"ARROW" Nueva serie de la CW para TV basada en Green Arrow

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- Imágenes BTS del rodaje de la S2 de Arrow en el Vancouver Convention Centre (04-12-13):

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La escena: Walter Steele (Colin Salmon) invita a Oliver Queen (Stephen Amell) a que suba al escenario para hablar sobre su madre, Moira Queen (Susanna Thompson) quien está a su izquierda con su hija Thea Queen (Willa Holland). Después de la introducción, la madre le da a su hijo un abrazo público de camino a dirigirse a hablar en el pódium. Aunque no sería Arrow su no hubiera algún villano que esté dispuesto a interrumpir y causar un caos en el evento.

http://yvrshoots.com/2013/12/shoot-arro ... qUV8CcpiSr


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

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- Grant Gustin talks about his new role on "Arrow" as Barry Allen (DC All Access):


- Arrow 2.09 "Three Ghosts" Clip:

- Arrow 2.09 "Three Ghosts" Clip 2:


- Arrow 2.09 "Three Ghosts" Producer's Preview:


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

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- Susanna Thompson Habla sobre ARROW, el descubrir más sobre Moira en la S2, sus sentimientos sobre the Undertaking, y más (Collider.com):
Susanna Thompson Habla sobre ARROW, el descubrir más sobre Moira en la S2, sus sentimientos sobre the Undertaking, y más
Por Christina Radish 10 de Diciembre, 2013


On Season 2 of the hit CW series Arrow, Oliver Queen (Stephen Amell) has rededicated himself to his mission of being more than just another vigilante, and is attempting to become a beacon of hope for the city’s most vulnerable, as The Arrow. Now that the trial for his mother’s life can be put behind them, Oliver and Moira (Susanna Thompson) are trying to get Queen Consolidated back on track, but there are still too many skeletons in both of their closets for things not to blow up again soon.

During this recent exclusive phone interview with Collider, actress Susanna Thompson talked about how much fun it is to be allowed to explore her character so deeply, that we’ll be seeing more of Moira during the rest of this season, what her reaction was when she learned where her character’s story would be going, whether she personally thinks Moira should have been punished for her involvement in the Undertaking, how much she loves watching what everyone has been doing with their characters and the character relationships, how Moira might feel if she found out that Roy Harper (Colton Haynes) was risking his life on a regular basis, and that she thinks Moira might know more about what’s going on with Oliver than she’s letting on. Check out what she had to say after the jump, and be aware that there are some spoilers.

Is it exciting to be a part of a show that somehow manages to up the ante, every single week?

SUSANNA THOMPSON: The key to that is that they have a style with it, that is based in that comic book world, but with the writers, the actors and the directors, everyone is trying to base it in a grounded reality to really make it believable and not just skim the surface of these situations and environments. And it’s a joy, as an actor, to know that you’re able to go deep with it and they’ll honor that. Sometimes the editing edits away some of those great moments, but that happens. You’re like, “Oh, darn, I found that and nobody gets to see it!” But then, you have some perspective on it a year later and you go, “Oh, okay, it still works.” I’m suspecting that that might be way [people who aren’t fans of the comics] are able to watch it.

Will we be seeing more of Moira, during the rest of this season?

THOMPSON: I think we have to. Her story impacts Oliver and Thea and Walter, and most of Starling City. Right now, they’re planting the seeds for some other trajectories, as well. We’ve gotten a lot of the Queen family, and this season, we’re getting a lot of the Lance family. It’s been interesting to me, as an audience member, to see that story and to go deep with that. It’s an interesting dynamic to see how the fabric of those two families has been woven in and out of each other’s lives, throughout the years, and still are, to a certain extent. So, you will be seeing more of Moira. You haven’t heard the last of her.

When you learned where this story was going to end up in Season 1 and where it would be headed in Season 2, what was your reaction? Did you think it was going to be exciting, or were you concerned about being isolated even further from the action?

THOMPSON: Oh, that’s interesting. No, I was really curious. I didn’t find out, until probably 3/4 of the way through the first season, what Malcolm actually had planned. I knew that I was creating a backstory, whether they were telling me the story or not. I also tried to project a strength and a resourcefulness for who this woman was, in her very wealthy billionaire life. She wasn’t isolated. She clearly had connections with people, but also had a lot that was being used against her, coming from Malcolm, in particular. She was also trying to protect a lot, keep a lot of balls in the air, and keep a lot of faces up. In many senses, she was a very good actor. Now, having had a great deal of that stripped away is another wonderful place to be, as an actor. She’s a more grounded and more truthful Moira, and yet I don’t think anyone bares everything in their closet, or every single truthful place in themselves. That being said, if this truly is a season of redemption for her, and I believe it’s a season of redemption for a number of the characters, she’s got a lot of redeeming to do, especially because the situation she found herself in last season was so extreme. It will be interesting to see what she still hides, what faces she’ll still put up, and what she’s willing to risk to be honest. It takes a lot of trust. She’s lost a lot already, in her life. To bare one’s complete soul means that one has complete trust and that, no matter what happens, they’re okay with the outcome. Now, she’s trying to hold on to what she does have still, in particular those relationships that mean the most to her – her son and her daughter. That’s the core of her heart. So, it will be very interesting to see how this all plays out.

Were you happy not to have to wear an orange jumpsuit?

THOMPSON: It’s interesting, I kept thinking that the orange would bring out a better look for complexion. But, everybody has been loving the gunmetal blue. It’s much more in alignment with the show and what the costume designer has created for the look of our costumes. I kept joking with the press that it was going to be an orange jumpsuit for her. They surprised me. But, it was probably best with Orange is the New Black.

Are you looking forward to interacting with some of the great guest stars this show has, or even some of the other characters you haven’t gotten to work with much yet?

THOMPSON: I always love coming up against a character that I haven’t had a chance to work with. I’ll be having a little bit of a connection with Felicity, so that’s interesting. And it was nice to have a bit with Roy. I always was curious how they were going to write that scene, and it wasn’t anything that I thought it was going to be. I thought it would be in Season 1, but instead it was in Season 2, and it was all about giving a gift to her daughter. Moira can see how happy her daughter is with him and how miserable she is without him. Clearly, there must be something wonderful about this person for her daughter to feel so deeply, and she wanted to reflect that back to her daughter, in a very generous way.

As an outsider looking in, do you think Moira should have been punished for her part in the Undertaking, or do you think people were unfairly placing blame solely on her shoulders?

THOMPSON: She said it, and the writers wrote it beautifully, that she is due. There is some responsibility and punishment that she is due, for her participation in this. And yet, it is understandable, in my mind, that she was also a survivor of a very traumatic experience. In many cases and in many ways, she is a victim of the torturous place that Malcolm put her in. It was hard for me to keep wrapping my brain around it, last season, but then we wouldn’t have a show. I kept wanting to say, “Just go to the police! Go tell someone!” But, that’s not who this very complicated woman is. It’s like, if you go along living your life in as best and positive ways as we can, trying to be good people, and then circumstances bump up against you and you make decisions, and you think you’re doing the best you can, in that moment, and really it was the worst thing you could choose to do, but you’re doing it for some sense of survival. There’s a primal need to live and to survive and to protect. And yet, if you could stand outside of it, you’d go, “No, take that path instead, or it will set up all these other dominos.” I’m curious, as an audience member, to find out what else there is that she’s living with, that we maybe don’t know yet. It’s hard for me because, as a person, I just want to go to the truth and resolve whatever it is.

