laughs] I’m really excited about where we’re going mainly because, as I tweeted out, when all is said and done with Season 3, stabbing Oliver through the chest and kicking him off a cliff will end up being the least crazy thing we do all year. I encourage people to watch the whole season and then confirm whether or not I’m telling the truth.

TVLINE | Is Oliver able to just jump back into things? The team has come into its own while he was away. Does that almost become a sticking point?
It’s very much a sticking point. One big piece of Episode 13 is Laurel and all the things that she’s been struggling with — Sara’s death, lying to Quentin, Oliver’s disapproval of her being Black Canary. Meanwhile, you’ve got Oliver who has returned to Starling City and Team Arrow to discover that they have really moved on without him. So, things are not going to be as simple as, “OK, guys I’m back! Everyone start listening to me again.” He’s going to struggle with a brand-new team dynamic, one that is a lot more democratic than he is used to.

TVLINE | Is he going to take over Laurel’s training?
No, he’s not there yet. He begins Episode 13 very much not approving, at all, of what Laurel’s doing, so it’s a long way to go from that to training her, which obviously implies a degree of validation.

TVLINE | Besides, he’s on his own path now, as far as training to kill Ra’s.
Exactly. He’s got bigger fish to fry.

TVLINE | Now, even though that is his goal, I can’t imagine that the TV show Arrow can kill the Ra’s al Ghul character. I suspect larger forces at DC Comics wouldn’t want that to happen.
The truth of the matter is that DC is our partner, and they’ve been a wonderful partner. They’ve never told us who has to die or who has to live — and I don’t anticipate that changing any time soon. What we do with Ra’s as far as whether or not he lives or dies will be based solely on a creative decision that we make for the good of the show, and has nothing to do with the greater forces at DC.

TVLINE | Plus, with someone like Ra’s, “dies” probably always comes with quotation marks.
Certainly given the Lazarus Pit and what’s happened in the comic books and what not….

TVLINE | Where in the sand has Felicity drawn her line? Is she still with the team…?
She’s still with the team. She’s not going anywhere, but she’s made it very clear that a romance with Oliver is off the table.

TVLINE | That scene was an unanticipated gut punch, I tell you.
Thank you — it was definitely designed to be. We very much want to explore what it looks like with Felicity still working with Oliver but post the events of Episodes 10, 11 and 12, where she has not only moved on romantically, but, along with Diggle and Roy, has developed a bit more ownership and more agency in the “lair,” as it were. It’s going to be interesting to see what happens if Oliver decides to call the shots and expects everyone to just fall in line the way they used to.

TVLINE | I was reading the synopsis for Episode 14, “The Returned,” and it sounds like a fun nod to longtime fans, as Flashback Oliver sneaks back into Starling City and discreetly checks in on everyone.
Episode 14 is a bit of a “love letter” to the show. It stands on its own feet, for people who are new to the show, but if you’ve been watching since Season 1, it’s got a ton of Easter eggs and little inside jokes. There’s a lot of really fun moments that are the kind of things you can only do if you’ve done over 50 episodes — you get to go back and explore your roots a little bit, so you’ll want to watch this episode carefully. My hope is that if people watch the show now but haven’t seen Season 1, they’ll want to go back and Netflix it afterwards.

TVLINE | Stephen Amell was telling me that Episode 15, “Nanda Parbat,” is especially stunt- and action-heavy, one of his favorites of the season.
It certainly is one of mine. It’s one of those episodes where everything came together very nicely — its got some wonderful character moments, some incredible action, and it’s got a final twist that I think people will be talking about for a long time. Certainly a twist that sets the table for the remainder of the season.



http://tvline.com/2015/02/09/arrow-seas ... el-canary/

- Guggenheim Habla sobre el regreso de Oliver al Team "Arrow", y adelanta algunas capacidades de Atom (cbr):
Guggenheim Habla sobre el regreso de Oliver al Team "Arrow", y adelanta algunas capacidades de Atom
Por Albert Ching 10 Feb 2015


It's been a long road back to Starling City for Oliver Queen (Stephen Amell), who was stabbed by Ra's al Ghul (Matt Nable) in last December's "Arrow" midseason finale, before subsequently falling of a cliff and being left for dead. Of course, Oliver wasn't actually dead -- he's the main character of the show, after all -- and after making an assisted recovery, he made his way back home at the end of last week's episode.

But the happy reunion was ultimately short-lived: Upon learning of his intent to work with the dastardly (and murderous) Malcolm Merlyn (John Barrowman) to learn how to defeat Ra's, Felicity (Emily Bett Rickards) -- Team "Arrow's" tech genius, conscious and one-half to the fan-favorite #Olicity pairing -- was left shocked and disappointed, making things appear even more unlikely for the star-crossed couple.

There's a lot going on -- oh yeah, Brandon Routh is making an in-costume debut as The Atom at the end of the month -- and CBR News spoke with show executive producer and frequent comic book writer Marc Guggenheim about all the latest in advance of this Wednesday's episode, "Canaries."

CBR News: Marc, there's a lot to talk about, so let's get to it. I spoke with you at the screening of "The Flash"/"Arrow" crossover this past November, about how those episodes were the shows' version of a classic comic book team-up. This recent storyline on "Arrow," with Ra's al Ghul and Oliver's apparent death and subsequent recovery -- do you view that as the "Arrow" version of a superhero death and resurrection story?

Marc Guggenheim: I would have to say, yes. Certainly, that's a trope that a lot of comic book stories do -- in comic books, it's usually the actual death of the character, and they're brought back in some manner. We try, with "Arrow," to tell those big, operatic kinds of stories that comic books do so well. We're not shy about showing our roots.

The past few episodes have seen a lot of characters step up in Oliver's absence -- certainly Laurel as Black Canary, but also Roy and Diggle. How important is for the show that these characters become their own heroes, not just supporting players?

That's something that is really the subject of Wednesday's episode. It's our team having to recognize, in the face of Oliver, how they've developed; how they've changed as people and as heroes. There are a lot of different ways of being a hero, and that's something we try to always acknowledge on the show. Putting on a costume doesn't automatically make you a hero, and not having a costume doesn't necessarily not make you a hero.

As the show has been evolving this season, more and more characters have become active participants in the crimefighting. Laurel has taken on a costumed identity, and Thea has been more in the mix -- to the extent that, based on promo photos released, it looks like she's talking to Roy while he's in costume and not wearing a mask. Basically, there are not a lot of characters left that are purely civilians. Almost everyone has a stake in the costumed, crimefighting world -- or it's at least getting to that point. How deliberate is that, and what do you think it shows about the changing dynamic of the series?

It's funny -- I oftentimes feel like Oliver. When Oliver set out on this crusade of his, he never expected to inspire other people. That wasn't part of his mission statement. It wasn't our intention to bring this many costumed characters onto the show as quickly as we have, so I often feel like Oliver, going, "Hey, what's up with that?"

