"ARROW" Nueva serie de la CW para TV basada en Green Arrow

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- David Ramsey Previews 'Arrow' Season 4 Finale (accesshollywood):

http://bcove.me/p1q1vvok


- David Ramsey Facebook Live Chat (25-05-16):

https://www.facebook.com/CWArrow/videos ... 932920675/


- ‘Arrow’: Stephen Amell On Crossover With ‘Supergirl’ (accesshollywood):

http://bcove.me/2wvm8ftm


- Stephen Amell Talks "Arrow" Mega Crossover Episode (ET Canada):

https://www.youtube.com/watch?v=o3qdxjJlR1s

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- Stephen Amell adelanta la gran decisión para Oliver Queen en la Season 4 Finale de "Arrow" (comicbook):

Stephen Amell adelanta la gran decisión para Oliver Queen en la Season 4 Finale de "Arrow"
Por Lucas Siegel 25/05/2016

Arrow sees its season finale tonight, and it promises to be a momentous one for the CW show that started the modern DC TV universe. The season has seen Oliver and his team delving into the supernatural, facing down the magically-powered foe Damian Darhk, lose a member of the team in battle, have relationships break asunder, and lose a massive chunk of Star City in the process.

Not a great year for Team Arrow.

"It's a good finale. I'm very happy with it," star Stephen Amell teased to Comicbook.com in an interview. The actor said the season ends with some major character development, and not just for his superheroic alter-ego.

"We see Oliver connecting with Star City in a way that he has never connected as Oliver Queen. We had an extreme in Season 1, and another extreme in Seasons 2, 3, and 4, and this was a choice that Oliver made," Amell said. He'll have another extreme moment - but the way he handles it is considerably different from his previous season-ending encounters. "But ultimately, life is not black and white, there are shades of grey, and we had him make a decision tonight, in the finale, and we had him make it in an incredibly deliberate, analytical way – not a hot-headed way, not a vengeful way, just quite simply, he does something that has to be done. I was very happy with how the finale came out."

Amell couldn't tease too much about Season 5 just yet, though he told us previously he's excited for the show to get back into a more grounded, realistic world. As for a trip to Russia in his Season 5 flashback future, "I would watch the finale!" he teased with a bit of a chuckle.

Arrow Season 4 finale airs tonight at 8pm ET/PT on The CW. Arrow returns for a fifth season in the fall, with the same timeslot of Wednesdays at 8pm.


http://comicbook.com/dc/2016/05/25/step ... rrow-seas/

- Arrow: He aquí lo que Stephen Amell quiere ver en la season 5 (EW):

Arrow: He aquí lo que Stephen Amell quiere ver en la season 5
Por Natalie Abrams • 25 Mayo 2016 — 9:14 PM EDT

Warning: This story contains major spoilers from the season finale of Arrow. Read at your own risk!

It was the end of the world as we knew it in the Arrow finale, that is, until Oliver once again saved the day.

Damien Darhk (Neal McDonough) nuked a nearby town, and those deaths made him immensely powerful, making it nearly impossible for Oliver (Stephen Amell) to counteract his magic. Team Arrow then had to race against the clock after Damien launched thousands of nukes around the world.

While Oliver began to lose hope they’d be able to save the world, Curtis (Echo Kellum) encouraged Ollie to remind the residents of Star City that their town was worth saving. Their collective hope helped Oliver combat Damien’s magic, buying Felicity (Emily Bett Rickards) enough time to stop the nukes before Oliver ultimately put the big bad down.

In the end, the finale went the opposite route of last season, as Amell teased would happen. Lance (Paul Blackthorne) was officially fired, so he decided to skip town with Donna (Charlotte Ross); Thea (Willa Holland) quit the team to find herself; and Diggle (David Ramsey) reenlisted, leaving just Oliver and Felicity to pick up the pieces after he’s appointed the new mayor of Star City.

Despite the exodus, it sounds like there will be a team next season — at least based on the recently released logline: “Sinister players with a connection to Oliver’s past will push the team to its breaking point, threatening everything Oliver’s worked for and his legacy as the Green Arrow.”