What’s it been like to share some of the more honest moments with both Stephen Amell and Willa Holland, this season? Do you feel a dynamic shift between you guys, as actors, as well?

THOMPSON: Yes, and I felt it towards the end of Season 1. Now, we’ve just carried that over into Season 2, and we keep building on it. Each time the writers write another great script, they give us more to dive into and to get deeper with and to get messy with, and the messiness is what I love. I think all three of us are committed to that. And then, if I look beyond the Queen family, I see it in everything that everyone is doing. I look at what Manu [Bennett] is doing, what Colton [Haynes] is doing, and what Paul Blackthorne and Katie [Cassidy] have been doing, and what were very quirky and fun characters, initially, like with what Emily [Bett Rickards] is creating and how deep that goes, and the ramifications of that soldier life with David Ramsey’s character. But, he three of us love working together. We just bounce off of each other. If in one take, one of us decides we’re going a different way, the others will keep up with them. We don’t get set in a way that it has to always come out a certain way. We really go with each other, like families do. They’re just lovely. The whole cast and crew is lovely. I couldn’t ask for a nicer situation.

Even though Moira has essentially given her blessing for Thea to be with Roy, do you think she’d feel the same way, if she knew he was risking his life, pretty much every chance he got?

THOMPSON: Probably not! I think she’d sit him down and talk with him. It’s interesting because I think he’s craving that family connection. I think there’s some appreciation on both ends, with Roy and Moira. But no, I think she’d have a hard time with it. Anything that he gets involved with, like that, is going to have an affect on her and eventually bring her into harm’s way. Moira’s not going to be for that.

How do you think Moira would feel, if she ever found out what Oliver was doing as The Arrow? With everything that she’s been through, do you think she’d be upset, or do you think she’d be proud of the good he’s trying to do?

THOMPSON: I’m not so sure. They’ve never written anything about it, but I’ve always felt Moira knows more than we think she knows. At the very least, I think there’s an intuitive side of her that knows something else is going on, more than what’s on the surface, and she has had to let go, each day he’s been back, to be able to stay in his life and to trust. But I’m still very curious, every episode we get, to see what gets revealed and where their story goes because they both have so many skeletons in their closets. They’ve both had big life experiences, as have many of the characters on Arrow.

http://collider.com/susanna-thompson-ar ... ZE2Sjfy.99


- Una entrevista con Susana Thompson (StarryMagConstellation):
Una entrevista con Susana Thompson
por Jamie Steinberg 10 de Diciembre 2013


Q) What are the recent projects that you are working on?

A) It's just been "Arrow" right now. There is some talk of reprising a role that I played on another show. We'll see. I can't really talk about it right now, but I think in a couple of weeks I'll know. Really my life has been about family. I took a trip with my parents and a couple of siblings in between finishing Season One and starting Season Two. We took my parents back to Northern Ireland where they met. My mother was born and raised in Northern Ireland and my father was in the Navy. They met in Northern Ireland and now at eighty-nine years old and ninety years old we took them back. It was really quite special.

Q) What is new this season on "Arrow" and with your character, Moira Queen?

A) We're seeing more and more DC Comics characters come in and I think that is a theme that continues throughout the whole season. They are just bringing one in after another. It's very much a huge adrenaline ride with the type of action that they are creating. In various other side stories, you have got a lot of interesting dynamics within the Lance family. With Moira, she's on trial and we just found out she is potentially on trial for her life. Coming up, the District Attorney is going to take ill and it will be left in the lap of Laurel (Katie Cassidy) to prosecute Moira. Here you have a lifetime family friend of the Queen's in the trial. It's an interesting dynamic. And I also think, as we saw Moira in Season One, nothing is as it seems and I think she also has incredible resourcefulness and you will see as the season goes on her using resourcefulness. It's exciting! I still don't know quite where we are heading with her in this whole second season, but so far it has been quite exciting.

Q) What continues to challenge you about playing this role?

A) The unknown. The writers are taking me down one path and then they take a quick right turn or a quick left turn and that's when a situation or information arises that I had no idea that she would be in. That's always interesting to piece it together. I also think that there is a mystery to her. There is a sense of entitlement that comes with great wealth, from my perspective. Not coming from great wealth, it is my observation. That's an interesting piece to play in the middle of all her dramas, all of the unexpected moments that arise. I think it is her discovering how to be a better parent as she goes. I think she has always loved her children, but I also think that with the money came a lot of help in raising her children. I think now she is more one-on-one with them probably than she ever has been with them. Also, with Season Two, the interesting place for Moira to be is to see her daughter growing more and more mature and taking on more and more responsibility and being there for her. They are getting closer and she is there for her mother.

Q) Was the family dynamic natural between the Queen family or did it take some time to develop?

A) I think any great actor can create chemistry based on what the story requires; however, that said, I've always found that if you can find a common ground as people. That can often translate on screen as a connection of energy and to that, Stephen [Amell] was very good initially and I think he took the lead from David Netter who directed our pilot. David Nutter gathered us to have a cast dinner. David Nutter gathered us to rehearse. That's very rare in television. For the pilot, there were moments where you had extra time because you just focused on the one episode, basically. When you are on a season schedule (twenty-three episodes), it is very rare that you will have additional time for rehearsal. As we all got started in Season One and we all traveled up to Vancouver and got ourselves situated when ever there was a weekend where it looked like a number of us would be in town. Stephen took the lead and created dinners and said, "Let's go meet each other at this restaurant." That off-screen comradery continued and I find it to be one of the nicest, easiest casts to work with and I've had some lovely casts that I have worked with and I would rank this as one of the top. I have to say it also extends to the crew. The crew is an incredible, generous and hardworking supportive crew.

Q) Was there anything about this character that wasn't originally scripted for you that you added to the role?

A) That's an interesting question. I think there are times in Season One in particular when it came to Malcolm (John Barrowman) and Moira that along the lines of some comic book centered characters...I think sometimes women can be portrayed as victims. I think it was episode five in Season One that Moira came in with both guns blasting and basically told Malcolm, "If you touch one hair on the head of any of my family I will come after you. I will burn your world." From that moment on, I kept saying, "What's in her back pocket?" At that point, the writers would come back to me and say, "There is nothing in her back pocket." Well, I didn't accept that. I did add many things in her back pocket. Yes, she did have situation after situation under Malcolm's thumb, but the steel rod of being strong and brave in front of Malcolm was something that I had to give her. I had to give her some power and that was the way I decided to do it. I didn't discuss it with the writers and I know that they know I am a strong actress and I was playing a strong character. She's a very strong and powerful character, but I found that some of the scenes left her victimized. I wanted something more for Malcolm to bounce against, an equal in many ways regardless of whether he had one up on her. That's what I did give her.

Q) What do you think it is about "Arrow" that continues to captivate audiences?

A) I think it is different right now. I'm a little baffled because I never grew up with comic books. I know the whole genre is extremely popular and I think it is riding that wave of popularity. You see a number of movies that are being made based on the comics genre. What I find interesting about "Arrow" and what drew me to "Arrow" was the possibility of this canvas to talk about current issues. I'm not sure if that is going to be the case in Season Two, only that there are more and more comic characters coming in. And I don't know if their storylines necessarily pertain to what is going on in the world, globally. But I think if we broke it down we probably could find various issues and if the writers continue to be smart it will overlap current issues. That's what drew me. Whether that draw is there for other people, I'm not sure. I do know that some of the best action on television. The stunts and action are superior to most shows right now. It's a shame that we're in Canada or I am not sure what it is that they are not getting noticed for that. Maybe there are a lot more people that grew up with the comic genre and they are finally getting their day. For me, it was about the global issues in the world, political issues.