That said, I have a lot of confidence in the choices that we've made. Judging by the Internet and the ratings, the audience has a similar amount of confidence in us. We'll always manage our superhero quotient. For example, Lance is not going to become a superhero. [Laughs] Diggle is not going to suddenly get superpowers. Felicity is not going to put on a mask. There's still a good number of characters who are not "superheroes" -- they may be heroes; I feel like Diggle and Felicity are definitely heroes, just without that comic book modifier.

Speaking of Felicity -- how much blowback did you get online from fans upset by that scene at the end of the last week's episode, with Felicity confronting Oliver about working with Malcolm Merlyn?

You know, the greatest little surprise about last week is -- I had been kind of bracing myself, and I sort of said publicly, jokingly, that I would stay off the Internet (as if I could). I have to say, the vast, vast majority of responses, reviews and comments and everything else I've gleaned from the Internet, were overwhelming positive. For me, it's for the proposition that as long as a scene is well-written and well-acted, and feels like it's motivated by characters and emotions that the audience believes in, even people who are "shipping" a certain relationship, they just want to see a good scene. They just want to see a good story told. And then the ship does not drag the cart.

It was very gratifying, and I even took to Twitter to thank people, because I was very, very pleased with the reaction that scene got. When I saw it in rough form, it really choked me up, and that's all credit to Emily and to Stephen, who really just nailed that scene in a perfect way.

On the subject of dynamics in the team going forward -- what can you tease about this week's episode and how things have changed for Oliver? Other characters have stepped up, and some aren't necessarily happy with him, despite his return.

That's certainly the biggest change for him -- the reaction that he's getting from not just Felicity, but his team. He's discovered that Laurel has become the Black Canary -- no one consulted him on that, he doesn't approve -- his team seems to be backing her pursuit of that identity, which completely mystifies him. And to make matters even worse, people are giving him lip. It used to be, he said jump, and people said, "How high?" Now they're saying, "Why are we jumping?" That does not sit well with someone like Oliver, who's not really used to having those sort of conversations. He didn't really set up Team Arrow to be a democracy.

Last week also brought the first look at Brandon Routh in the Atom costume -- as a longtime comics fan, what excites you most about seeing Routh in that suit? And what can you tease about what he might get up to while wearing it?

For me, the most satisfying thing about the costume is, it looks like Brandon walked off of a movie set. I've never seen a TV show do a costume of this level of ambition before. He's got a lot of cool tricks up his sleeve. People who are immediately expecting him to shrink are going to be disappointed. I will say that upfront.

We always say, we're doing the "Arrow" version of The Atom. That said, there will be some flying involved, which looks remarkably amazing. He has a lot of little gadgets and tricks and abilities built into that suit. I don't want to spoil exactly what they are, because I think part of the fun of watching is seeing what that suit's going to do next.


http://www.comicbookresources.com/?page ... e&id=59186

- Jefe de Arrow: ¿Quién está a punto de saber el secreto de Oliver? (EW):
Jefe de Arrow: ¿Quién está a punto de saber el secreto de Oliver?
Por Natalie Abrams 10 Febrero 2015


Now that Oliver has returned from the dead, Arrow’s emerald archer will come to a starling realization: He’s actually no longer the boss of Team Arrow.

As the group comes into their own, Oliver (Stephen Amell) will face new challenges with the way things are run—though he will decidedly make a few decisions of his own, like letting someone new in on his secret. While Marc Guggenheim is shy to confirm exactly who will join the inner circle—there’s video proof below—the executive producer did provide scoop on Oliver’s Black Canary conundrum, returning villains, and the future of Oliver and Felicity (Emily Bett Rickards).

Now that Oliver is back, how does that change Team Arrow? The logline for the episode says he’s no longer calling the shots, so how does he feel about that?
MARC GUGGENHEIM: Not well. This is very much the subject of “Canaries.” Over the course of episodes 10, 11, and 12, the team had to basically change the crusade to operate without Oliver. Oliver is going to discover that the machinery that he’s built went on without him; it doesn’t turn back, it doesn’t have a reverse gear. Oliver is going to have to figure out much of what the team had to figure out, which is how to proceed in a brave new world. That’s very tricky and interesting because it puts people like Felicity, Roy (Colton Haynes), and Diggle (David Ramsey) in a position where they’re acting less like employees and more like partners.

Oliver is not a fan of Laurel (Katie Cassidy) being Black Canary, so what is he dealing with there?
If the premise of the episode is how Oliver deals with the new team dynamic post-his return, that issue really gets joined in the form of Laurel. Over the course of episodes 10, 11, and 12, she eventually won over every member of the team. They’re basically supporting Laurel’s journey to becoming the Black Canary in a time when Oliver is incredibly against it. I don’t want to spoil the end of the episode, but Oliver’s reaction to not just Laurel being the Black Canary, but his team’s apparent support of that makes up a bulk of his story arc for episode 13.

We will see Sara (Caity Lotz) back in this episode as Laurel is dosed with Vertigo and imagines fighting her sister. But will we ever get to see Sara back in the flesh, possibly to tell the story of her time on Nanda Parbat?
The hope is yes. That’s a story that we’ve been dying to tell. We really, really want it. I put it under the category of Felicity’s parents. We’ve always had this backstory for Felicity and we’ve always wanted to do it. It’s funny how even when you’re doing 23 episodes a year, things don’t time out necessarily how you’d like to, but that’s definitely on our bucket list of stories to tell. We have a lot of great things planned for Caity that we just didn’t have time to do in episode 13.

Lance (Paul Blackthorne) got his first hint that Sara is not actually the Black Canary. Can you give any hints as to how he’ll feel when he finds out the truth?
Given the show’s dynamic of characters keeping those secrets, those secrets eventually coming to light and the characters who kept them having to deal with the consequences of their actions, I don’t think it’s spoilery to say that, at some point this year, Lance is going to find out the truth and he’ll have an appropriate reaction to the fact that this information was kept secret from him. I never like to say when these things are going to happen, but I’m definitely aware of the growing chorus of voices who are saying, “Wow, Lance better find out soon or there’s really going to be hell to pay.” I can pretty much guarantee that when Lance does find out, there will be very big hell to pay.

Ra’s al Ghul (Matt Nable) is still coming after Malcolm (John Barrowman) and Thea (Willa Holland). Can Oliver protect them?
Ra’s is a pretty tough guy and he’s got a lot of resources at his disposal. It’s going to be very, very interesting. The season is really going to take a few hard left turns before it’s over. It’s not just things people are not expecting—I think the reason people are not expecting them is really no showrunners in their right mind would do half the things we’re going to be doing. That said, I’m probably more excited about the episodes from 13-23, these last 10 episodes, than of any 10 episodes of the show we’ve ever done. It’s some very, very big, exciting things that really no one is going to see coming.