Now to the flashbacks: In one of the show’s more obvious uses of foreshadowing, Oliver had promised Taiana (Elysia Rotaru) that if she didn’t get off the island, he would go to Russia to tell her parents what happened. Cue Oliver mercy-killing Taiana after her magical overload and heading to Russia to fulfill his promise. Hmm, maybe that’s where he’ll meet the recently mentioned Kovar.

In the wake of Oliver saving the world, Amell hopes the series will get back to basics in its fifth season. “When we started Arrow, we were the superpower-less superhero show,” Amell told EW while promoting his new film Teenage Mutant Ninja Turtles: Out of the Shadows. “Because of our success and because of opportunities that The CW has had, we’ve had to break away from that original modus operandi a little bit, because we were introducing Barry Allen, and in subsequent seasons, we’ve shepherded some of the Legends of Tomorrow onto their own show.

“Even though Supergirl is joining the ranks, there’s no new person or new show to introduce this year, and I think as a result of that, we need to get back to focusing more on some of the core elements that used to define Arrow,” Amell continued. “To me, that’s hand-to-hand combat, no superpowers, and dealing with the job of cleaning up Star City.”

Arrow will return this fall on The CW. In the meantime, read our breakdown of The Flash finale’s nod to Black Flash, the potential for season 3 to explore Flashpoint, and that reveal of the man in the iron mask.


http://www.ew.com/article/2016/05/25/ar ... l-season-5?

- El equipo de especialistas de 'Arrow' analiza la secuencia de acción final a lo 'Braveheart' (THR):

El equipo de especialistas de 'Arrow' analiza la secuencia de acción final a lo 'Braveheart'
Por Sydney Bucksbaum 25 Mayo, 2016 6:00pm PT

[Warning: This story contains spoilers from Wednesday's season four finale of Arrow, "Schism."]

When it comes to bringing larger-than-life action sequences to life on TV, few can compete with Arrow. And yet, The CW's first foray into DC Comics fare has yet to receive any major awards recognition for its movie-quality stunts.

"We don't get the same kind of exposure that other shows get," stunt coordinator J.J. Makaro tells The Hollywood Reporter. "We made great headway in doing that, but it's a pretty big hill to climb."

Fight coordinator James Bamford agrees with Makaro that the show's network, The CW, might be to blame. "We're not getting as many pairs of eyes as, say, a Netflix show. It's just a numbers thing," Bamford says. "We're definitely competitive with every other action show on television, but people have to see it. Forget winning an Emmy, it would be nice to be nominated for an Emmy. (Laughs.) I'd settle for a nomination."

Both Bamford and Makaro cite the fast-paced schedule of a TV show as their biggest foe when it comes to pulling off the action sequences Arrow has become known for.

"Our bosses know that having these action sequences and stunts are a key element of the show so it's out of their desire to have as good of stunts that we're giving them where they help us accomplish what we need as efficiently as we can," Makaro says. "My knowledge has doubled from my time on this show because we're constantly doing more and pushing ourselves more to accomplish more."

Despite the timing and budgetary challenges they face constantly, Bamford reveals they have not yet failed to create a stunt or action sequence they've set out to accomplish.

"A few times last season we had to go to everyone and ask for more time, and they gave it to us and we were able to pull it all off," Bamford says. "But who's to say? Maybe next year, with all the challenges they throw at us, they might finally make the bar a little too high for us. But that's always our goal: to try and outdo what we've already done in episodes previous and seasons previous."

Arrow is a unique show in the fact that most of its actors have taken on the stunts themselves, adding an increase in risk management on set. Star Stephen Amell constantly posts videos to social media of him taking on dangerous parkour workouts to add authenticity to his onscreen stunts.

"We're very safe with the actors and we make sure the environment they're working in is safe so they can give their all and just focus on the acting," Makaro says. "But I'm constantly worrying that someone is going to get hurt somewhere, so I'm always watching out for that. God willing, we're just going to keep going with the safety record we have."

Bamford adds, "We're going into our fifth season now and just the sheer number of punches thrown, I've lost count. Our safety record is very clean, especially with our actors. But it is a very high action show, so people get bumps and bruises. It's accepted. It's part of the deal. As far as major injuries go, we are few and far between."

One of the biggest action sequences Arrow has ever shot was for Wednesday's season four finale, "Schism." The final showdown between Oliver (Amell) and season four's big bad villain Damien Dahrk (Neil McDonough) took up more than an entire act of the episode, and included hundreds of extras.

