SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica!!!
Moderadores: Shelby, Lore, Super_House, ZeTa, Trasgo
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
- Revelado el título del Episodio #11-3: "Haunted"
¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!
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Svmarines
- Lois Lane
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Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
empesar a leer smallville 11 
gracias por las descargas
Heyyyyy ya se ve la firma y el avy!!!!!!!!
gracias por las descargasHeyyyyy ya se ve la firma y el avy!!!!!!!!
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
A mí no... 
¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!
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heli
- Lionel Luthor
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Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
menudo vicio los comics de la season 11 jajaja aunque no me gusta nada como ha hecho a batman...
"Unos pueden leer Guerra y Paz y cerrar el libro creyendo que han leído una novela de aventuras, otros pueden leer los ingredientes de una pastilla de chicle y descifrar los secretos del universo"
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
¿Te refieres al dibujo en sí o al personaje?
¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!
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heli
- Lionel Luthor
- Mensajes: 138
- Registrado: Mar Mar 06, 2007 11:56 pm
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Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
Me refiero al dibujo, parece un robot o algo raro, como ha puesto a batman de "malo" eso me gusta, porque creo (no estoy seguro) que batman y superman en los comics clasicos al principio eran enemigos
"Unos pueden leer Guerra y Paz y cerrar el libro creyendo que han leído una novela de aventuras, otros pueden leer los ingredientes de una pastilla de chicle y descifrar los secretos del universo"
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
Sí, bueno, obviamente al principio chocaban porque tienen unas perspectivas muy distintas en lo que se refiere a ser un héroe, pero no es propiamente "malo".
A mí personalmente los dibujos que más me gustaban eran los de Pere Perez del principio, pero bueno... Supongo que no será esta la última vez que veamos cambio de dibujantes.
A mí personalmente los dibujos que más me gustaban eran los de Pere Perez del principio, pero bueno... Supongo que no será esta la última vez que veamos cambio de dibujantes.
¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!
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heli
- Lionel Luthor
- Mensajes: 138
- Registrado: Mar Mar 06, 2007 11:56 pm
- Ubicación: entre Asturias y Smallville
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
también debe ser que estoy acostumbrado a verlo en la serie de dibujos y en algún comic de los clásicos, pero este look que parece un robot japonés no le pega nada al caballero oscuro
"Unos pueden leer Guerra y Paz y cerrar el libro creyendo que han leído una novela de aventuras, otros pueden leer los ingredientes de una pastilla de chicle y descifrar los secretos del universo"
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
¡Me encantó tu resumen del personaje!
¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!
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heli
- Lionel Luthor
- Mensajes: 138
- Registrado: Mar Mar 06, 2007 11:56 pm
- Ubicación: entre Asturias y Smallville
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
jajajajaja gracias jaja y además ¿desde cuando Batman saca rayos de las manos? Que es Batman, no Mazinger Z! jajaja
"Unos pueden leer Guerra y Paz y cerrar el libro creyendo que han leído una novela de aventuras, otros pueden leer los ingredientes de una pastilla de chicle y descifrar los secretos del universo"
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
- Smallville Season 11 Número Impreso #9 Portada & Detalles:
SMALLVILLE SEASON 11 #9
Escrito por BRYAN Q. MILLER
Artes por JORGE JIMENEZ
Portada por SCOTT KOLINS
A la venta el 9 de ENERO • 40 pg, FC, $3.99 US • RATED T
• Un viejo amigo regresa a la serie con un nuevo look. ¿Qué terrible secreto trae?
• El secreto de la Chloe de “Earth Two” es revelado.
http://www.ksitetv.com/smallville/small ... -arc/17073
SMALLVILLE SEASON 11 #9
Escrito por BRYAN Q. MILLER
Artes por JORGE JIMENEZ
Portada por SCOTT KOLINS
A la venta el 9 de ENERO • 40 pg, FC, $3.99 US • RATED T
• Un viejo amigo regresa a la serie con un nuevo look. ¿Qué terrible secreto trae?
• El secreto de la Chloe de “Earth Two” es revelado.
http://www.ksitetv.com/smallville/small ... -arc/17073
¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
- Entrevista exclusiva con Bryan Q. Miller sobre la "Smallville: Season 11" (supermanhomepage.com):
Entrevista exclusiva con Bryan Q. Miller sobre la "Smallville: Season 11"
Por Marc Pritchard, 19 de Octubre del 2012
Q: How did you get your start as a writer and how did that lead to writing for "Smallville"?