What does Oliver’s training with Malcolm look like?
That’s a lot of fun. That’s a dynamic that we will get to see really in full in episode 15. It’s something that we set up in episode 12, and it will absolutely get its due. People are going to have to wait a little bit for reasons that will become clear when they watch 13 and 14. It’s a lot of fun to see that dynamic, particularly since it also involves Thea as well.

What can you tease for Oliver going up against Deathstroke (Manu Bennett) on Lian Yu?
It feels like a coda to season two. It’s not just the final battle, but the final interactions between Oliver and Slade that we didn’t have the screen time to do at the end of season 2 because you’re racing to the end of the season. It’s nice to be able to write a little bit of an epilogue for these two characters. It’s not to say it’s the last time we’ll ever see Slade again, but certainly the story of Oliver versus Slade, the revenge for Shado’s death, that’s the kind of stuff this puts a nice capstone on. When we see Slade again, he’ll be in a different headspace. We’ll take his character in a new and different direction.

It looks like Thea finds out about Roy being Arsenal. Will she also learn Oliver’s big secret?
The answer to that really depends on whether or not you watch Canadian television. I’m not going to compound it by confirming that here, but the internet is a big place, so I’ll just leave it at that. [Ed. note: Watch the Canadian promo for this week’s episode of Arrow, which reveals some major spoilers.]

Felicity essentially pushed Oliver out of her life romantically, though they’ll still be working together. How will that work out?
That’s the thing: How do they work together despite these real significant romantic setbacks that they’ve had? How does Ray Palmer (Brandon Routh) complicate that? It’s going to be some interesting times for Oliver and Felicity both as friends, former romantic interests and co-workers. It’s an opportunity to move their relationship—lowercase r—into some new territory and get some scenes between Oliver and Felicity that are different than the ones we’ve seen on the show to date.


http://www.ew.com/article/2015/02/10/ar ... ecret-next

- Stephen Amell and Marc Guggenheim on Oliver’s Return, Conflict with Canary (variety):
Stephen Amell and Marc Guggenheim on Oliver’s Return, Conflict with Canary
Por Laura Prudom 11 Feb, 2015


In last week’s “Arrow,” Oliver Queen (Stephen Amell) returned to Starling City and walked into an all-out war between his team and a gang of thugs led by Danny Brickwell (Vinnie Jones). Now that the dust from Brick’s coup has settled and the residents of the Glades are safe, Oliver must acclimate to the new team dynamic that has formed in his absence.

“It’s rocky immediately,” Amell recently told Variety. “It’s like ‘okay, I’m back, let’s get back to it,’ and everyone’s like ‘no.’ Because all of them, [while] I’m gone, have to decide if they’re doing this because it was for me or if they’re doing this for them. They all independently make the decision that they are there because they want to be there. So me coming back and just being dictatorial and ‘my way or the highway’ is just not going to work. I can stomp my feet and yell and pout and cry and they’re just going to be like, ‘Listen, man, this is not just your thing anymore.’ So I’ll either have to accept it or I’ll have to just start working on my own.”

Executive producer Marc Guggenheim agreed that the transition will be rough for the Emerald Archer in this week’s episode. “The team really had to readjust to Oliver’s apparent death and step up to the plate, and now that they’ve stepped up to the plate, they’ve got a lot more ownership in Team Arrow, and Oliver comes back expecting things to work the way they always worked, which is Oliver says ‘jump,’ and everyone else says ‘how high,’ and that’s no longer the case. So Oliver has got some decisions to make in terms of how he wants to handle this new team dynamic that he’s been thrust into, and it’s going to be interesting. I think some of our best scenes come out of moments of conflict in the lair, and you’ll certainly see a chunk of that.”

A major source of conflict for Oliver will be Laurel’s (Katie Cassidy) new role as Black Canary following her sister Sara’s (Caity Lotz) death, and given that the title of the Feb. 11 episode is “Canaries,” viewers can expect plenty of fireworks.

“Oliver doesn’t want Laurel to be the Black Canary at all. He doesn’t want her out there,” Amell reiterated. “As far as he’s concerned, she’s more useful and has been in the district attorney’s office. ‘You catch them, I cook them.’ We said that in the season premiere. I’ve been very thankful that the producers have allowed Oliver to not treat the Laurel character with kid gloves, and to very much be… almost rough with her, in the sense of, ‘get out. You’re not wanted here.’ The first time that Oliver as Arrow encounters Laurel as Canary, I grab her and shake her; I did that on purpose and I really hope that it stays in the episode because I feel like if I treat her with kid gloves, it’s not giving respect to that character.”

Guggenheim previewed, “Oliver is definitely the least supportive of everyone in terms of Laurel trying to fill her sister’s boots, and he is not shy about expressing that opinion. There’s a big arc for him in Wednesday’s episode, in terms of coming to accept — or not — Laurel’s efforts to become a hero, but things are not resolved between them by the end of episode 13 … he’s not being sensitive or pulling any punches about how he feels about Laurel, and that’s something that it going to continue throughout the season.”

Oliver will also be forced to redefine his relationship with Felicity (Emily Bett Rickards), after the tech whiz admitted that she doesn’t “want to be a woman that you love” at the end of last week’s episode, following Oliver’s admission that he plans to work with Malcolm Merlyn (John Barrowman) to defeat Ra’s al Ghul (Matt Nable).

“It’s going to be a very different dynamic,” Guggenheim teased. “I think Felicity and Oliver are going to struggle with [the question of] how do we remain coworkers and even friends if this romantic genie — which had been taken out of the bottle at the beginning of the season — is now off the table, to mix metaphors. Certainly Ray [Brandon Routh] is out there as a potential love interest for Felicity. So that’s complicating things and making things a bit messy. We certainly created a love triangle this year intentionally by introducing Ray. The challenge for us is not creating a love triangle, but how do you do that in a way that’s not cliché, and predictable, and something we’ve seen before?”

While many TV shows rely on sexual tension and a will they/won’t they dynamic between characters to drive story, showrunners often run the risk of alienating viewers by stretching out romantic conflicts too long. Guggenheim admitted he was cognizant of that difficulty, but that the writers and producers go to great lengths to listen to their audience.

“I try very hard to avoid evaluating our own show. I’m much more comfortable with letting the audience do that and sort of speak to us. We’re on the Internet. We’re on Twitter. I haven’t gotten a sense that people are feeling jerked around or tired of it,” he said of the Oliver and Felicity dynamic. “I think in part because Oliver and Felicity, they’re not comic book canon, as it were. They weren’t put together with the intention of becoming love interests. So perhaps, because of those reasons, there’s a little bit more patience on people’s part, or maybe we’re just striking the right balance. I don’t know. I’ll say before an episode airs whether or not I’m excited about an episode, but once an episode has aired, I really like to let the episode speak for itself.”

