"ARROW" Nueva serie de la CW para TV basada en Green Arrow

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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

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- 'Cupido' Ha Salido para Ganarse el Corazón de Oliver... A Toda Costa (IGN):
'Cupido' Ha Salido para Ganarse el Corazón de Oliver... A Toda Costa
Por Matt Fowler Arrow / 19 Nov 2014


Right at the end of last week's Arrow episode, "Guilty," DC Comics' Cupid made her debut. Played by Amy Gumenik (Supernatural's younger incarnation of Mary Winchester), Cupid's now out to win the heart of Starling City's vigilante, even if it means murdering just about everyone around him.

On this week's "Draw Back Your Bow," Arrow must face down Cupid's deadly obsession with him while trying to keep those around him safe from her lethal love arrows. I spoke to Gumenik about her new killer role, what lies ahead for her character in the Arrow-verse, the little Cupid-y Easter Eggs in the background of last week's installment, and being cast as a DC Comics character created by Arrow's own EP, Andrew Kreisberg, during his run on the Green Arrow comic book.

IGN: Tell me a little about filming those background scenes last week. A lot of fans missed you appearing in some of those scenes and had to revisit the episode later on to catch you.

Amy Gumenik: Yeah, that was interesting. It's obviously the first thing that we shot with the character and for me it felt like it was a nice warm up. And it gave me the opportunity to be her when no one was looking. To be the stalker in the background. And to get a peek at what Cupid's, or at that point Carrie's, life really is. I think she does a lot of lurking in the shadows. So that was a fun, different opportunity for me to just jump in and live her life rather than just go straight into the action. And you know when I first saw the script and saw the line "I'm Cupid, stupid" I really didn't need anymore convincing about it. Because I think that line sells itself.

IGN: So she lurks in the shadows, but she's also not afraid to pop out with a line like that. With panache.

Gumenik: Oh, absolutely. But I think that her timing is very deliberate. She doesn't make herself known until she has figured out every step of her plan and every part of her target's plan. She just knows when her perfect moments are and how to make a maximum impression.

IGN: So she's psychotic but also patient.

Gumenik: In some ways yes. But not always when it comes to Arrow, no.

IGN: There's a line in the teaser for the episode where you hear Cupid say "One night with me and you'll change your mind." That's a lot of confidence for a stalker.

Gumenik: I think that she is confident while she's in her Cupid persona. I think that she's definitely ruled by love at that point. And feels like nothing can stop her and no one can stand in her way. And she's really willing to do anything, including kill, for him. And that goes for a lot of characters on this show. I think just about all of them are living two lives and have a secret side that they don't show to everyone. And this is a fun one to navigate. And in those moments when she decides that she's Cupid, she's ready to go. And finds the confidence within her that perhaps she doesn't have as Carrie Cutter.

IGN: So putting on her Cupid costume sort of awakens something within her.

Gumenik: I think so, yeah. I think like we see with Oliver when he dresses up like the Arrow, there's definitely something that happens when these characters physically step into the shoes of these comic book heroes and villains.

IGN: Is Oliver, or Arrow, the first target of Carrie's obsession? Or will we see that there've been others?

Gumenik: He's not her first, and I do think that there's a pattern. But I also think that Arrow's the most extreme manifestation of this stalker-ism, if you will. She definitely sees something in Arrow that's different from the men she's been with and the ones she's been obsessed with. And I think he sort of set something off in her that's even bigger than she's ever felt before. But yes, her history with men is not healthy. And she does have obsessive tendencies. But there's something about Arrow specifically that's different.

IGN: Is this an "I love you to death" type situation?

Gumenik: In her world, in an ideal situation, it's probably an "I love you to death" scenario. She's determined to show him that they can both live happily ever after and convince him of that. She sees Arrow's hesitation as him being afraid to fully jump into a relationship with her. Which may or may not be a mixed interpretation based on some of the signals he's giving her, but I do think that the alternative exists as well. There's a bit of "If I can't have you then no one can." She doesn't want it to go to that level, but she's prepared to do whatever it takes to make him hers. Or no one's.

IGN: It's one thing to come onto a show like this an play a DC character, and it's another to play one that was created by Arrow executive producer Andrew Kreisberg when he wrote for Green Arrow. Did you feel any added pressure there?

Gumenik: Yeah, I mean initially when I auditioned for the role I didn't know that the character was Cupid. Because they used code names in the script to protect the surprise. So in a way I was glad that I didn't know. Because it is an added pressure and I've got some big shoes to fill. Cupid is such a fun, celebrated part of the DC Comics world. But there was a little bit of pressure going into it, absolutely. And I think that Andrew was incredibly gracious in that he supplied me with research material and he was there as a resource if and when I needed him. And then also allowed and encouraged me to find and create my own Cupid. Using his creation as a guideline. So for me to have the opportunity to work with him directly, I kind of feel like it was, and is, a huge honor to bring his character to life. And to collaborate on that has been a tremendous gift that I didn't know I would have going into it. And I think he's brilliant. And he has such a genius mind to be able to create such fun and crazy characters but still remain so humble and normal.

IGN: The character of Brick is also coming to the show, played by Vinnie Jones. In the comics, he and Cupid crossed paths rather violently. Can we expect anything from the two of them?

Gumenik: Yes. Actually you can. Brick is one of many characters she crosses paths with. And she is determined and dedicated to rid herself and rid Arrow of anyone who comes between them. And so I think this episode just begins to touch on that and begins to touch on who all those people are. But there's definitely more to be explored.

http://www.ign.com/articles/2014/11/19/ ... t-any-cost
- 'Cupido' Apunta Hacia 'Arrow': ¿Mató ella a Sara? ¿Será Felicity un Objetivo? (TVLine):
'Cupido' Apunta Hacia 'Arrow': ¿Mató ella a Sara? ¿Será Felicity un Objetivo?
Por Matt Webb Mitovich / 19 Noviembre 2014, 8:03 AM PST


Albeit three months early for Valentine’s Day, Cupid makes her bow tonight on Arrow (The CW, 8/7c), setting her sights on Starling City’s enigmatic vigilante and anyone who ostensibly could come between them.

Amy Gumenick — whose previous TV credits include AMC’s TURN and the role of Supernatural‘s Young Mary Winchester — shared with TVLine a look at Cupid’s mission and whether the Arrow’s super-ardent admirer might figure in the ongoing “Who killed Sara?” mystery.

TVLINE | Now, I spotted you in the background of at least one other scene last week, before Cupid revealed herself the end. But was there a second Easter egg?
There were two. We see her outside of the gym as Laurel’s exiting, and we see her again walking past Diggle’s van.

TVLINE | I am admittedly rather in the dark about this DC Comics character. What’s Cupid’s deal?
Well, Cupid is a supervillain, as described by the DC comic book world. She exudes extreme strength as a martial artist and as a hand-to-hand fighter, and she also has an extreme emotional capacity. She’s definitely a bit mentally unstable and will meet no ends to get what she wants. Fundamentally, she is driven by love and will fight anyone and face anything for her love.

TVLINE | OK, so she just wants to be loved.
Exactly. [Laughs] See, she’s not that bad!

TVLINE | Who was Carrie Cutter before she started stalking Arrow and killing “for” him?
Carrie worked as a cop for many years. She also worked in the military. She was asked — or forced, if you will — to leave law enforcement because of her unstable mental state.

TVLINE | Is that why we see her being “familiar” with Quentin Lance in the promo?
[Coyly] I believe so…. She has definitely crossed paths with these guys before, and though her badge was taken away, in her mind she is still doing [the job]. In a way, in becoming Cupid she found a way to get to and solve the crimes before they happen, rather than arriving after the fact.

TVLINE | How long as Carrie been carrying this torch for the Arrow?
This isn’t a sudden “love at first sight” situation. Perhaps it feels that way, but once she makes her mind up that he’s “the one,” she is determined to get him. How far back that goes is open for interpretation.

TVLINE | Even though her obsession is the Arrow, and not Oliver Queen, is Felicity perhaps seen as a threat? Or Laurel…?
I think that they are potential threats, but I don’t think Cupid is too worried about them.

TVLINE | In her quest, does Cupid make use of or “have her way with” other men?
Oh, absolutely. She has been in love, as touched upon in the comic books. But there is something different and bigger and more powerful about the love that she feels for Arrow. And yet she is a woman who knows how to get what she wants, so there’s definitely some manipulation, definitely some perhaps “inappropriate” use of other men…. She will do whatever it takes.

TVLINE | Because of her thing for Arrow, and because she obviously has some archery skills, are we going to wonder if it was she who killed Sara?
That question definitely is raised…. In the comic books, Black Canary is a big rival of Cupid’s; she sort of is the biggest obstacle in the way of her getting Arrow. So if I were investigating Sara’s death, I would definitely question her.

TVLINE | Who do you get to interact with most, of the main characters?
Most of my interactions are with Stephen [Amell]. But Arsenal (played by Colton Haynes) gets in my way, so I have to take care of him. And there are a few of Arrow’s enemies that I present to him as “gifts.”

TVLINE | How many episodes can we expect to have you around for?
Good question. We are discussing and plotting for future adventures, so there will hopefully be more. How many, I don’t have a number…. But there is definitely unfinished business that Cupid will return to take care of

TVLINE | [Showrunner] Marc Guggenheim told me that this episode ends in a way that “will suggest exactly how and when and under what circumstances we’ll see Cupid again.”
Ooh, I like that! [Laughs] Let’s stick with that story.


http://tvline.com/2014/11/19/arrow-seas ... ick-cupid/
- Amy Gumenick Habla sobre la Season 3 de 'ARROW', las motivaciones de 'Cupido', el truco de la serie de crear mujeres de armas tomar y más (collider):
Amy Gumenick Habla sobre la Season 3 de 'ARROW', las motivaciones de 'Cupido', el truco de la serie de crear mujeres de armas tomar y más
Por Christina Radish 19 Noviembre 2014


In Episode 307 of The CW drama series Arrow, entitled “Draw Back Your Bow,” we get a deeper exploration of the Arrow-obsessed serial killer that we have only just gotten a glimpse of. Carrie Cutter (Amy Gumenick), aka Cupid, is convinced that The Arrow (Stephen Amell) is her one true love and will stop at nothing, no matter how deadly, to get his attention.

During this exclusive phone interview with Collider, actress Amy Gumenick talked about having no idea which character she was actually up for when she auditioned, what an honor it is to bring to life a character that was created for the comics by executive producer Andrew Kreisberg (the writer of the Green Arrow/Black Canary comic book series, at the time), who Cupid is and what her motives are, what it is about The Arrow that attracted her attention, why The Arrow is caught off guard by Cupid, how bad-ass it feels to put on the costume and pick up the bow and arrows, and that her character will go to any and every extreme possible to prove her love and have her happy ending. Check out what she had to say after the jump.

Collider: This character seems like so much fun!

AMY GUMENICK: Oh, it is so, so, so much fun! Fun doesn’t even begin to describe it.

How did you come to be playing Cupid on Arrow? Did it help that the network was already familiar with you from Supernatural, or did you go through an audition process?

GUMENICK: I do think it helped. However, I did go through an audition process. I auditioned for the producers and writers of Episode 307, and the creators of the show and of Cupid. And when I initially auditioned, they would not release any information about who the character was. All I was given was that she was a redhead, so it was a bit of a mystery for me. I went in and created this mysterious redhead, and I didn’t find out it was Cupid until after I was cast. So, it was as fun a surprise for me, as it was for the fans.

Were you more nervous or excited to play a character created for the comics by one of the producers of the show?

GUMENICK: Both! It’s a huge honor. In a way, I was glad that I didn’t know that, going into it, and that they saved that fact until after I had already been cast. But, I think that Cupid is such a brilliantly written character. She’s so fun and multi-dimensional. So, to step into those shoes was definitely scary. They are big shoes to fill. But Andrew Kreisberg, who created the character, did a really beautiful job in laying the groundwork for her, and then allowing us, as a team, to really collaborate and bring her to life. It was such a fun process.

Did Andrew Kreisberg give you any specific guidance or tell you anything about Cupid that helped you in how you wanted to play her?

GUMENICK: I definitely caught up on as many of the comics that included Cupid that I could get my hands on. There have been some hilarious cartoons created, and I wanted to base her as much as possible in the comic book world, as well as bringing an element of grounded humanness to her. I didn’t want to play a cartoon, but I wanted to have elements of that. Andrew really let me discover that. He his big thing, and the ongoing conversation, was that while she is mentally unstable and she does go to extreme measures to fight for her love, and is flat-out a murderer, to really keep in mind that she is driven by love and she is out to get the bad guys and she has fun doing it. The fun and the game was something that, throughout the whole process, we kept trying to discover. This is all a big game for her. So, when I could really live in that place, I forgot about the negative things that she was doing. It’s fun when it’s all part of this game of love, and that was something he really encouraged.

You’ve gotten a taste of what fandom can be like, with your work on Supernatural, as that show also has a really dedicated fan following. Does that help you have an appreciation for the fans of Arrow and the level of dedication that they have?

GUMENICK: Oh, absolutely! There’s actually a lot of cross-over, which I thought was really interesting, and didn’t know until working on Arrow. A lot of the amazingly loyal fans of Supernatural are also Arrow fans, so it’s been a fun opportunity to reconnect with all of them and, in a way, dedicate this character to them. It’s been great to have been invited back into that world.

What can you say about how Cupid fits into this episode, and what it is about The Arrow that attracted her attention, in the first place?

GUMENICK: Without giving too much away, she and Arrow have definitely crossed paths before, and I think she’s had her eye on him for quite awhile. Cupid is someone who’s been burned in the past, many times, and has lost many lovers. She sees a lot of herself in Arrow and looks up to him, on several levels. She wants to be the fighter than he is, and she wants to fight beside him. In a lot of ways, she seems him as a hero, and that’s something that she is immediately drawn to. Once Cupid has her mind on something, nothing will stop her from getting it. I would say that it’s love at first sight, except that this isn’t the first sight. It’s been a long time coming, and now is her opportunity to really jump on it, so she goes for it.