Below, THR got Bamford and Makaro to dive deep into what it took to bring this complicated and layered action sequence to life.

When did you first start planning out the choreography of that scene?

Makaro: First we all get together, and we have a writer's room mentality as soon as we get a script. A group of five of us read it and analyze it and come at it from different ways. What shows have done something like this before? How can we do this in a new way? What would be cooler? All rules are out the door. We have to do that, because this show is going to go forever and we can't just do the same things over and over.

Bamford: As soon as we get a script, if we can, we get a beat sheet early which outlines the episode and gives us a fair amount of ideas as to what we're to expect. If we get a beat sheet early, and if we're told it's pretty close to the end script, like one or two episodes early, we start getting wheels turning and working on conceptual ideas. We don't start real choreography or building or rehearsing bigger stunts until we have a firm script and we've gone through the script together in a brainstorming session. We have meetings with our directors and our writers and our producers. Once we gather all the information and added our own special flavor and make our own suggestions, then we start the rehearsal process.

How long do you rehearse each episode's sequences before filming begins?

Bamford: That can be anywhere from a week and a half away from the shooting day to three days before the shooting day. We try very, very hard to ensure that we have the time allotted to plot our action out, both successfully and safely, for choreography of fights stunts to wire work, sometimes for car stunts. It really depends on the locations available to us and what we're prepping. This particular showdown had several layers to it. The first thing after our meetings, J.J. and our whole team made our way down to our proposed location. We had gone searching for locations with our director John Behring and our locations department and picked several different city streets for what had the best scope and look and where we could accomplish our wire stunts sufficiently and get the largeness that a finale deserves. Once we mapped out a general game plan or war plan, we then go away and start working on the individual pieces within the battle plan.

Quite often then I'll go and work on the choreography, Eli [Zagoudakis] will go and work on the wire work or the high falls, and at this point, we've all learned how to read each other's minds. We're all interchangeable. This scene starts out with Damien Dahrk magically throwing Oliver around the street and wearing him down to the point where he basically is trying to teach him a lesson by giving him a beating before he finishes him off. Character-wise, Damien really enjoys the pain that he's giving out. We have several wire stunts, four to be exact, and they're all different. They are the introduction to the main battle, the fight between the two boys. While Eli was out planning all the different throws that Damien does to Oliver, I was out choreographing the mano-a-mano fight between the two boys, Damien vs. Oliver.

But this scene had so much more than just Damien vs. Oliver. What went into planning out how all the extras fit into that action scene?

Bamford: Yeah, the fight then ends up being the whole city of civilians including Diggle and Lyla vs. Damien Dahrk and an army of his ghosts as well. But the main core of the fight, of course, is Damien vs. Oliver in the center of it. We always start with the core fight, the hero fight, and that was designed purely as a one-against-one battle. As we progress and that fight is solidified, then we start layering in where the rest of the battle will go, proximity wise. We get there on the day, and we had only two days to do this. This is one of the times we required more time than originally expected, since this was a very, very, very big sequence in scope. It's like a feature film-sized sequence with so much wire work. We're all extremely proud of what we accomplished here. It's some of the best wire work we've done in the series. After the fight begins, the two boys begin fighting, fisticuffs wise. And then the rest of the city and the ghosts show up and it becomes a major battle sequence. Braveheart, if you will.

Makaro: This action sequence is a good example of the support we get from everybody. It's the biggest crowd scene battle I've ever seen on television and it just goes on forever. I'm looking at it right now trying to figure out what pieces I can put in our Emmy submission reel and the thing is just so massive and long. I want to put it all in but it almost takes up the whole reel by itself. There's not a moment of it where you're not interested in watching it. You never get tired of it or want the scene to end. You just want to see more. It's a really well done piece and I couldn't be prouder of how it turned out.

Bamford: The multiple layers just keep going on and on. We had a certain amount of stunt performers within the center core of the fight, with our two heroes fighting, several civilians fighting several ghosts, and then we had a lot of extras, and quite often that is the most difficult part. We had hundreds in this sequence.

Why are the extras the most difficult part in planning out the scene? I would think it would be the other way around.