Some familiar faces will soon return to “Arrow” — last week’s episode featured a young Tommy Merlyn in flashbacks to Malcolm’s past, but not his adult iteration, played by Colin Donnell. That will change in episode 14, when Guggenheim promised that fans will see “the age-appropriate Colin Donnell” through a flashback, as well as Manu Bennett’s Slade Wilson, who will be revisited when Malcolm puts Oliver and Thea (Willa Holland) in a dangerous situation that lands them on Lian Yu with Oliver’s former enemy.

And in episode 17, the Suicide Squad returns in what Guggenheim describes as a “monster episode”: “It’s actually crazy in terms of the amount of stuff that’s in it, because there’s two storylines in it, both of which are big enough to carry an episode on their own, and for reasons passing understanding, we actually combine the two,” he laughed. “So one half is the Suicide Squad, and the other half is a very cool Arrow/Atom story, and both halves are really sure to please. I actually was up on the set for some of it last week, and the director, Jesse Warn, is just doing an amazing job, and when I think about the episode and I talk about the episode, I just have to remind myself that it’s more than just Arrow and Atom, it’s the Suicide Squad, and it’s more than just the Suicide Squad, it’s Arrow and Atom. It’s pretty cool. I’m very, very excited about that one.”

http://variety.com/2015/tv/news/arrow-c ... 201431003/

- ¡Marc Guggenheim sobre Oliver, Felicity y el entrenar con Malcolm! (accesshollywood):
¡Marc Guggenheim sobre Oliver, Felicity y el entrenar con Malcolm!
Por Jolie Lash 11 Febrero, 2015 12:04 PM EDT


Oliver Queen just can't seem to get anything right with the woman he carries in his heart -- Felicity Smoak -- on "Arrow."

He managed to overcome a seemingly mortal combat wound and return home to Starling City. But, last week, when he told Felicity that he needed to train with Malcolm Merlyn in order to defeat Ra's al Ghul, she was quite frankly, incensed. And, she broke our hearts and Oliver's when she told him she didn't want to be a woman that he loved.

Malcolm is dangerous, and the very man who drugged his own daughter, Thea Queen (Oliver's little sis), and programmed her to kill Team Arrow's good friend (and Oliver's ex) Sara Lance/Canary.

Oliver, though, will not be swayed. To save his sister and the people he cares about, he's about to train under the tutelage of Malcolm as the show resumes this Wednesday night at 8/7c on The CW. So for answers on Oliver's reaction to Felicity's comments, what's next with Malcolm and details on the return of Canary (who appears thanks to Count Vertigo II) and its effect on Laurel, Access Hollywood turned to Executive Producer Marc Guggenheim, who shared some major insight on this week's show. Plus, he previewed the upcoming return of Slade Wilson (Manu Bennett) later this month.

AccessHollywood.com: What reaction was Oliver hoping for when he returned and saw Felicity?
Marc Guggenheim: I do not think he was expecting what he got from Felicity. I think he was certainly expecting a reaction on everyone's part to the idea of training with Malcolm and sort of working with Malcolm, but suffice it to say, I don't think he expected Felicity to take as hard a [stance] as she did.

Access: It seems like Malcolm's kind of redeeming himself a little bit. OK yeah, he had Thea kill Sara, but he made a great leap in the [last episode]. I feel like changes are happening with Malcolm.
Marc: That's good to hear actually. One of the fun things about Season 3 for me is that Malcolm is this very – he's a very interesting sort of character in the sense that, is he a good guy? Is he a bad guy? Is he getting redeemed? And I think a lot of people, or reasonable minds will disagree on whether or not he has done anything of redemption just yet, whether or not he is capable of redemption. Certainly, Malcolm's morality and whether or not his soul can be saved is going to be to something that we're hitting over the remaining 10 episodes of the year. And I think it's very satisfying to me, as a writer working on the show, to watch people's reaction, debating whether or not Malcolm is redeemable because he really sort of started out as our sort of first villain that was of our -- proving our credo that even the villain is the hero of their own story. And to see that his morality continues to be in flux and continues to be the subject of debate is really, really interesting.

Access: Oliver and Malcolm – does Oliver see him as a means to an end or does he maybe have to care about this guy because he is the father of Oliver's sister, Thea?
Marc: I think he struggles with both of those things and I think he struggles with who Malcolm is as a person and what he needs from him as an asset and certainly, the fact that Malcolm is, on the one hand, Thea's father, on the other hand has done something which is unforgiveable to Thea, which is make Thea culpable and responsible for Sara's death -- it's not black and white for Oliver and Oliver's someone who likes to be able to look at things in a black and white way. But as we just discussed, there's really nothing about Malcolm that allows anyone, including Oliver, to look at him in a black and white way.

Access: Are we going to get some great training scenes with [John] Barrowman and Stephen Amell?
Marc: We are definitely doing some training. There's actually a wonderful training sequence in Episode 15, where it's Malcolm taking on Thea and Oliver in a three-way sword fight and a great – it's a great deal of fun and it's fun to see how Malcolm is as a teacher.

Access: Let's transition to Laurel. Oliver didn't want her to enter this world and she really picked things up when he was gone [as Black Canary]. How is he going to deal with Laurel being almost a super fighter now?
Marc: That's really the topic of Episode 13. Oliver has to struggle with his disapproval of Laurel going out and being the Black Canary and that's not something -- that's a conflict that is not going to [just] end with Episode 13. This is going to be a little bit of a process. Getting Oliver to sign off and be fully supportive of what Laurel is doing is -- it's a tall order and it's going to take a little while.

Access: Is there a chance we might see Oliver help Laurel out with her training?
Marc: At best, in the most tough-love way imaginable.

Access: Poor Laurel. But she's doing pretty good. I've been surprised to see how she's developing.
Marc: Oh good. Good. Well, you know, I think Oliver feels that she still has a very long way to go.

Access: Sara is back this week via the vertigo. What is her role in coming back with Laurel? Is Laurel going to learn something through this or is it just going to be tormenting her with her poor baby sister?
Marc: I would say both. She's certainly going to be tormented. I think the promos make that pretty clear, but there's also a lesson to be learned, as with most things on our show, that it's a real struggle that Laurel is going through, throughout the entire year really in terms of trying to be this hero, but also move on from her grief stemming out of Sara's death, combined with the increasing burden and difficulty of keeping Sara's death a secret from Lance. Laurel's dealing with a whole mess of, quite frankly sh** now, and certainly, she starts to unlock some of that thanks to Caity Lotz's involvement in Episode 13.