We obviously know that The Arrow knows how to deal with really bad guys and girls, but a romantic stalker is a whole different game for him.

GUMENICK: It’s dangerous on a different level.

So, what can you say about how he reacts to this situation, when he’s made aware of it?

GUMENICK: I think that he’s caught off guard. Cupid’s way in is not the typical way. She comes from an emotional place, and finds his weakness and the vulnerable spots in him. Love makes you do and see and act in ways that you would never even imagine yourself doing or feeling or acting, and she uses that to her advantage. And I think it is genuine for her. In the filming process, we talked about, why doesn’t he just shoot her and kill her? He is powerful enough that this could easily be a problem that is quickly solved, and yet he doesn’t react that way. There is more heart that she finds, and they can relate on the issue of the unattainable love. I think it’s interesting that he allows her to play this game and, in a way, plays along with her. She finds something in him that is rooted in emotion, and that’s not a territory that he’s familiar with.

How bad-ass does it feel to be able to put on the costume with the bow and the arrows, and be the one making The Arrow nervous?

GUMENICK: So bad-ass! The writers of this show do a really good job in creating bad-ass women. This genre, in general, does a really good job at that. The second I put on the costume, in my first fitting, I felt like there was a transformation. And then, they gave me the arrows and I was fortunate enough to get to work, one on one, with the archery expert and embody this new skill. I will say that archery is more powerful and empowering than I ever thought. So, it’s pretty remarkable to step into such a bad-ass character and just go for it.

Cupid is described as a murderous villainess with a tenuous grasp on reality, who seeks extreme ways to demonstrate her obsessive love for The Arrow. How do you think she would describe herself?

GUMENICK: I think that she would describe herself as a woman in love. Like anyone who’s ever been in love, nothing and nobody could ever get in the way of that. I think that she will go to any and every extreme possible to prove her love and to have her happy ending.

http://collider.com/amy-gumenick-arrow- ... interview/
- Amy Gumenick Vuelve el Amor en Obesión Mortal como el 'Cupido? de "Arrow" (CBR):
Amy Gumenick Vuelve el Amor en Obesión Mortal como el 'Cupido? de "Arrow"
Por Bryan Cairns 19 de Noviembre 2014


While Starling City's Arrow has his fair share of admirers, he'll face his biggest -- and craziest -- fan to date in tonight's episode of "Arrow," "Draw Back Your Bow." Introduced in the final scenes of last week's installment, Cupid (played by "Supernatural" alum Amy Gumenick) will take center stage as she attempts to grab the Emerald Archer's attention by killing people.

Introduced in 2009's "Green Arrow/Black Canary" #15, Carrie Cutter (AKA Cupid) was a special ops soldier who volunteered for an experimental program that ultimately heightened her emotions to a psychotic degree. Consequently, she's developed an unhealthy obsession with Arrow and will stop at nothing to make him her man, including murder.

In order to get a better read on how Cupid will affect Oliver Queen's world, CBR News spoke with Gumenick about her character's fixation on the Arrow, the joy of taking on physically demanding roles, her experience on "Supernatural" and getting a little crazy.

CBR News: Amy, what's unique about Cupid compared to the Arrow's other adversaries?

Amy Gumenick: Well, she's in love with him and will stop at nothing to have their happy ending together.

"Arrow" executive producer Andrew Kreisberg originally created Cupid for the Green Arrow comic books. Did you get to pick his brain about the character?

I did a bit. Andrew was definitely involved with the whole casting process and was on set for a part of filming the episode. It was such an incredible opportunity and gift to get to work with him hands-on, and, yes, to pick his brain and learn where Cupid came from and the various people he based her on from his life. The research is endless for this character.

I will say Andrew really encouraged me to find the fun and enjoy her and the journey she goes on and the crimes she commits and remember it's all in the name of love. Together, we brought that to life. He was also very generous in allowing me to create my own version of Cupid and run with it.

In the teaser trailer, Cupid comes off as flirty and slightly insane. What was your take on her?

She's not the most emotionally or mentally stable person. Her idea of fun is perhaps a bit twisted. She reads Arrow's response and actions as, "Oh, this is a game." In her mind, it's like a cat and mouse game. He's playing hard to get. She takes that signal and goes to extreme measures. Where the danger comes in is she's incredibly strong, both physically and emotionally, and is an exceptional martial artist and has taken up archery to become closer to Arrow and prove herself. It is fun for her, but it's dangerous and at any moment, it could be taken too far.

Do you feel this episode is "Arrow's" version of "Fatal Attraction" times one hundred?

Absolutely, and yet there's a bit of a Romeo and Juliet thing going on. It's this long-lost love that cannot be, and yet she's determined to break that spell. But, yeah, "Fatal Attraction" is a perfect way to look at it.

What draws her to Arrow?

She sees Arrow as a hero. She sees his passion for what he does and his extreme strengths. I think she wants to be the one who takes care of him. Even in the trailer, there's the line, "I see the way you take care of your city. Who takes care of you?" Cupid wants to be that for him. She's never really taken care of anyone. She sees him in a lot of ways as a savior and respects that about him. She also sees a capacity to love and be loved, and she's determined to show him that.

Obviously, Arrow isn't moved by her "tokens of affection." How does Cupid handle rejection?

Not very well. She literally says, "I don't handle rejection very well," so she's aware of her flaws. The more rejection she feels, and the harder she feels Arrow is being, the bigger and more extreme her reactions become. As we see very early on, just in the last minute of the episode "Guilty," she'll kill for him if that's what it takes to prove her love.

Is she the jealous type? Should viewers be concerned for Laurel and Felicity's safety?

There is definitely potential for danger. She's made up her mind that if he can't be hers, than he's not going to be with anyone else. She will make sure they live happily ever after, whether it's alive or dead. I would be slightly afraid if I were one of them.

As Mary Winchester on "Supernatural," you came to blows with the angel Anna and got your butt whooped a bit. Did that choreography help prepare you for the level of action in "Arrow"?

It did. One of the things the CW does so well is raise these strong, powerful, physically active women. It's been such an honor as an actress to get to play two incredibly strong, yet very different roles. On both shows, I was allowed to personally explore that. On "Supernatural," I did my own fighting, which was a fun surprise. It's so rare that they allow actors to do that. On "Arrow," I got to start studying the art of archery. It's an added perk, particularly on shows likes this, to learn these new skills. On a lot of levels, working on "Supernatural" and playing Mary prepared me for this role.

Cupid becomes a recurring threat in the comics. How worse would she be around Valentine's Day?

A lot. It was funny. While we were filming, we kept talking about how this would be a perfect Valentine's Day episode. She awakens something in Arrow. In a way, she serves as a mirror to him of, "You can love, and you can be loved, despite the obstacles you seem to see before you." Valentine's Day is a perfect day for her to jump back in and cause more trouble.

What's been enjoyable about playing someone a little off their rocker?

Oh, everything. The nature of her character is she's so unpredictable and drastic and irrational. There really is not much logic. She's very impulsive. For me, to get to play a character that in one episode rides the entire emotional spectrum has been so much fun and challenging. It was an incredible opportunity for me that I hope I get to continue to explore, because I think the possibilities with this character are endless. I'm excited to see where they take her.

http://www.comicbookresources.com/?page ... e&id=57199
- La actriz que interpreta a 'Cupido' en "Arrow" apunta un regreso futuro (THR):
La actriz que interpreta a 'Cupido' en "Arrow" apunta un regreso futuro
Por Aaron Couch 19/11/2014 6:00 PM PST


Don't worry Cupid fans — we may see more of her on Arrow yet. Sure, she's supposedly going straight as a member of The Suicide Squad, but she definitely has more Oliver (Stephen Amell) to taunt.

"I would absolutely be up for it. I would be thrilled," Cupid actress Amy Gumenick tells The Hollywood Reporter of the possibility of returning. "The episode is definitely left open-ended. There are many avenues they could take with Cupid. I'm excited to see which path they jump on. There is definitely potential there." who masterfully played the Ollie-obsessed villain in Wednesdays' episode, says she believes there's more in store for her character.

Cupid had some badass moves in the episode, and Gumenick says that was no easy feat to achieve. See what she has to say about shooting the episode below.

What was the toughest part about playing Cupid?

My job was so much more than acting the part. While acting, I was using a deadly weapon that I had never used before and finding the balance between portraying this woman who is for half of it crazy and unpredictable and dangerous, while grounding her in reality. One of the biggest challenges of playing any kind of villain is finding the redeemable qualities, and putting myself in the audiences shoes and finding what they can relate to. I hope as a team we found that and were successful in that. I was a fun ride and great adventure, and I hope to continue it.

It's very physical. What was that aspect like?

There was archery, there was hand-to-hand combat, so that was a fun bonus to the acting side, was to get to dive into the physical part as well.

How did you get in the right head space to play her?

Fun doesn't even begin to describe it. Embracing a character that is so wild and all over the place and unpredictable and yet has such incredible strength and power and in really one episode gets to ride the entire emotional spectrum was such an amazing opportunity. The character of cupid is kind of a dream come true for a female actress. It's not often that I get to wear a leather outfit and sling arrows at people. It was so fun.

http://www.hollywoodreporter.com/live-f ... ure-750587


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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

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- Arrow 3.07 "Draw back your bow" Clip 1:

https://www.youtube.com/watch?v=w90vYTcYvQQ


- Arrow 3.07 "Draw back your bow" Clip 2:

http://bcove.me/zylwwzoh



- Arrow! The Flash! Cover shoot with Stephen Amell and Grant Gustin! (TVGuide Magazine):

https://www.youtube.com/watch?v=INSY-l2-my0


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- Arrow 3.08 "The Brave and the Bold" Promo:

https://www.youtube.com/watch?v=4LRe1WTtEWk



Añadidos los enlaces y rátings del 3.07 "Draw Back Your Bow". Podéis encontrarlos AQUÍ


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- Stills del 1.08 "Flash vs. Arrow" (1ª parte del crossover):

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- Stills del 3.08 "The Brave and the Bold" (2ª parte del crossover):

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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

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- Descripción oficial completa del 3.09 "The Climb":
3.09 "The Climb" (10/12/14): RA’S AL GHUL LE DA A OLIVER UN ULTIMÁTUM; DINAH LANCE KE HACE A LAUREL UNA VISITA — Nyssa (la estrella invitada Katrina Law) regresa a Starling City y le dice a Oliver (Stephen Amell) que su padre, Ra’s al Ghul (la estrella invitada Matt Nable) le ha dado a Oliver 48 horas para encontrar al asesino de Sara o que la 'League of Assassins' empezará a matar a los ciudadanos de Starling City. Laurel (Katie Cassidy) se queda perpleja cuando su padre (Paul Blackthorne) le entrega un regalo de Navidad muy especial – su madre, Dinah (la estrella invitada Alex Kingston). Mientras tanto, Ray (Brandon Routh) intenta hacer las paces con Felicity (Emily Bett Rickards) y Oliver establece un encuentro con Ra’s al Ghul. Thor Freudenthal dirige el episodio escrito por Jake Coburn & Keto Shimizu (309).

http://www.greenarrowtv.com/arrow-full- ... limb/20379


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- "THE FLASH" & "ARROW" SPECIAL SCREENING at Crest Theatre, L.A. (22-11-14) -

- Imágenes:

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- Videos:

Arrow - The Flash and Arrow Screening: Fans (The CW)
The Flash - ARROW VS FLASH Panel (The CW)

Q&A
https://www.youtube.com/watch?v=OdCErK2yym4
https://www.youtube.com/watch?v=vsDX9DLDfAQ
https://www.youtube.com/watch?v=p_bUVR6A7Nw
https://www.youtube.com/watch?v=-dCkD-2smbw

Stephen Amell talks 'Arrow'/'The Flash' crossover (Danielle Turchiano)
Emily Bett Rickards talks 'Arrow'/'The Flash' crossover (Danielle Turchiano)
David Ramsey talks 'Arrow'/'The Flash' crossover (Danielle Turchiano)
Audrey Marie Anderson talks 'Arrow'/'The Flash' crossover (Danielle Turchiano)
Marc Guggenheim talks 'Arrow/'The Flash' crossover (Danielle Turchiano)
Andrew Kreisberg talks 'The Flash'/'Arrow' crossover (Danielle Turchiano)
Grant Gustin talks 'The Flash'/'Arrow' crossover (Danielle Turchiano)
Danielle Panabaker talks 'The Flash'/'Arrow' crossover (Danielle Turchiano)
Carlos Valdes talks 'The Flash'/'Arrow' crossover (Danielle Turchiano)

Stephen Amell Teases New Oliver Intel (TVFanatic)
David Ramsey Red Carpet Interview (TVFanatic)
Emily Bett Rickards Talks Felicity, Crossover Event (TVFanatic)
Audrey Marie Anderson Interview (TVFanatic)
Andrew Kreisberg Previews Crossover Event (TVFanatic)
Grant Gustin Previews Arrow Crossover (TVFanatic)
Danielle Panabaker Interview (TVFanatic)
Carlos Verdes Interview (TVFanatic)
Marc Guggenheim Q&A (TVFanatic)

'Arrow' & 'The Flash' Casts Tease Crossover Episode (access hollywood)
Robbie Amell: What Makes Him Look 'Ridiculous' In 'The Flash'? (access hollywood)
Grant Gustin: 'The Flash' & 'Arrow' Crossover Episodes 'Fun & Exhausting' (access hollywood)
Stephen Amell: What To Expect In 'The Flash' & 'Arrow' Crossover Episodes (access hollywood)
What Do 'Arrow' & 'The Flash' Crossover Episodes Prove To Producers? (access hollywood)
'Arrow': A Closer Look At Felicity & Ray Palmer (access hollywood)
Producers Preview 'The Flash Vs. Arrow': The Fight 'Is Pretty Brutal!' (access hollywood)
Carlos Valdes Previews 'Flash' & Arrow' Crossovers! (access hollywood)
Marc Guggenheim: How Ra's Al Ghul Will Change "Arrow" (access hollywood)
Andrew Kreisberg: Previews 'Arrow' & 'The Flash' Mid-season finales (access hollywood)


Stephen Amell on the Arrow / The Flash Crossover (IGN)
Grant Gustin on The Flash / Arrow Crossover (IGN)
Emily Bett Rickards on the Arrow/ The Flash Crossover and Felicity's Dad (IGN)
Arrow Producer Talks Black Canary, The Atom and Ra's al Ghul (IGN)
Danielle Panabaker on the Arrow Crossover and if Caitlin Could Become Killer Frost (IGN)
Carlos Valdes on the Arrow Crossover and if Cisco Could Become Vibe (IGN)


Audrey Marie Anderson (Lyla Michaels) on the Flash/Arrow Crossover! (Ksitetv)
Emily Bett Rickards Flash & Arrow Crossover Interview (Ksitetv)
Flash: Danielle Panabaker On The Arrow Crossover & Killer Frost (Ksitetv)
Flash: Carlos Valdes On The Arrow Crossover, A Costume & More (Ksitetv)
Arrow: David Ramsey Talks Flash Crossover & More H.I.V.E. (Ksitetv)
Stephen Amell on the Flash & Arrow Crossover - Part 1 (Ksitetv)
Stephen Amell on the Flash & Arrow Crossover - Part 2 (Ksitetv)
Grant Gustin of THE FLASH - Arrow Crossover Interview (Ksitetv)



- Info:

- 5 Cosas que supimos del screening del Crossover entre 'Arrow'-'The Flash’ (The Wrap):
5 Cosas que supimos del screening del Crossover entre 'Arrow'-'The Flash’
Por Linda Ge 23 Noviembre, 2014 @ 2:18 am


“I fought the air a bit,” jokes “Arrow” star Stephen Amell of coordinating stunts with the fastest man on Earth

The shared universe between The CW superhero shows “Arrow” and “The Flash” has been teased and was inevitable since before “The Flash” even became a real show, with Barry Allen first showing up on an episode of “Arrow” last season.