Q) Where can people go online to learn more about you?

A) I'm not a big social media person at all. At this point, it would just be the Internet Movie Database unless I am going to have to be brought into social media.

Q) What would you like to say to everyone who is a fan and supporter of you and your work?

A) I send out a huge thank you to everyone. I have to tell you, I am heartened as a woman and a woman getting older in this industry it is amazing and heartwarming to me to see younger people that have noticed my work or that are now becoming fans because of the work I do on "Arrow." The CW Network is known as a younger network, maybe the demographics are ages 16-32 or some range like that. But with this show they have the opportunity to broaden that demographic and I have seen firsthand (as has Paul Blackthorne) that younger people are extremely smart and gravitate towards some of the older characters. I've heard that we have older fans watching the show. You have a mother in her forties or sixties watching the show with their children and they are just enjoying it. So, just a huge thank you.

http://starrymag.com/content.asp?ID=771 ... ews&PAGE=1



- Colton Haynes habla sobre Brother Blood, y el ponerse el traje de Arsenal (CBR.com):
Colton Haynes habla sobre Brother Blood, y el ponerse el traje de Arsenal
Por Kiel Phegley 11 Diciembre, 2013


Last year, The CW's superhero drama "Arrow" ended its first season by blowing everything up. And from the looks of things, the series is set to wrap the first half of season two by bleeding out.

In tonight's mid-season finale, the DC Comics-inspired show follows up the debut of Barry Allen with a number of new wrinkles set to put the characters in a wounded position. For starters, series lead Oliver Queen is struggling after last week's cliffhanger, his life in Allen's hands. And to complicate matters further, teasers for the finale have shown Roy Harper -- the street tough teen played by actor Colton Haynes -- similarly inflicted with the Amazo-inspired super serum possessed by Brother Blood. As not everyone who's exposed to the serum lives, the last new episode of 2013 presents multiple races against the clock under the ominous name "Three Ghosts."

CBR News spoke with Haynes about his role as Harper, and the actor shared his thoughts on being the only character from the streets of Starling City, his pseudo-sidekick role and how Brother Blood's schemes will set up the back half of Season 2.

CBR News: Colton, I've got to say that Roy has had a tough time of late. In particular, the last episode showed the vigilante being kind of a jerk to him.

Colton Haynes: Well, someone's got to throw him a get well soon party. Why's everyone gotta be so mean to Roy? He's lived through enough! [Laughs]

It's been interesting watching Roy's journey over this season. Every time he tries to do something good, it seems to blow up in his face. How does that roll into this finale? Does it make for more of an "Empire Strikes Back" scenario, or is there a little light at the end of the tunnel?

After the mid-season finale and towards the end of the season, I feel like there may be a light at the end of the tunnel. But at the same time, there has been that whole "are they going to join forces?" tension going on with Oliver and Roy. During this finale, something very, very bad happens to Roy that Oliver has seen happen to Slade Wilson, and I think it'll make him a little more aware of and a little more wanting to look after Roy -- to monitor Roy in a way. He's seen what Slade went through [on the island], and then Max didn't make it out alive when he was injected. So we don't know if Roy is going to or not.

What do you see as Roy's thematic place in this part of the show? A big part of the series this year has been criticisms of Oliver being a rich boy trying to help the Glades, but Roy is really from the streets. Does that impact how he fits into everything going on with Brother Blood?

The good thing is that Roy can cover a part of town that Oliver is not used to, but at the same time, Roy's not looking to just be his errand boy. I think Roy's starting to realize that what he brings to the table is a lot more than Oliver is allotting him. It's going to be interesting to see the relationship between Roy and Sebastian -- Brother Blood -- because it's almost like a puppeteer kind of thing going on. Roy doesn't know who injected him going forward since Sebastian wears the mask.

Roy is a bit of a rebel on the show, but I still get the feeling that he's looking for someone to mentor him. Is that part of what gets him involved with Brother Blood?

No, it really happens because Roy is always poking his head in everyone's business and getting involved in things behind the scenes. What happens is that Roy is snooping for information and eventually gets clocked over the head and taken. [Laughs] It's almost like it was in the episode last year, where he was kidnapped. He's getting himself into more trouble, and I think that could present itself in a way where Roy more sees the dark side of things. Which route is he going to choose? Is he going to wait in the wings where Oliver wants him to stay, or is he possibly going to join the dark side and get to do more than what he's done in the past?

Since you were introduced onto the show, Roy has been a bit of a mix between action hero and punching bag. Do you like being in that position where you're either jumping over fences or getting punched a lot?

Well, luckily I have the best stunt guy in the world, Curtis [Braconnier]. I'm the last person to be like, "I do all my stunts," because I do almost none of them. It's fun to watch myself on television, because I look like a badass. [Laughs] But I have to really give all the credit to the stunt team and James "Bam Bam" Bamford. I like that they've turned Roy into a badass, but at the same time, there's a real heart that's hiding behind that concrete all. It's been cool to see how his love has developed with Thea and how he's looking for that brotherly or father figure in the Arrow. Little does he know that when he's having these quippy conversations with Oliver, they're one and the same. If the Arrow ever gets unmasked to Roy, that'll be a really fun aspect to play.

It's also been fun to see you spin off in this "Blood Rush" serial that's divided between TV and online. I feel like the most fun for you there was to play off Emily Bett Rickards' Felicity, but what was it like adding to the world in that way?

It was so much fun working with Emily. Felicity is my favorite character in the series. I mean, she's everyone's favorite character! [Laughs] But it was fun because it made both of us think that there's a possibility that we could actually work together on the show. It was great to see the dynamic between the two in the Bose spots, and I'm very hopeful that there will be more of that in the future.

Looking down the road, everything we've talked about aside, the big question around Roy is whether he'll join Oliver fully and morph into some version of Speedy. Are you hopeful or worried about the possibility of being fitted for a costume?

I am looking forward to it, if it happens. That would be incredible. But I am a little nervous about it. Luckily, as we've all seen, I've gotten to keep my clothes on this season, which I'm so excited about, especially after Thanksgiving. But I've seen the costumes for all of the possibilities, whether it be Red Arrow, Speedy or Arsenal, and they're quite revealing! [Laughs] So I'm going to do my best to bribe Greg [Berlanti], Andrew [Kreisberg] and Marc [Guggenheim] and see if they can maybe make it so I won't have to be so scared to go to work in the cold every day.

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- Colton Haynes habla sobre el difícil viaje que está por venir para Roy y nuevos compañeros (THR.com):
Colton Haynes habla sobre el difícil viaje que está por venir para Roy y nuevos compañeros
Por Philiana Ng 7:00 AM PST 11/12/2013


Roy Harper is about to face some hard times on Arrow.

After getting shot in the leg with an arrow by the vigilante (aka Oliver), Roy (Colton Haynes) gets into even choppier waters in the Dec. 11 midseason finale of The CW comic-book drama, with Oliver's self-proclaimed protege getting the beat-down from Starling City menace Brother Blood (Kevin Alejandro) after getting captured. To say the episode -- eerily titled "Three Ghosts" -- effectively changes Roy's journey for good is an understatement.