Access: We know that [in Episode 14], we're going to Lian Yu. What can you hint at about the return of Slade -- Manu Bennett? Awesome.
Marc: He's amazing and so watchable and such a great thing to have him back on the show, because he just – he brings so much to the show and I think because he's been off the stage for so long, his return is that much more exciting, and this story feels like a bit of a coda on Season 2. It creates a lot of opportunities for scenes that we didn't have the screen time to get into at the end of Season 2 when you're rushing towards the end of the season, so there's a lot of interesting, I think, moments and interactions between these two men who have had so much to do with each other and… their lives and their fates are intertwined. I don't want to spoil too much beyond that, but you're in for a treat seeing these two guys back together and, of course, there will be fighting.

Access: Nick Taraby is up in Lian Yu – Boomerang's up there. Any chance we might see him and [Manu and] there will be a mini-'Spartacus' reunion?
Marc: I wish. Unfortunately, no. There were budget and screen time limitations, unfortunately, so I would love to do that one of these days. We love Nick, but... there wasn't enough story space in Episode 14 to do that. There's a lot going on in 14. … In fact, it's like one of our longest episodes and it still is not long enough.


http://www.accesshollywood.com/arrow-ep ... cle_104081

- Katie Cassidy sobre Black Canary, la transformación de Laurel, y el gran episodio de esta noche (vulture):
Katie Cassidy sobre Black Canary, la transformación de Laurel, y el gran episodio de esta noche
Por Sarah Caldwell 11 Febrero 2015


Laurel has gone through a lot in three seasons of Arrow: the deaths of her sister and her boyfriend, addiction, constantly being taken hostage by bad guys. The whole time, actress Katie Cassidy knew that eventually she’d be suiting up to play the Black Canary. While being a hero hasn’t exactly gone smoothly either (the first time she tried to fight a bad guy, she ended up in the hospital), last week she helped save the city! Vulture chatted with Cassidy about this week’s episode, Laurel’s evolution, and her place on Team Arrow.

I loved that you said you cried when you put on the leather jacket for the first time.
I know, I feel like such a dork [laughs].

No, it’s so endearing! But for fans, Laurel’s big entrance as the Black Canary was when she said, “I’m the justice you can’t run from.” So can you talk me through filming that scene and what that felt like for you?
I mean, it was exciting and liberating. It’s so cool! It’s so badass! I’m having the time of my life playing this character! For Laurel, she goes [into] season three from avenging her sister’s death to honoring her sister’s death to then taking over and becoming her, the Black Canary. I just think that the writers did such a brilliant job with my character and making sure that she earns it and has earned it. And just because now she’s in a suit, that doesn’t necessarily mean that she’s good. She still gets knocked down. As much heart as she has, and as much spirit as she has, and anger inside of her that she wants to get out — by taking care of the city and going after these bad guys — she still hasn’t had the proper training. I think that it’s good because it shows that you can’t just all of a sudden be good and be this “superhero” just by putting on a costume. So she does get knocked down several times. I think she ends up questioning and maybe doubting herself. And there will be somebody who kind of builds her back up and reminds her that this was her choice. Sara didn’t have a choice. Laurel has a choice. Even though she has no skill or training or it’s messy, she’s still doing something and making a difference because she has everything else. I think there’s a bit of a wake-up call in this next episode, “Canaries,” for Laurel. It’s a really huge episode. It’s really exciting. I think that the audience will be very thrilled and involved. It’s action-packed and shocking. It was really crazy to shoot, but it was so awesome and so badass. I hope everyone’s happy with it.

In terms of your training regimen, how do you, Katie, feel that has influenced the way that Laurel and the Black Canary carry themselves?
Well, 100 percent! Physically, the transformation had to be there, because last season I was literally at work almost every day, crying, not me, physically, Laurel. The way they had written my character, she was just a mess. And I give 110 percent of myself to any job or character that I’m going to portray. I really felt like I had to be in it and live in it. It became exhausting and tiring and it definitely wore me down, but like we’ve always said, you have to earn it. For Laurel, she had to hit rock bottom in order to come back out on top. So I knew at the end of season two, once I put that jacket on, I knew I had big shoes to fill. Caity Lotz is an amazing actor, and she did so well portraying Canary. Those are big shoes that I needed to fill.

So I dedicated part of my hiatus to buckling down and focusing on training. I came to Vancouver a month before we started shooting and was training almost three hours a day, six days a week. I’d wake up in the morning and, for example, I would do a spin class, and then in the afternoon I’d have fight training, and immediately after fight training I would have weight-lifting. I was constantly doing different things to keep my body guessing. It was tiring. It was hard. It’s great because my boxing trainer, he treats me like a fighter. Our stunt coordinator James Bamford was like, “Treat her like a fighter, just don’t hit her in the face.” I spoke with [showrunner] Marc Guggenheim recently about the Black Canary’s first reveal, and we really sold it because of the physical change. Because I went from [the] second season where I was this tiny little twig to putting on some serious muscle and becoming this badass! It definitely builds confidence in the way that, if I even have that suit on, the way I hold myself, I think, is different. It’s a huge transformation.

People on this show really have different moral compasses, and they are constantly evolving. How do you feel like Laurel’s moral compass has changed since the first season?
Well, she used to be very much by-the-book like her father. I think now she has seen, obviously, the Arrow is doing good, not necessarily through the law. But you don’t have to go through the law to make sure justice is being served. So obviously her point of view on that has definitely changed. I think her point of view on a lot of things has changed [laughs]. I’m like thinking about where I was season one and I’m like, Oh my gosh! I think, you know, she’s gone through so much that I think she’s just evolved as a character and become that much stronger and brave. I feel like if anyone can take on losing her sister, losing Oliver, Oliver showing back up, her sister showing back up, her sister dying again, losing Tommy — I feel like if there’s anybody who could take all of this, it’s her. It’s just built her up. It’s built [her] character and made her rise above, she has to rise above, and she’s, I think, certainly earned it.

In terms of earning it, her alcoholism story line last season was so well done. How do you think her being a recovering addict influences her as a hero?
Um, you know … It definitely changes some things because when she does … you know … I’m trying not to give anything away, sorry. Next episode we’ll see her again, like you said, she’s gotten knocked down, she’s gonna be getting knocked down because she doesn’t have the skill. She has the mindset and the heart for being the Black Canary, but she needs to be trained. And for somebody who’s a recovering addict, you can’t get hurt and go to the hospital … they don’t want to be shot up with anything, painkillers. They don’t do that. I think Laurel is very focused on maintaining her sobriety. I think it also makes it that much — what’s the right word? — that much more difficult, because her life is like a whirlwind. She has opportunities where she would probably love to turn to drugs or alcohol. She’s constantly being challenged, but she’s strong enough and her sobriety’s so much of her life and so important to her. I think that we’ll see her, or them, have to make decisions for her when it comes to when she gets knocked down. You know when she gets thrown around how she’s gonna deal with it, pain-wise. That’s all I can really say about that. I don’t want to give too much away.