But now the show is real — and a mega-hit — and so is a real crossover event, and at a special screening of the two episodes on Saturday, cast members and showrunners teased how it came together and what ramifications the episodes will have for the heroes of both shows.

“The Flash” kicks things off with Team Arrow – Oliver Queen (Stephen Amell), John Diggle (David Ramsey) and Felicity Smoak (Emily Bett Rickards) — landing in Central City as characters from both shows team up try to track down a rage-inducing meta-human.

And as the episode is aptly titled “Flash vs Arrow,” it will pit Oliver Queen against Barry Allen (Grant Gustin) in a head-to-head superhero showdown that's been in the works for a long time.

“We're all fans, and we've all sat around debating who would win in a fight, like Batman or Superman or Wolverine,” said Andrew Kreisberg, an executive producer on both shows, during the Q&A. “So the idea that [Arrow and Flash] would fight each other in one of these episodes was one of our earliest ideas. The idea of cast members having that Comic-Con argument on camera — it was one of our earliest ideas.”

The following night, it's back to Starling City on “Arrow” episode “The Bold and the Brave,” which will feature Team Arrow getting some assistance from Barry and S.T.A.R. Labs’ Caitlin (Danielle Panabaker) and Cisco (Carlos Valdes) as Captain Boomerang (Nick Tarabay) continues to wreak havoc and puts one of their own in danger.

Below are five things to know about the big “Arrow”-”Flash” crossover event:

1. The “Doctor Who” influence.
Kreisberg and Greg Berlanti, also an executive producer on both shows, took their crossover cues from seminal, classic sci-fi shows of years past. For Berlanti, it was “The Six Million Dollar Man” and “Bionic Woman.”

For Kreisberg, it was the season 4 finale of “Doctor Who,” titled “Journey's End,” which featured appearances from spinoff shows “Torchwood” and “The Sarah Jane Adventures.”

“In that episode, you saw everybody in the TARDIS,” he said during the Q&A after the screening. “That's how I imagined seeing everybody in the cortex, or in the foundry. Just to see everybody there together is really amazing.”

2. There won't be any more crossover events for a while.
Though the “Arrow” and “Flash” universes are more linked than ever, the producers admitted that this will be the last two-parter crossover event for the rest of the season. But, there's a good reason.

“The finales that we're building towards on both these shows are so massive, it would just be impossible,” Berlanti explained and teased in one breath.

Don't expect other kinds of crossovers anytime soon either. Other big-name DC superheroes won't be visiting Starling or Central City anytime soon, despite onscreen teases about Bludhaven, a fictional city closely associated with Batman sidekick Nightwing.

“There are things we can do, and there are things we can't,” said Kreisberg. “I'm a huge fan of Nightwing. But there are cities we can use, and then there's everything else. You won't be hearing Gotham or Metropolis on the show anytime soon.”

3. More than one secret will be revealed.
As producers have been teasing, a huge secret about Oliver Queen is revealed during the “Flash” portion of the crossover. But, the final minute or so of the episode will also introduce the next phase of “The Flash” in a big way.

4. The fight scenes were something new.
Needless to say, the fight scenes featuring Amell's Arrow and Gustin's Flash are some of the biggest highlights of the crossover event. And just as fighting someone with superpowers took Oliver Queen some getting used to, Amell found himself having to adjust to doing stunts that involved special effects.

“The actual fight with Grant, which we shot over three nights, that was a different experience,” he said.

How much of the time was he fighting opposite Gustin, and how much was solo stunt work?

“I fought the air a little bit,” he joked. “But I kicked the air's ass.”

5. A surprise winner in the “Who would win in a fight?” debate.
Perhaps to be diplomatic or avoid all-out war in the divided audience, Grant and Amell both went with a surprising answer to the age-old question of which superhero would win in a fight: Diggle. The episodes pose the question to the character themselves as well, in the aforementioned fight scenes and chatter amongst the other characters, but an answer is harder to come by.


http://www.thewrap.com/cw-arrow-the-fla ... screening/
- El elenco y los creadores de 'Arrow' y 'Flash' adelantan un épico Crossover (THR):
El elenco y los creadores de 'Arrow' y 'Flash' adelantan un épico Crossover
Por Marisa Roffman 12:14 AM PST 23/11/2014


Arrow and The Flash have staged mini-crossovers during the past year — Barry, Cisco and Caitlin made their debuts in the second season of Arrow, while Felicity and Oliver have appeared in The Flash's first season. But during the Dec. 2 episode of The Flash and the Dec. 3 episode of Arrow, there will be a full-fledged crossover event between The CW's DC Comics shows.

"If there is anybody who is watching only one of the shows, [this is an opportunity] to sort of check out the other," Arrow and The Flash executive producer Andrew Kreisberg told The Hollywood Reporter on Saturday ahead of a fan-screening of the crossover episodes. "You don't always get that opportunity … but I really feel like there are so many similarities between the shows, as much as there are differences. This was such a great opportunity to give the best of everything we do on both shows: it has great Arrow stunts, it has great Flash humor and heart. We're just really excited."

Here are seven things to know about the big crossover event.

1. The Flash crossover title, The Flash vs. Arrow is quite literal.

Barry Allen (aka The Flash) and Oliver Queen (aka Arrow) have been allies up to this point, but when Barry becomes determined to prove himself to Oliver, Barry encounters a metahuman whom Flash star Grant Gustin teased "gets in Barry's head, and he gets whammied. Barry's not himself in The Flash vs. Arrow. It was really fun; I got to play a different character, essentially, who was losing his mind. Some truths come to the surface that wouldn't have otherwise, because Barry's been brainwashed, and that's the reason the fight ensues."

Arrow star Stephen Amell acknowledged that "Oliver is keenly aware of [Barry's affliction], and they're fighting, but it's more Oliver trying to get him back under control."

2. The Flash hour will deliver a very big moment for Oliver's storyline.

"There's a really big character, emotional moment for Oliver on The Flash side; [something] that we set up last season and paid off in Flash, and will pay off down the road on Arrow," Kreisberg teased.

When it works its way over to that show will be something fans will leave the crossover event wondering. "I would say, it's not picked up in the Arrow episode [of the crossover]," Arrow executive producer Marc Guggenheim said. "It's like the bomb underneath the table, and I think part of the fun is waiting to see when Oliver is going to learn what the audience learns on Flash. "

3. Team Flash could prove vital to helping Team Arrow with one of their biggest mysteries.

While many of the running plotlines for both shows had to be back-burnered for the crossover event, one key thing will be addressed: Sara's unsolved murder. "Felicity comes to Caitlin for help with the Canary murder," Flash star Danielle Panabaker previewed.

"There is a major step forward in the Canary mystery," Guggenheim teased. "We have the folks at S.T.A.R. Labs in Central City, and they're pretty scientific. They've got a lot of resources at their disposal, and it would be kind of a shame to not have Team Arrow lean on them a little bit to help solve this mystery."

4. Arrow's Laurel is mostly MIA in the crossover … but for a good reason.

Only Arrow characters Oliver, Felicity and Diggle head over to Central City in The Flash hour of the crossover, but Laurel — who is still reeling over the death of her sister and has started her own training — is mostly missing from the Arrow portion of the crossover, too. "Laurel appears in the Arrow episode," Kreisberg said. "She's not as present in these episodes, but that is because we've been building up to her appearance as the Black Canary. We sort of said that Sara was the Canary, but Laurel is the Black Canary. Episodes 10, 11 and 12 are a three-part trilogy that are about her. And episode 13 I think I can spoil, is called 'Canaries.' For fans of Laurel and for fans of Katie [Cassidy], they're going to get more than their fill after the winter break."

5. Arrow's Lyla is in danger.

Diggle has a bit of a lighter turn in The Flash portion of the crossover — nearly all the castmembers present Saturday pointed to David Ramsey's portrayal of Diggle's bafflement at the metahuman powers being one of the crossover's highlights — but things get serious when it's Arrow's hour: his ex-wife/current love, Lyla, is targeted by a former ARGUS agent out for revenge. "Diggle has always been the guy to protect the people he loves, in a human playing field," Ramsey said. "So he doesn't know how to respond [now]. The Flash changes the playing field. We're going to see Diggle embrace The Flash's powers, because he's going to come to need them."

Team Arrow has already been rocked by Sara's death this season, and another person they care about being targeted hits the team hard. "It was crazy, there's been so much violence … anybody can die," Arrow star Emily Bett Rickards acknowledged. "[With life being short] it's not worth it, to be in the clouds, to be above what you're feeling."

6. Team Flash is forced to deal with the reality of how dangerous things can be.

Metahumans and super speed have desensitized Team Flash a bit to the gravity of the situations they face daily, but heading over to the Arrow's Starling City helps put things into perspective for them. "The stakes are more real than [Barry] realized," Amell noted. "Everything in this [Flash] world with metahumans and villains with corny nicknames [is lighter]. Then they come to Starling City, and they experience a life-and-death situation … so that changes things for them a little bit."

"It's actually more interesting to see Cisco accept the reality that this is not a game," Gustin said. "In Central City, our bad guys have powers, and it's easy to have that detachment from reality because I'm running around with lightning speed, and these guys have these other crazy powers, and we're stopping them and putting them in our prison, essentially. Things are just a little more real in Starling, and I think that rocks Cisco a little more. It puts things in perspective for him."

"When the characters cross over from one city to another, they become affected by the tone of that particular city," Flash star Carlos Valdes said. "Starling City has more of a darker, violent edge to it, so when Cisco, Caitlin and Barry come over to that side, there is a change that colors the tone of these characters and the story."

For her part, Caitlin is changed by the experience as well. "She does see the reality," Panabaker said. "It's a little bit easier to sit behind a computer and tell Barry to run faster, than it is when you're faced with a life-or-death situation."

7. The Arrow and The Flash teams would be up for a crossover again … but not quite yet.

It may be a little while before the two shows cross over again this thoroughly, but Guggenheim said, "We'd absolutely love to do it again. It was very hard, but very fun. And we definitely talked about it; we have ideas. I think what's great about how Greg [Berlanti], Andrew and I work is that everything always starts off with, 'Wouldn't it be cool if … ?' A lot of [those] conversations related to the shows crossing over. And what's really great is it looks like with the success of Flash and the success of Arrow, there will be plenty of opportunities coming our way. And we've got some crazy ideas. And the crazy ideas are always the most exciting ones for us."


http://www.hollywoodreporter.com/live-f ... iew-751522?
- Productores y elenco de Arrow & Flash hablan sobre el Crossover (ksitetv):
Productores y elenco de Arrow & Flash hablan sobre el Crossover
por Craig Byrne, 23 Noviembre, 2014


It was a packed house last night at a special Los Angeles screening for the crossover episodes between The Flash and Arrow that are set to air on December 2 and December 3, respectively, on The CW.

In addition to crew members and guest stars from the shows in the audience, many of the cast and producers from the crossover did a special Q&A session after the episodes were screened. In attendance were series leads Stephen Amell and Grant Gustin; actors Emily Bett Rickards, David Ramsey, Carlos Valdes, and Danielle Panabaker; and Executive Producers Greg Berlanti, Andrew Kreisberg, and Marc Guggenheim.

Greg Berlanti credits "the great joy" of "building the universe of it all" was one of the first things they talked about when pitching both seasons to The CW network. "We said we know it's typical for these kind of shows to have to stand on their own, and usually they don't do the crossovers 'til later, with the spin-off and the original show, but since these are borne out of DC Comics, we felt like we owed it to ourselves, and to the fans, and to everyone, to do them sooner rather than later," Berlanti explained.

Having a crossover allowed the opportunity to solve some fan arguments, over a year before we get to solve the Superman vs. Batman debate on the big screen. As such, the show has arguments between Diggle and Felicity with Caitlin and Cisco over who would win in a fight - The Flash or The Arrow. "It was one of the earliest things that we talked about. I mean, we're all fans and we've all sat around and wondered 'who would win the fight, Superman or Batman? The Hulk or Wolverine?' So, the idea that they would fight each other in one of these episodes, was one of our earliest ideas, and that the cast members would have that Comic-Con argument on camera was [also] one of our earliest ideas," Andrew Kreisberg said.