In a chat with The Hollywood Reporter, Haynes previews Roy's dangerous arc, his mission to unmask the vigilante and what's in store for Starling City in 2014.

What has been your favorite part so far this season?

It's been fun to see the light-hearted side come out of Roy. He's definitely a smart aleck. It's been nice to see that once he lets his guard time, that he is capable of loving even though he hasn't been around a lot of love because of how he grew up. It's been nice to see his guard let down and it's been nice to see his dynamic with him and Thea (Willa Holland) and the fun back and forth, little snide remarks between Roy and Oliver (Stephen Amell).

What's the state of Roy and Thea at this point in the season?

A few episodes ago Thea had tried to break up with Roy because she thought it would hurt her mother's case, and that was devastating to Roy because he's watched people walk out of his life. It takes a lot to let Roy to let people in. So the fact that someone he thought he knew and trusted could just easily rat him out like that really hurt him. It was a good thing that it came from the source, which was Moira (Susanna Thompson), who told him Thea did it for her otherwise I don't think Roy would've let her back in. Due to what happened last week with Roy getting shot in the leg, now Thea's taking charge. Thea's like, "You aren't going to mess with my man anymore!" She's now going "I'm going to help and let's unmask the hood together." Now they have their own little mini team with Sin (Bex Taylor-Klaus), Thea and Roy to put their eggs in one basket and actually give this a real shot of figuring out who this is.

What are your thoughts on Roy, Thea and Sin working together on the same team?

I think they make a great time. I forgot what [executive producers] Andrew [Kreisberg] or Marc [Guggenheim] called it -- I think they called them the comedic trio now. We all just feed off each other. It's hard to keep a straight face and you're going to see a lot more from our characters working together going forward.

How successful do they get in unmasking the vigilante?

Well, not before the midseason finale. As the progression of the season goes, I can say that one of the three gets really close and whether or not that's going to benefit them for good or not. That's really all I can say about that. (Laughs.)

You touched on Roy getting shot by Oliver's arrow in last week's episode. How does the midseason finale address that wrinkle?

After Roy ends up in a lot of trouble, the Arrow is going to redeem himself in a way that's going to be like, "In a way I hope you learned your lesson." It's a really, really awesome scene and a pivotal scene that's going to lay the groundwork for the rest of the season between Roy and Oliver. Oliver didn't just shoot him just to get him out of the way. He shot him to slow him down but he needs Roy to learn his lesson before even more bad happens. With the scene that happens between Brother Blood and Roy tonight is going to change the relationship Roy has with every single person in his life and not for the better. It's going to change the course for the worse.

There is also a funny moment between Roy, Oliver, Thea and Sin that directly addresses Oliver shooting Roy's leg that adds some levity to the episode. What was that like shooting the particular scene?

It was really fun!

Roy seems to be heading toward choppy waters. What's ahead for him?

This midseason finale is feeding a lot of information about a lot of characters that you didn't know prior and it's also setting a lot of partnerships up in a way. It's figuring out if Arrow can really put aside his role as being Oliver and deal with Roy that way. It's going to be a tough decision for Arrow if he thinks Roy deserves to be in the dark or not or if he thinks Roy deserves to know information.

Will we see more interactions between Roy and Felicity (Emily Bett Rickards)? A lot of fans seem to be enjoying the "Blood Rush" commercials.

You can definitely look forward to that in the rest of the season, which I'm looking forward to. In a way the [writers] are writing a lot of Felicity lines for Roy this season. He's somehow a smart aleck, quippy and says all these ridiculous lines, which is in a way how Felicity is. It was fun to see that dynamic between the two during the Bose spots and you will see a lot more from Roy and Felicity in the future. Felicity has a lot going on. She's in love with one guy [Oliver], another guy comes around [Barry Allen/Flash] and they gave the other guy his own show. (Laughs.) Who is she going to end up with? She's also got Diggle there, so she's got a lot of options. We'll see which one she picks.

What's Roy's biggest obstacle when Arrow returns in January?

Is he going to use the abilities or the power and strength that were given to him for good or is he going to use that and go down the path his mom went down? Is he going to start doing things that aren't going to be helpful to the Arrow? It's a fun path to see Roy team up with the hood or if he's going to use his newfound ability to overpower the vigilante or go out on his own and take matters into his own hands, which could get him into a lot of trouble and could lead to his demise in the long run. You never know.

http://www.hollywoodreporter.com/live-f ... ult-664833

- Colton Haynes sobre la alianza cambiante de Roy con Arrow (greenarrowtv):
Colton Haynes sobre la alianza cambiante de Roy con Arrow
por Craig Byrne 11 Diciembre, 2013


In case you’ve missed our last dozen or so posts, the midseason premiere of Arrow is on tonight at 8PM on The CW, and it’s fantastic. It’s called “Three Ghosts” and features more of Brother Blood and his experiments, some surprising faces in Starling City, more Barry Allen, and an investigation by the show’s titanic teen team of Roy, Thea, and Sin.

In anticipation of tonight’s episode, and despite some communication issues on our side that were probably compromised as part of an evil plot by Sebastian Blood, we spoke with Colton Haynes (Roy) about what happened last week with his character’s alliance with The Arrow and what that might mean going into tonight’s show as well.

“He’s really pissed off!” Colton confirms about Roy’s reaction to getting a shot to the leg from the Hood last week. “It’s very unexpected; not something he thought was going to happen. But also, it’s a warning shot. You don’t know what you’re getting yourself into. Now I’m going to slow you down. So, his reaction is that his fanboy dreams of possibly teaming up with the Hood, there’s a big arrow in between that want and need right now,” he says.

With that said, though, Roy is continuing to move forward, still investigating what happened to Sin’s friend Max despite the vigilante’s warning. “Roy is now starting to consult with his little mini-team of Sin and Thea, and Thea is taking charge and saying ‘I’ve had enough of this. We’re not gonna stand for this,’ and so that’s what’s keeping him going forward,” Colton tells us.

With Sin being a part of Roy’s “helping the Hood” life, and Thea being part of Roy’s civilian life, one would think it might be awkward for Roy to juggle the two. Colton actually does not see the situation as that bad for him. “It’s not awkward for Roy, because Thea’s started taking a liking for Sin as well, but Thea doesn’t know their past yet,” Colton speculates. “That’s going to be an interesting factor between their relationship, is to find out a little more with the past. In the past few episodes, now Thea’s been suggesting that we can help Sin now, so that’s a really, really interesting thing that happens, because now she allows Roy to go and try to find Max. She’s allowing him to get back in the game,” he says.

In following some leads about Max’s final days, Roy and his friends consult Thea’s old “boss,” Laurel Lance. “We do go to her [in "Three Ghosts"]. She gives us some information that of course leads Roy to start snooping around in the wrong places, which ultimately leads to something that happens to Roy that is going to affect his relationships with here on out,” Colton teases. However, don’t expect Laurel to take a place aside Roy and his junior Superfriends too much — they don’t interact much more in the coming weeks after this one. “Laurel’s not exactly in a very good place in her place right now. She’s going through some problems of her own,” Colton says.

http://www.greenarrowtv.com/interview-c ... rrow/16055


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- Arrow Bose "Blood Rush" Episode 6:


- Arrow 2.10 "Blast Radius" Promo (HD):

- Arrow 2.10 "Blast Radius" Extended Promo (HD):

Añadidos los enlaces y rátings del 2.09 "Three Ghosts": AQUÍ


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- La máscara de Oliver Queen: Kreisberg, Berlanti y Johns hablan sobre la nueva adición (greenarrowtv):
La máscara de Oliver Queen: Kreisberg, Berlanti y Johns hablan sobre la nueva adición
Por Craig Byrne 11 Diciembre 2013


One of the many highlights of tonight’s episode of Arrow is that after 32 episodes, Oliver Queen finally puts on a mask. At last week’s Q&A at CW Network headquarters in Burbank, Executive Producers Andrew Kreisberg and Greg Berlanti and Chief Creative Officer of DC Comics Geoff Johns talked about the addition that came in tonight’s show.