Brian: Creative Writing minor in undergrad, then screenwriting in Grad school as a base. Lots of short stories as I was growing up. Went to grad school for feature writing, then became familiar with writing for television. Regarding making my way onto the show, I landed an internship while in grad school with Tollin/Robins productions (who produced "Smallville" & "Varisty Blues", among other things). I asked for placement on the show so I could see how a series worked first-hand. Did my time as an unpaid intern there for 2 seasons, then was asked to step up into an assistant role on the show. While working at the assistant desk, I applied and was accepted into the WB Writers' Workshop, which helped me to polish and primp and get ready to enter the workforce as a writer proper. There was an opening on the show for Season 8... and here we are!
Q: What are your principal, non-comic-book literary influences?
Brian: Anything with whimsy, for starters. Beyond that, "Hitchhiker's Guide" and "Cuckoo's Nest" were two books that had a major influence on how my creative brain works.
Q: If you weren't writing a Superman book, and having already written some Teen Titans and Batgirl, which other character or characters would you like to tackle? And why?
Brian: Fantastic Four. Doctor Strange. Young Justice. A Damian Wayne book. Zatanna.
Q: How much collaboration goes on between you and the artists in terms of story, breakdowns, etc.?
Brian: There's naturally lots of design work and back and forth on art in general, but as far as story goes, I try to give the artist as thorough a blueprint for the page as possible. Very detailed scripts. It's the TV writer in me - when an episode is being produced, you always walk through every inch of the script with every department to make sure the vision for the script is maintained.
Q: How well do you feel the book has succeeded in terms of staying true to how the show was written?
Smallville: Season 11 #9 Brian: In spots, pretty true. In other spots, I can get a little lost in banter and chatter. Believe me, I ALWAYS have to cut a ton of off-point or irrelevant conversation before I turn in a script. So it's not as "me" as it COULD be. Process-wise, I absolutely still approach every story like we did on the show. I write the outline the same, and even write the scripts in the same way - then I rewrite them to fit comic format.
Q: We are, to be perfectly frank, a bit baffled by the Tess-Lex-consciousness storyline, in part because it has not (yet?) become much of a focus of the story overall. Have you done any particular research to inform this material?
Brian: Frankly, I'm not quite sure where I'd do research on fake-science, beyond drawing on rules and technologies previously presented in the show.
Q: The television show was deeply indebted specifically to the Donner Superman films. How indebted do you feel to previous incarnations of the character? Is there a particular stage in his history that you tend to gravitate to most?
Brian: I grew up on the Donner era, then the Animated Series. While staying as loyal as I can be to the progression to Clark from "Smallville", there will undoubtedly be nods to both [Richard] Donner and [Bruce] Timm in the comic.
Q: We've complained a bit in our reviews that the text labels identifying various characters seem not to be wholly consistent in their application, seeming to focus especially on Chloe and Oliver. How are the decisions made to include or not to include these labels in any given scene?
Brian: The challenge is the week-to-week vs. the monthly. We don't get to do 2 separate lettering passes for each format. Seeing as how not only every month, but every WEEK could be someone's first read, it's hard to not label as much as possible.
Q: Though we expect you can't answer this, we're going to ask it anyway: Is Season 12 on the eventual horizon?
Brian: I'm so steeped in the vast expanse of Season 11 that I can't even think about the horizon right now. We've got miles to go before we sleep.
Q: How would you sum up your vision of what "Smallville: Season 11" is all about, from a thematic perspective?
Brian: Growing up and finding a way to face the world with a smile on your face and a cape on your back. Realizing that, even though the weight of the world is on your shoulders, you're never as alone as you think.
Q: How important is the Lois and Clark relationship to the direction your stories are going to take?
Brian: Vital. Their relationship (as it became in the latter seasons of the series) is the heart and soul of the book.
Q: We all know the television show ended on a kind of coda that vaulted us ahead seven years, where we see Lois and Clark on the day that they will presumably actually get married. In that context, what was the thinking behind opening "Detective" with Lois and Clark in the Fortress, having just separated them at the end of "Guardian," which seemed geared to establish why it would have taken those additional seven years for them finally to come together?
Brian: My concern isn't the 7 year delay - it's the immediate season. Having them find a way to be together in the wake of Lex's subterfuge casts an interesting light on how Clark and Lana (when faced with similar villainy) handled their version of that dilemma. Says a lot about the nature of their relationship, as well as Clark and Lois' current relationship. If you really believe in something, you find a way to make it work. That's what Clark and Lois are doing here.