"For my money, what I love about the crossover is that it gives you the best of both worlds. We have our cake and we eat it too. On The Flash, you actually get to see Flash vs. Arrow; and on Arrow, you actually get to see the two heroes team up. So those are the two things that, as a comic book fan, I always wanted to see. I always wanted to see them fight, but I also wanted to see them getting along and working to stop the bad guy, and we got a chance to do both," Marc Guggenheim added.

So who would win in a fight? The reaction on stage seemed unanimous. "Diggle would win," someone said, prompting a round of applause for David Ramsey.


http://www.ksitetv.com/green-arrow/arro ... over/47838
- Entrevista del Crossover THE FLASH VS. ARROW; Stephen Amell, Grant Gustin, David Ramsey, Emily Bett Rickards, Danielle Panabaker, Carlos Valdes, y los Productores Hablan sobre el evento del Crossover de dos noches (collider):
Entrevista del Crossover THE FLASH VS. ARROW; Stephen Amell, Grant Gustin, David Ramsey, Emily Bett Rickards, Danielle Panabaker, Carlos Valdes, y los Productores Hablan sobre el evento del Crossover de dos noches
Por Christina Radish 23 Nov 2014


The epic two-night cross-over event for The CW series The Flash and Arrow (airing December 2nd and 3rd) is not only going to be unbelievably cool for comic book fans, but it’s just fun storytelling on a grand scale. There are laughs, big action sequences, heartfelt moments and a couple of big surprises, all leading up to the sure to be jaw-dropping winter finales on December 9th and 10th.

Following a special screening of the episodes, actors Stephen Amell, Grant Gustin, David Ramsey, Emily Bett Rickards, Danielle Panabaker and Carlos Valdes were joined by executive producers Greg Berlanti, Andrew Kreisberg and Marc Guggenheim to talk about why they wanted to do this big cross-over so soon, making the decision to have The Flash and Arrow fight each other but also team up against someone else, what it was like to do the big Flash and Arrow fight scene, how Team Flash and Team Arrow affect each other, when we might see the next cross-over, what the actors most enjoy about working on each other’s shows, creating the impression that they actually have a lot more money than they have for what they pull off, and how they decide which villains they want to bring on each show. Check out what they had to say after the jump, and be aware that there are some spoilers.

Question: How soon into the development process of The Flash did you decide that you wanted to do a Flash vs. Arrow cross-over?

GREG BERLANTI: At the beginning of the season, we had planned it. The original thought was to try to do an episode earlier, but then as we started to hatch it, we realized how much time it was going to take. But it really was always built in on both shows, in a lot of ways.

Where did the idea originally come from?

BERLANTI: Since we’ve been doing these shows, our greatest joy about them is the universe of them all. So, when we went in to talk about both seasons, this year, with the network, we said, “It’s typical for these kinds of shows to have to stand on their own, and usually you don’t do cross-overs until later. But since these are born out of DC comics, and in the comic books, the cross-over elements are how the characters were born, so we feel like we owe it to ourselves and the fans to do this sooner rather than later.”

As comic book fans yourselves, when you were discussing this cross-over, what had to go in it?

ANDREW KREISBERG: One of the biggest things was the arguments that Dig and Felicity, and Cisco and Caitlin have about who would win in a fight. That was one of the earliest things we had talked about. We’re all fans, and we’ve all sat around, either as kids or adults, and talked about who would win a fight, Super-Man or Batman, or The Hulk or Wolverine. So, the idea that they would fight each other in one of these episodes was one of our earliest ideas, and that the cast members would have that Comic-Con argument on camera was one of our earliest ideas.

MARC GUGGENHEIM: What I love about the cross-over is that it gives you the best of both worlds. We have our cake and we eat it, too. On The Flash, you actually get to see Flash vs. Arrow. On Arrow, you actually get to see the two heroes team up. Those are the two things, as a comic book fan, that you always want to see. You want to see them fight, but you also want to see them get along and stop the bad guy. We got the chance to do both.

Stephen, you had some pretty epic fights in these two episodes. What was the preparation like for that?

STEPHEN AMELL: It wasn’t that much different than a typical episode. I worked with the same stunt team because we essentially lent part of our stunt team to The Flash, and they’ve created their own team. The actual fight with Grant, which we shot over three nights, was a different experience because of the special effects element. But, I think it turned out great.

How much were you actually fighting Grant Gustin, and how much were you fighting the air?

AMELL: I fought the air, a little bit.

GRANT GUSTIN: But, you kicked the air’s ass.

AMELL: I kicked the air’s ass!

Oliver is speaking from experience when he says that Barry and Iris don’t have a chance, but Grant, do you think that there is still some hope there?

GUSTIN: Yeah, absolutely! I keep saying that Barry doesn’t actually have love very high on his priority list right now. As much as he may think about Iris, making that happen isn’t necessarily the most important thing to him right now. But, he’ll always love her. Maybe he’ll take Oliver’s advice and maybe he won’t, but she’s the love of his life, and that’s not going to change.

What’s in store for Barry Allen and Iris West?

GUSTIN: Barry is going to be honest, in the near feature, about some things. I won’t say what that is exactly, but it’s something pretty big.

Emily and Danielle, it’s not often that you guys get to work with other females. Was that fun for you guys?

EMILY BETT RICKARDS: It was great for us. To get to work with another intelligent woman is great for Felicity.

DANIELLE PANABAKER: There’s a lot of trust. They’re both protecting these great men, so they have that in common.

Do they both have feelings for these great men?

RICKARDS: So many feelings.

David, are we going to get to see a softer side of Diggle?

DAVID RAMSEY: I don’t know about softer. That’s about as soft as he gets. The stakes are high. Diggle is working in the field, and he has a potential wife and daughter at home. I don’t know if you’ll see softer, but you’ll see him much more engaged.

Danielle, with the return of Firestorm, how will Caitlin Snow react to finding out that her fiancé, Ronnie Raymond, is still alive?

PANABAKER: She does not handle it well. She’s spent the last year grieving the loss of Ronnie, and then she thinks maybe he’s back, or maybe she lost her mind. Seeing him in a very different form is extremely challenging for her.

Team Flash is much more jovial than Team Arrow. How do you think seeing the dark side of being a superhero will affect Team Flash, moving forward?

CARLOS VALDES: One of the most fascinating things is that when one team goes to the other team, the tone of that city starts to affect them. When Barry, Caitlin and Cisco go to Starling City, it’s very clear to them that they haven’t really been taking this as seriously as they could, and they start to grapple with the stakes. These are life or death situations, and that affects their growth.

BERLANTI: One of the most rewarding parts, for me, is to see the actors cross-over to these separate shows, and how much they hold the screen in the other show. It shows how lucky we are to have amazing actors on these shows. Just because the show is a spin-off, it’s still a whole other show. And they feel like they fit in and they totally owned it, so we’re just really fortunate.

In return, will we see a lighter side of Team Arrow?

AMELL: No.

How do you think Team Flash has affected Team Arrow?

AMELL: I think it is important for us to know that other stuff is out there, like meta-humans. There is a whole team, and it’s nice to stretch beyond Starling City. But that smile that you saw on Oliver’s face lasts about four seconds in the next episode, and then it’s gone.

KREISBERG: One of the best things about reading comic books, when you’re a kid or an adult, is watching the characters cross-over. What happens in one book affects the other, and these shows are so tightly knit that it feels like one giant show. So, as many times as we can, there will be cross-overs.

How soon will it be before we get another cross-over?

BERLANTI: We’re just working on the back half of the year, and there will be other cross-overs. There won’t be a two-parter like this, in the back half of the year. Our finales, that we tend to build toward on both of these shows, are so massive that it would be impossible.

What is your favorite part of crossing over?

KREISBERG: What was fun was that we actually combined the writers’ rooms. We actually had The Flash writers in the Arrow room when we were breaking the Arrow episode, and vice versa. You pick everybody for their specialities and personalities, and then you throw two rooms together and it’s like throwing two casts together. When you look at this, you really see the results of all of those minds put together.

RAMSEY: It’s always the actors, for me. Working with them is just fun. First of all, it’s amazing that me and Stephen even get a word out because we’re just total clowns. And then, you bring the three of [The Flash cast] to the set and it’s just fun. They’re great actors. They fit because we’re working with great actors.

AMELL: The scene where Diggle sees Grant as The Flash, for the first time, you could build an entire blooper reel from that scene. If you watch it again, you’ll see me bite my lip. That was the only way that I could get through it.

KREISBERG: The first take actually got ruined. The first time he threw the fries, the entire crew burst out laughing.

GUSTIN: My very favorite moment from all of the cross-over stuff is the first time that Diggle sees Barry in the suit with powers. We had a lot of fun that morning. It was really early in the morning.

RAMSEY: It was real Coca Cola that we were using, so we were just wired.

VALDES: It’s definitely working with these actors. I had binge-watched Arrow before I was ever even a part of The Flash. So, I knew these faces, in some capacity, and then I actually got to work with them and I was like, “Oh, this is dope!” I really enjoyed that. I also really enjoyed working with the crew.

PANABAKER: It’s getting redundant, but it really is the cast. We all love each other. It’s fun to get to see each other in the trailers and high-five. It’s really special.

RICKARDS: It’s the people we work with, every day. It’s really cool.

On Arrow, you waited a long time to actually give him the name, but The Flash has gotten his name before half a season has aired. How did you come to that decision?

BERLANTI: That was really Geoff Johns. He was just like, “We’ve gotta name him soon,” so we did.

GUSTIN: You were calling Barry, The Streak.

KREISBERG: It fits in with The Flash universe. It’s funny because Arrow influences The Flash. By the time Barry became a superhero, Oliver was already calling himself The Arrow, so it was like, “Well, I need a name.”

Stephen and Grant, what is your favorite Green Arrow and Flash comic?

AMELL: For me, it’s Year One. That was largely the source material for our pilot, and it was the first Green Arrow comic that I’d read.

GUSTIN: When I got the audition, I hadn’t read many Flash comics, if any, before. I knew a lot about him, but I started reading as much as I could. I found the New 52 series pretty early on, and then stuck with that series because it seemed like that’s what we were drawing from the most. It felt the most contemporary, and I liked that.

Grant, are you going to try to keep up with Stephen Amell on social media?

GUSTIN: Stephen is fantastic at Facebook. I will probably never be able to keep up with him, but I’m trying to get better at social media, in general.

AMELL: You’re a better singer than I am.

KREISBERG: You will hear him sing in an upcoming episode of The Flash.

GUSTIN: Somebody else is going to sing with me, too.

You guys really are creating a new era for superhero television, but you have to do all of these big effects and action sequences on a TV budget. Do you keep that in mind when you plan out episodes?

GUGGENHEIM: Much to our line producers’ chagrin, on both shows, we actually don’t consider budget, at all. The first draft of the scripts really show that. And then, we go through a process and we have it down to a science where we shave and shave and shave. It’s about the illusion of creating the impression that we actually have a lot more money than we have.

KREISBERG: Part of that is also the directors that we have. That fight between Oliver and Barry, within the script, that was pretty much exactly what we wrote, and Glen Winter pulled that off in the amount of time and money that we had.

How do you guys decide on which villains you want to bring onto each show?

KREISBERG: On Arrow, it’s a little bit different because Arrow doesn’t have quite the same Rogues Gallery that The Flash does. The Flash has some of the best villains, so there are a lot more to choose from. But, Arrow does have some amazing villains. Obviously, we have Merlyn, played by John Barrowman. And we do have Brick coming on, who’s played by Vinnie Jones, and he’s amazing. That’s a trilogy, for Episodes 10, 11 and 12. It’s a giant three-parter. We pull from everything. One of the fun things of the show is that we can pull from the classic Golden Age and Silver Age villains, but then there’s a bunch of new villains. This season, we had Komodo and Cupid, and they’re more recent additions. And we have a board up in The Flash office of all of the villains that he has. Geoff Johns’ favorite thing to do in the world is to take old, silly characters and make them cool. We’ve gotten pretty adept at taking some of these characters and either Arrow-fying them or Flash-ifying them.

Will we see Killer Frost or Vibe on The Flash, any time soon?

VALDES: We can’t lie and say we haven’t talked about it. But for right now, we’re only really focusing on Caitlin and Cisco.

KREISBERG: Hopefully, we’ll have a long, successful run, and I’m sure, at some point, something like that could happen. But right now, we’re very happy with Caitlin and Cisco being Caitlin and Cisco.

PANABAKER: We’ve got our hands full.

Stephen and Grant, so who would win in a fight, Arrow or The Flash?

AMELL: Diggle would win.


http://collider.com/arrow-the-flash-cro ... nt-gustin/
- Stephen Amell habla sobre la pelea al rodar 'Flash Vs. Arrow' (accesshollywood):
Stephen Amell habla sobre la pelea al rodar 'Flash Vs. Arrow'
Por Jolie Lash 23 Noviembre, 2014 04:10 PM EDT


"Flash Vs. Arrow" is coming to The CW on December 2, and filming the episode, which features a fight between the two heroes, provided a new challenge for Stephen Amell.

The "Arrow" star had to do quite a bit of slow motion acting for the big face off against Grant Gustin's Barry Allen/The Flash, which occurs in the first episode (on "The Flash") of the two-night crossover event.

"There are a couple of different things when we're fighting in 'The Flash' world that we do that we never do on 'Arrow,'" Stephen told Access Hollywood on the black carpet at the special fan screening of the two episodes at The Crest Theatre in Westwood, Calif., on Saturday night.

"We never do slo-mo in our fights with very, very, very rare exceptions and there are a couple of instances where I'm fighting Grant, but I'm fighting a digi-double, so I'm fighting nothing," he continued. "So it's a – I'm just glad that I'm comfortable in my own skin and I once played a hooker [on 'Hung'] and was naked all the time, so nothing embarrasses me."