Bamford: Extras aren't allowed to fight. So the trick of that is to blend the extras in in some capacity into the action while keeping them safe, and to maintain the intensity of the scene. We spent a lot of time studying crowd scenes in other TV shows and movies to learn a lot from what other people haven't done. I myself am particularly very cognizant of issues that we don't want to repeat or see within our action. We want to make sure there is nobody just standing there. There's a famous scene in Scarface where there is one little man in that riot scene wandering around with a two-by-four, just swinging at the air, walking back and forth. I pick him out every time I watch that film. I use that as an example of action with no reason behind it. I bring that up whenever we put together a huge crowd scene like this. I don't want to see any wasted motion. You can really tell, in a crowd with hundreds of people, if one or two people aren't fighting, or if one or two people aren't engaged in some form of intense movement. They stand out like a sore thumb.

Makaro: In the midst of planning out every little movement, you always have this fear that you're going to miss somebody and then they'll get away with it. But as soon as the cameras stop rolling and we start editing, your eye is just drawn right to it. Those are the flaws we try to hide and try to keep from happening.

Looking back at the process of pulling off that intense and lengthy fight scene, is there anything you would change about it if you could?

Makaro: Huh. (Pause.) Normally I have an answer for that right away. I'm very critical. But there is nothing in this one that I can point at, and I've been looking at it really, really hard for the last three or four days, and I can honestly say that I'm totally happy.

Bamford: For me, there's one or two really tiny things, but not anything that anyone would notice other than myself. But I'm continually critiquing our work, so I'm never 100 percent happy. It's painful sometimes for me, because I want to be able to walk away and go, "Yeah, that was fantastic!" I did in this instance, but the more I look at it, the more I'm extremely proud of it, but what if we had three days instead of two days? If we could have more time, that would be great.

Makaro: We always want more time. In the feature world, you get more time to polish and polish and polish. There's something to be said for the little intricacies you discover when you have that time. You discover more nuances within the action. So if we had more time, who knows what else we could accomplish? But the strength we have developed with the team that works on Arrow is that we can polish way faster than other people have in feature land. We came in with a feature attitude and make bigger, more creative decisions. We've managed to cut down the error in the trial and error so much that things go a lot faster for us now and you can see that on the screen.

Bamford: We've already encountered any and every issue you could encounter pretty much before going into it, so we really make the best use of the time we do have. We've eliminated problems before we get there, quite frankly, because we've already encountered them before. We've become much more efficient, out of necessity.

Makaro: And pride.

Is there one fight scene or stunt from all four seasons of Arrow you are most proud to have pulled off?

Makaro: I have about five, but my opinion on how I judge them now is more about the scope of the complete sequence instead of just the gag itself. Like this scene, the action takes up an entire act, or even an act and a half. To be able to deliver that kind of quality of work that fast, that we can actually fill a whole act with it, I'm so proud of that. There's one scene we did with two actors running through a building while it's collapsing and it was so hard to do something of that magnitude on television. That's where time gets in your way, but James pulled it off like a champion.

Bamford: There is one that's really close to my heart because it's a shot that I've wanted to do for years, and we finally got to do it this year in [episode] 407. I really can't narrow it down to just one for so many reasons, but if I had to pick one, I'd pick the elevator fight, because that was a real triumph for me personally.

Arrow returns for season five this fall on The CW.


http://www.hollywoodreporter.com/live-f ... nce-897510?

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- Reveladas carátulas, fechas y detalles del DVD/Blue-Ray de la S4 de "Arrow":

Justo a tiempo para la quinta temporada de Arrow en la The CW, los espectadores pueden ponerse al día con la emocionante serie ya que la Warner Bros. Home Entertainment pone lanza "Arrow: The Complete Fourth Season" en Blu-rayTM incluyendo Digital HD y DVD el 30 de Agosto, 2016. Promediando 4 millones de espectadores semanalmente por cada episodio original, Arrow es la serie número #3 de la CW en Total de Espectadores, tras The Flash y DC’s Legends of Tomorrow, y la serie número #2 en la CW entre Adultos 18-34.* El lanzamiento contiene todos los 23 exhilarantes episodios de la cuarta temporada, y el episodio del crossover con The Flash crossover; además más de una hora y media de contenido extra, incluídos el Comic-Con Panel 2015, documentales nunca vistos, escenas borradas y tomas falsas. "Arrow: The Complete Fourth Season" sale a la venta a un precio aconsejado de $49.99 el DVD y $54.97 el Blu-ray incluyendo Digital HD.