Where do you feel like Laurel’s at in terms of how confident she felt as a hero before this next episode and how confident she feels after this episode?
There’s a moment — I shouldn’t say a moment — there’s a big part of her after going out there, she just starts to doubt herself and somebody kind of reminds her and just says to her, "You’re doing this because you chose to do it. You’re not your sister, you’re you. You’re different and you have this incredible heart and drive, and everything inside of you — you’re doing this not only for your sister but for you, and the city, and because you care so much and you’re choosing to do it." And I think she comes out of the episode feeling 100 percent more confident and believing in herself. It’s almost as though she gets sort of off-track and then someone puts her back on track again. And she really believes in herself after this.

Can we just quickly talk about Laurel’s place in Team Arrow now? Can you talk about your relationship and how it’s grown with Felicity and Roy, and how you feel it’s going to continue to grow?
Yeah, I mean, I think it’s awesome. It’s so much fun as an actor to get to explore these other relationships. I hadn’t worked with Emily all that much or Colton all that much or David Ramsey all that much. So it’s great to sort of explore those relationships and what Laurel’s point of view is, and the chemistry, and how it all comes together. It’s been awesome. It’s so much fun being a part of the foundry and a part of Team Arrow. I really feel like there is a place for Laurel, like she absolutely should be there. I really love working with everyone. Colton is fantastic. Emily is amazing! We’ve had some really incredible scenes together, and you’ll get to see some coming up in this next episode. And even David Ramsey! I think it’s just fun, a new dynamic. Laurel is constantly challenged, and they question her at first. But she, again, continuously is proving herself, and she does prove herself to them. I think at first they’re hesitant with her being the Black Canary and going out in the streets and fighting with no training, but they actually see that she has it inside of her.

http://www.vulture.com/2015/02/arrows-k ... er_vulture

- Diggle sobre el Suicide Squad, el regreso de Ra's al Ghul's y los luchadores contra el crimen enmascarados (cbr):
Diggle sobre el Suicide Squad, el regreso de Ra's al Ghul's y los luchadores contra el crimen enmascarados
Por Brian Cairns 11 Febrero 2015


David Ramsey knows how to get "Arrow" fans talking.

Promoting the upcoming episode "Suicidal Tendencies," the actor posted a photo of his character, John Diggle, packing some heavy artillery alongside Suicide Squad members Lyla Michaels, Deadshot and new recruit Cupid. The group -- which typically consists of villains who partake in dangerous government missions in exchange for lighter sentences and atonement for their crimes -- has been led in the past by a reluctant Diggle. Now, circumstances dictate that he do so once again -- and he may actually be much more willing to do so than in the past.

Ahead of the Squad's latest mission, Ramsey spoke with CBR News about his character's conflict and growing relationship with Deadshot, and the introduction of H.I.V.E. Plus, Ramsey weighs in on whether Diggle should don a mask in order to protect his identity while working with Team Arrow, especially now that he has a wife and child to go home to.

CBR News: Diggle started out as Oliver Queen's bodyguard. In what ways has his sense of justice changed since those early days?

David Ramsey: I think he's always had a strong sense of what's right and wrong, even to the point of being rigid to some degree. His wife-to-be, Lyla (Audrey Marie Anderson), even calls him in that in one of the Suicide Squad episodes. I think what he's doing is right and he's become more entrenched in that righteousness. The city needs saving -- it's worth saving -- and those ideas have become more entrenched in him.

Diggle had a great speech with Oliver when he first joined the team, telling Oliver he doesn't know what it means to just arbitrarily kill people and what that does to your soul. Ultimately, Oliver Queen has become the hero Diggle envisioned him to be. Now, is the sweet spot. He looks at Oliver and the way they are carrying out justice within Starling City. It is what he always envisioned it being -- at least with what Oliver's doing. Obviously, there are difficulties with Canary and the League of Assassins.

How does Diggle think Team Arrow did in Oliver's absence, and what did they learn through this ordeal?

Philosophically, they all dialed into why they are doing this. They all have their own reasons, and those reasons are valid. Oliver's crusade has become all of their crusades, for different reasons. They've come to a place where they understand in a more concrete way why they are here.

Physically, they learned logistically just what the unit is and how it is run without Oliver. They've learned about the physical demands of protecting Starling City.

How strange was it not having Stephen Amell around as much for those few episodes?

It was very strange. There was a lot of me, Colton [Haynes], Emily [Bett Rickards] and Katie [Cassidy]. When Stephen came back, physically and emotionally, that energy was back in the room. It wasn't a huge adjustment, but he was very missed and his absence was very noticed.

One of last week's bombshells was Oliver turning to Malcolm Merlyn (John Barrowman) for help to defeat Ra's al Ghul (Matt Nable). We know what Felicity thinks of that. How does it sit with Diggle?

It's no secret that Diggle doesn't trust Merlyn any further than he can throw him. Ultimately, and Diggle will say this in later episodes, he's come out of this whole thing as being the Yoda of the group, if you will. His wisdom is without peer. He says something very interesting to Oliver in later episodes, which is, he understands the egotistical reason why you have to face someone who has beaten you, why you have to go back into that lion's den again.

Diggle is Oliver's right-hand man. He's accepted that's where he is. He loves that position. He will always have Oliver's back. Even though he despises Merlyn, Diggle understands why Oliver has to do this and why he has to risk his life to face Ra's al Ghul again, if that's what is to happen. We'll see Diggle talk about how much he gets it in later episodes.

What did you think of the scene where Diggle refuses Merlyn's offer to combine their forces?

That was fantastic. Philosophically, that's where Diggle has always been. He's understood that, "How many lives do you have to take before you are considered a murderer?"

And any time you work with John Barrowman is great. John is one of these guys who is not afraid to make it big and nefarious. At the same time, you can see behind the eyes that he really puts a conviction in Malcolm Merlyn. Malcolm really does believe in this. That scene was part and parcel of who Diggle is.

You recently tweeted a picture of Diggle, Lyla, Cupid and Deadshot together. What's it like, to be revisiting the Suicide Squad?

It feels awesome. When we first made the episode, "Suicide Squad," Marc Guggenheim and Greg Berlanti got a lot of emails about, "Is this a backdoor pilot?" I would like to think because of the overall response to the episodes with the Suicide Squad, it maybe had a little bit to do with pushing along the upcoming movie that they are doing. These things are on the table and slated to go months, or even years, before they start, but I like to think that they looked at us and went, "Look how successful it is. Maybe we can take this part of it, or that part."

I do think we did a very good job bringing that team to television. Suicide Squad and the characters are so rich, it could easily live on its own. I love Diggle's character in this, because the missions they go on are always noble, in the sense we have to take out a bad guy and there's something righteous about that. But, putting bombs in the back of people's heads and detonating them when they don't do what they tell you to do, that isn't Diggle's way. What's also interesting is now Lyla is part of it. She works for A.R.G.U.S., so it's a very interesting dynamic.