Q: The fight between Batman and Superman. Any plans to resolve this beyond the standard "fight then team up" trope - as in, at least to explain what was going on in Batman's head that he thought attacking Superman was necessary?
Brian: Not sure that it really needs further resolution. He intended to interrogate Bruno, but had two back-up plans in the event that Supes showed up. 1 - red sun projector (which he's been carrying around since Superman went public). 2 - Nightwing in the wings to grab Bruno in the event that Batman had to keep Superman busy. If Superman shows, Batman will keep him busy while Nightwing makes a play for Bruno. He knew he could never take him. As he says in the book, it's all about misdirection, about keeping Superman busy. Batman, in the end, however, underestimated both the Man of Steel's powers and, furthermore, his willingness to help.
http://www.supermanhomepage.com/comics/ ... _bqmiller1
Por Marc Pritchard, 19 de Octubre del 2012
Q: How did you get your start as a writer and how did that lead to writing for "Smallville"?
Brian: Creative Writing minor in undergrad, then screenwriting in Grad school as a base. Lots of short stories as I was growing up. Went to grad school for feature writing, then became familiar with writing for television. Regarding making my way onto the show, I landed an internship while in grad school with Tollin/Robins productions (who produced "Smallville" & "Varisty Blues", among other things). I asked for placement on the show so I could see how a series worked first-hand. Did my time as an unpaid intern there for 2 seasons, then was asked to step up into an assistant role on the show. While working at the assistant desk, I applied and was accepted into the WB Writers' Workshop, which helped me to polish and primp and get ready to enter the workforce as a writer proper. There was an opening on the show for Season 8... and here we are!
Q: What are your principal, non-comic-book literary influences?
Brian: Anything with whimsy, for starters. Beyond that, "Hitchhiker's Guide" and "Cuckoo's Nest" were two books that had a major influence on how my creative brain works.
Q: If you weren't writing a Superman book, and having already written some Teen Titans and Batgirl, which other character or characters would you like to tackle? And why?
Brian: Fantastic Four. Doctor Strange. Young Justice. A Damian Wayne book. Zatanna.
Q: How much collaboration goes on between you and the artists in terms of story, breakdowns, etc.?
Brian: There's naturally lots of design work and back and forth on art in general, but as far as story goes, I try to give the artist as thorough a blueprint for the page as possible. Very detailed scripts. It's the TV writer in me - when an episode is being produced, you always walk through every inch of the script with every department to make sure the vision for the script is maintained.
Q: How well do you feel the book has succeeded in terms of staying true to how the show was written?
Smallville: Season 11 #9 Brian: In spots, pretty true. In other spots, I can get a little lost in banter and chatter. Believe me, I ALWAYS have to cut a ton of off-point or irrelevant conversation before I turn in a script. So it's not as "me" as it COULD be. Process-wise, I absolutely still approach every story like we did on the show. I write the outline the same, and even write the scripts in the same way - then I rewrite them to fit comic format.
Q: We are, to be perfectly frank, a bit baffled by the Tess-Lex-consciousness storyline, in part because it has not (yet?) become much of a focus of the story overall. Have you done any particular research to inform this material?
Brian: Frankly, I'm not quite sure where I'd do research on fake-science, beyond drawing on rules and technologies previously presented in the show.
Q: The television show was deeply indebted specifically to the Donner Superman films. How indebted do you feel to previous incarnations of the character? Is there a particular stage in his history that you tend to gravitate to most?
Brian: I grew up on the Donner era, then the Animated Series. While staying as loyal as I can be to the progression to Clark from "Smallville", there will undoubtedly be nods to both [Richard] Donner and [Bruce] Timm in the comic.
Q: We've complained a bit in our reviews that the text labels identifying various characters seem not to be wholly consistent in their application, seeming to focus especially on Chloe and Oliver. How are the decisions made to include or not to include these labels in any given scene?
Brian: The challenge is the week-to-week vs. the monthly. We don't get to do 2 separate lettering passes for each format. Seeing as how not only every month, but every WEEK could be someone's first read, it's hard to not label as much as possible.
Q: Though we expect you can't answer this, we're going to ask it anyway: Is Season 12 on the eventual horizon?
Brian: I'm so steeped in the vast expanse of Season 11 that I can't even think about the horizon right now. We've got miles to go before we sleep.
Q: How would you sum up your vision of what "Smallville: Season 11" is all about, from a thematic perspective?