“A lot of conversation went into that eight inches of material,” Greg Berlanti confirmed when asked about the process that led to the introduction of the mask.

“We saw 50 or 60 different designs, and some of the earlier ones were crazy,” Kreisberg laughed. “It’s funny. It worked out really well in success. When we had the pilot, we debated having a mask, and we decided to punt, for a variety of reasons. Most importantly, it was that if you put a mask on him right away, it sort of says ‘oh, this is cartoony and superhero-ey, and it also sort of fit into his character too. He wasn’t someone who ever thought he would ever be interacting with people. He thought he was going to be this dark sniper, firing arrows from the shadows, and as the series progressed and he’s stepped more and more into the light, which is also what his overall arc is, it seemed so perfect, that this season that he would need it, and also, that Barry is the one that ultimately makes it for him. It just makes the bond between those two characters,” he continued.

“I always think of the episodes as ‘The One Where… you know?’ And ‘The One Where He Gets His Mask,’ you feel like that’s such an iconic moment,” Berlanti added. “Obviously, we’ve talked a lot about the show being his transition from a vigilante to a hero. The makeup – the grease paint – was obviously coming from the island, and as it turns out, then of course we’ve put the mask on him and realized he still needs a little bit of grease paint right there! So for all of the audience members wondering ‘when does he stop and put on the makeup before he goes after the bad guys,’ he now has to put on the mask AND a little bit of makeup before he goes after the bad guys!” he laughed.

Andrew Kreisberg tells us that the mask will be seen more in the next two new episodes (the first new episode of 2014 airs January 15). “We’ve seen cuts of Episodes 10 and 11, and when you see him with the mask, it’s just so cool. It’s also just the only way he interacts with people. A lot of times, when he’s talking to somebody he knows, he’s got to keep his head down. It’s a little awkward. And now, it’s given Stephen the ability to much more freely interact with Laurel or Detective Lance as the Arrow,” Kreisberg said.

Geoff Johns sees the mask as an example of the show’s success of embracing the mythology at appropriate times. “You don’t embrace it all at once. Like Greg says, you have to build up to ‘the episode when…’ But, the greatest thing about this show as a comic fan is it does embrace the mythology. Everyone working on it embraces the mythology. It’s all going to be introduced, but it’s just a matter of ‘when’,” Johns says.

And what about when the mask is not on? A lot of people seem to be learning Oliver’s secret — are more on the way? “Everyone won’t find out,” Andrew Kreisberg promised. “I think over the course of the season, a couple more people will find out. For us, him keeping his secret identity is sort of the least interesting part of the character, and people knowing and letting him talk to people, and letting him share that experience, we find to be much more interesting. Like with Tommy. The last episodes last season, once Tommy found out, their relationship became so much more interesting, because they could talk about what was going on with them that week. While at the same time, there’s the superhero trope, and we try to preserve that, we don’t feel like our series is based on ‘oh my God, we’ve got to push off people finding out for 6 or 7 years’.”Arrow returns January 15 on The C

http://www.greenarrowtv.com/oliver-quee ... tion/16077

- Los jefes de Arrow sobre los sentimientos 'Olicity', el regreso de alguien, el futuro de Roy y más (TVLine):
Los jefes de Arrow sobre los sentimientos 'Olicity', el regreso de alguien, el futuro de Roy y más
Por Vlada Gelman 11 Diciembre, 2013 06:00 PM PST


The twists flew as fast as the vigilante’s spears on Wednesday’s fall finale of Arrow.

While a captured Roy survived the hour (just barely), Oliver still lost someone back on the island when Ivo shot Shado.

And death kept coming as Tommy made a haunting appearance — and then Slade was revealed to be alive in Starling City and up to no good!

Below, executive producers Andrew Kreisberg and Greg Berlanti preview the dark times ahead and discuss Barry’s “profound effect” on Oliver and Felicity. Plus: Who will learn Ollie’s secret next?

MATTERS OF THE HEART | Barry and Felicity may have sparked, but the future Flash also did a lot in terms of scratching at Oliver and Felicity’s maybe-not-so-platonic feelings for each other. “It’s certainly something we pick up in Episode 10, because the fallout… carries over into the next episodes as far as the Oliver/Felicity relationship is concerned,” reveals Kreisberg. “Barry has had a profound effect on them, and that will carry through.” But is Felicity crushing on someone who doesn’t reciprocate? Kreisberg admits that “Oliver isn’t quite sure what he feels. He knows he feels something for her, but can’t quite define it. He’s surprised in this episode when Dig points out to him that what [he's] feeling right now might actually be termed jealousy.” Meanwhile, the IT gal-turned-Girl Friday “doesn’t want to like Oliver, in a way, because she finds him unattainable. And in a way, he is unattainable, especially after… he said, ‘It’s probably better if I’m not with somebody I care about.’”

BACK WITH A VENGEANCE | Whereas Season 1 featured one big foe in Malcolm Merlyn, “This year, we’ve got a two-pronged approach to the bad guy,” says Berlanti. “Also, because Oliver knows about the presence of one of the bad guys, it helps us change the rhythms of the back half of the year from what we may have done last year.” Driving the second chunk of the season is the surprise, non-island appearance of Oliver’s buddy, Slade, who is behind Brother Blood’s scheme. The newest Big Bad is hellbent on destroying the vigilante after watching the woman he loved from afar, Shado, die. “That really is his motivation. He blames Oliver for what happened,” explains Kreisberg. Needless to say, “Things don’t get better between them on the island,” adds Berlanti.

SHOT UP | For Roy, surviving Brother Blood’s injection is both a blessing – being alive: yay! – and a curse, as Slade’s troubling journey reveals. “What’s fun for us as writers is we see what Roy’s potential is to go down that dark path, too,” says Kreisberg. “It’s a deep-seated anger inside of you that lets you survive the transformation.” But it’s best not to let that rage get the better of you, so “One of the fun things that will be happening in the back half of the year is [Roy's] relationship with the Arrow and how that changes and how the Arrow basically makes it his mission to not let Roy go down the Slade path. That takes some interesting twists and turns.”

THE VIGILANTE UNMASKED | Did Roy perhaps open his eyes and ID Oliver as the one who saved his life? We can’t say for sure, but Kreisberg does divulge that “Over the course of the season, a couple more people will find out” about the playboy’s other persona. “For us, him keeping his secret identity is the least interesting part of the character,” adds the EP. “People knowing, and letting him talk to people and letting him share that experience, we find to be much more interesting.”

DADDY ISSUES | Malcolm may have been MIA during the fall finale, but his reach will be felt in the episodes ahead. After all, Thea has been pretty well-adjusted this year, so you can “probably assume that she’s going to get hit with a whammy as the season progresses,” teases Kreisberg.