Can you tease what reunites the Suicide Squad? How do Diggle and Lyla get involved?

Diggle's wife-to-be is a big part of the reason why he gets involved in this mission. It has less to do with Amanda Waller -- in fact, Diggle is more of a willing participant with Task Force X, aka the Suicide Squad, this time than ever before. He almost volunteers to go. His arm isn't twisted like the first time he joined them. That might be a sign of things to come in terms of his willingness to work with his wife more.

Is all the bad blood between Diggle and Deadshot (Michael Rowe) under the bridge now?

I think Diggle has dialed into Floyd Lawton's humanity. When they teamed up before, he learned about Floyd's daughter and the fact he sends money home to her and he's estranged from her. Diggle knows this guy was just a hired gun. There's somebody behind him pulling the strings. There's a puppet master. That was H.I.V.E. We have not forgotten about H.I.V.E. and we're really going to get to them big time, certainly next season, and maybe even this season. I don't think Diggle has forgiven Floyd altogether, but he understands who he is a lot better and sees him as a valuable part of Task Force X.

What else is on tap for Diggle and Team Arrow heading into February sweeps?

The League of Assassins. Ra's al Ghul. This is the big baddie. There's a great line from last season where Oliver said, "If Ra's al Ghul finds out what we did, we'll all pay." That sentiment is going to be echoed in the latter part of season three. Ra's al Ghul is not done with Team Arrow. We're really gearing up to a showdown.

With the exception of Felicity, every member of Team Arrow has a costume. Would you like Diggle to adopt a secret identity? Maybe Wildcat?

There's an idea. There are a lot of names being thrown around for John Diggle. Wildcat. Green Lantern. The idea of who Diggle is and the accessibility he has is something that is fantastic. He's probably the most well-adjusted of all the characters on the show. He's dealt with his crucible. He can have a life, a child and be a hero. There is no conflict. Laurel Lance is now Black Canary, wearing the costume to respect her dead sister. Arsenal is still dealing with the fact he's killed a cop. Oliver is dealing with five years on the island and not being able to connect. Diggle is the one who is accessible, the one who can be relatable to everyone.

There's something to be said about covering that up with a mask. Putting him in the field when he has a child and wife at home, with no mask, while everyone around him is in mask, that has not gone unnoticed by the fans or us. There will be an answer to that. There will be something that will be applied that conceals his identity. Is that Wildcat? Is that the Lantern? I don't know, specifically, but there will certainly be something happening later on in this season and into next season that answers that question. Diggle has to protect his identity. Would he make a good Wildcat? Sure.

Lastly, how gratifying was it to get an early pick-up for a fourth season?

It's amazing. There was an event we did in Pasadena. All the people who wear masks or uniforms on "Flash" and "Arrow" were invited. Peter Roth from Warner Bros. came in, and he's like, "I've known this for a couple of months already, but I've got to let everybody know that you've been picked up for a fourth season." They already knew. For an early pick-up, they knew even earlier. That type of response to this show has just been great.

As an actor, being in a show where you get this kind of response and early pick-ups and the worldwide fanbase that's just been growing, it's fantastic. I don't think it's any small secret that "Arrow" has something to do with "Gotham" coming to being, and "Constantine" and "Flash." Now, "Supergirl" is being shot. The success of "Arrow" has something to do with that. I'm thanking my lucky stars every single day. To play a character like John Diggle is awesome.

http://www.comicbookresources.com/?page ... e&id=59225

- Brandon Routh sobre el vestirse como The Atom en ‘Arrow’ y su base de fans gays (xfinity):
Brandon Routh sobre el vestirse como The Atom en ‘Arrow’ y su base de fans gays
Por Jim Halterman | 12 Febrero, 2015 a las 11:33 AM


Ray Palmer is obviously staying in shape for something, right? (Emily Bett Rickards & Brandon Routh) (CW)

We’ve finally seen what Brandon Routh looks like in The Atom suit on the CW hit series, “Arrow.”

However, that was in a photo released recently by the CW and Warner Brothers but at least it’s a good sign that we’ll be seeing The Atom soon on the series. (Actually, looks like it will be with the episode airing February 25th)

And while Routh has always had a gay fan base since he famously put on that other suit with an S on the chest back in 2006, he cemented it by playing Wyatt, the gay nurse dating Michael Urie on the short-lived comedy “Partners.”

I sat down with the charismatic Routh recently to talk about Ray Palmer’s journey, his feelings for Felicity Smoak (Emily Bett Rickards) and how it’s been wearing The Atom suit.

Tell me how you approach playing Ray because I didn’t know if it was in the script but I really like kind of the lightness you bring to him even though there’s not a lot of light stuff going on around him.

Brandon Routh: I’d like to take credit for it and say it was my genius idea but no, that was when Andrew [Kreisberg] and Marc [Guggenheim, exec producers] pitched the idea to me, the character, they were like, “We want to bring Ray in to be a light spot for the show in the third season. We feel like there’re some things we really need to do and add another layer to the show.” So I said, “Yes.” I mean, that was an amazing experience. Then saying that to me, they really didn’t have to tell me anything else because I had an awesome opportunity to work on “Chuck,” which I was a fan of the show and it was so much fun, but I didn’t get to do much comedy at all on that show. So I definitely jumped at the opportunity to do it on this.

Then they’ve kind of let me go. It’s awesome writing, everybody making fun stuff and the tech stuff and the quirkiness…I feel like maybe I have made him a little bit softer than he could have come of, which I’m happy about because that’s just me. I wanted to make sure that he was likable, even in his quirkiness or his brashness sometimes. But then just the energy level, I just kind of did as much as I could do comfortably and truthfully and it stuck and everybody’s happy with it. There are levels and layers to his energy obviously, so some of it is a persona that he puts on for business purposes and then with Felicity, it can definitely be a more low-key conversation and real.

Would you say his feelings for Felicity are 100 percent genuine or is she also someone who can help him get where he wants to go because of her own intellect?

BR: I think his romantic feelings for her are absolutely genuine. I think at the beginning the business side was business. That’s why when everybody knocks Ray for being a stalker I go, “Well, come on now. It wasn’t like some guy on the corner saying, ‘I’ve been watching you for years. You’re so beautiful. I want to touch your hair,’ that kind of creepy stalker. He was stalking her for her business mind and for her brains and her wit and everything, you know, pursuing her for those intentions purely. In fact, it caught him off guard, the whole romantic thing.

I wonder if Ray is much more aware of what’s going on around him than maybe he lets on. Would you say that?