Brian: Growing up and finding a way to face the world with a smile on your face and a cape on your back. Realizing that, even though the weight of the world is on your shoulders, you're never as alone as you think.
Q: How important is the Lois and Clark relationship to the direction your stories are going to take?
Brian: Vital. Their relationship (as it became in the latter seasons of the series) is the heart and soul of the book.
Q: We all know the television show ended on a kind of coda that vaulted us ahead seven years, where we see Lois and Clark on the day that they will presumably actually get married. In that context, what was the thinking behind opening "Detective" with Lois and Clark in the Fortress, having just separated them at the end of "Guardian," which seemed geared to establish why it would have taken those additional seven years for them finally to come together?
Brian: My concern isn't the 7 year delay - it's the immediate season. Having them find a way to be together in the wake of Lex's subterfuge casts an interesting light on how Clark and Lana (when faced with similar villainy) handled their version of that dilemma. Says a lot about the nature of their relationship, as well as Clark and Lois' current relationship. If you really believe in something, you find a way to make it work. That's what Clark and Lois are doing here.
Q: The fight between Batman and Superman. Any plans to resolve this beyond the standard "fight then team up" trope - as in, at least to explain what was going on in Batman's head that he thought attacking Superman was necessary?
Brian: Not sure that it really needs further resolution. He intended to interrogate Bruno, but had two back-up plans in the event that Supes showed up. 1 - red sun projector (which he's been carrying around since Superman went public). 2 - Nightwing in the wings to grab Bruno in the event that Batman had to keep Superman busy. If Superman shows, Batman will keep him busy while Nightwing makes a play for Bruno. He knew he could never take him. As he says in the book, it's all about misdirection, about keeping Superman busy. Batman, in the end, however, underestimated both the Man of Steel's powers and, furthermore, his willingness to help.
http://www.supermanhomepage.com/comics/ ... _bqmiller1
¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!
-
heli
- Lionel Luthor
- Mensajes: 138
- Registrado: Mar Mar 06, 2007 11:56 pm
- Ubicación: entre Asturias y Smallville
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
leido el comic 17 y sigo en mis trece de que este batman parece un caballero medieval, ¿que hace Bruce Wayne con una cota de malla en la cabeza? jaja
"Unos pueden leer Guerra y Paz y cerrar el libro creyendo que han leído una novela de aventuras, otros pueden leer los ingredientes de una pastilla de chicle y descifrar los secretos del universo"
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
- Portada y detalles del número #10 de la Smallville Season 11:
SMALLVILLE SEASON 11 #10 "Haunted"
Escrito por BRYAN Q. MILLER
Artes de JORGE JIMENEZ
Portada de SCOTT KOLINS
A la venta el 6 de FEBRERO • 40 pg, FC, $3.99 US • RATED T
• ¡La primera vez impresa para estas aventuras!
• Superman corre para encontrar respuestas a medida que unas misteriosas "tormentas" empiezan a producirse por todo el planeta.
• Lex le da a Tess un ultimátum: Revelar todo lo que sabe sobre el Hombre de Acero, o enfrentarse al olvido.
http://www.dccomics.com/comics/smallvil ... ason-11-10
SMALLVILLE SEASON 11 #10 "Haunted"
Escrito por BRYAN Q. MILLER
Artes de JORGE JIMENEZ
Portada de SCOTT KOLINS
A la venta el 6 de FEBRERO • 40 pg, FC, $3.99 US • RATED T
• ¡La primera vez impresa para estas aventuras!
• Superman corre para encontrar respuestas a medida que unas misteriosas "tormentas" empiezan a producirse por todo el planeta.
• Lex le da a Tess un ultimátum: Revelar todo lo que sabe sobre el Hombre de Acero, o enfrentarse al olvido.
http://www.dccomics.com/comics/smallvil ... ason-11-10
¡¡¡¡AY, OMÁ QUÉ CALORES!!!! ¡Gracias por tu regalo, Nitta!
-
heli
- Lionel Luthor
- Mensajes: 138
- Registrado: Mar Mar 06, 2007 11:56 pm
- Ubicación: entre Asturias y Smallville
Re: SV S11: ¡¡¡Smallville se Publica Como una Novela Gráfica
muy buenos los Nºs 18 y 19! me ha sorprendido la aparición de Mr. Freeze y el final del 19 deja incognita jejjee
"Unos pueden leer Guerra y Paz y cerrar el libro creyendo que han leído una novela de aventuras, otros pueden leer los ingredientes de una pastilla de chicle y descifrar los secretos del universo"