Stephen said he had some enjoyable moments filming the sequence, where he got to see The Arrow's former fanboy in a new light.

"It was actually fun when -- we shoot a couple of scenes where Grant really gets in my face and Oliver is just standing there and he is just a blank canvas, and Grant's flailing around and stuff like that and I loved it," Stephen said. "I thought he did really well."


http://www.accesshollywood.com/stephen- ... cle_101047?
- El elenco y equipo de ARROW y THE FLASH revelan los secretos del crossover y los villanos de la mid-season (newsarama):
El elenco y equipo de ARROW y THE FLASH revelan los secretos del crossover y los villanos de la mid-season
Por Jessica Boyer, 24 Noviembre 2014 Time: 01:00 PM ET


What do The CW’s Arrow and The Flash have in common (other than being superheroes)?

Fighting the same villains.

The CW hosted a screening of “The Flash VS. Arrow” and “The Brave and the Bold” two-episode crossover event at The Crest Theater in Westwood, Calif. Saturday evening bringing the superheroes together on-screen as full-fledged superheroes for the first time.

More than 400 people filled the theater including fans, press and the production crews for both shows. Guests were given a t-shirt with either a Team Arrow or S.T.A.R. Labs logo across the front as well as a poster from the event.

The event kicked off with Stephen Amell, who plays Oliver “Arrow” Queen, and Grant Gustin, Barry “The Flash” Allen, introducing the event. The full crossover episodes of The Flash and Arrow, which debut on The CW on December 2 and 3 respectively were screened.

After the screening, The CW hosted a Q & A between the fans and Amell, Gustin, David Ramsay (John Diggle), Emily Bett Rickards (Felicity Smoak), Danielle Panabaker (Caitlin Snow in The Flash), Carlos Valdes (Cisco Ramon), along with Executive Producers Greg Berlanti, Marc Guggenheim and Andrew Kreisberg.

After the Q & A, fans got a sneak peek of the trailers for the mid-season finales of both Arrow and The Flash. Here then is the extensive Q&A in full. Beware, there are a few spoilers, though any major spoilers from the crossover episodes have been removed.

Q: How soon in the development process on the spin off did you know that you wanted to do a crossover of The Flash versus Arrow?

Kreisberg: I think at the beginning of the season we definitely knew it was planned to kind of push into those episodes. In the original episodes, there was supposed to be this sort of passion about how much time and work this would take for this to be a little bit more. We were sort of leading up in both shows in a lot of those ways for the crossover.

Q: And where did the idea of this crossover come from?

Kreisberg: Since we’ve been doing these shows, I think our greatest joy about them is the universe of it all. When we went to talk about both seasons this year, we said we know it's typical for these shows to stand on their own, usually they don’t do crossovers until later but since these are born out of DC comics and in the comic books, the crossover elements are literally how the characters are born. So, we felt like we owed it to ourselves the fans and everyone to do this crossover.

Q: As comic book fans yourselves, when you were discussing this crossover, what elements had to go into it?

Berlanti: I think one of the biggest things was the argument that Diggle, Felicity, Cisco, and Caitlin have to have a stand in the fight. We're all fans and we’ve all sat around as kids and adults and asked who would win in fight, Superman or Batman? The idea that they would fight each other in one of these episodes was one of our earlier ideas and that the cast members would have that (competition) on camera was one of our earliest ideas.

Guggenheim: What I love about the crossover is that it gives you the best of both worlds. On Flash, you actually get to see Flash versus Arrow and on Arrow you see the two heroes team up. So these are things as a comic fan, you want to see them both get along and you want to see them fight and get along and work things out and you got a chance to do both.

Q:You had some pretty (big) fights between these two episodes. What was the preparation like for that?

Amell: It wasn’t that much different than the typical episode. I worked with the same stunt team because we essentially lent our stunt team to Flash and since then, they have created their own team. But the actual fight with Grant, which we shot over three nights that was a different experience because of the special effects element, I think it turned out great.

Q: How much were you actually fighting and how much were you fighting with the air?

Amell: I fought the air a little bit.

Gustin: But he kicked the air’s ass.

Q: This episode also had a lot of hearts aching when Olver says Iris and Barry don’t have a chance. Do you think Barry still has some hope?

Gustin: Yeah absolutely. I keep saying that Barry doesn’t actually have love very high on his priority list right now, as much as he may think about Iris. Making that happen isn’t necessarily the most important thing right now, He’ll always love her and I don’t think just because he’ll take advice from Arrow but may not follow through it. She’s still an important part of his life and that’s not going to change anything.

Q: Their relationship is a little tenuous at the end of this episode with The Flash and Iris so what’s the solution to that and can you tease what’s coming up?

Gustin: Barry is going to be honest in the near future about some things. I won’t say what that is exactly.

Q: It’s not often that you guys get to work with other females in S.T.A.R. labs, or what are we calling it, the Arrow Cave? Was that fun for you guys?

Rickards: It was great for us.

Panabaker: I think for both characters it was nice to have another intelligent woman and someone who knew what she was dealing with.

Q: A lot of times you are both protecting these great men. How was that and do they both have feelings for these men?

Rickards: So many feelings

Q: After developments in the episodes, will get to see a bit of a softer side form Diggle?

Ramsay: Ummm, that was the softer side. The stakes are high and Diggle is working in the field, is much more engaged a lot more fights and he has a potential wife and daughter at home. I don’t know if it’ll be softer. He has a lot more responsibilities.

Q: It’s very apparent in this episode that The Flash team is jovial but how do you think seeing the darker side of being a superhero team will affect Team Flash as we move forward?

Valdes: I think in the screening just now, I think one of the most fascinating things when members of one team go to another team, the tone starts to affect them. When Barry, Caitlin and Cisco go to another city, it becomes very clear to them that they have not been taking this as seriously as they could and they sort of grapple with the states of this situation and so that’s kind of something that affects their growth.

Kreisberg: One of the most important parts for me was to see the actors cross over to other shows… It shows how lucky we are to have such amazing actors on the shows and what superstars they are. So just because show is spin off , it’s a whole other show. They totally owned it

Q: And also (in The Flash) you have the introduction of Ronnie. Danielle, (we have) to imagine that Caitlin suffered dearly. Did she have an interesting reaction to her fiancé returning?

Panabaker: She does not handle it well. You know, she spent the last year grieving the loss of Ronnie, and then he’s back, she thinks she lost her mind. Ya know, seeing him in a very different form is extremely challenging for her.

Q: For our Arrow people, obviously we’re talking about it being hard for The Flash team having (Starling City) being a little bit darker for them to see. What about for team Arrow getting a lighter side. Do we see a lighter side to team Arrow?

Amell: No.

Q: How do you think they have affected you guys though?

Ramsay:Arrow the musical?

Amell: I think it is important for us to know that there is other stuff out there such as meta humans and that there is a whole team. It’s nice to stretch beyond Starling City but that smile that you saw on Oliver’s face, lasts about four seconds in the next episode and then it’s gone.

Rickards: We hate you guys. We don’t have your technology, your superpowers.

Amell: Easy.

Q: Will we see gadgets from S.T.A.R. Labs coming over to to the (the Arrow)?

Berlanti: There are big S.T.A.R. Labs inventions coming Arrow’s way. One of the best things about reading comics books as a kid is watching the heroes crossover and what happens in one books affects the others. These shows are so tightly knit, it does sort of feel like one giant show sort of happening so it makes things like crossovers necessary.

Q: How soon are we gonna get more crossovers?

Kreisberg: There won’t be a two-parter like this in the back half of the season.

Q: What has been your favorite part of the crossover? With a scene or behind the scenes moment on set or in the writers room?

Berlanti: We actually had combined the writers rooms. We had The Flash writers in the Arrow rooms and vise versa. In the writers room, you pick everybody for their specialities and their personalities and then you throw two rooms together, just like throwing two casts together, which meshed nicely, too. And then you can look at this and really see the results of all of those lines.

Ramsay: Just being on set with our three new recruits is honestly a great thing and just working with, first of all… honestly it’s amazing that me and Stephen even get a word out because they're always just talking.

Amell: The scene where David sees The Flash for the first time. You could make an entire blooper reel. I don’t know how. If you watch it again, you will see me bite my lip because that was the only way I could get through. I swear to God.

Gustin: Actually my very favorite moment is when David sees Barry arrive in his suit and we had a lot of fun that night, that morning.

Ramsay: It was real Coca Cola in our cups so we were just wired. I looked at Andrew and said “Is it too big?” (about the cup) He said “Go bigger, can’t go too big on Flash and I was like OK.

Valdes: I binge watched Arrow before I was actually a part of The Flash so I knew these faces in some capacity and then I actually got to work with them and I was like “Ahhh!!” I really enjoy working with crew on pilot.

Panabaker: I mean it really was the cast, that’s the great thing about that. We all love each other, it was so fun to see Colton (Haynes). It’s fun to get to see each other in the trailers and high five and that sort of thing. *gives Amell high five*

Rickards: It’s really great to come to work everyday and get to enjoy what you're doing.

Q: I was kind of surprised, with Arrow, it sort of didn’t take long to give him the name. First we had the Hood, the Vigilante and all that. The Flash has got his name and there were all these episodes aired.

Kreisberg: One of our producers who is not here tonight was saying, “We got to name him soon, we got to name him soon” and so we did.

Berlanti: We were calling Barry the streak and also it fits in with the Flash’s universe. if anything its funny because at the time Barry became a superhero, Oliver was already calling himself the Arrow so Barry was like, “well I need a name.”

Q: Is there anything that inspired you for the crossover?

Kreisberg: I was a fan of the Six Million Dollar Man. It was nice being part of a crossover show minus the Sasquatch.

Berlanti:Doctor Who. You saw everybody in the TARDIS so to see everybody there together was amazing.

Fan Questions

Q: What is your guys’ favorite Green Arrow or Flash comic?

Amell: Year One. I know that was largely the source material for our pilot.

Gustin: When I got the audition, I hadn’t read many Flash comics but I knew a lot about them so I started reading as much as I could. I found the New 52 series pretty early on and then stuck with that series just because it seemed like that whats we were drawing from the most and it felt the most contemporary. I like that series.

Q: For someone who is going through a breakup, I just spent the last two hours smiling so thank you. I follow Stephen on Facebook and I know he’s really active, did you have to go through any training to keep up with this man?

Gustin: No, no. I have not gone through training and I will not be going through any training. Stephen is fantastic at Facebook and I will probably never be able to keep up with him but I’m trying to be better with social media in general.

Amell: You’re a better singer than I am.

Q: Can we hear you sing?

Berlanti: You will hear him sing in an upcoming episode of Flash.

Gustin: Someone else is going to sing with me.

Q: Can you give us any information about future guest stars, are there any casting updates you can give us?

Berlanti: Victor Garber will play Martin Stein, who is the other half of Firestorm and

Andy Mientus will play Pied Piper.

Q: On a television budget, you guys are doing feature film effects and everything. Is that something you take into consideration. Do you think budget? I know you have to but are you thinking big budget, small, having to cut corners, how does that process work for you?

Guggenheim: On Arrow and Flash, we don’t consider budget. We go through a process and sort of have it down to a little bit of a science. We shave and we shave and we shave, shave, shave, but it’s creating the illusion that we have a lot more money than we actually have. Glen Winter directed the first part of The Flash episode and honestly, the fight between Barry and Arrow in the script, that was pretty much exactly what we wrote and Glen pulled it off in the amount of time and money that we had.

Q: Being a long time fan of the comics, do you put a lot of thought about what villains you guys are bringing and where they fit?

Berlanti: On Arrow it’s different. Arrow doesn’t have the villain gallery that The Flash does and The Flash has some of the best villains so there is a lot more to choose from. Arrow does have some amazing villains, obviously Merlyn. We sort of pull from everything and that’s one of the fun things about the show. You can pull from classic golden age and silver age villains but there’s also a whole bunch of new villains.

Q: I never thought I’d see Rainbow Raider. What's another obscure villain that you would want to bring on?

Berlanti: We have a board up in The Flash office with all the villains and some of them they sound so silly. Rainbow Raider is one of them and Geoff Johns, it’s his favorite thing to do in the world is to take old silly characters and make them sound cool and I think we kind of did that with Rainbow Raider. I mean if you see the costume he has on in the comic, It’s very silly.

Q: Are you guys thinking of introducing the Batman family in either of these shows?

Guggenheim: Obviously there is Batman in the movies and now theres Gotham. DC are amazing partners.

Berlanti: There are things we can do and things we can’t. I’m a huge fan of Nightwing so there’s like the cities we can use and theres anything else. I don’t think you’ll be hearing Gotham or Metropolis anytime soon.

Q: What was it like to be in the crossover?

Rickards: It’s an honor to play a character who’s strong and I love and adore being with these two guys. Working with you guys has been great. It’s an honor and it’s really fun. I was sort of naive going over (to The Flash set) the first time thinking it was going to be the same but in reality, Felicity is the only thing the same. It was a really great time for me and for her, she had a great time. She got caught on fire but it got better.

Q: When is the Reverse Flash going to come in? We have a Thawne already in detective...

Berlanti: We’re actually going to show you guys some teaser trailers for the mid-season finales of both shows.

Q: I love the F*** Cancer thing on Facebook and I think it really has the power to do something. What was the inspiration for you sharing that?

Amell: My mom’s a breast cancer survivor. She survived twice, 25 years apart and she and I were hanging out in Toronto, right after we wrapped up the pilot of Arrow and she was going through chemo and we were having a beer and were decided to give the finger to the camera as an f-you to cancer and little did I know, there was a charity called F*** Cancer. Then the founder of that charity got into touch with the people at Arrow and we did a t-shirt campaign and never in my wildest dreams did I think it would be as successful and far reaching as it’s been. Anyone wearing a t-shirt right now stand up. (About ten stood up.)

Q:Felicity, are you single?

Rickards: Yes

(fan walks away)

Ramsay: That was your moment!

Rickards: I don't think it’s gonna work out for me.

Q: My question is, Arrow - now that they're working with The Flash team, will they ever start nicknaming villains?