Tras derrotar a su más formidable enemigo hasta el momento y habiendo cabalgado hacia el horizonte con su enamorada de hace tiempo Felicity Smoak, Oliver Queen (aka The Arrow) deja Star City con la esperanza de empezar una nueva vida. Pero ¿será Oliver realmente capaz alguna vez de dejar atrás su pasado como Arrow, y, si es así, qué pasa con el equipo en el que ha trabajado tan duro para reunir? ¿Continuarán el veterano John Diggle, la hermana de Oliver Thea Queen, y la abogada-convertida en vigilante Laurel Lance la lucha de Oliver sin él?. Y con Malcolm Merlyn habiendo ascendido a lo alto de la League of Assassins como el nuevo Ra’s al Ghul, ¿hay alguien realmente a salvo?.

Con la incomparable imagen y sonido del Blu-ray, el lanzamiento del "Arrow: The Complete Fourth Season Blu-ray" incluirá 1080p Full HD Video con DTS-HD Master Audio para Inglés 5.1. El Blu-ray de 4 discos contará con una copia en alta definición en Blu-ray y una copia en Digital HD para todos los 23 episodios de la Season Four, y también con el episodio de The Flash crossover.

Las estrellas de "Arrow" Stephen Amell (Private Practice), Katie Cassidy (Gossip Girl, Melrose Place), David Ramsey (Blue Bloods, Dexter), Willa Holland (The O.C.) y Emily Bett Rickards (Brooklyn), con John Barrowman (Desperate Housewives, Doctor Who), y Paul Blackthorne (The River). Basada en los personajes de DC Comics, Arrow está producida por Bonanza Productions Inc.en asociación con Berlanti Productions y la Warner Bros. Television, con los productores ejecutivos Greg Berlanti (The Flash, Supergirl, Blindspot), Marc Guggenheim (Eli Stone), Andrew Kreisberg (The Flash, Supergirl), Wendy Mericle (Desperate Housewives) y Sarah Schechter (The Flash, Supergirl).

CONTENIDOS ESPECIALES
Star Crossed Hawks featurette
Star Crossed Hawks: The Hunt for Vandal Savage featurette
Smooth Criminal: The Damien Darhk Story featurette
Arrow: 2015 Comic-Con Panel
Deleted Scenes
Gag Reel

23 EPISODIOS DE UNA HORA, MÁS EL CROSSOVER CON THE FLASH

Green Arrow
The Candidate
Restoration
Beyond Redemption
Haunted
Lost Souls
Brotherhood
8a. Legends of Today (The Flash; 1st part of 2-hour crossover event)
8b. Legends of Yesterday (Arrow; 2nd part of 2-hour crossover event)
Dark Waters
Blood Debts
A.W.O.L.
Unchained
Sins of the Father
Code of Silence
Taken
Broken Hearts
Beacon of Hope
Eleven-Fifty-Nine
Canary Cry
Genesis
Monument Point
Lost in the Flood
Schism

DIGITAL HD
La cuarta temporada de Arrow está también disponible actualmente en Digital HD. Digital HD le permite a los consumidores la transmisión instantánea y la descarga de todos los episodios para verlos dondequiera y cuando quiera en sus dispositivos favoritos. Digital HD esyá disponible desde varios distribuidores digitales incluyendo Amazon Video, CinemaNow, iTunes, PlayStation, Vudu, Xbox y otros. Una copia Digital HD también se incluye con la compra de discos Blue-ray especialmente marcados para regalos y almacenamiento en la nube participando en servicios de UltraViolet incluyendo CinemaNow, Vudu y Flixster Video.

BASICS
Street Date: August 30, 2016
BD and DVD Presented in 16×9 widescreen format
Running Time: Feature: Approx 1056 min
Enhanced Content: Approx 85 min

DVD
Price: $49.99 SRP
5 DVD-9s
Audio – English (5.1)
Subtitles – ESDH, Latin Spanish, French

BLU-RAY
Price: $54.97 SRP
4-Disc Elite
BD Audio –DTS-HD Master Audio 5.1 – English
BD Subtitles – ESDH, Latin Spanish, French

Podéis pre-ordnarlo en Amazon.com: AQUÍ


http://www.seat42f.com/arrow-season-4-b ... tails.html

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- La Season 5 de "Arrow" introducirá a un nuevo vigilante y más spoilers sobre los próximos flashbacks:

En la nueva temporada de la serie de la CW "Arrow", el elenco aumentará con un nuevo vigilante que tomará las calles de 'Star City', aunque no sabemos si este nuevo personaje será amigo o enemigo del Team Arrow.