HONORING THE DEAD | If Tommy’s surprise return struck a chord in you, you’re not alone. When breaking the ghosts story, the EPs “literally had the same idea at the same time,” recalls Kreisberg. “We both felt each other gasp.” Initially, the two discussed having Oliver’s dad be the third vision before landing on his fallen friend. “So much of this season is based around that character and his loss and what a hole he left in the show,” explains Kreisberg. “So it really fit with this season’s arc of Oliver’s journey, going from vigilante to hero… For Tommy to forgive him and tell him to get up and fight — just even talking about it, I get chills.”

http://tvline.com/2013/12/11/arrow-seas ... ys-future/

- ¡El gran villano de la Season 2 Revelado! ¿Qué es lo siguiente? (TVGuide):
¡El gran villano de la Season 2 Revelado! ¿Qué es lo siguiente?
Por Natalie Abrams 11 Diciembre, 2013 09:06 PM ET


The real big bad of Arrow's second season was finally revealed!

It turns out Sebastian Blood's (Kevin Alejandro) quest to make super soldiers is under the direction of Slade Wilson (Manu Bennett). Sporting his infamous eye patch, Slade was seen in present-day Starling City, telling Brother Blood that he is determined to burn the vigilante's world to the ground. Why does he hate Oliver (Stephen Amell) so much after spending all that time with him on the island? Because, given a choice, Oliver instinctively saved Sara (Caity Lotz) over Shado (Celina Jade) on the island, much to the dismay of Slade, who had harbored feelings for Shado.

But that was the least of the action during Wednesday's midseason finale, which also featured Barry Allen (Grant Gustin) taking one giant leap to becoming the superhero we all know and love. What's next for him and the rest of Team Arrow? Executive producers Andrew Kreisberg and Greg Berlanti were on hand during a screening of the episode to tease what's next:

Slade Wilson has an axe to grind!
Sure, Brother Blood has been trying to create super soldiers, but he's been doing so with the use of Slade Wilson's blood. That's right, Slade is alive and determined take Oliver down for his part in Shado's death. "Oliver and Shado had a relationship, and then really seeing that Slade kind of loved her from afar, and you see what happened to her, so that really is his motivation," Kreisberg said. "He blames Oliver for what happened and what's interesting for our hero is that Oliver blamed himself, too." Berlanti added that the driving force of the second half of the season will be whether they come face-to-face in the present, but their flashbacks will still be fraught with tension. "Things don't get better between them on the island," Berlanti said.

Barry Allen is getting flashy!
Upon his return to Central City, Barry Allen was stuck by lightning and thrown into a hodgepodge of different chemicals — in other words, he has become the Flash! With Episode 20 no longer serving as a backdoor pilot, the actual pilot will see the introduction of the Flash's suit. "Barry's love of the hero is going to play a part in the creation of his persona," Kreisberg said. Still, Barry Allen's presence will be felt for the rest of Season 2 on Arrow. "In the back half of the year, you hear about what happened to him in the way that you're hearing now about Star Labs and things like that, in the periphery and certainly in terms of Felicity since she has a connection with him," Berlanti said.

Roy Harper is getting stronger!
Roy (Colton Haynes) has finally bitten off more than he can chew. Digging into the truth about Sebastian's blood drive, Roy found himself in the clutches of Brother Blood, who injected Roy with Mirakuru serum before Oliver could save him. "In [the midseason finale], we'll have seen Slade injected and we obviously got a glimpse that he's taken a very dark path," Kreisberg said. "What's fun for us as writers is we see what Roy's potential is to go down that dark path, too. One of the things you'll find out as you go along is it's a deep-seeded anger inside of you that lets you survive the Mirakuru transformation. It's something Slade had, which is why he lived and it's why Roy lived too. One of the fun things that will be happening in the back half of the year is his relationship with the Arrow and how that changes and how the Arrow basically makes it his mission to not let Roy go down the Slade path."

Tommy's purpose revealed!
Three ghosts — Shado, Slade and Tommy (Colin Donnell) — appeared to Oliver, each with their own message to help or hurt him along the way. The producers toyed with different ideas for which people would appear, including the possibility of having Oliver's father, Robert Queen (Jamey Sheridan), be one of them. But ultimately, it made sense to have Tommy convey the wisdom needed to get Oliver back on his feet. "So much of the season is based on that character and his loss," Kreisberg said. "It really fit with the season's arc of Oliver's journey of going from vigilante to hero and the person that he feels like he failed. For Tommy to forgive him and tell him to get up and fight, just even talking about it, I get chills." Kreisberg said there is always a chance to see Tommy make another appearance on the show via flashback.

The Arrow has a new mask!
"A lot of conversation went into that eight inches of material," Berlanti said of the new mask that Barry Allen bestowed on Oliver after leaving Starling City. Kreisberg added that they debated Oliver having a mask as far back as the pilot of the series, but it felt too cartoonish. "It also fit in with his character that he wasn't someone who ever thought he would be interacting with people," Kreisberg said. "He thought he was going to be this dark sniper firing arrows from the shadows. As the series has progressed and he stepped more and more into the light ... he's really needed that. It seemed perfect in this season that he'd need it and that Barry is the one that ultimately makes it for him."

http://www.tvguide.com/News/Arrow-Slade ... 74598.aspx?

- Los jefes de Arrow hablan sobre el oscuro viaje de Roy, un regreso y la serie de Flash (Eonline):
Los jefes de Arrow hablan sobre el oscuro viaje de Roy, un regreso y la serie de Flash
Por Tierney Bricker Wed., 11 Diciembre, 2013 6:00 PM PST


Let the record show that Arrow is downright fearless when it comes to driving story ahead at breakneck pace, leaving us with our jaws on the floor wondering what the hell they are going to do next.

In tonight's midseason finale, for example, Slade (Manu Bennett) was revealed to be the new big bad that has been wreaking havoc on Starling City, Roy (Colton Haynes) was injected with the serum that gives people superpowers, and Barry Allen (Grant Gustin) was hit with a bolt of lightning, setting up the highly anticipated spinoff series

Phew, did you get all that? We chatted with Arrow bosses Greg Berlanti, Andrew Kreisberg and Geoff Johns about what's ahead on the CW's hit drama, including Oliver's (Stephen Amell) new mission and the driving force of the second half of the season. Plus, Gustin reveals what excites him the most about taking on the flashiest role of his career so far.

Flash-y Debut: "He's brought more to Barry Allen than I think we've seen before. We're seeing him in the days where he's taking his first steps. He's got heart, he's got humor," Johns gushes of Gustin. "Barry was always a nice guy—he's the guy that stops and asks if everything is all right. And Grant embodies that. He's a perfect Flash."

Now that we've seen the beginning of Barry's journey towards superherodom (via a flash of lightning in his lab!), we need to know about his superhero suit, naturally. Kreisberg says, "We're obviously still working out the pilot details, but I think Barry's love of the hero is going to play a part in the creation of his whole persona." (Berlanti confirms the suit "will appear in the pilot." Rejoice!)

Gustin is most excited to "play with...how Barry's going to handle this happening to him because he's not just excited, it's scary. It's not just he loves superheroes and is a fanboy and is like, 'I'm going to be one,' and stoked about it."

And will we see some of Arrow's cast crossover in the Flash pilot? "Definitely there's a chance. That's our hope," Berlanti teases. (And though episode 20 is no longer serving as a backdoor pilot, viewers will hear about Barry in upcoming episodes. "You definitely hear, in the back part of the year, what happened to Barry on the periphery. Kind of like how you're hearing about Star Labs now," Berlanti assures.")