Amell: Well, Barry has a pretty good comeback with that one about the Captain Boomerang, the Huntress, but that’s a Flash thing I think.

Q: Are you guys going to be showing Killer Frost or Vibe any time soon?

Valdes: We can’t lie and say we haven’t talked about it. For right now, I think we’re only really focusing on…

Berlanti: Hopefully, we’ll have a long successful run but for right now, we’re happy with Caitlin and Cisco being Caitlin and Cisco.

Panabaker: We’ve got our hands full.

Q: Who do you think, between Stephen and Grant, ultimately who would win Arrow or Flash?

Amell: Diggle would win.

After the Q&A, the exclusive, two mid-season finale trailers revealed the two main villains for this season.

Ra’s Al Ghul will be the main villain for the Arrow mid-season finale, while viewers finally get to meet “the flash” (see: earlier question about Reverse) that killed Allen’s mom in The Flash.

http://www.newsarama.com/22810-arrow-an ... lains.html


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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

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- Revelado el título y más detalles del epsiodio 3.13:
Durante el screening especial del crossover entre "Arrow" y "The Flash" en L.A. de este fin de semana, Andrew Kreisberg, estuvo hablando sobre el papel de Laure en el crossover.

Así, reveló que estará en el centro de la escena de tres episodios el próximo año:

"Laurel aparece en el episodio del crossover de 'Arrow'," dice Kreisberg. "Ella no está muy presente en estos episodios, pero es porque estamos construyendo su aparición como 'Black Canary'. Nosotros dijimos que Sara era 'Canary', pero Laurel es 'Black Canary'. Los episodios 10, 11 y 12 son una trilogía en tres partes sobre ella. Y el episodio 3.13 creo que puedo decir que se llamará 'Canaries' Para los fans de Laurel y para los de Katie [Cassidy], van a conseguir más que su dosis tras el parón de invierno."

http://www.greenarrowtv.com/arrow-episo ... ries/20384


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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

Mensaje por isma20 »

Gracias x todas las infos. Yo creo q la transformacion d black canary tampoco podria prologarse mucho más... Y también que de alguna forma va a revitalizar la serie. También el plot de atom parece interesante.
No he podido aun ver aún ni un capitulo de esta temp pero segun lo vea, os voy diciendo. :smt023



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Estoy de acuerdo contigo. No he visto aún el capi de esta semana, pero la vredad es que su evolución y Atom es lo que más me gusta de esta temporada hasta el momento.


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- Nuevos pósters promocionales del crossover:

Imagen Imagen

(Thanks to @CW_Arrow)


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- Revelado el título y créditos del episodio 3.13:
Ya tenemos el título y créditos de un nuevo capítulo gracias a Marc Guggenheim:

Imagen

https://twitter.com/mguggenheim/status/ ... 0882958337

El episodio 3.13 de 'Arrow' tendrá por título "Canaries". Está escrito por Jake Coburn & Emilio Ortega Aldrich y está dirigido por Michael Schultz.


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- 'Sin' Regresa a "Arrow" para un papel 'Primordial' en el misterio del asesinato de 'Sara' (TVLine):
Aunque el personaje de 'Sin' estuvo notablemente desaparecido en los acontecimientos que siguieron al asesinato de 'Sara', TVLine ha confirmado que Bex Taylor-Klaus repetirá en su papel en la serie tras el parón de invierno.

“Ella está de hecho en el Episodio 12, titulado ‘Uprising,'” comparte Andrew Kreisberg durante el screening del crossover de Flash/Arrow crossover (que se emitirán el 2 y 3 de Diciembre). “Ella juega un papel primordial en la investigación de la muerte de Sara.”

“Vi el material diario el otro día, y fue realmente genial el verla de vuelta,” añade Kreisberg, “porque ella fue una parte muy importante de la Season 2.”

http://tvline.com/2014/11/26/arrow-seas ... ara-death/


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- Nuevos banners promocionaesl del crossover:

Imagen Imagen


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- Los jefes de 'Arrow' y 'Flash' hablan sobre el épico evento de crossover (EW):
Los jefes de 'Arrow' y 'Flash' hablan sobre el épico evento de crossover
Por Natalie Abrams 01 Diciembre, 2014 at 5:16PM


Comic book fans’ dreams are about to come true when two superheroes face off—no, we’re not talking about Batman v Superman: Dawn of Justice. Arrow‘s emerald archer and The Flash‘s scarlet speedster will face off during an epic two-hour, two-night crossover event.

But why, oh why, would allies Barry Allen (Grant Gustin) and Oliver Queen (Stephen Amell) go toe-to-toe? You can thank comic book villain Roy G. Bivolo (Paul Anthony) for that. To get the scoop on the crossover event, EW caught up with executive producers Marc Guggenheim and Andrew Kreisberg:

ENTERTAINMENT WEEKLY: What brings Team Arrow over to Central City?
ANDREW KREISBERG: A mysterious man who kills someone with a boomerang is what brings them to Central City, but they then get caught up with Barry’s latest metahuman investigation of Roy G. Bivolo, who is robbing banks by inducing uncontrollable rage in the patrons of the bank. At first, Oliver is not too keen on helping Barry with his investigation, but pretty soon he and Felicity (Emily Bett Rickards) and Dig (David Ramsey) get swept up in it.

How does Team Arrow react to seeing these metahumans?
MARC GUGGENHEIM: For my money, the best reaction goes to Dig. His reaction, which really comes in The Flash part of the crossover, is just priceless.

We get to see Flash and Arrow fight because of Roy G. Bivolo. What can you tease about this epic showdown?
Kreisberg: When Greg Berlanti and I were trying to figure out this story, we were thinking, “What’s the coolest thing we could see them do?” We were trying to figure out all these ways they could team up and we hit on this idea of the old Comic-Con argument, where people would sit around and say, “Who would win in a fight? Superman or the Hulk? Could Batman beat Wolverine?” When we started talking about it like that, it became clear that the funniest thing we could do would be to have them actually fight each other and have Dig, Felicity, Cisco (Carlos Valdes) and Caitlin (Danielle Panabaker) have those arguments on who would win the fight, The Flash or the Arrow, actually be part of the show.

Meanwhile, Eddie (Rick Cosnett) is apparently starting a task force to go after The Flash. Does the Arrow fall into his cross hairs as well?
Kreisberg: The best special episodes—especially when you think back to “Once More, with Feeling” on Buffy—are not just gimmicks, they also really enhance the plot and the character arcs. This episode really does that, especially where Eddie is concerned. It all comes out in this episode that Iris (Candice Patton) has started a correspondence with The Flash that has turned into them meeting together, which is not something that Eddie approves of. The events of this episode, both the Arrow showing up and The Flash getting whammied, only increase Eddie’s desire to see The Flash unmasked and brought down.

How long can Barry feasibly keep this secret from Iris?
Kreisberg: As long as we’re getting story out of his keeping this secret from her, it’s good. We’ve learned with Arrow that the sooner people find out about the hero’s identity, it opened up all new storylines that you can tell with these people. I suspect she’ll find out sooner rather than later.

How are Caitlin and Cisco dealing with this whole new team in S.T.A.R. Labs?
Kreisberg: Caitlin is thrilled because she and Felicity have struck up a friendship. There’s a great line in the episode where Caitlin and Felicity are talking science and Caitlin just says, “It’s so nice to have another woman to talk to.” Cisco is over the moon. He’s as much as fanboy as Barry is, so the fact that the Arrow is in town and he gets to find out who the Arrow is, it’s his dream come true.

How does Wells (Tom Cavanagh) feel about the Arrow?
Kreisberg: What’s interesting in this episode is that Joe (Jesse L. Martin) and Wells, who normally have a tension between them, are actually in complete agreement that the Arrow is bad news and should leave town as soon as possible. So much of these two episodes are really examining the very different kinds of heroes that Barry and Oliver have become. Joe and Wells share this view that the Arrow is dangerous and unstable and not the kind of hero that Barry should be emulating. What’s interesting about these episodes is that they’re both validated in some ways, but Oliver actually really learns something through the course of these episodes. He grows from them, too, so it’s really special that these shows can speak to each other in that way. As much as we’ve seen so far in the series that Oliver’s had a tremendous impact on Barry’s life, we’re also seeing that Barry has had an impact on Oliver’s life as well.

Now, for the second half of the crossover. What brings Team Flash to Starling City?
Guggenheim: They are tasked with helping catch Canary’s (Caity Lotz) killer at the end of the first part of the crossover. We’re immersing them deeply into our season-long mythology.

Captain Boomerang (Nick E. Tarabay) will be stirring up trouble, particularly targeting Lyla (Audrey Marie Anderson). What can you tease?
Guggenheim: We’re always saying that we want the stakes on Arrow to be high, particularly for an important episode like this one. We always find that the stakes are highest when people or characters that we care about are placed in jeopardy. The city is certainly placed in jeopardy, but we wanted to personalize it in the form of Lyla, who is a fan-favorite character and certainly a favorite character of Diggle’s.

How does Team Flash handle the darker side of being a hero?
Guggenheim: With the Arrow part of the crossover, I was a bit more interested—since we got the Team Arrow reaction to metahumans in The Flash episode—to explore what is Team Flash’s reaction to the darkness of Starling City and the darkness of the world that Oliver inhabits. It’s very, very different from the world that Barry and his team deal with.
Kreisberg: Somebody in the Arrow universe gets fairly badly hurt in the Arrow episode and we see Caitlin dive in as a doctor. One of the things that we talked about a lot is the idea that on The Flash, she’s a fun doctor, but our tone note for that was to treat it like ER and have blood everywhere and have Caitlin be shaken up. One of the things Caitlin and Cisco realize in the Arrow episode is they’ve been having a lot of fun, despite being scared in dangerous situations, but the world of the Arrow is a darker, bleaker world. It takes a different kind of fortitude to survive it.

As opposed to how Oliver helps over on The Flash, what makes Barry coming over to Arrow different?
Guggenheim: It’s so different from the first hour. The episode of Flash really feels like an episode of Flash, and the episode of Arrow really feels like an episode of Arrow. It’s an opportunity for us to look at our characters through a completely different light. We’re basically getting a chance to look at Oliver through Barry’s eyes. It’s a different perspective than the one we’ve typically seen with our Team Arrow. They’ve all figured out their opinions of Oliver for the most part, but things are going to be pretty testy between Oliver and Barry, because Barry is going to have some very strong opinions as to how Oliver does his business in Starling City.

There’s been word that a big secret of Oliver’s is revealed on The Flash. What came with the decision to reveal a big secret about him on a different show?
Guggenheim: Once you see it, you’ll completely understand. It’ll make a whole lot of sense.

http://insidetv.ew.com/2014/12/01/arrow ... 766fb9c565
- Estrellas de 'The Flash,' 'Arrow' adelantan una 'Colosal' Batalla del Crossover, 'Claridad' Romántica y una gran noticia bomba (ETOnline):
Estrellas de 'The Flash,' 'Arrow' adelantan una 'Colosal' Batalla del Crossover, 'Claridad' Romántica y una gran noticia bomba
Por Philiana Ng 02 Diciembre, 2014 7:25 AM PST


It’s time for double the dose of Arrow and The Flash!

The CW's highly anticipated crossover event kicks off Tuesday with Oliver Queen and Co. making an unexpected detour to Central City, and Arrow star Stephen Amell has the perfect word to describe the epic two-night event.

"Crowded!" the 33-year-old actor tells ETonline. "It's a cool two hours of TV and it's fun to see new characters interact with one another. All in all, the whole thing's just a lot of fun."

But it won't be fun for Oliver and Barry Allen, who become foes in Tuesday's The Flash, ominously titled "The Flash vs. Arrow," when the mentor-mentee square off in a heated battle.

"Barry loses his mind a little bit," The Flash star Grant Gustin tells ETonline in previewing the first hour of the crossover. "He gets 'whammied' by a metahuman."

As a result, the lovable, geeky Barry we've come to know and love is gone and fans will meet "a completely different Barry," Gustin says. "It's why a ginormous fight between Barry and Oliver begins" -- creating one of the coolest TV superhero showdowns ever.

Thankfully, Barry and Oliver won't be at odds for long. But it'll take this temporary rough patch to force them to address their dynamic as costumed colleagues, much less partners. "A lot of true, real things are said – issues between the two of them," Gustin says. "But they're able to move past it by the time it's all said and done. By the end of the crossover, we can say for the first time that they've developed a mutual respect [for each other] and some type of a friendship."

It's also an opportunity for characters from The Flash and Arrow who normally wouldn't interact with each other to get actual screen time together, which means one thing: comedy! "The biggest thing is to see just how funny it all is," executive producer Andrew Kreisberg tells ETonline. Diggle fans, you're in luck.

"When Diggle sees Barry in his suit for the first time using his powers, his reaction is my favorite thing in the world," Gustin says with a laugh. "How does Diggle deal with legitimate, other-worldly powers? It's funny," David Ramsey tells ETonline, sharing that it's Diggle's interactions with self-proclaimed fanboy Cisco that really takes the cake.

That's not to say that it's all fun and games during the crossover. When Team Arrow sets up shop in Central City, they take on the brunt of the digs, but when the STAR Labs crew visits Starling City, they get a cruel reality check. "They'll get a taste of the dark life Oliver and his cohorts lead, and maybe rethink why they need to take things a little more seriously," Kreisberg says.

As for Felicity, who's become a frequent Central City visitor, the crossover proves to be a tough balancing act. After all, she has complicated history of the romantic and professional kind with Barry and Oliver. "It's her being an adversary to the two of them and trying to keep calm. Felicity's sort of like, 'Okay, we're going to get through this and I have to sort these things between these two almost-stubborn gentlemen with these powers, these desires and these strengths.' It's definitely not as fun for her," Emily Bett Rickards admits to ETonline.

Amell won’t be the only one showing skin, Rickards says: "There's an emergency where she has to take her shirt off." What?!