TVLine describe a la nueva incorporación como “un arrogante/imprudente ex-Marine que se ha convertido en vigilante.”

Sin embargo, incluso aunque haya otro nuevo luchador contra el crimen en el candelero, parece que Oliver seguirá centrado en su nueva posición como alcalde. La Showrunner Wendy Mericle aclara "City Hall, esa institición, es crucial para nuestra serie."

Además, Mericle ha añadido que los flashbacks de la serie seguirán siendo igualmente vitales en la próxima temporada. "Hay una posibilidad muy buena de que dinalmente descubramos cómo consiguió ese tatuaje de Bratva y cómo aprendió a hablar en ruso," dice. "Cuando Oliver dice, 'Nadie puede saber mi secreto' y mata a ese chico en el piloto, vamos a conseguir un poco de entendimiento sobre eso."


http://tvline.com/gallery/2016-fall-tv- ... view-2016/

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- El villano de la S5 de "Arrow" estará inspirado en "The Wire" y "Game of Thrones":

Tras el reciente final de la cuarta temporada de "Arrow", la atención ha empezado a dirigirse hacia la próxima amenaza del drama de la CW.

TV Line ha sabido que el villano de la S5, que está en proceso de cásting, estará inspirado en otras series de TV favoritas de los fans.

El gran villano de la S5 se llama tentativamente 'Anton Church' y hasta ahora parece ser un personaje original, no de los cómics. El jefe del crimen se dice que estará en la misma línea del personaje de "Wire" de Idris Elba 'Stringer Bell'. Church llegará para llenar el vacío dejado por Damien Darhk e H.I.V.E. tras los acontecimientos de la S4. La descripción del personaje de cara a los cástings llama al villano un "superdepredador” quien “se abre camino entre las sombras” y que fijará su objetivo “en la mayor amenaza primero.”

Pero el personaje de Elba no es el único mencionado en la llamada de cásting; la descripción física del personaje también menciona al alumno de "Game of Thrones" y actual 'Aquaman' Jason Momoa.

La estrella de "Arrow" Stephen Amell anteriormente habló sobre el villano de la S5, diciendo que el personaje serçía humano. "He escuchado que nuestro gran malo, nuestro villano, es algo que te puedes permitir hacer tan sólo cuando estás en la quinta, sexta o séptima temporada de una serie de TV," dijo Amell a finales de Mayo. "Hasta donde sé, no tiene superpoderes. Te diré eso."


http://tvline.com/2016/06/03/arrow-seas ... -spoilers/

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- Stephen Amell at "Wizard World Philadelphia":

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- Rick Gonzalez se unirá al elenco de la S5 como el vigilante de DC Comics 'Wild Dog':

¡El Team Arrow se hace mayor en la season 5!

EW nos ha informado de que el actor Rick Gonzalez ha sido escogido para interpretar al personaje de DC Comics Jason Seaborn, a.k.a. 'Wild Dog', en la próxima temporada de "Arrow".

En la serie, 'Wild Dog' es un nuevo vigilante de Star City cuya naturaleza imprudente y arrogante hace que Green Arrow (Stephen Amell) lo tome bajo su ala.

En los cómics, el personaje apareció por primera vez en su propia serie en 1987 por Max Allan Collins y Terry Beatty. El personaje era un mecánico de coches llamado 'Jack Wheeler' quien se disfrazó de 'Wild Dog' para luchar contra el crimen urbano. Empezó principalmente luchando contra los terroristas americanos liderado por el "Comité Para el Cambio Social", y se destacó entre sus antiguos compañeros héroes al usar la fuerza mortal para derrotar a sus objetivos. El personaje va armado con un Jatimatic GG-95 SMG PDW y un par de guantes electrificados, junto a una máscara de hockey muy similar a la de Jason Voorhees.