BFF Turned Big Bad: In the episode's final moment, we learned that Oliver's Island confidant Slade is now Starling City's new villain. "The drive of the second half of the season," Berlanti says, is Oliver and Slade's first present-day faceoff.

As for why Slade is hell-bent on destroying Oliver's life, look no further than Shadow's death, which we saw in tonight's flashback. "He blames Oliver for what happened and interesting for our hero is Oliver blames himself, too," Kreisberg says.

Roy's Journey Begins: But is he on the road to becoming a superhero or a villain after being injected with the mirakuru serum by Brother Blood (Kevin Alejandro) and surviving?

Because of Slade, "We see what Roy's potential is to, go down that dark path too, and one of the things that you'll find out as you go along is it's a deep-seeded anger inside of you that lets you survive the transformation, which is something Slade had, which is why he lived," Kreisberg explains. "And it's why Roy lived, too. One of the fun things [coming up] that will be happening is his relationship with the Arrow and how that changes and how the Arrow basically makes it his mission to not let Roy go down the Slade path. That's going to take some interesting twists and turns."

Tommy's Chill-Inducing Return: A huge surprise to fans was Tommy, Oliver's BFF who died in his arms in the season one finale, returned in ghost form to help inspire his friend to keep fighting. And while the writers "talked about [Oliver's] dad" originally appearing as a ghost, they felt Tommy would have more of an impact.

"Colin's such a friend to the show and obviously was so important to the success of season one and so much of this season is based around that character and his loss and what a hole he left in the show," Kreisberg says. "It really fit with the season's arc of Oliver's journey."

I talked to Colin the other day, and I said, 'The response has been so great,' and he was like, 'Any time, dude!' So could we see Tommy again? "There's always a chance, given the flashback structure of the show," Kreisberg teases.

http://uk.eonline.com/news/489738/arrow ... ash-series

- Colton Haynes sobre el camino de Roy tras “Three Ghosts” (greenarrowtv):
Colton Haynes sobre el camino de Roy tras “Three Ghosts”
Por Craig Byrne 11 Diciembre, 2013


In tonight’s episode of Arrow, “Three Ghosts,” Roy Harper was injected with “Miracle” by Brother Blood. When we spoke with Colton Haynes about the episode earlier this week, he talked a bit about what might be coming next, and in the interest of not spoiling people, we’ve saved that for after the show’s Pacific Time airing tonight.

More specifically, we asked Colton how this injection will change Roy’s relationships, and if it might have parallels with the infamous “Speedy is a junkie” storyline from the 1970′s.

“He is going to need some guidance, or he’s going to go off the handle,” Colton confirmed about Roy’s next step.

The threat of addiction is indeed there. “You know, it is genetic for Roy, so that’s going to be an interesting aspect towards things,” Colton says before posing some questions himself. “It is that ‘what doesn’t kill you makes you stronger’ thing, but at the same time, is Roy going to be stubborn and try to go about the things on his own because he has all this new found power and strength? Even more power and strength than the Arrow? Or is he going to trust the Arrow, who has been through this before with Slade? Or is Roy going to figure out that Slade had been through this? Is Slade coming back into the picture? So, now Roy has got a few great options. Is he going to join the Big Bad, or is he going to help with the greater good?”

http://www.greenarrowtv.com/interview-c ... osts/16085


- Arrow's Emily Bett Rickards on That Awkward Almost Kiss (PopSugar):


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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

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- Revelado el título del episodio 2.14:
El episodio 2.14 tendrá por título "Time of Death" y se emitirá el 26 de Febrero del 2014.

Está escrito por Wendy Mericle y Beth Schwartz, y será dirigido por Nick Copus.

https://twitter.com/IBexWeBex/status/41 ... 24/photo/1
http://stvplus.com/show/245/Arrow#episodes



- Robert Knepper será el villano de DC "Clock King" en la S2 de Arrow y detalles de su capítulo (TVLine):
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Robert Knepper, quien es conocido por intepretar a otro malo (T-Bag) en la serie Prison Break y actualmente aparece en la serie de la TNT "Mob City", ha sido el elegido para interpretar al último villano salido de los cómics de DC en la serie "Arrow", que no es más que el papel ya mencionado anteriormente del criminal maestro William Tockman aka “Clock King.”

En esta versión, “Clock King” ha ganado su sobrenombre siendo un brillante criminal que planea sus crímenes con la más excelente precisión, hasta el último segundo.

Knepper aparecerá como invitado en el episodio 14, el mismo episodio en el que de nuevo aparecerá Alex Kingston como la matriarca de la familia Lance, que tendrá por título “Time Of Death,” está escrito por Wendy Mericle y Beth Schwartz y dirigido por Nick Copus.

http://tvline.com/2013/12/11/arrow-cast ... m-tockman/
http://www.greenarrowtv.com/arrow-episo ... eath/16062


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- DC All Access, Ep 10 - Interview with Emily Bett Rickards:


- Grant Gustin talks about the origin story of his character Barry Allen (CW):

https://www.facebook.com/photo.php?v=33 ... 20837194=1



- Arrow - Stunts: The Canary vs. The Dollmaker Fight:


- Nueva imagen BTS (19-12-13):

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(@caitilotz Superhero chillin' #Arrow #canary #dig @amellywood @david_ramsey)


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- Descripción oficial del 2.10 “Blast Radius”:
2.10 “Blast Radius” (15 enero, 2013): ARROW PERSIGUE A SHRAPNEL — Oliver debe enfrentar una nueva amenza de la ciudad cuando una serie de bombas empiezan a estallar en Starling City. Felicity (Emily Bett Rickards) descubre que la persona que las está poniendo es Mark Sheffer (la estrella invitada Sean Maher), un hombre que trabaja bajo el seudónimo de Shrapnel. Arrow descubre que el próximo objetivo de Shrapnel es “Unity Rally” de Sebastian Blood (la estrella invitada Kevin Alejandro) e intenta convencer al concejal de que no la prganice, pero éste se niega. Arrow sale a detener la bomba, pero Shrapnel le engaña y le atrapa en una tienda de antigüedades cargada de explosivos en donde es incapaz de moverse sin disparar el detonador. Mientras que Felicity ayuda a Oliver, Diggle (David Ramsey) corre al centro comercial para encontrar la bomba antes de que estalle. Mientras tanto, Roy (Colton Haynes) continúa escondiendo su nueva fuerza a Thea (Willa Holland) pero, después de que sea testigo de la misma en acción en el callejón, le exige respuestas. Las sospechas de Laurel (Katie Cassidy) sobre Sebastian se hacen mayores cuando descubre que creció con Cyrus Gold, el hombre que mató al compañero de Lance (Paul Blackthorne). Después de que Donner (la estrella invitada Dylan Bruce) se niegue a ayudarla a investigar, ella recurre a Arrow para que la ayude (Stephen Amell). Rob Hardy dirige el episodio escrito por Jake Coburn & Keto Shimizu (#210).

http://www.greenarrowtv.com/arrow-spoil ... dius/16105


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- Arrow - CW Connect: Emily Bett Rickards:


- Arrow - Stunts: Arrow and The Canary vs. The Mayor Fight (CW):


- Arrow - Quiver: Special 3 - Stephen Amell:


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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

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- Stunts: Oliver and Sarah vs. Al-Owal:


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

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- Stills del 2.10 Blast Radius:

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- Descripción oficial del 2.11 “Blind Spot”:
2.11 “Blind Spot”: ARROW SE UNE A LAUREL PARA ENCONTRAR AL HOMBRE DE LA MÁSCARA — Oliver (Stephen Amell) se siente en conflicto después de que Laurel (Katie Cassidy) busque a Arrow para que investigue a Sebastian Blood (la estrella invitada Kevin Alejandro). Oliver no está seguro de si creer las acusaciones contra el hombre que ha apoyado públicamente para alcalde, pero decide confiar en Laurel. Sin embargo, cuando la pareja se acerca demasiado a la verdad, Sebastian expone la drogadicción de Laurel y hace que la arresten. Mientras tanto, Roy (Colton Haynes) le revela su nueva super-fuerza a Sin (la estrella invitada Bex Taylor-Klaus) quien quiere poner a prueba sus habilidadades. Desafortunadamente, Roy no es capaz contener su furia una vez que la desata y casi mata a un hombre. De vuelta a la isla, Oliver se sorprende cuando Sarah (la estrella invitada Caity Lotz) revela un secreto sobre Laurel. Glen Winter dirige el episodio escrito por Wendy Mericle & Beth Schwartz (#211).

http://www.greenarrowtv.com/arrow-2-11- ... tion/16117


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

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- Stunts: The League of Assassins Fight:


- Nuevos spoilers sobre Felicity y Slade (TVLine):
Los fans de Arrow no saben nada sobre Felicity. ¡No tiene historia pasada ni nada! Por favor, dime que sabremos más de ella pronto –Corinne
“Pronto” puede que sea empujarlo, aunque sólo porque Arrow tiene mucho pendiente ahora mismo, ya que se expande su galería de villanos. “Hemos sabido desde hace mucho cuál es la historia pasada de Felicity, de dónde viene y quiénes son sus padres,” me contó el showrunner Andrew Kreisberg. “Pero podría ser una historia tan grade que puede que la tengamos que retrasar. En una rara muestra de, ‘Oh, eso puede que sea demasiado,’ puede que tengamos que esperar para eso.”

"Regresamos a lo alto [de las vacaciones]. Veremos a Slade (Manu Bennett) y sus maquinaciones para llevar a Oliver a la perdición. Slade tiene un objetivo muy específico en la segunda mitad de la temporada, y creo que la gente se sorprenderá de descubrir tanto lo que es como lo que significa para Oliver."

TV Line también confirma que Amanda Waller (Cynthia Addai-Robinson) regresará para otro eposodio centrado en Diggle (David Ramsey). Y Kreisberg también confirma que los próximos cuatro episodios estarán centrados en Laurel (Katie Cassidy) de una gran manera, describiendo su intrepretación como "increíble".

http://tvline.com/2014/01/03/ncis-tony- ... -spoilers/
http://tvline.com/2014/01/02/returning- ... #!2/arrow/


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

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- Arrow New Promo 2.10 "Blast Radius" [HD]:


- Título y créditos del episodio 2.15:
Hoy han salido a la luz el título y créditos de un nuevo episodio que comenzó a rodarse ayer.
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El episodio 2.15 de Arrow se llamará “The Promise”, está escrito por Jake Coburn & Ben Sokolowski, y está dirigido por Glen Winter.

Hasta el momento no se sabem más detalles sobre el mismo, pero seguro que nos aguardan muchas sorpresas a medida que nos acercamos al final de la temporada.


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

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- Arrow 2.10 "Blast Radius" Producers Preview:

- Arrow 2.10 "Blast Radius" Preview Clip:




- Stephen Amell Adelanta un ataque de pánico de Arrow por el Mirakuru y una especie de primera escena entre Oliver/Laurel (tvline.com):
Stephen Amell Adelanta un ataque de pánico de Arrow por el Mirakuru y una especie de primera escena entre Oliver/Laurel
Por Matt Webb Mitovich 09 de Enero 9, 2014 11:54 AM PST


Oliver Queen has been hit with perhaps his biggest blast from the past.

As The CW’s Arrow flew into the holiday break, Oliver was distraught to discover that the Mirakuru serum he first encountered during his island days has found its way to Starling City and into the hands of a mystery man hiding behind a skull mask (aka “Brother” Sebastian Blood).

Yet just like that, the grunts exhibiting superhuman strength that Arrow had grappled with in recent weeks made all the sense in the world. And yet… didn’t. After all, how did the serum that first infected his island pal Slade Wilson find its way to Oliver’s hometown?

To get answers, as the season resumes Wednesday at 8/7c, “Oliver is obsessed with whomever the guy in the skull mask is,” Stephen Amell tells TVLine. “Like, he’s losing his mind, freaking out because Mirakuru has a tie to the past for him” — and a very haunting one, at that.

“As we’re learning, all the stuff that happened on the island and [on the freighter] was not good,” Amell reminds. “It was stuff that he thought he had buried in the past. So for it to crop back up again is not a good sign.”

And though we, the viewers, are now privy to the connective tissue between Oliver’s past odyssey and Arrow’s present-day crisis, Amell says, “Oliver has no idea” that Slade, too, is in Starling City.

Elsewhere on the action front, Amell says it’s “extremely exciting” to play with some Batman DNA and bring an al Ghul to town, when Spartacus‘ Katrina Law guests as Ra’s daughter Nyssa in Episode 13, “Heir to the Demon,” and he promises “a really, really good” fight sequence in Episode 14 — one that required him to “slide down a bunch of stairs,” leap over a railing and tussle with toughs who “really aren’t a match for me, so I have to find creative ways to take them down.”

Oliver’s personal life portends to be just as bumpy a ride, when, as revealed in TVLine’s Winter Preview special, onetime lady love Laurel (played by Katie Cassidy) hits rock bottom with her drug and booze abuse.

“Oliver’s going to play a part in [that arc], but not in the way you might think,” Amell teases. “Oliver has always been very protective of Laurel, and her moment of clarity, so to speak, happens after an encounter with Oliver unlike one that we’ve ever seen on the show.” (With reporting by Scott Huver)

http://tvline.com/2014/01/09/arrow-seas ... ru-laurel/


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¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!

Shelby
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Re: "ARROW" Nueva serie de la CW para TV basada en Green Arr

Mensaje por Shelby »

- Descripción oficial del 2.12 “Tremors”:
2.12 “Tremors”: ARROW ENTRENA A ROY — Arrow (Stephen Amell) se ofrece a entrenar a Roy (Colton Haynes) para que pueda aprender a controlar su recién descubierta súper-fuerza. Sin embargo, Roy es un estudiante rebelde y rehúsa el escuchar a menos de que Arrow revele su verdadera identidad, lo que Oliver se niega a hacer. Mientras tanto, Bronze Tiger (la estrella invitada Michael Jai White) escapa de prisión y roba la máquina de terremotos de Malcolm para venderla al mejor postor. Oliver, Diggle (David Ramsey) y Felicity (Emily Bett Rickards) intenta detener la transferencia, pero Roy se mete en medio, poniendo a todo el mundo en peligro. Laurel (Katie Cassidy) es inhabilitada y pierde el control. Moira (Susanna Thompson) se emociona cuando Walter (la estrella invitada Colin Salmon) le pide que cene con él, pero su razón la sorprende. Thea (Willa Holland) anima a su madre a que le pida a Walter que se reconcilien. Guy Bee dirige el episodio escrito por Marc Guggenheim & Drew Z. Greenberg (#AR212).

http://www.greenarrowtv.com/arrow-2-12- ... urns/16153


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