With a lot going on in the Arrow-The Flash crossover, it doesn't leave much room for romance. (Sorry SnowBarry, Barricity, Olicity fans!) But Amell has this to say about the future of Olicity after Oliver's ill-timed entrance at Palmer Industries, only to witness Felicity and Ray Palmer's kiss. "There is a little bit of clarity this week during the crossover in terms of how he's dealing with it," Amell hints. "And then, in a couple of weeks, some definite clarity about how he feels."

If that wasn't enough, a huge – and we mean huge – Oliver bombshell is dropped during the final minutes of The Flash, so Arrow fans, make sure you don’t miss out! While we speculate as to what it could be (could it be Oliver's baby?), Amell and executive producer Marc Guggenheim offer clues.

"There aren't really any repercussions for Oliver," Amell says of the secret, hinting that there may be more than meets the eye. "It's more what the audience is learning." "If you watch the episode of The Flash, you’ll see why it makes sense for it to happen on The Flash. It's not random," Guggenheim teases. Hmmm. (Food for thought: Oliver's baby mama did presumably relocate to Central City after being paid off by Moira in season two.)

But seriously though, who wins the Flash vs. Arrow fight?

The answer may surprise you – and yes, one is given by the end of Wednesday's Arrow. While you'll have to watch to find out who gets bragging rights, Amell has his pick: "Diggle would win." Truer words have never been spoken.

http://www.etonline.com/tv/154576_arrow ... ked_event/

- El elenco de "The Flash" & "Arrow" hablan sobre el presionarse los botones los unos a los otros en el Crossover (CBR):
El elenco de "The Flash" & "Arrow" hablan sobre el presionarse los botones los unos a los otros en el Crossover
Por Albert Ching, 02 Diciembre 2014


The CW's DC Comics-based series "Arrow" and "The Flash" go big tonight with a two-part crossover billed as a classic comic book-style collision, though it's not the first time the TV shows have intertwined. While the two shows' casts haven't intermingled to this extent before -- multiple "Arrow" cast members showing up on "The Flash," and vice versa -- the shared DNA dates back to a year ago this month, when actor Grant Gustin first appeared as "Flash" title character Barry Allen on two episodes of "Arrow."

Back then, Barry Allen was simply a forensic scientist for the Central City Police Department, with no superpowers to speak of -- but even though now he's got particle accelerator and lightning-granted super-speed and has joined Oliver Queen (Stephen Amell) in the costumed crimefighting game, Gustin said to CBR News that he doesn't think the dynamic between the two has shifted much since those initial interactions.

"To be honest, it hasn't changed that much since the last time they saw each other," Gustin told CBR at a screening event in Los Angeles. "Barry has these powers, and a little more confidence -- I think he feels like he's on a little bit more of an even playing field with Oliver, and he's not so much intimidated by him anymore. But Oliver kind of still thinks of Barry as this kid that can be in the way at times, and I think it's Barry's mission to change his mind over the course of these two episodes."

Similar to how the two shows are noticeably distinct tonally -- "Arrow" more grounded and brooding, "The Flash" more colorful and optimistic -- as are the two lead characters. Which leads to an intriguing pairing, according to Amell, who said that Barry brings a side out of Oliver that no "Arrow" character can.

"Barry has this enthusiasm and this infectious nature that is really not present with any character in the 'Arrow' universe," Amell said to CBR. "There's this one look that Oliver gives Barry when he's rambling on and getting all excited that he doesn't give anybody else. Sure enough, I gave this look a lot in episodes 208 and 209 last year, and then it laid dormant, and then within like two seconds in ["The Flash vs. Arrow," the first part of the crossover], I'm doing it again. I think their relationship is interesting. But he definitely pushes my buttons. Not in a bad way."

It's not just the series leads who are crossing over into each other's shows -- in "The Flash vs. Arrow," "The Flash" half of the crossover, Felicity (Emily Bett Rickards"> and Diggle (John Rasmey) both make their way to Central City in an episode featuring Roy G. Bivolo (known in DC Comics lore by the giggle-inducing name Rainbow Raider, and now played by actor Paul Anthony). Then, in "The Brave and the Bold," the "Arrow" installment of the meet-up, Caitlin (Danielle Panabaker"> and Cisco (Carlos Valdes) follow Barry to Starling and assist in a case involving another DC villain -- Captain Boomerang (Paul Tarabay), known in comics as both a primary Flash rogue and a member of the Suicide Squad (seen in "Arrow" season two).

Rickards is effectively a "Flash" veteran at this point -- along with this week's episode, she appeared in "Going Rogue," putting her at two guest spots in the eight episodes aired thus far of the first-season series.

"Felicity has to play the intermediary between the teams," Rickards told CBR of her character's role in the episodes. "She has to link them together. She's got to be the magnet."

On "Arrow" last season, fellow science nerds Felicity and Barry were positioned with plenty of romantic tension, though by the end of her first "Flash" episode, they mutually decided to be just friends -- a relationship Rickards said is fairly unique for her character, especially given the recurring "Olicity" undercurrent of potential romance between Oliver and Felicity (and rampant outcries from fans who want to see those two together).

"She's always been an advice-giver and really, really honest, but Barry's going through a new transformation in his life, and she's a friend of his," Rickards said. "Being that person, she hasn't been for Oliver to the same extent. She's kind of got to be the friend that's like, 'You can talk to me if you need to.' Being a support system."

Even in the comparatively realistic world of "Arrow," fellow Oliver Queen support team member Diggle is one of the most down-to-Earth aspects: Oliver's bodyguard, and an Afghanistan veteran armed with a gun. So for Diggle, entering the world of "The Flash" is a culture shock -- bringing drama and a healthy dose of comedy to the mix.

"Diggle's world's about to change, like everyone's else's," Ramsey told CBR. "Diggle's a soldier. He protects the people he loves by conventional means. His world changes when he meets humans that can run near light speed. And how does that effect him as a soldier? How does he protect his family when you have people like that walking the planet?"

"I think the first reaction he has to metahumans is kind of funny -- his fish out of water reactions," Ramsey continued. "That's nice, because Diggle gets to kind of be funny. But he has to come to grips with this world, and he has to in a very serious way, because it hits close to home."

Like Barry, Cisco and Caitlin both also first appeared on "Arrow" season two, but in that episode ("The Man Under the Hood"), they were fairly removed from the main interaction, rather than interacting directly with the show's leads, as they are this week.

"Cisco is the ultimate fanboy, and he has spent so much time geeking out about being a part of Barry's team and helping Barry become the hero that he is, and now to add another element to it -- helping out Team Arrow -- is huge for him," Valdes told CBR. "I expected him to literally explode halfway through the episode."

Panabaker said that in these episodes, Caitlin and Cisco experience a much more visceral realization of the type of stakes involved in vigilantism by stepping into the grittier "Arrow" atmosphere.

"I think it's a really great challenge for [Caitlin] because all of a sudden she has to deal with the reality of these situation that they keep putting Barry into," Panabker told CBR. "They send Barry out there and it's easy to sit behind your computer and tell him 'turn left, turn right, run faster, run slower,' and in 'Arrow,' she has to deal with losing someone potentially. It's really scary, and it rocks her."

Hitting just two months into the first season of "The Flash," it's clear that the shows' executive producers (Greg Berlanti, Andrew Kreisberg and Marc Guggenheim on "Arrow;" Berlanti, Kreisberg and DC Chief Creative Officer Geoff Johns on "The Flash") didn't want to wait long to mix the two together. But while there may not be another full-scale crossover anytime soon -- both shows have their own season arcs to see through -- the natural connectivity will remain.

"I don't think that it always needs to be a two-hour event, but I think some of the fun is when a character like Felicity popped up in 'Flash,'" Amell said to CBR. "That's cool. Or when Oliver popped up in the pilot of 'The Flash' for a scene. I think that making sure that these two shows are never too far apart is an important thing for us to do."

http://www.comicbookresources.com/?page ... e&id=57467
- Las Estrellas Stephen Amell y Grant Gustin Adelantan la Confrontación del Crossover (variety):
Las Estrellas Stephen Amell y Grant Gustin Adelantan la Confrontación del Crossover
Por Laura Prudom 02 Diciembre 2014


A question has existed since the dawn of superheroes: Who would win in a fight? Batman or Superman? Iron Man or Captain America? Brains or brawn? On Dec. 2 and Dec. 3, The CW will pose that query with the heroes of two of the network’s most popular series, “Arrow” and its super-powered spinoff “The Flash,” in a two-night crossover event. In the Dec. 2 “Flash” installment, tellingly titled “Flash vs. Arrow,” Emerald Archer Oliver Queen (Stephen Amell) goes head to head with Scarlet Speedster Barry Allen (Grant Gustin), after a Central City meta-human manipulates Barry’s emotions and sets him on a very destructive course.

Variety spoke to the stars and executive producers of both series at a recent screening for the crossover, and while both hours are self-contained enough to appeal to new viewers, the event should be catnip for fans of the shows and the DC Comics properties on which they’re based. Here’s what we learned about “Flash vs. Arrow”:

The fun is contagious…
“One of the more fascinating things about the crossover is that the tone of each series affects the characters that are coming into it,” previewed “Flash” star Carlos Valdes (Cisco).

“Arrow’s” David Ramsey (Diggle) agreed, “‘Arrow’ in general is dark and brooding, and ‘Flash’ is light and fun, so naturally when you get these two worlds together, you’re gonna have built-in comedy. The writers don’t shy away from that — Diggle is a complete and total fish out of water; he’s the ex-Army Ranger that does everything by the book, so when he meets up with these people in Central City, he is completely and totally flabbergasted, so we play the comedy of that.”

…But the stakes are real
While the “Flash” episode is undoubtedly the lighter of the two, it’s not all fun and games; both teams have a lot to learn from each other — not just in terms of how they deal with the obstacles they encounter on their missions, but also about what it means to be a hero, in every sense of the word.

“I think Team Arrow in Central City learns a couple of important lessons about what exists out there in the world,” Amell noted, although the producers maintain that Starling City won’t suddenly become a hotbed of meta-human activity now that they’ve been exposed to “The Flash’s” super-powered foes.

Executive producer Andrew Kreisberg promised that both episodes would propel their respective series’ story arcs forward, even if the overarching mythologies of the two shows take a backseat for the week: “There’s definitely a big surprise for Oliver — although Oliver isn’t fully aware of it — that happens on the ‘Flash’ side of things, that is going to have major repercussions on ‘Arrow’ down the road. I think Barry grows up a lot in this episode, which is nice. It was important for both Barry to have a real journey and Oliver to have a real journey. I think Barry has been coasting along on the speed and his powers, and he doesn’t always think things through and that’s bitten him on the ass, and Oliver calls him out on it. But by the same token, Oliver has chosen to let go of Oliver Queen this year and be much more The Arrow, and Barry is there to remind him that Oliver can also be a person. It was important that both shows shined and both shows demonstrated their strengths, and that even though we joke it’s Flash vs. Arrow, there really is an equality, not necessarily of skill but certainly of heart.”

The episodes will provide a steep learning curve for Barry, who has to suffer some tough love from Oliver in “Flash vs. Arrow.” But Gustin admitted that what doesn’t kill Barry (like being shot with Oliver’s arrows, for example) will certainly make him stronger in the long run: “With every episode, Barry trusts his team a little bit more, and at the same time, he’s had some questions with what’s going on with Harrison Wells [Tom Cavanagh]. He doesn’t think anything major, but there’s been some distance and some weirdness at times that we’ll all start questioning. But [after the crossover], Barry has more confidence and feels like he’s on more of an even playing field with Oliver, who he’s always looked up to and had on this pedestal. I think Barry thinks he can hold his own now in this world of meta-humans and this city he now needs to protect. He’s accepted the role at this point.”

Oliver has met his share of manipulative authority figures over the course of “Arrow’s” run so far, but Amell played coy when asked if his character would be able to sense something amiss with Dr. Wells that perhaps the “Flash” team is too close to notice. “That’s one of my favorite parts of the crossover, the interaction between Dr. Wells and Oliver,” he teased. “Less their interaction, and more Oliver’s reaction to it.”

There’s no time for romance
While Barry and Felicity (Emily Bett Rickards) seem perfect for each other on paper, they’re currently too hung up on other people to explore their obvious chemistry, and after Felicity’s last sojourn to Central City, the two are firmly back in the friend zone, according to Gustin.

“Nobody’s crossing any boundaries at that point, they’re both sticking to what they said they were going to do and are just friends for now, and that’s all it can be,” he admitted. “It never really even comes up, because we’re focused on so many other things during those two episodes, and I actually never found myself thinking it was strange that it was never addressed because of how much happens in those two episodes — it feels right that it’s not something that we even deal with.”

That’s not to say there aren’t plenty of lingering looks between Barry and Iris, and Oliver and Felicity, over the course of the crossover. But if you’re hoping that Felicity’s kiss with Ray Palmer (Brandon Routh) will be discussed, you’re out of luck — although executive producer Marc Guggenheim promised that developments are coming on that front in an upcoming installment of “Arrow.”

“We’re going to be exploring the ramifications of that kiss in the [Dec. 10] midseason finale,” he teased, promising that comic book fans who know Ray Palmer’s secret identity won’t be disappointed. “We finally revealed the Atom armor, and that’s going to develop further. Who knows, maybe Felicity might find herself drawn in to what Ray has up his sleeve.”

While the kiss was clearly not unwanted, Rickards pointed out that Ray “sorta kinda walked away, so they need to reach an understanding with their work relationship, with where they stand now. Ray is an adult, so he’s gonna step up to the plate — he’s a nice dude, and he has respect for Felicity.”

Oliver obviously wasn’t thrilled to see Felicity locking lips with the man who took over his company, but Amell admitted that Oliver doesn’t see Ray as a rival: “He came in, he gave a better pitch to the board of Queen Consolidated, now Palmer Technologies, and the fact that he kissed Felicity… it bothers Oliver, but that’s Oliver’s issue, that’s not an issue with Ray. I think that eventually they’ll be at odds later in the season, but that’s a ways off.”