Gonzalez, cuyos créditos incluyen "Mr. Robot", "Rush" y "Rosewood", aparecerá en múltiples episodios empezando con la season premiere.

"Arrow" regresa a nuestras pantallas el próximo otoño en la CW.



http://www.ew.com/article/2016/06/15/ar ... g-season-5

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- Desvelado nuevo personaje recurrente para la S5 de "Arrow":

Poco a poco vamos descubriendo nuevos detalles sobre las nuevas temporadas de las series DC de la CW. Esta vez, las noticias nos llegan de la mano de TVLine, y hacen referencia a uno de los nuevos personajes que veremos en la S5 de "Arrow":

"Además del amigo/enemigo de Oliver del que aún se están haciendo los cástings y del vigilante 'Wild Dog', la Season 5 también introducirá el personaje recurrente de 'Derek Zaba', un hombre de feroz inteligencia cuyo ingenio y humor oculta a una persona en lucha con unos demonios profundamente asentados. Derek acude a su fe judía para mantenerse con los pies en la tierra, habiendo sido criado en una devota familia, y aunque normalmente amable y bien-intencionado, también puede resultar ser una amenaza física. (Suena mucho como a un flashback ruso, ¿verdad?)"

http://tvline.com/2016/06/16/person-of- ... -spoilers/

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- John Segarra será el personaje regular de 'Adrian Chase aka Vigilante' en la S5 de "Arrow":

Oliver Queen está haciéndose con un nuevo aliado.

La serie de la CW ha escogido al actor Josh Segarra (Chicago P.D.) como nuevo regular para la Season 5, donde interpretará a 'Adrian Chase aka 'vigilante'', el nuevo abogado del distrito de Star City y un aliado para el Alcalde Oliver Queen (Stephen Amell), quien pretende limpiar las calles a través del sistema legal.

Creado por Marv Wolfman y George Pérez, 'Adrian Chase' y su alter ego 'Vigilante' aparecieron por primera vez en 1983 en New Teen Titans Annual #2. Como abogado de distrito de New York City cuya familia fue asesinada por mafiosos, Chase buscó justicia a su propio modo. En los cómics, tiene unos fuertes vínculos con Deathstroke, quien fue un importante personaje en "Arrow" (interpretado por Manu Bennett). Aunque inicialmente tenía planes de usar fuerza no-letal para mantener el crimen a raya, la salud mental de Chase empezó a deteriorarse a lo largo de los años y, sintiéndose responsable por la muerte de un policía, empezó a adoptar una significantemente más violenta personalidad.

Graduado en la NYU’s Tisch School of the Arts, Segarra protagoniza junto a Emilio Estefan la obra de Broadway "On Your Feet". Apareció en la película de Judd Apatow "Trainwreck" y como 'Billy Cepeda' en "Sirens". En el teatro, protagonizó como 'Boland' la obra "Dogfight" en el Second Stage Theater, y también la época fuera de Broadway y en Broadway de "Lysistrata Jones". En TV, tuvo un importante papel recurrente en "Chicago P.D".



http://deadline.com/2016/06/arrow-josh- ... 201774049/

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- ¡¡La CW desvela las fechas de sus premieres de otoño de la temporada 2016-2017!!!:

La CW ha anunciado las fechas para el estreno de su calendario de Otoño, que comenzará a partir del 04 de Octubre con el regreso de la tercera temporada de “The Flash”, seguido de “Arrow”, “Supergirl” y “Legends Of Tomorrow”.

La lista completa de las fechas de las premieres de otoño son las siguientes:

MARTES, 04 DE OCTUBRE
8:00-9:00pm THE FLASH (Season Premiere)
9:00-10:00pm NO TOMORROW (Series Premiere)

MIÉRCOLES, 05 DE OCTUBRE
8:00-9:00pm ARROW (Season Premiere)
9:00-10:00pm FREQUENCY (Series Premiere)

THURSDAY, OCTOBER 6
8:00-10:00pm IHEARTRADIO MUSIC FESTIVAL NIGHT ONE

FRIDAY, OCTOBER 7
8:00-10:00pm IHEARTRADIO MUSIC FESTIVAL NIGHT TWO

LUNES, 10 DE OCTUBRE
8:00-9:00pm SUPERGIRL (The CW Premiere)
9:00-10:00pm NO TOMORROW (Premiere Episode Encore)