BR: Well, I think he’s a smart enough guy to know there are things that he doesn’t know, I would say. To my knowledge I’ve not been told that Ray has any insight into Oliver, who he is, who Arrow is and Felicity’s involvement, though he had the wherewithal to know who Felicity Smoak was and her history and the legend of Felicity Smoak. So maybe he does know something and that will be revealed but I just think he knows and trust that if she has something to do, she needs to be out of work for whatever reason, that he trusts himself that she’s not cheating on him or whatever else. It’s valid, whatever reason it is.

I don’t know if you can talk to this, are we going to see in you a special kind of suit any time soon?

BR: I will be in The Atom suit before the end of the season. I can say that. I’m excited for everybody to finally get to see it and to be in it more. I’ve been in it a couple of times testing it out.

You’ve been through putting on these kinds of suits before but how is it when you put on The Atom suit?

BR: It’s pretty awesome. You know, there’s a whole fitting process, they’ve done a really great job not needing me as much as I was for “Superman,” it was a different experience, and they’re so used to making suits. The idea of the suit is different than any others that you’ve seen on the show. They’ve got a really good pattern down to getting it done so it’s been very cool, fairly seamless, and the fact that they’re constricting can be troublesome for spending a long time in them but also kind of lends this invulnerability feeling, invulnerable feeling, because you’re in it and so you feel stronger because of it and the same thing with this and it’s very imposing and powerful looking so I can feel that from being inside.

Is keeping up with the workouts a challenge because the suits tend to be very form fitting?

BR: Well, this would be a situation where I won’t want to put on any mass…if I was to ever do that for any reason they’d probably yell at me but they’d have to sew something else I suppose but I don’t need to. I mean, with the whole thing on it’s pretty imposing and thankfully I’ve done enough in my fitness and nutrition research that I’m in a good place that I can stay pretty steady with what I have going and not have to worry about fitting in the suit.

Moving forward, will we see Ray’s moral line be tested?

BR: No, not yet, his involvement is still kind of loose as far as what we’ve done so far. I mean, certainly I’m sure that will be something like that. He’s never done anything like this. I mean, yes, he had this tragedy with his wife being brutally murdered but he has not, to my knowledge, really laid a hand on anyone yet and the implications of that and that stuff.

Let’s talk about your gay fan base. Obviously, playing a gay character on “Partners” helped but when did you first become aware of that?

BR: Oh, sure. From “Superman,” from before I did an episode of “Will and Grace,” I think the “Superman” thing was obviously the huge thing for fan bases of all. I appreciate the support from everyone and loyal fan base.

And I do think once you play a gay character, you kind of always keep those fans in the future.

BR: We still need more of that as thankfully, the world, society, is coming to a more rational thought process about sexuality. It’s like ‘come on people, just relax already and live your life and forget other people.’ Don’t worry about what other people are doing, not hurting you and I’ve been happy and honored to play the characters that I’ve played and really truly wished I could have played Wyatt a lot longer. I had such fun with that character and working with the fabulously talented Michael Urie and David [Krumholtz] and Sophia [Bush] and Max [Mutchnick, co-creator] and David [Kohan, co-creator] and everybody. That was one of those that still, we were on the right recipe and such a good family.

And I get people all the time at conventions a lot say, “Oh, ‘Partners’ was so great.” A lot in Canada because they got to see, I think they might have gotten a few more episodes than we got to see. I hear from people on Twitter in South Africa where they got to see all 13 episodes, they released all of them there. They should at least put it on the DVD. Put it on iTunes. People would buy it, Warner Brothers, CBS.


http://xfinity.comcast.net/blogs/tv/201 ... -fan-base/


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

Mensaje por Shelby »

- ARROW 3.13 "Canaries" Producer´s Preview:

https://www.youtube.com/watch?v=v04I-14tHE4




- ARROW 3.13 "Canaries" Clip #1:

https://www.youtube.com/watch?v=hqLd8K4WVeU


- ARROW 3.13 "Canaries" Clip #2:

https://www.youtube.com/watch?v=p6WI4yAyAwM


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

Mensaje por Shelby »

- Nuevas imágenes BTS del crossover del 1.18 con "The Flash" y del 3.18 (10-13 Feb 2015):

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(@ArrowProdOffice: Thanks @BrandonJRouth and @bulletproofexec for the #bulletproofcoffee on set this morning! Ready to start our day!
@BrandonJRouth: Thx to @bulletproofexec #DaveAsprey & @BPNutrition for #upgrading #Arrow & #Flash cast & crew w #BulletProofCoffee
@BrandonJRouth: #BulletProofCoffee helps fuel #RayPalmer’s energy…& #Raylicity Getting @EmilyBett addicted w @bulletproofexec
@BrandonJRouth: #BulletProofCoffee on @CW_Arrow & @CW_TheFlash sets! Superhero fuel-coffee of choice For me it is! @bulletproofexec
@BrandonJRouth: Maybe #CCJitters will start serving #BulletProofCoffee @grantgust & #JesseLMartin are in! w @bulletproofexec
@EmilyBett: We’re back! @charlotteross #MamaSmoak
@PaulBlackthorne: Oh mama! Swept off my feet by the gorgeous & lovely @charlotteross #SmoaknLance
@MZKatieCassidy: Whatever doesn't kill us only makes us stronger... #Repost @james2bambamford ⁰@katiecassidy Battle wounds.....warri…
@PaulBlackthorne: The devilishly dashing @davidpaulramsey @david_ramsey Best ear actor in town
@caitylotz: I'm getting really good at my Joker smile Oh I thought u guys might want me to share this photo #canaries #Arrow)





- Nuevas imágenes BTS del rodaje del 3.18 con el Capitán Lance (Paul Blackthorne) & Roy (Colton Haynes) en Downtown Vancouver (10-02-15):

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(thanks to @canadagraph & yvrshoots)


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

Mensaje por Shelby »

- Stills del 3.14 "The Return":

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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

Mensaje por Shelby »

- ARROW 3.14 "The Return" Promo:

https://www.youtube.com/watch?v=L2yBT_NUgng


- ARROW 3.14 "The Return" Extended Promo:

https://www.youtube.com/watch?v=ktGJCs7BKkY





Añadidos los rátings del 3.13 "Canaries". Podéis encontrarlos AQUÍ


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Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

Mensaje por Shelby »

- Tarjetas promocionales de la CW por San Valentín:

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- Imágenes de las nuevas Action Figures de "Arrow":

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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

Mensaje por Shelby »

- Comic Books on TV! Arrow! The Flash! Gotham! Constantine! Izombie! (TVGuideMagazine):

https://www.youtube.com/watch?v=IvjrbNBIFcc


- Your favorite TV stars' Valentine's Day Special! Arrow! iZombie! (TVGuideMagazine):

https://www.youtube.com/watch?v=4XrzuqQIe5c



- Arrow 2015! Stephen Amell! Katie Cassidy! Colton Haynes! (TVGuideMagazine):

https://www.youtube.com/watch?v=4ifJTn5i030


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