There’s no I in team (but there is in Oliver)
Rickards previewed that one of the biggest challenges for the two teams in the first part of the crossover is learning how to coexist, when both groups evidently have their own methods of working a case. “It’s [about] Felicity’s problem-solving game with personalities; she’s got to read how she’s going to get these personalities to work together, and she’s becoming more of a trained psychologist every day, in a sense. And they need each other, and that is definitely understood on all levels from everyone… but there’s a little bit of an ego there, a little bit of a brawn thing, a little bit of a misunderstanding and then there’s the necessity.”

“Flash” star Danielle Panabaker agreed, “Team Arrow are used to doing exactly what Oliver says all the time as he says it; Team Flash is a little more of a team, we’re all working to help Barry. Obviously he’s the one making the final decisions, but it is a bit more of a team effort and Oliver’s certainly not used to that, and not open to it either.” But just because The Arrow is kind of a big deal in vigilante circles, don’t expect Team Flash to be too star-struck. “Caitlin is very protective, because she thinks Barry’s a big deal and she thinks Flash is a big deal, so she’s not necessarily swayed by [The Arrow].”

http://variety.com/2014/tv/news/flash-v ... 201368975/
- La Visita del equipo de Flash a Starling City les cambiará para siempre (Variety):
La Visita del equipo de Flash a Starling City les cambiará para siempre
Por Laura Prudom 3 Deciembre, 2014 | 08:09AM PT


On Tuesday, Team “Arrow” — Oliver Queen (Stephen Amell), Felicity Smoak (Emily Bett Rickards) and John Diggle (David Ramsey) paid a visit to Central City for the first part of The CW’s ambitious two-night crossover between “The Flash” and its gritty antecedent. On Wednesday, Team Flash is returning the favor by heading to “Arrow’s” Starling City, where Barry Allen (Grant Gustin), Caitlin Snow (Danielle Panabaker) and Cisco Ramon (Carlos Valdes) will experience the harsh realities of what it means to be a hero in the Arrow’s world.

On “The Flash,” we saw Felicity ask Caitlin for help in solving the mystery of who killed Sara Lance (Caity Lotz), as well as the brief return of Caitlin’s fiance Ronnie Raymond (Robbie Amell) — now imbued with meta-human abilities that will transform him into DC Comics hero Firestorm. Though we didn’t see a reunion between the pair in last night’s episode, Panabaker previewed, “Having Ronnie come back is very challenging for Caitlin; she’s been grieving the loss, and then she has to grieve him all over again because he’s not at all who she remembered him to be.”

The episode’s final few minutes also brought Oliver into contact with an ex-girlfriend (as yet unnamed on the show, but our money’s on Sandra Hawke), last seen pregnant with Oliver’s child in season two of “Arrow,” when Oliver’s mother Moira (Susanna Thompson) paid her two million dollars to tell Oliver that she’d lost the baby and leave Starling forever. While Oliver is still unaware of that child — who should now be around seven — executive producer Andrew Kreisberg promised that reveal “is going to have major repercussions on ‘Arrow’ down the road.”

But first, the two teams will have to deal with the threat posed by Digger Harkness, aka Captain Boomerang (Nick Tarabay), who is “one of the toughest guys that Arrow faces,” according to Ramsey. “He will place Diggle in some very serious situations.” Diggle’s reaction to Barry’s powers was one of the highlights of the “Flash” hour, but Ramsey told Variety that his encounter with meta-human abilities has given his character a new perspective. “There’s always been an equal playing field for Diggle; it’s soldiers against soldiers. Even when he first joined Oliver’s crusade, it’s like ‘you’re not a soldier, but this is what it’s like to be a soldier,’ so Flash changes the playing field in Diggle’s mind. What do you do with that type of power? And we play with that, because there’s some personal investment that Diggle’s gonna have in terms of coming to grips with [Barry’s] power; there’s gonna be some threats against his family and he’s gonna need some things that he didn’t think he needed. So there’s going to be a full circle that Diggle’s going to come through in terms of dealing with these new powers that he’s coming into contact with.”

Amell said that the events of Wednesday’s “Arrow” will serve as a “reality check” for Team Flash, telling Variety that they’ll learn that “these stakes are real and at some point it’s going to stop being all fun and games.” The episode will teach Oliver a valuable lesson, too: “Oliver has a moment to grow a little bit, to play well with others, to think a little more about the concept of team… and then that all gets thrown to s— in the next episode, immediately, and he has to go out on his own.”

Both Panabaker and Valdes agreed that the events of “Arrow’s” hour, titled “The Brave and the Bold,” will have a lasting effect on their characters. “It changes Caitlin and Cisco because they’re always behind the protective desk and computers, and in the ‘Arrow’ episode, they’re really confronted with the life and death situations they’re in,” said Panabaker.

“Caitlin and Cisco get stuck in these high-pressure situations on ‘Arrow’ where they have to apply their technology and know-how in very creative ways, and it’s really brilliant actually; Cisco applies his technological prowess and Caitlin applies her medical know-how and it really works out,” Valdes added.

While the “Flash” installment featured a physical altercation between the two heroes, Kreisberg teased, “the ‘Arrow’ side of it is much more a clash of moralities, and it’s really about the way Barry goes about things and Barry’s version of being a hero coming into conflict with Oliver’s version of being a hero. It ties back to something Oliver said to Barry in the pilot: ‘You can inspire people in a way I never could,’ and that line, while great for launching Barry, comes back to bite Oliver in the ass in this episode.”

Rickards agreed, “It’s interesting how a story will evolve. So if you’re physical first, then [you have] the lesson afterwards, and the lesson is still a work in progress on our side, because there is a goal at hand; there’s a crime to be solved; there’s a villain to catch; there’s an emergency… so they need to go into this realm where they can teach each other things in our episode and they come to an understanding at the end of it, hopefully on the same level.”

Once “Flash” debuted, Rickards paid a visit to Central City before the crossover, and similarly, tonight’s episode isn’t the first visit to “Arrow” for Gustin, Panabaker or Valdes, since their characters were all introduced on the series. Gustin admitted that it was “much more familiar this time — I’d done it before and I’d been playing this character for eight episodes at that point. I felt more defined as far as who my Barry Allen was, so I felt a little bit looser and fun.” And as a self-professed fan of “Arrow,” Gustin noted just how satisfying it was to see both teams in the Arrow’s hidden base at the Foundry together. “It was very funny, and [had] some very serious, heightened scenes — it made for very good television.”

“Arrow” is a much darker show than “The Flash” by design, but Team Flash carried over some of their trademark humor on their visit to Starling. “My favorite interactions in the show were working with David Ramsey and Colton Haynes [Roy Harper], ‘cause I can’t keep it together and they can’t keep it together, so you put the three of us in a room — specifically a car — it’s a disaster, it’s a catastrophe in the best of ways,” Valdes recalled with a laugh. Executive producer Marc Guggenheim teased that Cisco’s encounter with Thea (Willa Holland) was another highlight for him, and took the opportunity to preview some of the other major developments coming in “The Brave and the Bold.”

“We’re gonna see a big development with Lyla [Audrey Marie Anderson]; there’s gonna be a change in even the Arrow’s equipment and his costume as a result of this two-hour event, and we’re also bringing meta-humans to Starling City, so some pretty big stuff coming,” Guggenheim teased. “And lots of fun surprises in terms of how everyone interacts. Part of the fun of a crossover is not just crossing over the two leads and the two heroes, but the two supporting teams as well, and seeing how they interact and seeing the different combinations of characters that are now possible, that’s a lot of fun.”

http://variety.com/2014/tv/news/arrow-c ... 201369501/
- Productores ejecutivos de "Arrow" y "Flash" sobre el encauzar los Crossovers de cómics, y futuros equipos (CBR):
Productores ejecutivos de "Arrow" y "Flash" sobre el encauzar los Crossovers de cómics, y futuros equipos
Por Albert Ching, 03 Diciembre 2014


No superhero is an island. Costumed characters teaming up -- or fighting amongst themselves -- is one of the most enduring recurring themes in the superhero genre, dating back to the Golden Age.

In the "Flash" half of this week's crossover between the DC Comics-based CW series, the two title characters fought -- thanks to some superpowered villainy. Tonight, they team-up during for "Arrow" installment, "The Brave and the Bold." The episodes mostly stand alone, but with continuing plot lines running between the two, and several characters appearing on each other's series. In "The Brave and the Bold," written by Marc Guggenheim & Grainne Godfree Schwartz with a story by Greg Berlanti & Andrew Kreisberg, Digger Harkness (Nick Tarabay, playing long-time comic book Flash rogue Captain Boomerang) targets Lyla (Audrey Marie Anderson) -- and The Flash (Grant Gustin), Caitlin (Danielle Panabaker) and Cisco (Carlos Valdes) head to Starling City to help out the Arrow team.

With the second half of the crossover airing tonight and both shows heading to their respective midseason finales, CBR News spoke with both "Arrow" and "Flash" executive producer Andrew Kreisberg and "Arrow" executive producer Marc Guggenheim at a screening event in Los Angeles. Both are lifelong comic book fans and frequent comic book writers, and spoke about the inherent pleasure in getting to collide the "Flash" and "Arrow" worlds on screen, and what the future of such interactions might look like.

CBR News: Andrew, I'm curious to hear more about the timing of this crossover, as it's happening relatively early in the first season of "The Flash." It sounds like another example of what's been said by the "Flash" team in the past -- not wanting to hold back on things like this, and just going for it. Do you see these episodes as part of that philosophy?

Andrew Kreisberg: Yeah. Doing this was one of the reasons we were excited to do "The Flash" -- that we could be doing this with both shows. We just don't believe in waiting. We didn't want anyone to think we were doing it for any sort of cynical reason, so we're just doing it, whether anyone thought it was a good idea. It wasn't a ploy to grab ratings. We just felt like this could be one of the biggest, coolest, most fun things we can do. Amazingly, we seemed to have kind of pulled it off.

You're a comics fan and a frequent comic book writer, so superhero crossovers obviously have a meaning to you. What was it like for you to see these characters intermingling to this extent?

Kreisberg: It's why we named the second episode "The Brave and the Bold." It literally is that. And with all the great comic books when one of them got whammied and turned against each other and you had to see Superman and Batman fight -- even in "Dark Knight Returns," watching Superman and Batman fight. Part of the genesis of the first episode was, "How do we get them at each other's throats?" and watch speed versus archery.

Which is also a classic comic book dynamic, two heroes fighting before teaming up.

Kreisberg: Yes! We were saying, one of the best parts of the "Avengers" movie was the beginning, when they're all at each other's throats in the forest, so how can we create a situation where that happens?

As someone closely involved with both shows, how important was it going into this not to just do something cool and fun, but two episodes that had real stakes for both shows going forward?

Kreisberg: That was paramount; that's always what we do. As much as fun as it is to see them fighting, we really wanted Barry to go through a great emotional journey on his side of it, and Oliver to go through the same. I always think of the "gimmick" episodes that people do. They should have real stakes, and they should be important. We always talk a lot about Joss Whedon -- when he did "Hush" or "Once More with Feeling." They were the gimmick episodes of "Buffy," but at the same time, they were huge changes on them, and really advanced the story. That was very important to us, so you have all of those things happening in both of these episodes.

Looking towards the future -- these shows are interconnected and will remain so no matter what, but in terms of doing a clear-cut "crossover" like this, is that something you could see maybe doing once a season? Couple times? Or have you not gotten that far yet?

Kreisberg: Doing it this time nearly killed us, because we basically had to shoot two extra episodes in the same amount of time, and it really was a giant scheduling nightmare that was very difficult on both crews, both sets of casts and also for the writers. But at the same time, you look at the results, and we're so proud of these episodes. There's certainly an appetite to try and do something like this again. Hopefully we'll find the right story and the right time, and hopefully the fans are here for it, too.

CBR News: Marc, as an executive producer on "Arrow" but not on "Flash," how did you enjoy working on this crossover, getting to play with those toys?

Marc Guggenheim: I loved writing the Flash characters. They were so much fun. I thought I'd have a difficult time getting the voices, but they came to me immediately, particularly Cisco. They're so much fun to write, and I think they've been so vividly drawn on "Flash" that it was a piece of cake. I didn't struggle with their tone or their voice at all as a writer.

You're a huge comic book fan and a comic book writer, and a comic book crossover is one of the most deeply, sacredly held aspects of superhero comics -- what was it like getting to mix these shows together, and really embrace everything that means?

Guggenheim: Oh, my God. You have to understand, the 10-year-old boy in me is pinching himself. I still can't quite wrap my brain around the enormity of that. I grew up reading comics like "Marvel Two-in-One," "Marvel Team-Up," "Brave and the Bold" and "DC Comics Presents." I always loved those team-up books. Those are my favorites. I always liked seeing different characters connect with each other.

At the same time, on television, my favorite shows growing up were "Bionic Woman" and "Six Million Dollar Man," and my favorite episodes that they would do were the crossovers. The opportunity to do a superhero crossover on television -- it checks off so many fanboy boxes for me that I don't even know really how to process it all.

One thing that you were clear about at the start of "Arrow" season three was, now that "The Flash" existed as its own show, superpowers were going to be contained there and "Arrow" would return to more grounded territory. Was it fun to step outside of that for an episode, and indulge a little bit more in the fantastic?

Guggenheim: Yeah, it really was, actually. And I have to say, what's fun about episode 8 for "Arrow" is, it proved to me as a writer and a producer, "Hey, you know what?" You can do metahumans on "Arrow" without feeling like the show is changing its tone too much.

So we may see more of that?

Guggenheim: You may. It's something that we all sort of collectively realized: "Hey, the show can handle that." So that's kind of cool. I may have to amend my earlier comment from the beginning of the year, just because this kind of works!

http://www.comicbookresources.com/?page ... e&id=57499





- Video Q&A de Stephen Amell en fb por el crossover:

https://www.facebook.com/video.php?v=762488543836415


- Arrow - "The Flash and Arrow" Screening: Producers Interview:

https://www.youtube.com/watch?v=a6dtkZnwmLg


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