JUEVES, 13 DE OCTUBRE
8:00-9:00pm DC’S LEGENDS OF TOMORROW (Season Premiere)
9:00-10:00pm SUPERNATURAL (Season Premiere)

MONDAY, OCTOBER 17
8:00-9:00pm SUPERGIRL (Original Episode)
9:00-10:00pm JANE THE VIRGIN (Season Premiere)

FRIDAY, OCTOBER 21
8:00-9:00pm THE VAMPIRE DIARIES (Season Premiere)
9:00-10:00pm CRAZY EX-GIRLFRIEND (Season Premiere)


http://variety.com/2016/tv/news/the-fla ... 201797995/

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- La actriz Madison McLaughlin regresará como 'Artemis' en la S5 de "Arrow":

Según Variety, la problemática dolescente 'Evelyn Sharp' (Madison McLaughlin) regresará a “Arrow” en la Season 5, tras su breve aparición tras la máscara de 'Black Canary' la pasada temporada en el episodio 4.19 "Canary Cry", donde se metió en el traje de la heroína para buscar venganza en Damien y Ruvé Darhk por el asesinato de sus padres.

McLaughlin volverá a repetir en su papel 'Evelyn' durante varios episodios empezando en el 5.02, asumiendo de nuevo el rol de otro personaje de DC Comics: la arquera enmascarada conocida como 'Artemis'.

En los cómics, Artemis era la hija de los villanos Tigress y Sportsmaster, y uno de los miebros de la 'Injustice Society', aunque el personaje recibió un giro heróico en la serie animada de DC de la “Young Justice,” donde se convirtió en la compañera de Green Arrow después de que Roy Harper dejara el grupo.

Evelyn ciertamente demostró algunas tendencias menos que heróicas la pasada temporada, pero quizá el ejemplo de Oliver (Stephen Amell) y del resto del Team Arrow pueda ayudarla a mantenerse en el camino correcto.


La Season 5 de "Arrow" se estrenará el Miércoles, 05 de Octubre a las 8 p.m. en la The CW.


http://variety.com/2016/tv/news/arrow-a ... 201800199/

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- "Arrow" añade al actor Chad L. Coleman como el villano 'Tobias Church' en la Season 5:

"Arrow" está añadiendo otra cara familiar al elenco de la Season 5.

IGN nos informa en exclusiva de que el alumno de "The Walking Dead" Chad L. Coleman ha sido escogido para interpretar el papel recurrente de 'Tobias Church' en la nueva temporada.

'Tobias Church' es descrito como "u imponente gángster que busca unir a las varias compañías criminales de Star City bajo su propio y singular mando." El personaje aparecerá por primera vez en la Season premiere.

Coleman es más conocido por interpretar a 'Tyreese' en la serie de "The Walking Dead" y por interpretar a 'Dennis "Cutty" Wise' en "The Wire". Recientemente ha aparecido en la serie de Syfy "The Expanse" como el 'Coronel Frederick Lucius Johnson" y en "History's Roots" como 'Mingo'.



La Season 5 de "Arrow" se estrena el Miércoles, 05 de Octubre a las 8 p.m. ET/PT en la CW.


http://www.ign.com/articles/2016/06/21/ ... -l-coleman

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- Nuevas sesiones de Facebook Q&A con Stephen Amell (22-30 Junio 2016):

https://www.facebook.com/stephenamell/v ... 445242055/
https://www.facebook.com/stephenamell/v ... 758154357/


Entre otras cosas, el actor apuntó a que habrán cambios en el traje de "Arrow" en la nueva temporada, que la season premiere tendrá una escena de lucha que es "la mas viciosa y violenta one-shot de la historia de la cadena" y también que veremos a alguien que no vemos desde hace dos temporadas completas. Amell también apuntó al regreso de Colton Haynes como 'Roy Harper' y, aunque de momento no está previsto que Kevin Smith dirija un episodio de la serie como ya hiciera el año pasado en "The Flash", el actor dijo que siempre hay una puerta abierta a que lo haga.

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- Echo Kellum On 'Arrow' Season 5: 'Get Ready For An Intense Ride! (accesshollywood):

http://bcove.me/goe08wc6

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- Nuevo Póster promocional de la series de superhéroes de la CW: